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Highlights from Enchanted - Flute 2
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Highlights from Enchanted - Flute 2
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Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.42 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.42 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.42 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Highlights from Enchanted - Eb Alto Saxophone 2
Saxophone (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Eb Alto …
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Eb Alto Saxophone 2. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Saxophone (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Eb Alto Saxophone 2
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Bb Trumpet 2
Trompette (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Trump…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Trumpet 2. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Trompette (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Bb Trumpet 2
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Percussion 2
Percussion (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Percussi…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Percussion 2. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Percussion (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Percussion 2
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Trombone 2
Trombone (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Trombone…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Trombone 2. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Trombone (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Trombone 2
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - F Horn 2
Cor (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For F Horn 2…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For F Horn 2. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Cor (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - F Horn 2
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Bb Clarinet 2
Clarinette (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Clari…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Clarinet 2. Disney; Film/TV. Individual instrument part. 3 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Clarinette (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Bb Clarinet 2
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Trombone 1
Trombone (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Trombone…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Trombone 1. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Trombone (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Trombone 1
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Tuba
Tuba (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Tuba. Di…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Tuba. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Tuba (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Tuba
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Percussion 1
Percussion (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Disney; Film/TV. Concert B…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Disney; Film/TV. Concert Band. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Percussion (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Percussion 1
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Piccolo
Piccolo
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Piccolo.…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Piccolo. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Piccolo
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Piccolo
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Bb Trumpet 1
Trompette (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Trump…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Trumpet 1. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Trompette (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Bb Trumpet 1
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - String Bass
Contre Basse
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For String B…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For String Bass. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Contre Basse
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - String Bass
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Bb Bass Clarinet
Clarinette (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Bass …
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Bass Clarinet. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Clarinette (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Bb Bass Clarinet
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Mallet Percussion
Percussion
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Mallet P…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Mallet Percussion. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Percussion
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Mallet Percussion
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Eb Baritone Saxophone
Saxophone (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Eb Barit…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Eb Baritone Saxophone. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Saxophone (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - Eb Baritone Saxophone
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - F Horn 1
Cor (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For F Horn 1…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For F Horn 1. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
#
Cor (partie séparée)
#
Alan Menken and Stephen Schwartz
#
Michael Brown
#
Film/TV
#
Highlights from Enchanted - F Horn 1
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Highlights from Enchanted - Timpani
Timbales
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Timpani.…
(+)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Timpani. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
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Timbales
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Alan Menken and Stephen Schwartz
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Michael Brown
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Film/TV
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Highlights from Enchanted - Timpani
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Highlights from Enchanted - Oboe
Hautbois
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Oboe. Di…
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By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Oboe. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
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Hautbois
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Alan Menken and Stephen Schwartz
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Michael Brown
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Film/TV
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Highlights from Enchanted - Oboe
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Highlights from Enchanted - Bb Trumpet 3
Trompette (partie séparée)
By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Trump…
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By Alan Menken and Stephen Schwartz. Arranged by Michael Brown. Concert Band. For Bb Trumpet 3. Disney; Film/TV. Individual instrument part. 2 pages. Duration 5:15. Published by Hal Leonard - Digital Sheet Music
$6.00
5.5 €
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Trompette (partie séparée)
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Alan Menken and Stephen Schwartz
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Michael Brown
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Film/TV
#
Highlights from Enchanted - Bb Trumpet 3
#
Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Hallelujah
Basson, Piano (duo)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463230 By Leonard Cohen. By Leo…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463230 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Film/TV,Folk,Religious,Rock,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1041925. Published by Walt Oliver (A0.1463230). Musical Arrangement for Piano and Bassoon: Hallelujah by Leonard CohenCaptivate with Leonard Cohen's Hallelujah - Arrangement for Piano and Bassoon (Easy Intermediate Level)Immerse yourself in the timeless beauty of Hallelujah, Leonard Cohen's masterpiece that has won the hearts of audiences worldwide and became iconic thanks to the movie Shrek. This exclusive arrangement for piano and bassoon, rated as easy intermediate level, is perfect for musicians looking to explore new sounds and emotions.Arrangement Features:- Difficulty Level: Easy Intermediate - Ideal for musicians who are advancing in their skills and seeking a pleasant challenge without being overwhelming.- Instruments: Piano and Bassoon - A unique combination that brings emotional depth and rich texture to the music.- Musical Genre: Pop/Rock Classic - A piece that transcends generations and continues to resonate with its captivating melody and poetic lyrics.Benefits and Uses:- Live Performance: Perfect for recitals, school concerts, and church performances. This arrangement captures the emotional essence of Hallelujah and offers an engaging experience for both musicians and audiences.- Technical Enhancement: Provides a fantastic opportunity for pianists and bassoonists to improve their technique and musical expression through a well-known and beloved piece.- Versatile Repertoire: A valuable addition to any musician's repertoire, providing a piece that can be easily adapted for various occasions, from weddings to cultural events.Story and Emotion:Hallelujah is more than a song; it’s an emotional journey. This arrangement for piano and bassoon brings out the melancholy and hope contained in Cohen's melody, allowing you, as a performer, to tell a story that resonates with every note played. The combination of piano and bassoon adds a new dimension, making the performance even more memorable.Attractive and Engaging:Surprise your audience with a unique interpretation of Hallelujah. This carefully crafted arrangement ensures that every performance is unforgettable, highlighting the simple yet powerful beauty of the song. Ideal for those who want to play a piece that combines emotional depth with technical accessibility.Add this arrangement to your repertoire today and let yourself be enchanted by the magic of Hallelujah. Perfect for dedicated musicians looking to explore new musical frontiers with a classic and emotionally rich piece.
