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Here Comes A Heartache
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Vous avez sélectionné:
Here Comes A Heartache
Partitions à imprimer
4 partitions trouvées
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Here Comes A Heartache
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Rick Moose
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Richard Mousseau
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Here Comes A Heartache
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Moose Hide Music Publishing
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1098782 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Blues,Contemporary,Country,Folk,Pop. Lead She...
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C Instrument - Level 3 - SKU: A0.1098782 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Blues,Contemporary,Country,Folk,Pop. Lead Sheet / Fake Book. 2 pages. Moose Hide Music Publishing #702636. Published by Moose Hide Music Publishing (A0.1098782). Classic Country / Country Blues. Full score available from publisher. Song available on major streaming services.
$3.00
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
French Suite No. 2 - Courante
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Johann Sebastian Bach
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Iris Kao
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French Suite No. 2 - Courante
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Iris Kao Music
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1465552 Composed by Johann Sebastian Bach. Arranged by Iris Kao. Baroque,Chamber,Classical. 7 pages. Iris K...
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String Trio Cello,Violin - Level 3 - SKU: A0.1465552 Composed by Johann Sebastian Bach. Arranged by Iris Kao. Baroque,Chamber,Classical. 7 pages. Iris Kao Music #1044119. Published by Iris Kao Music (A0.1465552). When I listen to the French Suite No. 2's Courante, my mind conjures up the image of a masquerade. The courante in its essence is a ballroom dance, and this particular dance is one of repression. Despite its lively rhythms and leaping melodies, there is a glow of heartache that still manages to shine through. Still, the dance dances on, as a proud knight would before the night of battle, knowing that tomorrow morning they might be forever bidding adieu to their loved ones.The difficulty for this movement, as with many others, comes in terms of the leftover third voice when arranging from the original two. I have written for the extra voice, in this case the second violin, to support the first violin rhythmically, and join the cello with providing harmonic information.
$3.99
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Here Comes A Heartache
