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TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
Homeland Theme
Partitions à imprimer
19 partitions trouvées
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1
Homelander In Hallway
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1495954 By Christopher Lenn…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1495954 By Christopher Lennertz. By Christopher Lennertz. Arranged by N.G. Andrade. Classical,Film/TV. 5 pages. ANDRADE N.G #1072482. Published by ANDRADE N.G (A0.1495954). Homelander Theme arrangement for two violins. Score and individual parts.
$5.99
5.37 €
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2 Violons (duo)
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Christopher Lennertz
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N
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Homelander In Hallway
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ANDRADE N.G
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SheetMusicPlus
Homelander In Hallway
Violon, Alto (duo)
Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1495960 By Chri…
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Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1495960 By Christopher Lennertz. By Christopher Lennertz. Arranged by N.G. Andrade. Classical,Film/TV. 5 pages. ANDRADE N.G #1072491. Published by ANDRADE N.G (A0.1495960). Homelander Theme arrangement for violin and viola. Score and individual parts.
$5.99
5.37 €
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Violon, Alto (duo)
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Christopher Lennertz
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N
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Homelander In Hallway
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ANDRADE N.G
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SheetMusicPlus
Nocturnes And The Quarter Moon (aka "Homeland" theme)
Small Ensemble Flute,Piano,Voice - Level 2 - Digital Download SKU: A0.951324 Compos…
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Small Ensemble Flute,Piano,Voice - Level 2 - Digital Download SKU: A0.951324 Composed by Michael Hoppe. 20th Century,Celtic,New Age. Score and parts. 1 pages. Chordially Yours Music #5766363. Published by Chordially Yours Music (A0.951324). Nocturnes And The Quarter Moon (also known as the Homeland theme) is a populartrack from The Yearning- Romances for Alto Flute
$3.99
3.58 €
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Michael Hoppe
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Nocturnes And The Quarter Moon
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Chordially Yours Music
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SheetMusicPlus
Variations on a theme of "Hänschen klein"(Lightly Row)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1319041 By Chiao-Han Liao. By Germa…
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Piano Solo - Level 3 - Digital Download SKU: A0.1319041 By Chiao-Han Liao. By German children song. Arranged by Diau-Hua Lim 林肇è¯. Chamber,Children,Classical,Traditional. Score. 8 pages. Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores #907637. Published by Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores (A0.1319041). The piano piece, VARIATIONS ON A THEME OF HÄNSCHEN KLEIN for piano solo,is based on the melodic elements of German children song, Hänschen klein.It was arranged for piano variations by Diau-Hua Lim in 2010. The children song is also known as Lightly Row in the States,The Butterfly in Japan and The Working Bee in Taiwan. The highly praised first performance of the piano piece was performed by the famous pianist Chiao-Han Liao at National Concert Hall in Taipei in 2010.There are four variations in the piece.In the first variation, the melody is performed by the left hand while the counter melody of tripletsis is played by the right hand.By changing the music to minor key,the second variation shows a mood of sentiment.The abunt harmony and chromatic descending passage create a fantastic feeling in the third variation.The fourth variation spreads cheerfulness with a speedy tempo.
$14.99
13.44 €
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Piano seul
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Chiao-Han Liao
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Variations on a theme of "Hänschen klein"(Lightly Row)
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Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores
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SheetMusicPlus
MY PENNSYLVANIA HOMELAND Piano/Vocal
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914977 Composed by ROBERT VA…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914977 Composed by ROBERT VAN HORNE. Film/TV,Folk,Historic,Pop,Singer/Songwriter. Score. 7 pages. White Piano International Publishing #6572957. Published by White Piano International Publishing (A0.914977). MY PENNSYLVANIA HOMELAND Â Piano / Vocal Popular SongWords & Music by ROBERT VAN HORNE7 PagesDuring my youth, I grew up in a small southeastern town in the beautiful state of Pennsylvania. Much of my early adulthood was spent living near the city of Philadelphia. Now, since I no longer live in PA, I was inspired to compose a song about the place that was once my home...a place where memories of my childhood were born. Many thanks to my good friends, Jack and Sue, former Pennsylvanians, whose inspiration and friendship helped me write this song.This is a popular song for singers who would like to add a new and original piece to their repertoire. It is clearly notated with lyrics, chords, piano accompaniment and vocal part.The song would also make a nice background theme for TV or movies about Pennsylvania as well as promotional material for the Chamber of Commerce in the different Pennsylvania counties and cities.A Youtube video of Robert's 2012 performance is available at: http://youtu.be/SJ2HKcIQ-wkRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$4.99
