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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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DEEJAY
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here Comes the Train
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4
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13
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6
Orgue
1
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Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
1
Guitare
1
Voix
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1
Vents
3 Clarinettes (trio)
1
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1
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1
Saxophone Alto et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Here Comes the Train
Partitions à imprimer
64 partitions trouvées
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.8 €
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Violon, Clarinette, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
Here Comes the Train (Collection of Five Piano Solos)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.564620 By Sharon Wilson. By America…
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Piano Solo - Level 3 - Digital Download SKU: A0.564620 By Sharon Wilson. By American Folk Song and Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contest,Country,Festival,Jazz. Score. 21 pages. Sharon Wilson #6217. Published by Sharon Wilson (A0.564620). Reminiscent of train travel during the height of the steam locomotive, this collection of 5 captivating solos is sure to motivate students to stay on track when it comes time to practice. Each piece is 2 to 3 minutes in length and in one of three familiar keys (C, F, or G major). With varying styles, including a march, a polka, and a little jazz, these pieces add appeal and variety to the repertoire of the intermediate student and a fond reminder of days gone by when played for a recital. For more fun-to-play train songs, check out the collection titled Railroad Days.Titles in this collection which are also available separately (with accompanying audio samples) include:Railroad PolkaTicket in Hand, Ready to RollHear the Whistle BlowRolling Across the Prairie
$9.99
9.19 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Here Comes the Train
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Sharon Wilson
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SheetMusicPlus
Here Comes the Train - Beginner Piano Solo
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.751616 Composed by K.L. Phillips. C…
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Piano Solo - Level 1 - Digital Download SKU: A0.751616 Composed by K.L. Phillips. Children,Concert,Instructional. Score. 4 pages. K L Phillips #6046613. Published by K L Phillips (A0.751616). This level 1 piano solo is in C five-finger position and would make an excellent recital or fun recreation piece for a young student. A big thank you to Open Clip Art at pixabay for the cover art.
$1.99
1.83 €
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Piano seul
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K
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Here Comes the Train - Beginner Piano Solo
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K L Phillips
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SheetMusicPlus
Here Comes The Sun
Orgue
Organ - Level 3 - Digital Download SKU: A0.949926 By The Beatles. By George Harriso…
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Organ - Level 3 - Digital Download SKU: A0.949926 By The Beatles. By George Harrison. Arranged by Lars Hagström and Tommy Johansson, Hjo. Rock. Score. 5 pages. Tommy Johansson, Hjo #6048163. Published by Tommy Johansson, Hjo (A0.949926). Here Comes the Sun is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison and is one of his best-known compositions for the Beatles.Four pages. Duration: 2.40 About the arrangers: Lars Hagström (Sweden)Graduated organist, educated at the Royal Academy of Music in Stockholm.Concert tours in Sweden and Europe, A number of recordings on both LP and CD.In addition to concerts, he is devoted to teach the upcoming generation of organists.He is also deeply involved in the development of the Suzuki organ playing method. Tommy Johansson, Hjo (Sweden)Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor.Many more Beatles songs from these arrangers are to be found at sheetmusicplus.com
$5.99
5.51 €
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Orgue
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The Beatles
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Here Comes The Sun
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Tommy Johansson, Hjo
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SheetMusicPlus
Home For The Holidays (theres No Place Like)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.877952 Composed by Al Stillman and Robe…
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Guitar - Level 1 - Digital Download SKU: A0.877952 Composed by Al Stillman and Robert Allen. Arranged by Rebecca Bogardus. Contemporary. Guitar Tab. 9 pages. Lillwy Publishing #5805723. Published by Lillwy Publishing (A0.877952). This Modern Single is part of the First Position Christmas collection. This collection is a guitar teacher's dream! Each selection in the collection includes the melody of a popular Christmas favorite, each carefully edited for the beginning guitarist. Each song has at least two versions - one with TAB and chords included, and one edited for classically trained guitarists, including fingering suggestions. For rhythmically complex songs, a simplified rhythmic version is also included. Special effort has been put into making the selections as accessible as possible to those in their first year of study, and all