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Hope of the Future
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The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.47 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
32.34 €
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.69 €
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Piano, Voix et Guitare
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.534002 Composed by Frederick …
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String Orchestra - Level 4 - Digital Download SKU: A0.534002 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3095057. Published by Musik Fabrik Music Publishing (A0.534002). On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?Libretto adapted by the composerFrom the ‘lines’ of Stephen Crane:The Black Riders and Other Lines (1895) &War is Kind (1899)This is the full score; A reduction for mezzo and organ is available as another item. The orchestral parts are on rental from the publisher
$25.95
23.97 €
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Orchestre à Cordes
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Frederick Frahm
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Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Over The Rainbow
Large Ensemble - Level 2 - Digital Download SKU: A0.939391 By Judy Garland. By Haro…
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Large Ensemble - Level 2 - Digital Download SKU: A0.939391 By Judy Garland. By Harold Arlen. Arranged by Adam Grim. Contemporary. Score and parts. 50 pages. Adam B. Grim #6438223. Published by Adam B. Grim (A0.939391). Somewhere Over the Rainbow and What a Wonderful World are two songs that can be used to define many emotions. Hope, inspiration, freedom of stress and worrying, and an openness to find those who care. These two songs play together and are rich with hope for the future after being locked away from one another from the Coronavirus pandemic of 2020. Solemn and hopeful motion provide this piece direction, and hopefully the listeners and performers can find these internally as well. Wish upon a star that the clouds be far behind us and think to yourself what a wonderful world. I hope you enjoy!
$75.00
69.29 €
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Judy Garland
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Adam Grim
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Over The Rainbow
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Adam B. Grim
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SheetMusicPlus
The Dove
Quatuor à cordes: 2 violons, alto, violoncelle
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibe…
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Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
21.24 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick …
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String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020007. Published by Musik Fabrik Music Publishing (A0.533560). This is the score of this work. The string parts are available on rental from the publisher. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$25.95
23.97 €
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Orchestre à Cordes
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Frederick Frahm
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Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Frederick Frahm: Spaces of Night for voice and organ
Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.53355…
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Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.533559 Composed by Frederick Frahm. Concert,Contemporary,Folk. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020003. Published by Musik Fabrik Music Publishing (A0.533559). This is the composer's transcription of the original version for voice, organ and strings. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$19.95
18.43 €
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Frederick Frahm
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Frederick Frahm: Spaces of Night for voice and organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Hope that Lasts
Chorale 3 parties
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1029966 Composed by June Fo…
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1029966 Composed by June Foster, Ben Tibbetts. Christian,Sacred. Octavo. 13 pages. June Foster #5996641. Published by June Foster (A0.1029966). Hope that Lasts is written for SAB choir with a trio and is appropriate for church services throughout the year, especially services with a theme of hope and encouragement. The message of this song is hope. The verses are intended to represent God's words to us, in which He encourages and guides us along our paths. The voicing-three individuals singing in unison-is meant to represent the three parts of the Trinity: Father, Son, and Holy Spirit.vs. 1 I have a plan just for you,I have prepared you something new.I will protect, I will provide, I’ll always be there by your side.vs 3. Watch me and see what I do, I will take care of you. Now I want you to understand, The hopeful future I have planned.The chorus intentionally switches between singular and plural, demonstrating the importance of both an individual and a corporate relationship with God. After the last verse, the chorus changes to demonstrate that we are strengthened and assured by what He tells us. Suggested Scripture passages: Isaiah 43:18-19, Philippians 3:13-14, I Thessalonians 1:2, Jeremiah 29:11, and Colossians 3:2.Chorus: Will you make a way for me, Lead me along this path? Will you show me where to go, And give me hope that lasts? Will you make a way for us, Lead us along this path? Will you show us where to go, And give us hope that lasts?Also available congregational version item number SO.895371
$2.25
2.08 €
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Chorale 3 parties
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June Foster, Ben Tibbetts
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Hope that Lasts
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June Foster
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SheetMusicPlus
Lullaby of Hope
Small Ensemble Cello,Piano,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.9254…
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Small Ensemble Cello,Piano,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.925434 Composed by Allan Strickland. Children,Christian,Gospel,Spiritual. Score and parts. 7 pages. Allan Strickland #5336983. Published by Allan Strickland (A0.925434). Inspired by Billy Joel's Lullabye (Goodnight, My Angel), Lullaby of Hope is an original composition that tells of the future hope of heaven and seeing our loved ones who are there. It reminds parents and grandparents to tell their little ones the truth of God and that Jesus loves them. It will bring comfort and hope to the little one with questions about things to come.
