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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Head On Fire
Non classifié
6
Piano & claviers
Piano, Voix
10
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7
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2
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2
1 Piano, 4 mains
1
Guitares
Voix
Chorale SATB
7
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3
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2
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1
Chorale SSATTB
1
Vents
Flute, harpe et violon
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trompette
1
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1
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Quatuor à cordes: 2 violons, alto, violoncelle
1
Violon
1
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1
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6
Fanfare
1
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1
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1
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OUD
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Head On Fire
Partitions à imprimer
60 partitions trouvées
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Fireman's Song
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Chorale SATB
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John Smith
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Fireman's Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11460 Composed by John Smith. Bedrooms, Firefighters, Children, Windows, Fires, Smoke, Rescues. Lester ...
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Piano and voice (solo and SATB chorus) - SKU: LV.11460 Composed by John Smith. Bedrooms, Firefighters, Children, Windows, Fires, Smoke, Rescues. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11460). Fireman's Song. Composed by John Smith. Published 1839 by Parker & Ditson, 135 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Bedrooms, Firefighters, Children, Windows, Fires, Smoke, Rescues. First line reads The sailor at sea, and the soldier on land, have glory awarded by fame's gilded hand.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Battle of Prague. For Two Performers on One Piano Forte
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1 Piano, 4 mains
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Mr
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The Battle of Prague. For Two
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano, 4-hands - SKU: LV.14110 Composed by Mr. Kotzwara. Fires, Daggers & swords, Drums, Soldiers, Death, Horses, Firearms, Flags, Bayonets, Campaigns &...
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Piano, 4-hands - SKU: LV.14110 Composed by Mr. Kotzwara. Fires, Daggers & swords, Drums, Soldiers, Death, Horses, Firearms, Flags, Bayonets, Campaigns & battles. Lester S. Levy Collection. 15 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14110). The Battle of Prague. For Two Performers on One Piano Forte. Composed by Mr. Kotzwara. Published [n.d.] by A & W. Geib, 23 Maiden Lane in New York. Composition of sectional, with programmatic headings (e.g., Word of Command, The Bugle Horn Call for the Cavalry, etc.) [slight discrepancies in headings, e.g., final heading Go to bed Tom, and Go to bed Home with piano four-hands Lithographer, engraver, artist Eng. by J.L. Frederick Phila. instrumentation. Subject headings for this piece include Fires, Daggers & swords, Drums, Soldiers, Death, Horses, Firearms, Flags, Bayonets, Campaigns & battles. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Only a Fireman's Girl. Descriptive Song & Chorus
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Piano, Voix
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Walter A
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Only a Fireman's Girl. Descrip
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.11636 Composed by Walter A. Phillips. Flowers, Courtship, Love, Firefighters, Floods, Rescues, Fathers & children. Lester S. L...
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Piano and voice - SKU: LV.11636 Composed by Walter A. Phillips. Flowers, Courtship, Love, Firefighters, Floods, Rescues, Fathers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11636). Only a Fireman's Girl. Descriptive Song & Chorus. Words by Morris Abell. Music by Walter A. Phillips. Published 1897 by Howley, Haviland & Co., 4 East 20th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Flowers, Courtship, Love, Firefighters, Floods, Rescues, Fathers & children. First line reads The headlight shone bright thro' the darkness, as the train thunders on o'er the rail.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Battle of Prague for Two Performers on One Piano Forte
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Piano seul
#
The Battle of Prague for Two P
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.20990 Campaigns & battles, Firearms, Daggers & swords, Fire, War casualties. Lester S. Levy Collection. 15 pages. Published by Johns Hop...
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Piano - SKU: LV.20990 Campaigns & battles, Firearms, Daggers & swords, Fire, War casualties. Lester S. Levy Collection. 15 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20990). The Battle of Prague for Two Performers on One Piano Forte. n. Published [n.d.] by in New York. Composition of sectional, with descriptive captions (e.g., Word of Command, and Answer to Signal Cannon) with piano instrumentation. Subject headings for this piece include Campaigns & battles, Firearms, Daggers & swords, Fire, War casualties. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Smoke On The Water
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Deep Purple
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Keith Terrett
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Smoke On The Water
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1337989 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Keith Terr...