of the pieces are exclusively in first position with the exception of All I Want for Christmas, which has a few notes at the very end in second position. There is also a collection of 22 Classic Favorites available both at Sheet Music Plus and www.studiobogardus.com/arrangements. This Modern Single includes a coupon code that can be used on the Classic Favorites collection. Songs in the complete collection (those with asterisks* are Modern Singles and are NOT included in the Classic Favorites collection): Up On the Housetop O Come, All Ye Faithful Away in a Manger The Little Drummer Boy* Good King Wenceslas Jolly Old St. Nicholas We Three Kings We Wish You A Merry Christmas All I Want for Christmas (Is My Two Front Teeth)* Angels We Have Heard On High Blue Christmas* Feliz Navidad* Here Comes Santa Claus* Rudolph the Red-Nosed Reindeer* Silver Bells* The Chipmunk Song* Hark the Herald Angels Sing Jingle Bells O Christmas Tree O Holy Night Let It Snow* Winter Wonderland* Deck the Hall God Rest Ye Merry, Gentlemen O Come, O Come, Emmanuel O Little Town of Bethlehem Frosty the Snowman* Home for the Holidays* Rockin' Around the Christmas Tree* White Christmas* It Came Upon the Midnight Clear Joy to the World Silent Night The First Noel What Child Is This? Christmas Time* Coventry Carol Have Yourself a Merry Little Christmas*
$4.99
4.59 €
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Guitare notes et tablatures
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Al Stillman and Robert Allen
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Rebecca Bogardus
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Home For The Holidays
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Lillwy Publishing
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SheetMusicPlus
Echoes Of The American West
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Stein…
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Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387). This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.
$45.00
41.41 €
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Orchestre d'harmonie
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Randy A
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Echoes Of The American West
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Randy A. Steinberg
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SheetMusicPlus
The Little Drummer Boy
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.877943 By Josh Groban Featuring Andy Mc…
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Guitar - Level 1 - Digital Download SKU: A0.877943 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, Katherine K Davis, and Katherine K. Davis. Arranged by Rebecca Bogardus. Contemporary. Guitar Tab. 7 pages. Lillwy Publishing #5799647. Published by Lillwy Publishing (A0.877943). This Modern Single is part of the First Position Christmas collection. This collection is a guitar teacher's dream! Each selection in the collection includes the melody of a popular Christmas favorite, each carefully edited for the beginning guitarist. Each song has at least two versions - one with TAB and chords included, and one edited for classically trained guitarists, including fingering suggestions. For rhythmically complex songs, a simplified rhythmic version is also included. Special effort has been put into making the selections as accessible as possible to those in their first year of study, and all of the pieces are exclusively in first position with the exception of All I Want for Christmas, which has a few notes at the very end in second position. There is also a collection of 22 Classic Favorites available both at Sheet Music Plus and www.studiobogardus.com/arrangements. This Modern Single includes a coupon code that can be used on the Classic Favorites collection. Songs in the complete collection (those with asterisks* are Modern Singles and are NOT included in the Classic Favorites collection): Up On the Housetop O Come, All Ye Faithful Away in a Manger The Little Drummer Boy* Good King Wenceslas Jolly Old St. Nicholas We Three Kings We Wish You A Merry Christmas All I Want for Christmas (Is My Two Front Teeth)* Angels We Have Heard On High Blue Christmas* Feliz Navidad* Here Comes Santa Claus* Rudolph the Red-Nosed Reindeer* Silver Bells* The Chipmunk Song* Hark the Herald Angels Sing Jingle Bells O Christmas Tree O Holy Night Let It Snow* Winter Wonderland* Deck the Hall God Rest Ye Merry, Gentlemen O Come, O Come, Emmanuel O Little Town of Bethlehem Frosty the Snowman* Home for the Holidays* Rockin' Around the Christmas Tree* White Christmas* It Came Upon the Midnight Clear Joy to the World Silent Night The First Noel What Child Is This? Christmas Time* Coventry Carol Have Yourself a Merry Little Christmas*
$4.99
4.59 €
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Guitare notes et tablatures
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Josh Groban Featuring Andy Mckee
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Rebecca Bogardus
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The Little Drummer Boy
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Lillwy Publishing
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SheetMusicPlus
Here Comes The Sun
Small Ensemble Drum Set,Vibraphone - Level 3 - Digital Download SKU: A0.867441 By T…
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Small Ensemble Drum Set,Vibraphone - Level 3 - Digital Download SKU: A0.867441 By The Beatles. By George Harrison. Arranged by K Davies. Rock. Score and parts. 32 pages. Bandmusic.co.uk #2959461. Published by Bandmusic.co.uk (A0.867441). A great arrangement for Brass Band of this Beatles classic which is very playable by lower section and training bands. It's scored in 4/4 (except for the odd 12/8 and 3/4 bars) but recognises the 8/8 rhythms.
