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AUTRES
Vous avez sélectionné:
Hope Publishing Digital
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
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1
High Hopes
Quatuor de Saxophones: 4 saxophones
By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen You…
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By Panic! At the Disco. By Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Youngs, Jonas Jeberg, Lauren Pritchard, Samuel Hollander, Tayla Parx, Taylor Parks, and William Lobban Bean. Arranged by Jeremy Corcoran. Pop. 18 pages. LPC Publishers #4362335. Published by LPC Publishers
$15.00
13.89 €
#
Quatuor de Saxophones: 4 saxophones
#
Panic! At the Disco
#
High Hopes
#
LPC Publishers
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the ë Goldberg û variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical ë initiation û, it has become a work which sparks the imagination and which creates an atmosphere all itââ¬â¢s own. The story of how the work came to be written has to come to us through Bachââ¬â¢s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dââ¬â¢or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachââ¬â¢s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachââ¬â¢s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: ë Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach û. In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.7 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the ë Goldberg û variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical ë initiation û, it has become a work which sparks the imagination and which creates an atmosphere all itââ¬â¢s own. The story of how the work came to be written has to come to us through Bachââ¬â¢s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dââ¬â¢or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachââ¬â¢s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachââ¬â¢s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: ë Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach û. In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.7 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the ë Goldberg û variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical ë initiation û, it has become a work which sparks the imagination and which creates an atmosphere all itââ¬â¢s own. The story of how the work came to be written has to come to us through Bachââ¬â¢s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dââ¬â¢or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachââ¬â¢s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachââ¬â¢s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: ë Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach û. In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.7 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the ë Goldberg û variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical ë initiation û, it has become a work which sparks the imagination and which creates an atmosphere all itââ¬â¢s own. The story of how the work came to be written has to come to us through Bachââ¬â¢s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dââ¬â¢or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachââ¬â¢s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachââ¬â¢s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: ë Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach û. In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.7 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all itââ¬â¢s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composerââ¬â¢s death bythe composerââ¬â¢s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bachââ¬â¢s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95
60.16 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
I Should Be So Lucky
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999557 By Kylie Minogue. By Matt Aitken and Mike Stock. Arranged by Russell Ward. Dance,Pop. 8 pages. Russell Ward #6047143. Published by Russell Ward (A0.999557). This is the 2nd Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The 2nd movement here features the Kylie Minogue hit Love in the First Degree Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo ââ¬â I Should Be So Lucky III: Adagio ââ¬â Never Gonna Give You Up IV: Vivace ââ¬â Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
13.88 €
#
Quatuor de Saxophones: 4 saxophones
#
Kylie Minogue
#
Russell Ward
#
I Should Be So Lucky
#
Russell Ward
#
SheetMusicPlus
Together Forever
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999560 By Jimmy Fallon. By Matthew Aitken, Michael Stock, Pete Waterman, and Peter Alan Waterman. Arranged by Russell Ward. Contemporary. 16 pages. Russell Ward #6047155. Published by Russell Ward (A0.999560). This is the 4th and final Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo ââ¬â I Should Be So Lucky III: Adagio ââ¬â Never Gonna Give You Up IV: Vivace ââ¬â Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
13.88 €
#
Quatuor de Saxophones: 4 saxophones
#
Jimmy Fallon
#
Russell Ward
#
Together Forever
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Russell Ward
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SheetMusicPlus
Love In The First Degree
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999556 By Sushi. By Keren Woodward, Matt Aitken, Matthew Aitken, Michael Stock, Mike Stock, Pete Waterman, Peter Alan Waterman, Peter Waterman, Sarah Dallin, Siobhan Fahey, and Siobhan Maire Deirdre Fahey. Arranged by Russell Ward. Contemporary. 8 pages. Russell Ward #6047135. Published by Russell Ward (A0.999556). This is the First Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The opening movement here features the Bananarama hit Love in the First Degree Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo ââ¬â I Should Be So Lucky III: Adagio ââ¬â Never Gonna Give You Up IV: Vivace ââ¬â Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au
$14.99
13.88 €
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Quatuor de Saxophones: 4 saxophones
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Sushi
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Russell Ward
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Love In The First Degree
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Russell Ward
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SheetMusicPlus
Süßer die Glocken nie klingen - German Christmas Song - Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.568068 Composed by Traditional. Arranged by Thomas Graf. Christmas,Jazz,Multicultural,World. 12 pages. Thomas Graf - the-hit-factory.com #2551499. Published by Thomas Graf - the-hit-factory.com (A0.568068). Sweeter the bells never sound a well-known German Christmas carol dating from the 19th century. The text is written to the German theologian and educator Friedrich Wilhelm Kritzinger (1816-1890). The melody comes from a Thuringian folk song before 1826. The song creates a hopeful and healing atmosphere. The bell sound is a symbol of peace, joy and Christmas joy. This arrangement goes through different styles and atmospheres and features every instrument.ÃÂ Instrumentation:ÃÂ Part I (Soprano/Alto), Part II (Alto), Part III (Tenor), Part IV (Baritone/Bass Sax)ÃÂ ÃÂ Listen to the recording - a challenge for your ensemble.ÃÂ Check out our latest uploads:ÃÂ http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...ÃÂ ÃÂ ÃÂ ÃÂ ÃÂ ÃÂ ÃÂ Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusicÃÂ ÃÂ New catalog included (2016,9 pages) Video: https://youtu.be/J7IM69naGIw
$14.99
13.88 €
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Quatuor de Saxophones: 4 saxophones
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Traditional
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Thomas Graf
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Süßer die Glocken nie klingen - German Christmas Song - Saxophone Quartet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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