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Vous avez sélectionné:
Homage to Beethoven
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.29 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Homage To Beethoven for solo piano
Piano seul
Piano Solo - Digital Download SKU: A0.1007442 Composed by Clockwork Classics. 20th …
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Piano Solo - Digital Download SKU: A0.1007442 Composed by Clockwork Classics. 20th Century,Contemporary. Score. 7 pages. Clockwork Classics #5033605. Published by Clockwork Classics (A0.1007442). 'Homage To Beethoven' was written for the Trinity Laban Conservatoire 2020 celebration of the life and music of the composer, Lugwig Van Beethoven.The piece aims, through the language of my own compositional style, to pay homage to many of the well known dramatic traits, that permeate the great composer's music.
$3.99
3.62 €
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Piano seul
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Clockwork Classics
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Homage To Beethoven for solo piano
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Clockwork Classics
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SheetMusicPlus
Homage to Beethoven
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1023436 Composed by Theresa Koon. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1023436 Composed by Theresa Koon. 20th Century,Contemporary. Score. 8 pages. Theresa Koon #5730993. Published by Theresa Koon (A0.1023436). Homage to Beethoven includes five main themes which overlap fugally to some degree, however this music is not intended to directly reflect the tantot recherchée elements of Beethoven’s composition. It is more specifically inspired by the tantot libre angularity, the exquisitely controlled chaos, and the agonized outrage apparent in Beethoven’s controversial Fugue. The final Lento section is intended to express uneasy grief over the price of Beethoven’s newfound independence: the death of innocence. (Detailed program notes available.)
$4.99
4.52 €
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Piano seul
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Theresa Koon
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Homage to Beethoven
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Theresa Koon
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SheetMusicPlus
Fuga Mystique, Homage to Beethoven Grosse Fuge
Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.938015 Com…
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Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.938015 Composed by Liz Nedela. 20th Century,Contemporary,Contest,Festival,Instructional. Score and parts. 23 pages. Liz Nedela #5801587. Published by Liz Nedela (A0.938015). Two Piano, Four Hands. Written as a special project to commemorate Beethoven's 250 birthday (in 2020), this exciting and complex piano duo is a reaction to Beethoven's string quartet Grosse Fuge and his piano duet that he wrote as a challenge for a piano version, both of which are nearly impossible to play!). The Program notes have a full description. This Fuga has many elements of the Beethoven, but they are used in different ways; and, it is contemporary, answering the challenge by some academic evaluations that it leads into the future! However, it still contains some Baroque and Classical elements interwoven among contemporary madness. Be prepared for some unusual sounds, technique, and portrayal of this composer's birthday present to Beethoven!
$10.00
9.07 €
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Liz Nedela
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Fuga Mystique, Homage to Beethoven Grosse Fuge
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Liz Nedela
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SheetMusicPlus
Six Bagatelles for Beethoven 250
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshal…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
15.4 €
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Clarinette
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adapting the music to the bagatelle form, it reflects the less ponderous side of the composer
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James Marshall
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Six Bagatelles for Beethoven 250
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James Marshall Music
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SheetMusicPlus
NUMBER NINE from Odd Beethoven
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1162191 By …
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1162191 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 15 pages. Thinkling Music #762547. Published by Thinkling Music (A0.1162191). The GREAT AND POWERFUL Symphony Number Nine of Beethoven! How DARE anyone take on this sacred cow!! Well, again, it is an homage, a tribute … to PERHAPS THE GREATEST MUSIC COMPOSITION EVER BROUGHT INTO BEING. EVER. BY ANYONE. So great is its awe and mystery. Truly a gift to humanity.
$5.00
4.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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West Coast Wind Quintet
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NUMBER NINE from Odd Beethoven
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Thinkling Music
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SheetMusicPlus
FÜR LUISE (FOR LOUISE)
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.903800 Composed by Alan Edgar. Conc…
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Flute Solo - Level 3 - Digital Download SKU: A0.903800 Composed by Alan Edgar. Concert. Individual part. 4 pages. Alan Edgar Ted Moon #6597623. Published by Alan Edgar Ted Moon (A0.903800). FÃœR LUISE solo flute. intermediate. Homage to Beethoven, but uses nonotonic and pentatonic scales and underlying quartal harmony. There is an unspecified programme: I leave it to the performer and the audience to imagine what it is.. Composed for Louise Cowton, a flautist friend, and the Children's Society. Rondo form, about 3 1/2 minutes.
$5.00
4.53 €
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Flûte traversière
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Alan Edgar
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FÜR LUISE
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Alan Edgar Ted Moon
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SheetMusicPlus
Three Miniatures for solo piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.787353 Composed by Greg Bartholomew…
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Piano Solo - Level 4 - Digital Download SKU: A0.787353 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score. 8 pages. Burke & Bagley #2928653. Published by Burke & Bagley (A0.787353). Each of these three miniatures for solo piano is approximately 1 minute in duration. They may be played separately or as a group. Chimera was written in 2016 for pianist Stephen Porter in response to his call for scores for a 15-Minutes-of-Fame program on the theme of Re-Imagining Beethoven. The piece is a riff on Beethoven's famous Für Elise. Radiant Jewel was composed in 2015 and is dedicate to the composer’s niece, Loïe Ann Gilbert. Composed in 2014, Seabiscuit’s Run is an homage to the champion racehorse. A small horse, Seabiscuit had an inauspicious start to his racing career, but became an unlikely champion and a symbol of hope to many Americans during the Great Depression. His career culminated in the 1938 Match of the Century against War Admiral at Pimlico Race Course. War Admiral was the favorite but Seabiscuit won by four lengths, and Seabiscuit was named American Horse of the Year for 1938.