$45.00
41.41 €
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The Beatles
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K Davies
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Here Comes The Sun
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Bandmusic.co.uk
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SheetMusicPlus
Largo from Winter (The Four Seasons)
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1214644 Composed by Antonio Vivald…
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Violin Solo - Level 4 - Digital Download SKU: A0.1214644 Composed by Antonio Vivaldi. Arranged by Lavender Hill. Baroque,Chamber,Classical,Standards,Wedding. 2 pages. Lavender Hill #811619. Published by Lavender Hill (A0.1214644). A. Vivaldi, Largo from Winter (The Four Seasons) Advanced Intermediate LevelUnaccompanied Violin part: 1 pageTime: 2:00Yes, making music with others is one of the best things about being a violinist, and a string duo, trio or quartet is great for weddings and other private or corporate events.  But sometimes through constraints of availability / space / budget – or just for the thrill of it - we need to go it alone.  That’s when music for unaccompanied violin (not merely solo violin) comes into its own.Here’s the slow movement from Vivaldi's Winter concerto, from The Four Seasons, with the bass line folded into the violin part. I've recorded this with eighth notes, but think of them more as indications than full-length quavers, so you can take care of the upper line. I've written in some ornamentation as well - but feel free to improvise, if you're that way inclined!If you like this, please check out my other arrangements for unacompanied violin, including Baroque, Classical, Romantic, and Classic Jazz.
$9.99
9.19 €
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Violon
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Antonio Vivaldi
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Lavender Hill
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Largo from Winter
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Lavender Hill
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SheetMusicPlus
Feel The Funk for classrooms and school ensembles - Mixed Abilities Classroom and School Ensemble Piece
Ensemble d'École
Composed by Austin Ralphson. Funk Jazz, Classroom, General Instructional, Technique …
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Composed by Austin Ralphson. Funk Jazz, Classroom, General Instructional, Technique Training, Recital. Score, Set of Parts. 179 pages. Published by Austin Ralphson
The Mixed Abilities School Ensemble Series<br> <br> ** For the complete pack of pieces in this series, get a great bulk saving at https://tinyurl.com/y9j2fxa4 (copy and paste into new tab)**<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> FEEL THE FUNK is the fourth piece in this series, and has typical characteristics of the style including chromatic leading notes in parts 3 and 4, a catchy riff and a bass line which is quite syncopated in the more difficult part 5s. You could also have a drummer play an authentic funk rhythm, or even a basic rock would do (tightly-closed hi-hat though).<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package!<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.The Mixed Abilities School Ensemble Series<br> <br> ** For the complete pack of pieces in this series, get a great bulk saving at https://tinyurl.com/y9j2fxa4 (copy and paste into new tab)**<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> FEEL THE FUNK is the fourth piece in this series, and has typical characteristics of the style including chromatic leading notes in parts 3 and 4, a catchy riff and a bass line which is quite syncopated in the more difficult part 5s. You could also have a drummer play an authentic funk rhythm, or even a basic rock would do (tightly-closed hi-hat though).<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package!<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.8 €
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Ensemble d'École
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Austin Ralphson
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Feel The Funk for classrooms and school ensembles - Mixed Abilities Classroom and School Ensemble Piece
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Austin Ralphson
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SheetMusicPlus
Abraham’s Daughter: March from the Civil War
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
17.49 €
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Orchestre d'harmonie
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: March from the Civil War
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Stephen R Dalrymple
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SheetMusicPlus
Hear the Whistle Blow
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.564615 By Sharon Wilson. By Sharon …
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Piano Solo - Level 3 - Digital Download SKU: A0.564615 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contest,Country,Festival,Jazz. Score. 3 pages. Sharon Wilson #6195. Published by Sharon Wilson (A0.564615). This arrangement simulates the steady rumbling of a train racing across the countryside by incorporating ostinatos in the left-hand while the right-hand plays a compelling, ever-changing melody. Watch for the plaintive blast of the train whistle periodically throughout the piece.This piece is one of the five songs in the collection Here Comes the Train arranged for intermediate players. Other titles in the collection include: Railroad Polka, Rolling Across the Prairie, Ticket in Hand, Ready to Roll, and I've Been Working on the Railroad. Duration: 2:30 Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusicKeywords: recital pieces, supplemental piano instruction materials, student repertoire, elementary teacher curriculum, train music, train travel, the good old days, toot toot, choo choo, chug-a chug chug