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Concert Band - Level 3 - SKU: A0.1337989 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Keith Terrett. 20th Century,Contemporary,Pop,Rock. 60 pages. Keith Terrett #923737. Published by Keith Terrett (A0.1337989). An arrangement of the famous Smoke on the Water for Concert/Wind Band.Smoke on the Water is a song by English rock band Deep Purple, released on their 1972 studio album Machine Head. The song's lyrics are based on true events, chronicling the 1971 fire at Montreux Casino. It is considered the band's signature song and contains one of the most recognizable guitar riffs in rock history.In 2004, Rolling Stone magazine placed Smoke on the Water number 434 on its list of the 500 Greatest Songs of All Time. Total Guitar magazine ranked the song's riff number 4 on its Greatest Guitar Riffs Ever list, and in March 2005, Q magazine placed it at number 12 in its list of the 100 greatest guitar tracks.Smoke on the Water is easily identified by its central theme, developed by guitarist Ritchie Blackmore. It is a four-note blues scale melody in G minor,[8] harmonised in parallel fourths. The riff, played on a Fender Stratocaster electric guitar by Blackmore, is later joined by hi-hat and distorted organ, then the rest of the drums, then electric bass parts before the start of Ian Gillan's vocal.Blackmore later claimed that the main riff is an interpretation of inversion of Symphony No. 5 by Ludwig van Beethoven, and that I owe him a lot of money.Jon Lord doubles the guitar part on a Hammond C3 organ played through a distorted Marshall amp, creating a tone very similar to that of the guitar. Blackmore usually plays the main riff using a finger pluck.The lyrics tell a true story: on 4 December 1971, Deep Purple were in Montreux, Switzerland, to record an album (Machine Head) using a mobile recording studio (rented from the Rolling Stones and known as the Rolling Stones Mobile Studio—referred to as the Rolling truck Stones thing and a mobile in the lyrics) at the entertainment complex that was part of the Montreux Casino (referred to as the gambling house in the song lyric).
$49.99
Lost on the Steamer "Stonewall." Mamma! Why Don't Papa Come Home
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Chorale SATB
#
G
#
Lost on the Steamer "Ston
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11731 Composed by G.W. Brown. Marine accidents, Fires, Parlors, Birdcages, Fireplaces, Clocks & watches...
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Piano and voice (solo and SATB chorus) - SKU: LV.11731 Composed by G.W. Brown. Marine accidents, Fires, Parlors, Birdcages, Fireplaces, Clocks & watches, Death, Mothers & children, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11731). Lost on the Steamer Stonewall. Mamma! Why Don't Papa Come Home. Words by J. Murphy. Music by G.W. Brown. Published 1869 by Balmer & Weber, No. 206 Fifth Street in St. Louis. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Marine accidents, Fires, Parlors, Birdcages, Fireplaces, Clocks & watches, Death, Mothers & children, Heaven. First line reads Mamma! why don't Papa come home? why does he stay away?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Head On Fire
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Chorale SATB
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FACILE
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Griff & Sigrid
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Rob Dietz
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Head On Fire
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Rob Dietz
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.1191088 By Griff & Sigrid. By Joseph Rubel, Sarah Griffiths, Sarah-faith Griffiths, and Sigrid Raabe. Arr...
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Choral Choir (SATB divisi) - Level 2 - SKU: A0.1191088 By Griff & Sigrid. By Joseph Rubel, Sarah Griffiths, Sarah-faith Griffiths, and Sigrid Raabe. Arranged by Rob Dietz. A Cappella,Contemporary,Pop. Octavo. 10 pages. Rob Dietz #790604. Published by Rob Dietz (A0.1191088). Contemporary A Cappella Arrangement. SSAATBB + Solo and Vocal Percussion.
$5.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Nat Cole With N
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Chris Rinaman
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The Christmas Song
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CGR Music Service
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.844229 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Rinaman. Christmas,Contempor...