$6.95
6.3 €
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Piano seul
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Greg Bartholomew
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Three Miniatures for solo piano
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Burke & Bagley
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SheetMusicPlus
SQ17 ... Hommage à Villa-Lobos (2022) - full score - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156755 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156755 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 39 pages. Thomas Oboe Lee #757086. Published by Thomas Oboe Lee (A0.1156755). I have been a fan of the music by Heitor Villa-Lobos since my teenage years in São Paulo, Brazil, 1959-66. It was there when I first first heard his Bachianas Brasileiras No. 5, with soprano solo and eight cellos. The memory of that music will forever haunt me. I then recently discovered through a CD box set recorded by the Cuarteto Latinoamericano that Villa-Lobos wrote 17 string quartets. I guess he wanted to beat the number of string quartets that Beethoven wrote which is 16. So this being my 17th string quartet I wanted to pay homage to Villa-Lobos and dedicate this work to him, in memoriam. I took his first string quartet as a model, in terms of the titles he gave to the movements of that work. I. Cantilena … Andante II. Brincadeira … Allegretto scherzando III. Canto lÃrico … Moderato IV. Cançoneta … Andantino quasi allegretto V. Saltando como um Saci … Presto VI. Melancolia … Lento, Andante NB: the titles of the movements for the rest of his string quartets (nos. 2 to 17) have the same standard classical four-movement designations of fast/allegro, slow/adagio, scherzo and fast/allegro. credits.
$9.99
9.06 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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SQ17 ... Hommage à Villa-Lobos
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Thomas Oboe Lee
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SheetMusicPlus
Fantasy on a March
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.889876 Composed by Gary Friedman.…
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Concert Band - Level 4 - Digital Download SKU: A0.889876 Composed by Gary Friedman. Contemporary. Score and parts. 42 pages. Gary Friedman #11447. Published by Gary Friedman (A0.889876). With frequent changes between major and minor, the stirring march themes reappear as romantic melodies. Of special interest are the trumpet and piano solos, and a section for oboe, clarinet, horn, bassoon and piano, in homage to Mozart and Beethoven, who wrote beautiful quintets for this combination of instruments. Not all parts are necessary. They were included so as not to leave out members of a band I was playing in. For example, the alto clarinet part duplicates the third B flat clarinet part. There are tenor sax cues in the alto sax part for the solo in measures 46 and 47 in case a tenor sax is not available. A PIANO IS REQUIRED. I don't have a good band sound clip but you can listen to the piece arranged for wind quintet and piano. It is the 1st movement of my Sextet for Winds and Piano. This audio is attached to that piece here or on my music website, www.garyfriedmanmusic.net. Duration 5 minutes. Year 2000.
$40.00
36.27 €
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Orchestre d'harmonie
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Gary Friedman
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Fantasy on a March
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Gary Friedman
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SheetMusicPlus
String Quartet No. 1
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - advanced - Digital Download SKU: S9.Q49206 Composed by Olli Muston…
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String quartet - advanced - Digital Download SKU: S9.Q49206 Composed by Olli Mustonen. This edition: score and parts. Downloadable, Score and parts. Duration 23 minutes. Schott Music - Digital #Q49206. Published by Schott Music - Digital (S9.Q49206). It is not a coincidence that many composers seem to have written some of their most important and meaningful works for the string quartet. I grew up listening to string quartets, especially those by Beethoven and Bartók, and those works have had a tremendous impact on what I am as a composer, musician and as a human being. In many of my works one can see some sort of a journey from darkness toward the light, in various forms. In the case of my String Quartet this journey is exceptionally arduous. There is an element of hope in some sections of the third movement, but the hope it offers is more of an otherworldly nature. In the beginning of the fourth movement the very dramatic elements of the beginning of the quartet return. Just at the point, when the listener thinks that the darker elements will ultimately prevail, the music reaches an important turning point. Through a heroic, dissonant struggle it reaches the finale, which is full of ecstasy and instrumental joy. I have given the finale, along with the metronome marking, the indication Con fuoco all’Ungharese - all this of course as a homage to the great Hungarian master, one of my greatest musical heroes already since the very early days of my life. (Olli Mustonen).
$93.99
85.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Olli Mustonen
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String Quartet No. 1
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Schott Music - Digital
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SheetMusicPlus
Trio
Violin, horn (F/B) and piano - difficult - Digital Download SKU: S9.Q22808 Composed…
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Violin, horn (F/B) and piano - difficult - Digital Download SKU: S9.Q22808 Composed by Gyorgy Ligeti. This edition: score and parts. Downloadable, Score and parts. Duration 22 minutes. Schott Music - Digital #Q22808. Published by Schott Music - Digital (S9.Q22808). This work, regarded as a homage to Brahms, has a key position within Ligeti’s oeuvre. It is especially notable for the pithy way in which the memorable thematic material is shaped into precisely defined formal structures. The Trio starts with a quote from Beethoven’s Sonata ‘Les Adieux’, though Ligeti, typically, puts his own slant onto the famous horn fifths.This edition in normal music setting complements the facsimile edition of the work.
$57.99
52.58 €
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Gyorgy Ligeti
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Trio
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Schott Music - Digital
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SheetMusicPlus
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
35.32 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Musik Fabrik Music Publishing
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SheetMusicPlus
Trail of Tears, Op. 144
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N…
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Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Trail of Tears, Op. 144
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https://gildedmusicpress.com/
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