$3.99
3.67 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Hear the Whistle Blow
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Sharon Wilson
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SheetMusicPlus
Rockin' Around The Christmas Tree
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.877953 By Toby Keith. By Johnny Marks. …
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Guitar - Level 1 - Digital Download SKU: A0.877953 By Toby Keith. By Johnny Marks. Arranged by Rebecca Bogardus. Country. Guitar Tab. 8 pages. Lillwy Publishing #5820889. Published by Lillwy Publishing (A0.877953). This Modern Single is part of the First Position Christmas collection. This collection is a guitar teacher's dream! Each selection in the collection includes the melody of a popular Christmas favorite, each carefully edited for the beginning guitarist. Each song has at least two versions - one with TAB and chords included, and one edited for classically trained guitarists, including fingering suggestions. For rhythmically complex songs, a simplified rhythmic version is also included. Special effort has been put into making the selections as accessible as possible to those in their first year of study, and all of the pieces are exclusively in first position with the exception of All I Want for Christmas, which has a few notes at the very end in second position. There is also a collection of 22 Classic Favorites available both at Sheet Music Plus and www.studiobogardus.com/arrangements. This Modern Single includes a coupon code that can be used on the Classic Favorites collection. Songs in the complete collection (those with asterisks* are Modern Singles and are NOT included in the Classic Favorites collection): Up On the Housetop O Come, All Ye Faithful Away in a Manger The Little Drummer Boy* Good King Wenceslas Jolly Old St. Nicholas We Three Kings We Wish You A Merry Christmas All I Want for Christmas (Is My Two Front Teeth)* Angels We Have Heard On High Blue Christmas* Feliz Navidad* Here Comes Santa Claus* Rudolph the Red-Nosed Reindeer* Silver Bells* The Chipmunk Song* Hark the Herald Angels Sing Jingle Bells O Christmas Tree O Holy Night Let It Snow* Winter Wonderland* Deck the Hall God Rest Ye Merry, Gentlemen O Come, O Come, Emmanuel O Little Town of Bethlehem Frosty the Snowman* Home for the Holidays* Rockin' Around the Christmas Tree* White Christmas* It Came Upon the Midnight Clear Joy to the World Silent Night The First Noel What Child Is This? Christmas Time* Coventry Carol Have Yourself a Merry Little Christmas*
$4.99
4.59 €
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Guitare notes et tablatures
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Toby Keith
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Rebecca Bogardus
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Rockin' Around The Christmas Tree
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Lillwy Publishing
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SheetMusicPlus
Rudolph The Red-nosed Reindeer
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.877946 By John Denver. By David Leslie …
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Guitar - Level 1 - Digital Download SKU: A0.877946 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Rebecca Bogardus. Rock. Guitar Tab. 8 pages. Lillwy Publishing #5799661. Published by Lillwy Publishing (A0.877946). This Modern Single is part of the First Position Christmas collection. This collection is a guitar teacher's dream! Each selection in the collection includes the melody of a popular Christmas favorite, each carefully edited for the beginning guitarist. Each song has at least two versions - one with TAB and chords included, and one edited for classically trained guitarists, including fingering suggestions. For rhythmically complex songs, a simplified rhythmic version is also included. Special effort has been put into making the selections as accessible as possible to those in their first year of study, and all of the pieces are exclusively in first position with the exception of All I Want for Christmas, which has a few notes at the very end in second position. There is also a collection of 22 Classic Favorites available both at Sheet Music Plus and www.studiobogardus.com/arrangements. This Modern Single includes a coupon code that can be used on the Classic Favorites collection. Songs in the complete collection (those with asterisks* are Modern Singles and are NOT included in the Classic Favorites collection): Up On the Housetop O Come, All Ye Faithful Away in a Manger The Little Drummer Boy* Good King Wenceslas Jolly Old St. Nicholas We Three Kings We Wish You A Merry Christmas All I Want for Christmas (Is My Two Front Teeth)* Angels We Have Heard On High Blue Christmas* Feliz Navidad* Here Comes Santa Claus* Rudolph the Red-Nosed Reindeer* Silver Bells* The Chipmunk Song* Hark the Herald Angels Sing Jingle Bells O Christmas Tree O Holy Night Let It Snow* Winter Wonderland* Deck the Hall God Rest Ye Merry, Gentlemen O Come, O Come, Emmanuel O Little Town of Bethlehem Frosty the Snowman* Home for the Holidays* Rockin' Around the Christmas Tree* White Christmas* It Came Upon the Midnight Clear Joy to the World Silent Night The First Noel What Child Is This? Christmas Time* Coventry Carol Have Yourself a Merry Little Christmas*
$4.99
4.59 €