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Full Orchestra - Level 4 - SKU: A0.844229 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Rinaman. Christmas,Contemporary,Holiday. Score and parts. 54 pages. CGR Music Service #6630971. Published by CGR Music Service (A0.844229). An original arrangement of the holiday classic for full orchestra and male vocal in the key of C, modulating to Db.  Can be performed with or without the optional rhythm section (piano, electric bass and drum set) giving your orchestra some flexibility in programming this arrangement.  Visit www.chrisrinaman.com for more information on the arrangements and compositions of Chris Rinaman.   As a composer, arranger and orchestrator, Chris's work encompasses big band writing, orchestral arranging and film composition. In 2002, while working as an assistant to Academy Award-winning film composer Howard Shore, Chris Rinaman was the head score consultant for the world premiere of The Fellowship of the Ring for Symphony Orchestra and Chorus at the Hollywood Bowl. He has created orchestral and big band arrangements for many talented vocalists, including Deana Martin, Micheal Castaldo, William Michals, and Allan Harris.  His string arrangements can be heard on the 2016 PBS special, Giada Valenti:  From Venice With Love.
$80.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Christmas Song (chestnuts Roasting On An Open Fire)
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Piano seul
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INTERMÉDIAIRE
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King Cole Trio
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Justin K
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The Christmas Song
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Justin Kenlon Reeve
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1195434 By King Cole Trio. By Mel Torme and Robert Wells. Arranged by Justin K. Reeve. Christmas,Classical,Holiday,New Ag...
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Piano Solo - Level 3 - SKU: A0.1195434 By King Cole Trio. By Mel Torme and Robert Wells. Arranged by Justin K. Reeve. Christmas,Classical,Holiday,New Age,Traditional. Score. 3 pages. Justin Kenlon Reeve #794604. Published by Justin Kenlon Reeve (A0.1195434). The Christmas Song, also know as Chestnuts Roasting on an Open Fire was composed by Mel Tormé and Bob Wells in 1944, incidentally during a hot summer. The most popular recording of this song was recorded by Nat King Cole in 1946. The descriptive language of the song is poignant and something anyone can identify with during the Christmas season -- carolers, people bundled up in warm clothing, and children, with innocent magical imagery dancing around in their heads, anxiously watching for Santa and his reindeer on Christmas Eve.
$4.99
Fireflies
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Pop musique
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Zendaya
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David Whitaker
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Fireflies
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David Whitaker
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SheetMusicPlus
Alto Voice,Drums,Mezzo-Soprano Voice,Piano,Synthesizer,Tenor Voice - Level 3 - SKU: A0.1492470 By Zendaya. By Andrew Phillip Scott, Dawn Richard, and Ha...
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Alto Voice,Drums,Mezzo-Soprano Voice,Piano,Synthesizer,Tenor Voice - Level 3 - SKU: A0.1492470 By Zendaya. By Andrew Phillip Scott, Dawn Richard, and Harmony Samuels. Arranged by David Whitaker. Pop. 47 pages. David Whitaker #1069146. Published by David Whitaker (A0.1492470). Fireflies by Zendaya. This score was arranged by David Whitaker, and is the fourth and final version of this arrangement. Parts included: Soprano, Mezzo-Soprano (2), Alto (2), and Tenor (Vocals), Atmosphere Synthesizer, Saw Synthesizer, Piano, Effect Synthesizer, Bass Synthesizer, Handclap, and Drumset.This score is now available for purchase on SheetMusicPlus.com and/or SheetMusicDirect.com. Just search up “David Whitaker (Song Name)” and it will pop up. To view other arrangements, head over to our Youtube Channel “David Whitaker ICMFY”. There you can browse through all the music we currently have to offer. Thank you for your support and stay tuned for more coming soon!
$30.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Christina Aguilera
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Glenn Broadhead
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The Christmas Song
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Four Mile Music LLC
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1280473 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Glenn Broadhead. Christmas,Jazz. 15 pages. Four Mil...
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Guitar - Level 3 - SKU: A0.1280473 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Glenn Broadhead. Christmas,Jazz. 15 pages. Four Mile Music LLC #871881. Published by Four Mile Music LLC (A0.1280473). The Christmas favorite is here scored for five guitars as part of The Gene Bertoncini Collection for Guitar Ensemble, as arranged for the maestro by Glenn Broadhead.
$9.99
This Fire
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Piano seul
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FACILE
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Franz Ferdinand
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AJ Tan
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This Fire
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AJTanPiano
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1116608 By Franz Ferdinand. By Alex Kapranos and Nick McCarthy. Arranged by AJ Tan. Film/TV,New Age,Pop,Rock. Score. 2 pa...
