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Vous avez sélectionné:
Here Am I, Send Me - Violin 2
Partitions à imprimer
14 partitions trouvées
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Here Am I, Send Me - Cello
Digital Download SKU: HX.125960 Composed by John Purifoy. Arranged by John Purifoy.…
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Digital Download SKU: HX.125960 Composed by John Purifoy. Arranged by John Purifoy. Concert,Sacred. Choral Instrumental Pak. 2 pages. Duration 190. Hal Leonard - Digital #139445. Published by Hal Leonard - Digital (HX.125960).
$7.00
6.43 €
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John Purifoy
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John Purifoy
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Here Am I, Send Me - Cello
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Hal Leonard - Digital
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SheetMusicPlus
Here Am I, Send Me - Contrabass
Contrebasse (partie séparée)
Digital Download SKU: HX.125961 Composed by John Purifoy. Arranged by John Purifoy.…
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Digital Download SKU: HX.125961 Composed by John Purifoy. Arranged by John Purifoy. Concert,Sacred. Choral Instrumental Pak. 2 pages. Duration 190. Hal Leonard - Digital #139445. Published by Hal Leonard - Digital (HX.125961).
$7.00
6.43 €
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Contrebasse (partie séparée)
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John Purifoy
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John Purifoy
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Here Am I, Send Me - Contrabass
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Hal Leonard - Digital
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SheetMusicPlus
Here Am I, Send Me - Oboe
Hautbois (partie séparée)
Digital Download SKU: HX.125956 Composed by John Purifoy. Arranged by John Purifoy.…
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Digital Download SKU: HX.125956 Composed by John Purifoy. Arranged by John Purifoy. Concert,Sacred. Choral Instrumental Pak. 2 pages. Duration 190. Hal Leonard - Digital #139445. Published by Hal Leonard - Digital (HX.125956).
$7.00
6.43 €
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Hautbois (partie séparée)
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John Purifoy
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John Purifoy
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Here Am I, Send Me - Oboe
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Hal Leonard - Digital
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SheetMusicPlus
Here Am I, Send Me - Flute
Flute (partie séparée)
Digital Download SKU: HX.125955 Composed by John Purifoy. Arranged by John Purifoy.…
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Digital Download SKU: HX.125955 Composed by John Purifoy. Arranged by John Purifoy. Concert,Sacred. Choral Instrumental Pak. 2 pages. Duration 190. Hal Leonard - Digital #139445. Published by Hal Leonard - Digital (HX.125955).
$7.00
6.43 €
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Flute (partie séparée)
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John Purifoy
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John Purifoy
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Here Am I, Send Me - Flute
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Hal Leonard - Digital
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SheetMusicPlus
Here Am I, Send Me - Viola
Alto (partie séparée)
Digital Download SKU: HX.125959 Composed by John Purifoy. Arranged by John Purifoy.…
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Digital Download SKU: HX.125959 Composed by John Purifoy. Arranged by John Purifoy. Concert,Sacred. Choral Instrumental Pak. 2 pages. Duration 190. Hal Leonard - Digital #139445. Published by Hal Leonard - Digital (HX.125959).
$7.00
6.43 €
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Alto (partie séparée)
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John Purifoy
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John Purifoy
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Here Am I, Send Me - Viola
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Hal Leonard - Digital
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SheetMusicPlus
Here Am I, Lord, Send Me
Chorale 2 parties
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.940339 Composed by Alan Deyt…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.940339 Composed by Alan Deyton. Christian,Sacred. Octavo. 4 pages. Alan Deyton #3106069. Published by Alan Deyton (A0.940339). Taken from Isaiah, this is a hymn of surrender to God. Perfect for missions conferences. 2017 Choral Contest Entry
$2.50
2.3 €
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Chorale 2 parties
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Alan Deyton
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Here Am I, Lord, Send Me
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Alan Deyton
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SheetMusicPlus
Beethoven: Septet in E-flat Major - Woodwind Quintet, Mvmt. 2, Adagio cantabile
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.74…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.747388 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Instructional,Romantic Period. Score and parts. 20 pages. Darrell Harrison Goforth #707861. Published by Darrell Harrison Goforth (A0.747388). Written in 1800, the Septet in E-flat Major has long been a staple of the chamber music literature. I have set it here in an arrangement for Woodwind Quintet which, I think, captures the essence of the original and preserves the unique sound of Beethoven. Because of its length (about 45 minutes), I am presenting it here as separate movements. The entire piece can be heard on my YouTube channel at: https://www.youtube.com/user/dgoforth2 . If you would like to purchase the entire 6 movements, please email me at dgoforth2@comcast.net and I will send it to you. Each individual movement can be seen at my Facebook page: https://www.facebook.com/goforthmusic/ Questions and comments are welcome at my email.