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Guitare notes et tablatures
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John Denver
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Rebecca Bogardus
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Rudolph The Red-nosed Reindeer
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Lillwy Publishing
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SheetMusicPlus
Hop Off
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletche…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
46.01 €
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Ensemble Jazz
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Fletcher Henderson And His Orchestra
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
The Gloucestershire Wassail (Wassail, Wassail! All Over the Town) - brass quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726087
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726087 Composed by Traditional English Folk Song. Arranged by Todd Marchand. Christmas,Folk,Holiday,Traditional. Score and parts. 17 pages. Con Spirito Music #4777739. Published by Con Spirito Music (A0.726087). The Gloucestershire Wassail is one of many traditional wassails (festive songs, carols) associated with the centuries-old tradition of wassailing. In the West of England from where this particular song comes, groups of people would go door to door, singing and offering a drink of mulled cider (wassail) from a large, decorated bowl (the wassail bowl) in exchange for other drinks, food, and gifts. The custom of sharing the wassail bowl is supposedly of Saxon origin, a drinking ritual dating to the Middle Ages and derived from one of the observances of the Feast of Yule. Today it is associated with Christmas-tide, the twelve days from December 25 through January 5. The word wassail itself comes from an Anglo-Saxon greeting (Middle English waes hael) meaning be thou hale or be in good health.This arrangement of a sprightly West-English traditional song features the voices of the brass quintet in various combinations, keys, and harmonizations, echoing the strains of wassail-singers across time and place.©Copyright 2019 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
13.8 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Traditional English Folk Song
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Todd Marchand
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The Gloucestershire Wassail
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Con Spirito Music
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SheetMusicPlus
Ticket in Hand, Ready to Roll
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.564617 By Sharon Wilson. By Sharon …
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Piano Solo - Level 3 - Digital Download SKU: A0.564617 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Contest,Country,Festival. Score. 3 pages. Sharon Wilson #6201. Published by Sharon Wilson (A0.564617). This up-beat song is filled with the anticipation of a grand journey by train. As the opening theme begins, the title readily comes to mind matching the melody: I've got my ticket in hand, I'm ready to roll. This theme with variations is repeated throughout.This piece is one of the five songs in the collection Here Comes the Train arranged for intermediate players. Other titles in the collection include: Railroad Polka, Rolling Across the Prairie, Hear the Whistle Blow, and I've Been Working on the Railroad. Duration: 2:00 Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusicKeywords: recital pieces, supplemental piano instruction materials, student repertoire, elementary teacher curriculum, train music, train travel, the good old days, toot toot, choo choo, chug-a chug chug
$3.99
3.67 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Ticket in Hand, Ready to Roll
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Sharon Wilson
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SheetMusicPlus
Colores de un otoño incipiente
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el dÃa. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano
$5.00
4.6 €
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Piano seul
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Juan MarÃa Solare
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clipboard-write
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Colores de un otoño incipiente
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Juan Maria Solare
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SheetMusicPlus
Air from Suite No. 3 in D (“Air on the G String”)
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1204044 Composed by Johann Sebasti…
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Violin Solo - Level 4 - Digital Download SKU: A0.1204044 Composed by Johann Sebastian Bach. Arranged by Lavender Hill. Baroque,Chamber,Classical,Wedding. 2 pages. Lavender Hill #802548. Published by Lavender Hill (A0.1204044). Yes, making music with others is one of the best things about being a violinist, and a string duo, trio or quartet is great for weddings and other private or corporate events.  But sometimes because of constraints of availability / space / budget – or just for the thrill of it – we need to go it alone.  That’s when music for unaccompanied violin (not merely solo violin) comes into its own.Here’s Bach’s celebrated Air (or Aria) for polyphonic violin alone, with the famous bass line baked in – a bit like in his Andante from the solo violin Partita No. 2 in A minor.    Download it now, then light yourself an (imaginary) Hamlet cigar.Because of the double-stopping I’m providing fingering suggestions. Unaccompanied Violin part: 1 pageTime: 3:39.