$5.99
5.49 €
#
Basson, Piano (duo)
#
Leonard Cohen
#
Walt Oliver
#
it’s an emotional journey
#
Hallelujah
#
Walt Oliver
#
SheetMusicPlus
Hallelujah
Basson, Piano (duo)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463208 By Leonard Cohen. By Leo…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463208 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Film/TV,Folk,Religious,Rock,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1041901. Published by Walt Oliver (A0.1463208). Musical Arrangement for Piano and Bassoon: Hallelujah by Leonard CohenCaptivate with Leonard Cohen's Hallelujah - Arrangement for Piano and Bassoon (Easy Intermediate Level) - (With chord symbols)Immerse yourself in the timeless beauty of Hallelujah, Leonard Cohen's masterpiece that has won the hearts of audiences worldwide and became iconic thanks to the movie Shrek. This exclusive arrangement for piano and bassoon, rated as easy intermediate level, is perfect for musicians looking to explore new sounds and emotions.Arrangement Features:- Difficulty Level: Easy Intermediate - Ideal for musicians who are advancing in their skills and seeking a pleasant challenge without being overwhelming.- Instruments: Piano and Bassoon - A unique combination that brings emotional depth and rich texture to the music.- Musical Genre: Pop/Rock Classic - A piece that transcends generations and continues to resonate with its captivating melody and poetic lyrics.Benefits and Uses:- Live Performance: Perfect for recitals, school concerts, and church performances. This arrangement captures the emotional essence of Hallelujah and offers an engaging experience for both musicians and audiences.- Technical Enhancement: Provides a fantastic opportunity for pianists and bassoonists to improve their technique and musical expression through a well-known and beloved piece.- Versatile Repertoire: A valuable addition to any musician's repertoire, providing a piece that can be easily adapted for various occasions, from weddings to cultural events.Story and Emotion:Hallelujah is more than a song; it’s an emotional journey. This arrangement for piano and bassoon brings out the melancholy and hope contained in Cohen's melody, allowing you, as a performer, to tell a story that resonates with every note played. The combination of piano and bassoon adds a new dimension, making the performance even more memorable.Attractive and Engaging:Surprise your audience with a unique interpretation of Hallelujah. This carefully crafted arrangement ensures that every performance is unforgettable, highlighting the simple yet powerful beauty of the song. Ideal for those who want to play a piece that combines emotional depth with technical accessibility.Add this arrangement to your repertoire today and let yourself be enchanted by the magic of Hallelujah. Perfect for dedicated musicians looking to explore new musical frontiers with a classic and emotionally rich piece.
$5.99
5.49 €
#
Basson, Piano (duo)
#
Leonard Cohen
#
Walt Oliver
#
it’s an emotional journey
#
Hallelujah
#
Walt Oliver
#
SheetMusicPlus
Hallelujah
Basson, Piano (duo)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463226 By Leonard Cohen. By Leo…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463226 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Film/TV,Folk,Religious,Rock,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1041920. Published by Walt Oliver (A0.1463226). Musical Arrangement for Piano and Bassoon: Hallelujah by Leonard CohenCaptivate with Leonard Cohen's Hallelujah - Arrangement for Piano and Bassoon (Easy Intermediate Level) - (With chord symbols)Immerse yourself in the timeless beauty of Hallelujah, Leonard Cohen's masterpiece that has won the hearts of audiences worldwide and became iconic thanks to the movie Shrek. This exclusive arrangement for piano and bassoon, rated as easy intermediate level, is perfect for musicians looking to explore new sounds and emotions.Arrangement Features:- Difficulty Level: Easy Intermediate - Ideal for musicians who are advancing in their skills and seeking a pleasant challenge without being overwhelming.- Instruments: Piano and Bassoon - A unique combination that brings emotional depth and rich texture to the music.- Musical Genre: Pop/Rock Classic - A piece that transcends generations and continues to resonate with its captivating melody and poetic lyrics.Benefits and Uses:- Live Performance: Perfect for recitals, school concerts, and church performances. This arrangement captures the emotional essence of Hallelujah and offers an engaging experience for both musicians and audiences.- Technical Enhancement: Provides a fantastic opportunity for pianists and bassoonists to improve their technique and musical expression through a well-known and beloved piece.- Versatile Repertoire: A valuable addition to any musician's repertoire, providing a piece that can be easily adapted for various occasions, from weddings to cultural events.Story and Emotion:Hallelujah is more than a song; it’s an emotional journey. This arrangement for piano and bassoon brings out the melancholy and hope contained in Cohen's melody, allowing you, as a performer, to tell a story that resonates with every note played. The combination of piano and bassoon adds a new dimension, making the performance even more memorable.Attractive and Engaging:Surprise your audience with a unique interpretation of Hallelujah. This carefully crafted arrangement ensures that every performance is unforgettable, highlighting the simple yet powerful beauty of the song. Ideal for those who want to play a piece that combines emotional depth with technical accessibility.Add this arrangement to your repertoire today and let yourself be enchanted by the magic of Hallelujah. Perfect for dedicated musicians looking to explore new musical frontiers with a classic and emotionally rich piece.
$5.99
5.49 €
#
Basson, Piano (duo)
#
Leonard Cohen
#
Walt Oliver
#
it’s an emotional journey
#
Hallelujah
#
Walt Oliver
#
SheetMusicPlus
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