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Vous avez sélectionné:
Heard a Word
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
6 partitions trouvées
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It Had to Be You
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorusâ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
12.12 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
El Condor Pasa (If I Could)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
13.99 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Daniel Alomia Robles, Jorge Milchberg, and Paul Simon
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Chorale Prelude on Kingsfold - Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1356210 Composed by Richard E Br…
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Brass Quintet - Level 3 - Digital Download SKU: A0.1356210 Composed by Richard E Brown. Chamber,Praise & Worship. 13 pages. Dacker Music #940881. Published by Dacker Music (A0.1356210). Possibly dating from the Middle Ages, this English folk tune was first published with secular lyrics in English County Songs, an anthology compiled in 1893. It was first introduced as a hymn tune in The English Hymnal of 1906 set to the words of Horatius Bonarâs âI Heard the Voice of Jesus Say.â It is also commonly sung to Louis Bensonâs Christmas carol O Sing a Song of Bethlehem and Fred Pratt Green's Passion hymn To Mock Your Reign, O Dearest Lord. The tune is named for the English town of Kingsfold. Grade 3+ - Duration 2:40.
$10.00
9.33 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Richard E Brown
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Chorale Prelude on Kingsfold - Brass Quintet
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Dacker Music
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SheetMusicPlus
Spring from "The Four Seasons" for Trombone Quintet from iTromboni
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Trombone Quintet Ensemble - Advanced - Digital Download Composed by Antonio Vivaldi (…
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Trombone Quintet Ensemble - Advanced - Digital Download Composed by Antonio Vivaldi (1678-1741). Arranged by Kenneth Pearce. Classical Period, Baroque Period. Score, Set of Parts. 30 pages. Published by Cherry Classics Music
Spring has sprung! Few words bring more happiness and optimism. The simple changing of one season to another has inspired some of the most famous classical music of all-time - Antonio Vivaldis set of four concertos, The Four Seasons.<br> <br> iTromboni alumnus, Kenneth Pearce, has masterfully arranged the 1st movement of Spring (La Primavera) for trombone quintet complete with all the sparkle of the original. As each of The Four Seasons concertos originally came with a short sonnet, Ken has included some of these word cues in the score and parts so you too can celebrate while playing along to the birds song, the murmuring stream, and the crashing thunderstorm.<br> <br> This 3 ½ minute Italian gem is sure to delight listeners and is suitable for advanced performers. <br> <br> This arrangement of Spring (La Primavera) can be heard below as a sample and in its entirety on iTrombonis debut album: there goes the neighbourhood.
$27.50
25.65 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Antonio Vivaldi (1678-1741)
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Kenneth Pearce
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Spring from "The Four Seasons" for Trombone Quintet from iTromboni
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Cherry Classics Music
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SheetMusicPlus
The Holly and the Ivy
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score,…
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Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score, Set of Parts. 30 pages. Published by Sweetwater Brass Press (S0.175595). - Score,Set of Parts - Christian,Christmas - Sweetwater Brass Press
?The holly and the ivy/When they are both full grown/Of all the trees that are in the wood/The holly bears the crown.? So go the opening words to this cheerful, upbeat Christmas song. The lyrics appeared as broadsides in early nineteenth century Birmingham, England. The melody was first published in Cecil J. Sharp?s 1911 English Folk-Carols; on page 63 of the collection?s ?Notes on the Carols? section, Sharp wrote that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Camden." (An alternative version linked the words to a melody identified as "old French carol.") This version is a fast-moving and fun treatment of the Sharp/Clayton melody. It includes, among other things, a call-and-response variation, a running tuba solo, an alternative ?verse? tune and a countermelody section featuring ?Deck the Halls.? There are two key changes, trumpets play a couple of B-above-the-staff notes, and the time signature changes from ¾ to 4/4 near the end. Completed in 2016, this arrangement runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this one, don?t miss Les? arrangements of ?Silver Bells,? ?Jingle Bells,? ?Jolly Old St. Nicholas,? ?Up On The Housetop,? ?Deck the Halls? and many other Christmas songs and carols. Enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.53 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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English Traditional
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F
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The Holly and the Ivy
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Sweetwater Brass Press
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SheetMusicPlus
Five Foot Two (Has Anybody Seen My Gal)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. S…
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Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press
The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions.
This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns.
Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.95 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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Five Foot Two
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Sweetwater Brass Press
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SheetMusicPlus
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