$9.99
9.18 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Darrell Goforth
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Beethoven: Septet in E-flat Major - Woodwind Quintet, Mvmt. 2, Adagio cantabile
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Darrell Harrison Goforth
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SheetMusicPlus
Waiting for Santa - Cello Duet/Cello Solo
2 Violoncelles (duo)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1374353 By Katherine L Fraser…
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.1374353 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Children,Christmas,Classical,Contest,Festival,Holiday. Score. 5 pages. Katherine L Fraser #958956. Published by Katherine L Fraser (A0.1374353). This is an instrumental version of an original Christmas/Children's song, Waiting for Santa. It may also be played as a cello solo - Part 1 has the melody throughout. Use the dynamics to make it sing. A ritardando may be added from Measures 47 to 51. Feel free to adjust the tempo to suit the event or skill level. The attached audio and video provide a better idea of tempo and dynamics. Ideal for general performance, recitals, get-togethers, and holiday events. I hope you enjoy!!!Following are the lyrics:Santa, I’ve heard the storiesOf a sleigh pulled by reindeerWho fly through the air.Santa, I’m waiting to tell youWhat I’ve been dreaming that only you’ll hear.Some kids may want a teddy bear.Some may ask you for the moon.  I’m afraid that you might laugh at me.And my turn is coming soon.  Santa, I’ve been so lonely.There’s nothing but grown-ups,And they’re not much fun.     Santa, can you send me a good friend,Someone who’ll like me just as I am?Some kids have asked for teddy bears.Some have asked you for the moon.  One kid wants a trip to Disneyland.Well, Disneyland sounds awfully good (Mickey Mouse, Donald Duck, Cinderella, Cruella…).Santa, I hope you heard me,And if you grant my wish,I’ll make you my King.
$4.99
4.58 €
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2 Violoncelles (duo)
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Katherine L Fraser
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Katherine L Fraser
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Waiting for Santa - Cello Duet/Cello Solo
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Katherine L Fraser
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.42 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Here I Am Send Me by Darlene Zschech - Leadsheet
Ligne De Mélodie, (Paroles) et Accords
Performed by: Darlene Zschech: Here I Am Send Me Digital Sheetmusic plus an interactive, d…
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Performed by: Darlene Zschech: Here I Am Send Me Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 2 pages -- CCM~~Christian~~Praise & Worship~~Religious~~Gospel
$2.99
2.75 €
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Ligne De Mélodie, (Paroles) et Accords
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Darlene Zschech
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Leadsheet
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Musicnotes
50 Favorite Hymns Piano Accompaniment Tracks
Piano seul
Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,…
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Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.
$9.97
9.16 €
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Piano seul
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Chris Cooke
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50 Favorite Hymns Piano Accompaniment Tracks
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Chris Cooke
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SheetMusicPlus
Jesus: Prophecy Fulfilled (for Solos and SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.612301 Composed by Stephen…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.612301 Composed by Stephen DeCesare. Christian,Christmas,Easter,Sacred. Octavo. 131 pages. Exultet Music #4297697. Published by Exultet Music (A0.612301). This collection of songs for solos, SATB with Piano accompaniment are all based on the Gospel of Matthew. Performed in a variety of styles (Contemporary Christian, Praise and Worship, Folk, etc) these pieces can be performed in its entirety or individually. These can be used in a concert form or as part as worship. Songs included: O Come Emmanuel with Let All Mortal Flesh, Prepare The Way Of The Lord, Jesus, Our Divine Companion, Take Me As I Am, Jesus Loves The Little Children, All Glory Laud and Honor with Lift High The Cross, O Sacred Head with Old Rugged Cross, Jesus Paid It All with Were You There, Jesus Christ Is Risen with Christ The Lord Is Risen, One Day, When Morning Gilds The Skies and Send Us Out. .
$25.00
22.96 €
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Chorale SATB
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Stephen DeCesare
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Jesus: Prophecy Fulfilled
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Exultet Music
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SheetMusicPlus
Jesus: Prophecy Fulfilled (for Solos and SAB)
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.612302 Composed by Stephen …
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.612302 Composed by Stephen DeCesare. Christian,Christmas,Easter,Sacred. Octavo. 128 pages. Exultet Music #4297699. Published by Exultet Music (A0.612302). This collection of songs for solos, SAB with Piano accompaniment are all based on the Gospel of Matthew. Performed in a variety of styles (Contemporary Christian, Praise and Worship, Folk, etc) these pieces can be performed in its entirety or individually. These can be used in a concert form or as part as worship. Songs included: O Come Emmanuel with Let All Mortal Flesh, Prepare The Way Of The Lord, Jesus, Our Divine Companion, Take Me As I Am, Jesus Loves The Little Children, All Glory Laud and Honor with Lift High The Cross, O Sacred Head with Old Rugged Cross, Jesus Paid It All with Were You There, Jesus Christ Is Risen with Christ The Lord Is Risen, One Day, When Morning Gilds The Skies and Send Us Out.
$25.00
22.96 €
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Chorale 3 parties
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Stephen DeCesare
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Jesus: Prophecy Fulfilled
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Exultet Music
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SheetMusicPlus
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