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Piano Solo - Level 2 - SKU: A0.1116608 By Franz Ferdinand. By Alex Kapranos and Nick McCarthy. Arranged by AJ Tan. Film/TV,New Age,Pop,Rock. Score. 2 pages. AJTanPiano #718262. Published by AJTanPiano (A0.1116608). This arrangement is based on the version played on Cyberpunk: Edgerunners during opening credit. It could be an excellent song choice to practice syncopated rhythm and block chords. Suitable for Grade 1 to 3 level learning.Note: You may omit the small headnote notes for easy playing.
$4.99
The Old Camp Kettle That Hung on the Pole. Song & Chorus
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Chorale SATB
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C
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The Old Camp Kettle That Hung
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4941 Composed by C. I. Adkins. Fire, Military life, Nostalgia. Lester S. Levy Collection. 4 pages. Publ...
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Piano and voice (solo and SATB chorus) - SKU: LV.4941 Composed by C. I. Adkins. Fire, Military life, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4941). The Old Camp Kettle That Hung on the Pole. Song & Chorus. Words & Music by C.I. Adkins. Published 1883 by John Church & Co. in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Fire, Military life, Nostalgia. First line reads O the old camp kettle its joy was to boil for the comrades in camp or at military toil.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
What a Little Smoke Will Do (Consequences). Funniest Song on the Stage Today
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Piano, Voix
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Aubrey Stauffer and Al G
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Aubrey Stauffer & Al G
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What a Little Smoke Will Do
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.24069 Composed by Aubrey Stauffer & Al G. Coney. Fireplaces, Clocks & watches, Chairs, Smoking, Cigars, Tobacco habits, Conten...
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Piano and voice - SKU: LV.24069 Composed by Aubrey Stauffer & Al G. Coney. Fireplaces, Clocks & watches, Chairs, Smoking, Cigars, Tobacco habits, Contentment, Courtship, Alcoholic beverages, Vice. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24069). What a Little Smoke Will Do (Consequences). Funniest Song on the Stage Today. By Aubrey Stauffer and Al G. Coney. Published 1907 by Will Rossiter Music Publishing in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fireplaces, Clocks & watches, Chairs, Smoking, Cigars, Tobacco habits, Contentment, Courtship, Alcoholic beverages, Vice. First line reads Give me a pipe and let me smoke, I'll drive away my sorrow.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Shadows on the Floor. Song and Chorus
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Piano, Voix
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Henry Clay Work
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Shadows on the Floor. Song and
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4500 Composed by Henry Clay Work. Dwellings, Interiors, Tables, Candles, Fireplaces, Skeletons, Poor persons, Fathers & childr...
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Piano and voice - SKU: LV.4500 Composed by Henry Clay Work. Dwellings, Interiors, Tables, Candles, Fireplaces, Skeletons, Poor persons, Fathers & children, Biblical references, Unemployed. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4500). Shadows on the Floor. Song and Chorus. Words and Music by Henry C. Work. Published 1877 by Willis, Woodward & Co. in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Dwellings, Interiors, Tables, Candles, Fireplaces, Skeletons, Poor persons, Fathers & children, Biblical references, Unemployed. First line reads Saturday night! Saturday night! The last hope that lingered has taken its flight.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Anthem for Sacred Youth Choir - "Go Make A Difference"
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Chorale 3 parties
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FACILE
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Steve Angrisano and Tom Tomasz
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Kenneth Martin
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Anthem for Sacred Youth Choir
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Martin Music Editions
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SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1412590 By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth...
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Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1412590 By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth Martin. Contemporary,Contest,Festival,Instructional,Praise & Worship,Spiritual. 11 pages. Martin Music Editions #994608. Published by Martin Music Editions (A0.1412590). Get ready to ignite the stage with an electrifying rendition of Go Make A Difference, a dynamic arrangement originally crafted by the talented duo of Steve Angrisano and Tom Tomaszek. Now reimagined for sacred youth choirs, this rendition is a firecracker of energy and inspiration, perfect for those momentous occasions like Baccalaureate or Commencement ceremonies.Tailored specifically for SAB voicing, this arrangement is a breeze to prepare, allowing singers to dive headfirst into its infectious rhythms and uplifting harmonies. With choruses that reverberate with hope and determination, there's ample room for singers to pour their hearts into each phrase, fostering deep connections with the empowering message.The piano accompaniment is a driving force, crafted with the intermediate student accompanist in mind. It pulses with energy, propelling the choir forward while providing a sturdy foundation for the voices to soar.Based on the timeless wisdom of Matthew 5:13–16, the text of Go Make A Difference is a beacon of light in a world hungry for hope. Its words resonate particularly strongly with youth voices, inspiring them to rise to the occasion and be the change they wish to see.But here's where things truly get exciting: soloists take center stage during the verses and final chorus, infusing their unique talents into the performance. And when the breakdown section hits, complete with hand claps, the energy skyrockets, turning the performance into a celebration of passion and purpose.Directors, let your creativity run wild with this arrangement. Use it as a canvas for improvisation, exploring different vocal textures and dynamics. Whether you stick to the script or venture into uncharted musical territory, the possibilities are as limitless as the stars in the sky.With its pulsating energy, empowering message, and unwavering faith, this arrangement of Go Make A Difference is not just a song—it's a call to action. So grab your choir robes, raise your voices, and get ready to set the world on fire with your music!