$9.99
9.19 €
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Violon
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Johann Sebastian Bach
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Lavender Hill
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Air from Suite No. 3 in D
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Lavender Hill
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SheetMusicPlus
Miscellaneous: Hinei Rakevet (Here Comes The Train!) for voice & other instruments
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Miscellaneous for voice & other instruments (fake b…
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Instantly printable sheet music by Miscellaneous for voice & other instruments (fake book) of MEDIUM skill level. / traditional
$4.97
4.57 €
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Ligne De Mélodie, (Paroles) et Accords
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Miscellaneous
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Virtualsheetmusic
Take the "A" Train - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download Arranged by Mario Stallbaumer. 2 pages. …
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Piano Solo - Intermediate - Digital Download Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
Here’s how to play “Take the "A" Train” on piano!<br> <br> With these piano sheets, you can play the famous jazz standard “Take the "A" Train”.<br> <br> I also created sheet music which includes the song's lyrics - you can find it here:<br> https://www.sheetmusicplus.com/title/21169013<br> <br> "Take the "A" Train” was written by Billy Strayhorn, and became the signature tune of Duke Ellington, who regularly performed it with his orchestra.<br> <br> It was also recorded by countless other artists, including Ella Fitzgerald.<br> <br> This piano sheet music comes with the song’s full melody - it sounds great when it’s just played instrumentally, but you can also use these sheets to accompany a singer, or sing along yourself!<br> <br> Here are the full lyrics to “Take the "A" Train”:<br> <br> “You must take the "A" train<br> To go to Sugar Hill way up in Harlem<br> If you miss the "A" train<br> You`ll find you missed the quickest way to Harlem<br> Hurry, get on, now it`s coming<br> Listen to those rails a-thrumming<br> All aboard, get on the "A" train<br> Soon you will be on Sugar Hill in Harlem”Here’s how to play “Take the "A" Train” on piano!<br> <br> With these piano sheets, you can play the famous jazz standard “Take the "A" Train”.<br> <br> I also created sheet music which includes the song's lyrics - you can find it here:<br> https://www.sheetmusicplus.com/title/21169013<br> <br> "Take the "A" Train” was written by Billy Strayhorn, and became the signature tune of Duke Ellington, who regularly performed it with his orchestra.<br> <br> It was also recorded by countless other artists, including Ella Fitzgerald.<br> <br> This piano sheet music comes with the song’s full melody - it sounds great when it’s just played instrumentally, but you can also use these sheets to accompany a singer, or sing along yourself!<br> <br> Here are the full lyrics to “Take the "A" Train”:<br> <br> “You must take the "A" train<br> To go to Sugar Hill way up in Harlem<br> If you miss the "A" train<br> You`ll find you missed the quickest way to Harlem<br> Hurry, get on, now it`s coming<br> Listen to those rails a-thrumming<br> All aboard, get on the "A" train<br> Soon you will be on Sugar Hill in Harlem”
$4.99
4.59 €
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Piano seul
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Mario Stallbaumer
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Take the "A" Train - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
Take the "A" Train
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario …
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
Here’s how to play “Take the "A" Train” on piano!<br> <br> With these piano sheets, you can play the famous jazz standard “Take the "A" Train”.<br> <br> "Take the "A" Train” was written by Billy Strayhorn, and became the signature tune of Duke Ellington, who regularly performed it with his orchestra.<br> <br> It was also recorded by countless other artists, including Ella Fitzgerald.<br> <br> <br> <br> This piano sheet music comes with the song’s full melody and lyrics - it sounds great when it’s just played instrumentally, but you can also use these sheets to accompany a singer, or sing along yourself!