4.47 €
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Piano, Voix
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ROBERT VAN HORNE
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MY PENNSYLVANIA HOMELAND Piano/Vocal
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White Piano International Publishing
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SheetMusicPlus
Gada Meirin Theme and Variation Fantasy for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1111191 Composed by You Dao Ma.…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1111191 Composed by You Dao Ma. Arranged by Li Kuang. 20th Century,Romantic Period. Score and part. 21 pages. Gordon Cherry #713469. Published by Gordon Cherry (A0.1111191). Gada Meiren Theme and Variation Fantasy is the most well-known trombone composition in China. It was originally written for solo trombone and orchestra (unpublished) by Chinese composer You Dao Ma (1915-2010). The composer adapted the Inner Mongolian folk song Gada Meiren, also the name of the Inner Mongolian hero. The trombone and piano version of this piece was first published in China in 1959. Gada Meiren Theme and Variation Fantasy is a single movement work that depicts a story with four distinct parts. Part one: The repressed emotions of the Inner Mongolian people under the ruler. Gada Meiren led his people to fight against the ruler to protect their home and land. Part two: Gada Meiren's nostalgia for his homeland and people when fighting away from home. Part three: Gada Meiren's death in the battle. People mourned their hero with great sadness. Epilogue: People's remembrance and praise for their hero Gada Meiren, carrying his spirit moving forward. Taken from the 1959 version, this new edition of Gada Meiren Theme and Variation Fantasy for solo Trombone and Piano has fixed notation errors, added dynamics, articulations, tempo (bpm) markings, rearranged the piano score and solo part. All original Chinese terms in scores are translated into western standard musical terms. The solo is about 9.5 minutes in length and appropriate for advanced performers.
$22.50
20.17 €
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Trombone et Piano
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You Dao Ma
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Li Kuang
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Gada Meirin Theme and Variation Fantasy for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.51 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.51 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Homeland Theme
Piano seul
Composed by Michael Hoppe. Celtic, Folk. Score. 3 pages. Chordially Yours Music #574…
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Composed by Michael Hoppe. Celtic, Folk. Score. 3 pages. Chordially Yours Music #5740893. Published by Chordially Yours Music
$4.99
4.47 €
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Piano seul
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Michael Hoppe
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Homeland Theme
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Chordially Yours Music
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SheetMusicPlus
Homeland Theme by Michael Hopp - Piano Solo
Piano seul
Performed by: Michael Hopp: Homeland Theme Digital Sheetmusic - instantly downloadable she…
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Performed by: Michael Hopp: Homeland Theme Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 3 pages -- New Age~~Contemporary Instrumental
$5.50
4.93 €
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Piano seul
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Michael Hopp
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Piano Solo
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Musicnotes
Sinfonia N. 9
Chorale SATB
Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemisch…
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Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q3162. Published by Schott Music - Digital (S9.Q3162). German.The theme of Henze’s Ninth Symphony is his German homeland as he remembers it during the days of his youth and during the war years. He has written this work in homage to all the people who fought back against the oppression of the Third Reich and sacrificed their lives for freedom of thought. Hans-Ulrich Treichel adapted the text from a poem by Anna Seghers. Henze has called the symphony ‘an apotheosis of the terrible and the painful’. The pinnacle of his prolific and varied œuvre, it is worlds apart from ‘Freude schöner Götterfunken’.My Ninth Symphony deals with my German homeland – as it appeared to me when I was a young man, during the war, and even earlier. Instead of hymning joy, the beautiful divine spark, the men and women of my Ninth Symphony spend the evening conjuring up a world of horror and persecution that is still with us today and that continues to cast its shadows over us. Hans Werner Henze3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) · Heckelphon · 3 (2. auch Kb.-Klar., 3. auch Bassklar.) · 3 (3. auch Kfg.) - 6 · 4 · 5 (1. Alt-, 2. u. 3. Tenor-, 4. Bass-, 5. Kb.-Pos.) · 1 (im 6. Satz Kb.-Tb.) - P. S. (3 hg. Beck. [h./m./t.] · Beckenpaar · 3 Tamt. [h./m./t.] · 3 Tomt. [h./m./t.] · 3 Bong. [h./m./t.] · Tamb. · kl. Tr. · gr. Tr. [mit und ohne Beck.] · Woodbl. · Metallbl. · hg. Glasplättchen · Kast. · Mar. · Guiros [normal und sehr groß] · Ratsche · Peitsche · Amboss · Donnerblech · Bronzeplatte · Polizeipf. [Trillerpf.] · Sir. · 3 Flex. [verschiedene Tonhöhen] · Tempelbl. · Crot. · Röhrengl. · chin. Gongs · Glsp. · Vibr. · Marimba) (7 Spieler) - Hfe. · Cel. · Klav. · Org. (nur im 6. Satz) - Str.