$2.10
The Warlock's Tower
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Orchestre d'harmonie
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FACILE
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Nicolas Smith
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The Warlock's Tower
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T.U.X. People's Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1431933 Composed by Nicolas Smith. Contest,Festival. 60 pages. T.U.X. People's Music #1012407. Published by T.U.X. Peop...
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Concert Band - Level 2 - SKU: A0.1431933 Composed by Nicolas Smith. Contest,Festival. 60 pages. T.U.X. People's Music #1012407. Published by T.U.X. People's Music (A0.1431933). Fear not danger, but face it head on in this thrilling work! Its blocked ensemble textures and bombastic percussion make it a surefire hit for all.
$75.00
Circles
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Daniel Burwasser
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Circles
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Head and Stem Music
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SheetMusicPlus
Congas,Drum Set,Timbales,Timpani - Level 3 - SKU: A0.1488023 Composed by Daniel Burwasser. 21st Century,Contest,Festival,Latin,Multicultural,World. 42 p...
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Congas,Drum Set,Timbales,Timpani - Level 3 - SKU: A0.1488023 Composed by Daniel Burwasser. 21st Century,Contest,Festival,Latin,Multicultural,World. 42 pages. Head and Stem Music #1064910. Published by Head and Stem Music (A0.1488023). NOTES on CirclesCircles, for drum quartet, was partly inspired by Latin rock and funk bands such as Santana, Earth, Wind and Fire and Afro-Latin infused groups that were particularly prominent during the 1970s. This work explores the rhythmical intricacies and interplay of that music and in part represents a synthesis of what the composer heard in his youth. Circles is made up of a chain of diverse dance beats or grooves, some of which are heard multiple times in the piece. These grooves feature timbales and congas solos that often trade off with each other. The timpani provide bass lines and the drum set functions as the centerpiece supplying different backbeat rhythms throughout.--NYC, July, 2024Instrumentation:TimbalesDrum setCongas4 Timpani You can contact the composer directly at: danielburwasser9@gmail.comWebsite: https://www.danielburwasser.com/Youtube channel: https://www.youtube.com/channel/UCrCnkSRO-XOjUu7bMB8tzCg?view_as=subscriber
$15.00
Reasons
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Fanfare
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FACILE
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Earth Wind and Fire
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David Whitaker
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Reasons
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David Whitaker
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SheetMusicPlus
Marching Band - Level 2 - SKU: A0.1454609 By Earth Wind and Fire. By Charles Stepney, Maurice White, and Philip Bailey. Arranged by David Whitaker. Funk...
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Marching Band - Level 2 - SKU: A0.1454609 By Earth Wind and Fire. By Charles Stepney, Maurice White, and Philip Bailey. Arranged by David Whitaker. Funk,R & B. 21 pages. David Whitaker #1033710. Published by David Whitaker (A0.1454609). Reasons by Earth, Wind, and Fire. This is for the Wilson Prep Band. Parts included: Piccolo, Clarinet in Bb, Alto Sax, Tenor Sax, Horn in F, Trumpet in Bb, Trombone, Euphonium (2), and Tuba.This score is now available for purchase on SheetMusicPlus.com and/or SheetMusicDirect.com. Just search up “David Whitaker (Song Name)” and it will pop up. To view other arrangements, head over to our Youtube Channel “David Whitaker ICMFY”. There you can browse through all the music we currently have to offer. Thank you for your support and stay tuned for more coming soon!
$50.00
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