<br> <br> Here are the full lyrics to “Take the "A" Train”:<br> <br> <br> “You must take the "A" train<br> <br> To go to Sugar Hill way up in Harlem<br> <br> If you miss the "A" train<br> <br> You`ll find you missed the quickest way to Harlem<br> <br> Hurry, get on, now it`s coming<br> <br> Listen to those rails a-thrumming<br> <br> All aboard, get on the "A" train<br> <br> Soon you will be on Sugar Hill in Harlem”Here’s how to play “Take the "A" Train” on piano!<br> <br> With these piano sheets, you can play the famous jazz standard “Take the "A" Train”.<br> <br> "Take the "A" Train” was written by Billy Strayhorn, and became the signature tune of Duke Ellington, who regularly performed it with his orchestra.<br> <br> It was also recorded by countless other artists, including Ella Fitzgerald.<br> <br> <br> <br> This piano sheet music comes with the song’s full melody and lyrics - it sounds great when it’s just played instrumentally, but you can also use these sheets to accompany a singer, or sing along yourself!<br> <br> Here are the full lyrics to “Take the "A" Train”:<br> <br> <br> “You must take the "A" train<br> <br> To go to Sugar Hill way up in Harlem<br> <br> If you miss the "A" train<br> <br> You`ll find you missed the quickest way to Harlem<br> <br> Hurry, get on, now it`s coming<br> <br> Listen to those rails a-thrumming<br> <br> All aboard, get on the "A" train<br> <br> Soon you will be on Sugar Hill in Harlem”
$4.99
4.59 €
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Piano, Voix
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Mario Stallbaumer
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Take the "A" Train
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Mario Stallbaumer
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
23.01 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Once There Were Dragons (from "How to Train Your Dragon: The Hidden World")
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Arranged by Mario Stallbaumer…
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Piano Solo - Advanced Intermediate - Digital Download Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer
Here's how to play "Once There Were Dragons" from the soundtrack to How to Train Your Dragon 3!<br> <br> With this sheet music, you can learn how to play "Once There Were Dragons" on piano.<br> <br> It's an accurate piano arrangement of the whole piece, it's not too hard to play (although it comes with some challenges), and sounds fantastic!<br> <br> The score to "How to Train Your Dragon: The Hidden World" was composed by John Powell.<br> <br> "Once There Were Dragons" is a fantastic orchestral piece with many different parts - all of which sounds surprisingly awesome on piano.<br> <br> If you like this arrangement, please consider leaving a review - it would help me a lot.<br> <br> Enjoy!Here's how to play "Once There Were Dragons" from the soundtrack to How to Train Your Dragon 3!<br> <br> With this sheet music, you can learn how to play "Once There Were Dragons" on piano.<br> <br> It's an accurate piano arrangement of the whole piece, it's not too hard to play (although it comes with some challenges), and sounds fantastic!<br> <br> The score to "How to Train Your Dragon: The Hidden World" was composed by John Powell.<br> <br> "Once There Were Dragons" is a fantastic orchestral piece with many different parts - all of which sounds surprisingly awesome on piano.<br> <br> If you like this arrangement, please consider leaving a review - it would help me a lot.<br> <br> Enjoy!
$4.99
4.59 €
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Piano seul
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Mario Stallbaumer
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Once There Were Dragons
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Mario Stallbaumer
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SheetMusicPlus
A Prayer and a Prelude
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Kl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant. It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic. -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically. -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment. -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely. The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio. The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do. -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.
$4.99
4.59 €
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Piano seul
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Peter Daniel Klein
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A Prayer and a Prelude
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Peter Daniel Klein
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SheetMusicPlus
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