$55.99
50.19 €
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Chorale SATB
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Hans Werner Henze
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Sinfonia N. 9
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Schott Music - Digital
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SheetMusicPlus
望春風弦樂四é‡å¥ Longing for the spring breeze for string quartet  春風を望む弦楽四é‡å¥
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1325441…
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1325441 Composed by Yu-Hsien Teng. Arranged by Diau-Hua Lim 林肇è¯. Chamber,Folk,Traditional. 12 pages. Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores #913667. Published by Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores (A0.1325441). LONGING FOR THE SPRING BREEZE is a popular song in Taiwan composed by Yu-Hsien Teng (1906-1944) in 1933. It was arranged for string quartet by Diau-Hua Lim in 2000.The second violin shows the sweet theme under the accompaniment of cello's pizzicato after the introduction of the quartet. The first violin and the cello show the beautiful melody successively to complete the beginning phrase.Then the viola and the first violin enrich the music by changing the thematic melody and using delicate modulation. The work is highly praised everywhere.
$16.99
15.23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Yu-Hsien Teng
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望春風弦樂四é‡å¥ Longing for the spring breeze for string quartet  春風を望む弦楽四é‡å¥
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Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.13 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Leyenda- Asturias by Isaac Albeniz
Guitare
Guitar - Digital Download SKU: A0.1070385 Composed by Isaac Albeniz. Arranged by Ap…
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Guitar - Digital Download SKU: A0.1070385 Composed by Isaac Albeniz. Arranged by Apostolos Paraskevas. Concert,Standards,World. Full Performance. Duration 412. Silver Sickle Publications #5041833. Published by Silver Sickle Publications (A0.1070385). Asturias, original title Preludio, also called Asturias-Leyenda is a solo piano piece written in the early 1890s by Catalan composer and pianist Isaac Albéniz using rolled chords that effectively evoke the strumming of a guitar. In fact, the version usually played is a transcription of the original piano piece for guitar. Despite being called Asturias-which is the name of a northern region of Spain the piece powerfully evokes the distinctive flamenco, or gypsy, music of Andalusia, the southernmost region of the country. Written while he was living outside his homeland, it was intended to conjure the Alhambra, the palace and fortress of the Moorish, monarchs of Granada. The composition has two main melodies. First comes a determined, driving theme that builds in energy. A more melancholy middle section follows. After the contemplative middle section, the opening melody returns and brings the piece to its conclusion.
$1.99
1.78 €
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Guitare
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Isaac Albeniz
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Apostolos Paraskevas
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Leyenda- Asturias by Isaac Albeniz
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Silver Sickle Publications
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SheetMusicPlus
Shadowland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultural,Musical/Show,World. Score and parts. 71 pages. Brian Strohmetz #633740. Published by Brian Strohmetz (A0.1030571). For Orchestra, Solo Vocalist and Choir Shadowland is a song written by Lebo M., Hans Zimmer and Mark Mancina for the musical The Lion King (1997), a stage adaptation of Disney's 1994 animated film of the same name. Based on the song Lea Halalela (Holy Land), a track featured on Lebo's Lion King-inspired concept album Rhythm of the Pride Lands (1995), Lebo composed the track with Zimmer, while both Lebo and Mancina contributed new lyrics to its melody. Lebo based the song's lyrics on his own experiences having been exiled from South Africa during apartheid, therefore imbuing Shadowland with themes about refugeeism and survival. Originally performed by Trinidadian-American singer and actress Heather Headley as Nala, and South African actress Tsidii Le Loka as Rafiki, roles both performers originated on stage, Shadowland narrates Nala's decision to leave the Pride Lands in search of a more habitable environment upon realizing that her homeland has grown dry and barren in the midst of Scar's reign. Taking place shortly after Nala rejects Scar's romantic advances, director Julie Taymor used the song to develop Nala into a stronger character for the stage adaptation, and identified Shadowland as her favorite among the production's original songs, believing its message and themes to be universal. Musically, Shadowland is a soul power ballad. Sung in both English and African languages, its instrumentation combines African percussion with European orchestration to create a more exotic sound while accompanying pop vocals and African chants; some critics have observed political themes such as feminism, injustice and the ecosystem throughout the song's lyrics. Shadowland has been mostly positively received by music and theatre critics; both Headley and actresses who replaced her in subsequent productions of the musical have been praised for their vocals and performances.
