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Hope for Planet Sea
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Crtitères actifs :
Hope for Planet Sea
Partitions à imprimer
8 partitions trouvées
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1
Hope for Planet Sea
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John Eric Copeland
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John Eric Copeland
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Hope for Planet Sea
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Eric Copeland Music
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SheetMusicPlus
Small Ensemble Cello,Flute,Marimba,Piano - Level 3 - SKU: A0.1043967 By John Eric Copeland. By John Eric Copeland. Arranged by John Eric Copeland. 20th ...
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Small Ensemble Cello,Flute,Marimba,Piano - Level 3 - SKU: A0.1043967 By John Eric Copeland. By John Eric Copeland. Arranged by John Eric Copeland. 20th Century,Classical,Contemporary,Multicultural,New Age,World. Score and parts. 18 pages. Eric Copeland Music #648672. Published by Eric Copeland Music (A0.1043967). A hopeful, melodic piece for Marimba, Cello, Flute, and Piano as each take a role in describing the state of the future of our planet.
$49.99
Hope for Planet Sea
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John Eric Copeland
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John Eric Copeland
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Hope for Planet Sea
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John Eric Copeland
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SheetMusicPlus
Cello,Flute,Marimba,Piano - Level 3 - SKU: A0.1370553 By John Eric Copeland. By John Eric Copeland. Arranged by John Eric Copeland. 20th Century,21st Ce...
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Cello,Flute,Marimba,Piano - Level 3 - SKU: A0.1370553 By John Eric Copeland. By John Eric Copeland. Arranged by John Eric Copeland. 20th Century,21st Century,Chamber,Classical,Contemporary. Full Performance. Duration 229. John Eric Copeland #954899. Published by John Eric Copeland (A0.1370553). Marimba, Cello, Flute, and Piano each take a role in describing the state of the future of our planet.
$1.99
Endless Patchwork For Violin And Horn
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Anjos Teixeira
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Endless Patchwork For Violin A
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Horn,Violin - Level 4 - SKU: A0.889425 Composed by Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 23 pages. Luis Anjos ...
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Small Ensemble Horn,Violin - Level 4 - SKU: A0.889425 Composed by Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 23 pages. Luis Anjos Teixeira #4283073. Published by Luis Anjos Teixeira (A0.889425). Endless Patchwork for Violin and Horn require quite some level of dexterity to perform but it is still reasonably humane. The Horn plays a „cantabile melody amidst a series of harmonic sequences given by the violin part. Due to its polyphonic and harmonic structure the Violin part can also be performed solo. In different situations it is always wise to adjust some technical details to the performance. I tried to keep the violin part as free as possible from bowing, fingerings and other technical remarks, so that one can easily apply his or her own personal interpretation choices. There are two Violin parts in this volume, one without bowing remarks or much of any other interpretation symbols and the other one with some suggestions -„here and there, but not everywhere. There is no definitive version for this piece Endless Patchwork „For a Dog called Nina „Listen to the wind listen, the sea It is so good to dream. A bird flies in the air and the sky is blue. Another time another sea and it is so good to fly. And the silvered moon and the golden sun. Memories of a planet endless patchwork. Anjos Teixeira Special Thanks to Nina, Stray Queen Mimi, all my Feline Family, Pontinha, Maria Joaninha, Carlinhos, Schwarzenegger and Claudia. Thank you for all the Love and Compassion. Love Forever. Thanks for taking Your time, I hope You liked it… Retalhos de infinito, Ouve o vento, ouve o mar, como é bom sonhar. Uma ave voa no ar e o céu é azul. Outro tempo outro mar e é tao bom voar. E a lua prateada e o sol dourado. Memórias de um planeta, retalhos de infinito. Dedicado a uma cadelinha chamada Nina. Anjos Teixeira Written with Finale. Garritan Instruments where used for the sound file. In memory to Lovely Nina, Stray Queen Mimi, Mary Jane and all voiceless Angels
$12.10
Satellite to Planet Nine
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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Satellite to Planet Nine
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Adam B. Grim
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.939376 Composed by Adam Grim....
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.939376 Composed by Adam Grim. Concert,Contemporary,Standards. 111 pages. Adam B. Grim #6196935. Published by Adam B. Grim (A0.939376). Satellite to Planet Nine is a saxophone quartet inspired by the cosmos surrounding planet Earth. The opening movement, Takeoff, is about the mystery and fear surrounding a possibility of another planet - or black hole - yet to be discovered and the beginning of the journey to find it. The second movement, Hymn for the Moon is dedicated to the closest body of natural rock in our solar system. This movement features the tenor saxophone using a mix of disjunct melodies, smooth jazz, and thick chords to produce a movement of both mysticism and peace as the rocket travels by it. Soca for Saturn is the following movement and is inspired by the Trinidadian popular music known as soca. It is the spark of joy and pure energy that holds the astronauts together as they hold their hopes high traveling to a land that might not even exist at all. The fourth movement depicts the first amount of struggle for the team, Solar Flares, which batter and beat at the crew as they try to find a way through. In the movement the mood is instantly changed with the realization that it is too calm, and soon, meet the purest form of heat and energy. Movement five continues the struggle, but this time with hasty success. Arrival continues where the fourth movement leaves off, but finally they see something in the distance – the planet they have been looking for. They prepare for landing, but with their equipment being nearly destroyed from the solar flares it is not smooth landing. In the final movement, New Gravity, the team ventures out into the new world, which is dark and barren. They feel a disturbing presence around them, and as they search further and further into the cold and dusty landscape, they realize what they are up against – survival. Using what they know, they build on their wreckage and create a new home - The Satellite to Planet Nine.
$30.00
Endless Patchwork For Violin Solo
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Violon
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INTERMÉDIAIRE
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Luis Anjos Teixeira
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Endless Patchwork For Violin S
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Luis Anjos Teixeira
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.889403 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. 4 pages. Luis Anjos Teixeira #3074453. Published...
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Violin Solo - Level 3 - SKU: A0.889403 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. 4 pages. Luis Anjos Teixeira #3074453. Published by Luis Anjos Teixeira (A0.889403). It is about contemplating time and the cycle of life as time goes by.It is dedicated to a Dog called Nina.Hear the windhear the seaIt is so good to dream.A bird flies in the airand the sky is blueother timeanother seaand it is so good to flyand the silver moonand the golden sunmemories of a planetendless patchworkThanks for taking Your time, I hope You liked it…
$7.00
REMEMBER ALWAYS
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Vincent Vitale
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REMEMBER ALWAYS
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by V...
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String Orchestra - Level 3 - SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by Vincent Vitale (A0.835555). REMEMBER ALWAYS is written in loving memory of Catherine C. Hettle (Mum) and is my humble tribute to a most wonderful person and mother of my best friend Mark . I first met Mum when I was 19 years old while serving in the US Navy and she immediately treated me with such kindness which I never forgot. After losing contact for a number of years I was so glad and fortunate that I was able to once again be a small part of her life. You will be dearly missed Mum by so many. There are no good-byes because loved ones will always live in our hearts. REMEMBER ALWAYS is written for intermediate students and includes full score and parts for Violin 1, Violin 2, Viola, Cello, String Bass and optional Soprano and Baritone vocals. The vocal parts are vocalised without the use of words such as in the final movement of The Planets by Holst. As an example the vowel ‘ah‘ could be used but the choice will be the director’s. Perform this work with only one to a part or use multiples for a fuller sound. It can also be performed without the vocals. I sincerely hope you and your students enjoy performing this piece, If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$22.00
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
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Hope for Planet Sea