$74.99
67.23 €
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Orchestre
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Hans Zimmer, Lebo M, and Mark Mancina
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Brian Strohmetz
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Shadowland
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Brian Strohmetz
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SheetMusicPlus
Joga
Chorale 3 parties
Choral Choir (SAA) - Level 3 - Digital Download SKU: A0.840752 By Bjork. By Bjork G…
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Choral Choir (SAA) - Level 3 - Digital Download SKU: A0.840752 By Bjork. By Bjork Gudmundsdottir and Sirgurjon Sigurdsson. Arranged by Claire Coleman. A Cappella,Contemporary,Folk,Pop. Octavo. 7 pages. Claire Coleman #447378. Published by Claire Coleman (A0.840752). A delicate yet luscious track, this arrangement of Björk's Joga captures all of the richness and restraint of the original. The song itself explores themes of friendship, belonging, and home, describing both Björk's relationship with one of her closest friends and the singer's connection with her Icelandic homeland. The arrangement is in three parts, S / A / A, with divisi throughout. Chords are provided for improvised piano or guitar accompaniment, but the arrangement is designed to be sung a cappella.
$1.99
1.78 €
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Chorale 3 parties
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Bjork
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Claire Coleman
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Joga
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Claire Coleman
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SheetMusicPlus
A Scottish Tribute
Chorale SATB
SATB choir - Digital Download SKU: LX.15-1519H Arranged by Linda Spevacek. Educatio…
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SATB choir - Digital Download SKU: LX.15-1519H Arranged by Linda Spevacek. Educational. Octavo. 20 pages. Heritage Music Press #e15/1519H. Published by Heritage Music Press (LX.15-1519H). UPC: 000308050417.From the hills of Scotland come the sounds of twelve of this homelandAEs familiar and best-loved melodies, masterfully arranged into a well-paced five minute collage. Scotland the Brave, Annie Laure, Charlie Is My Darling Loch Lomond, Skye Boat Song, and The Barnyards O'Delgaty are just some of the featured tunes. To create an even more memorable performance, costumes, choreography, and even a bagpiper might be added. A marvelous choice to enhance a unit study on Scotland or any multicultural theme. Also available: Three-part Mixed (15/1520H) and Two-part with Descant (15/1521H).
$2.95
2.64 €
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Chorale SATB
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Linda Spevacek
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A Scottish Tribute
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Heritage Music Press
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SheetMusicPlus
A Scottish Tribute
Chorale 3 parties
3-part mixed choir - Digital Download SKU: LX.15-1520H Arranged by Linda Spevacek. …
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3-part mixed choir - Digital Download SKU: LX.15-1520H Arranged by Linda Spevacek. Educational. Octavo. 20 pages. Heritage Music Press #e15/1520H. Published by Heritage Music Press (LX.15-1520H). UPC: 000308050424.From the hills of Scotland come the sounds of twelve of this homelandAEs familiar and best-loved melodies, masterfully arranged into a well-paced five minute collage. Scotland the Brave, Annie Laure, Charlie is My Darling Loch Lomond, Skye Boat Song, and The Barnyards O'Delgaty are just some of the featured tunes. To create an even more memorable performance, costumes, choreography, and even a bagpiper might be added. A marvelous choice to enhance a unit study on Scotland or any multicultural theme. Also available: SATB (15/1519H) and Two-part with Descant (15/1521H).
$2.95
2.64 €
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Chorale 3 parties
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Linda Spevacek
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A Scottish Tribute
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Heritage Music Press
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SheetMusicPlus
The Carolan Suite (five short string quartets)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet, Mandolin Quartet - Intermediate - Digital Download Composed by Turlou…
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String Quartet, Mandolin Quartet - Intermediate - Digital Download Composed by Turlough O'carolan. Arranged by Simon Mayor. Baroque Period, World, Folk. Individual Part, Score. 76 pages. Published by Simon Mayor
Simon Mayor presents five short string quartets on themes by Turlough O’Carolan.<br> Also suitable for mandolin family instruments.<br> <br> Turlough O’Carolan is one of Ireland’s most celebrated baroque composers, responsible for some of the strongest and grandest melodies to come out of his homeland. He was a great friend of his Italian contemporary Corelli, who spent some time in Dublin and had a significant influence on O’Carolan’s music. But traditional music was an influence too, and, stylistically, his compositions occupy a fascinating middle ground between these two genres.<br> <br> Contents: Carlan’s Frolics, Hewlett, Lord Brabazon, Princess Royal, Lord Inchiquin.<br> <br> The audio sample here, part of Princess Royal, is of an impromptu 'read off' by seven string players, so most lines have two instruments. It's only an extract, but gives a flavour of the music.
$24.99
22.4 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Turlough O'carolan
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Simon Mayor
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The Carolan Suite
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Simon Mayor
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SheetMusicPlus
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