$2.99
2.76 €
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Allan Strickland
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Lullaby of Hope
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Allan Strickland
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SheetMusicPlus
Come to the Tomb
(Choral, Orchestra) - Digital Download SKU: H1.GC1000ODP Composed by Robert Clatter…
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(Choral, Orchestra) - Digital Download SKU: H1.GC1000ODP Composed by Robert Clatterbuck. Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Easter Sunday, Sacred. Set of Instrumental Parts. 33 pages. Hope Publishing - Digital #GC1000ODP. Published by Hope Publishing - Digital (H1.GC1000ODP). Powerful anthem From the early moments of discouragement as the women approached the tomb on Easter morning, to their awareness of Christ's resurrection, and even the reference in verse three of our future resurrection, this powerful anthem reminds us that the tomb is empty! Jesus lives.
$89.95
83.1 €
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Robert Clatterbuck
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Jack Schrader
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Come to the Tomb
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Hope Publishing - Digital
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SheetMusicPlus
Come to the Tomb and Live Forevermore
Choral (Choral, Orchestra) - Digital Download SKU: H1.GC1000DP Composed by Robert C…
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Choral (Choral, Orchestra) - Digital Download SKU: H1.GC1000DP Composed by Robert Clatterbuck. Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Easter Sunday, Sacred. Octavo. 8 pages. Hope Publishing - Digital #GC1000DP. Published by Hope Publishing - Digital (H1.GC1000DP). Powerful anthem From the early moments of discouragement as the women approached the tomb on Easter morning, to their awareness of Christ's resurrection, and even the reference in verse three of our future resurrection, this powerful anthem reminds us that the tomb is empty! Jesus lives.
$2.95
2.73 €
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Robert Clatterbuck
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Jack Schrader
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Come to the Tomb and Live Forevermore
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Hope Publishing - Digital
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SheetMusicPlus
Hope for all Tomorrows
Instrumental Parts - Digital Download SKU: H1.C6373PDP Composed by Mark Hayes. Pian…
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Instrumental Parts - Digital Download SKU: H1.C6373PDP Composed by Mark Hayes. Piano Accompaniment. Choral Parts. 28 pages. Hope Publishing - Digital #C6373PDP. Published by Hope Publishing - Digital (H1.C6373PDP). Mark Hayes.Original Anthem With a text based on Jeremiah 29:11-13 this original composition will instill hope in the hearts of those that sing and hear these stunningly gorgeous melodies. The text reminds us that God has a plan for each of us; a future with hope.
$22.95
21.2 €
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Mark Hayes
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a future with hope.
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Hope for all Tomorrows
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Hope Publishing - Digital
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SheetMusicPlus
THE CONVICTS' LAMENT
Small Ensemble - Digital Download SKU: A0.976583 Composed by Helen Porter. Contempo…
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Small Ensemble - Digital Download SKU: A0.976583 Composed by Helen Porter. Contemporary. Score and parts. 19 pages. Helen Porter #2912393. Published by Helen Porter (A0.976583). A convict relative from my past, was transported to Australia in 1828 for stealing some bedding.I wrote this song to express what must have been the emotions experienced by these poor sad souls who had no idea what lay ahead.The flute accompaniament adds to the feeling of sorrow and abandonment which then turns to hope for their future.
$3.00
2.77 €
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Helen Porter
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THE CONVICTS' LAMENT
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Helen Porter
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SheetMusicPlus
Hope of the World 05: A Shoot Will Spring Forth
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.847873 By Stephen R…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.847873 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 26 pages. Stephen R Dalrymple #454564. Published by Stephen R Dalrymple (A0.847873). Hope of the World 05: A Shoot Will Spring Forthoriginal song for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple♫ based on Isaiah 11♫ Isaiah served 3 descendants of King David: Ahaz, Hezekiah, and Manasseh. Looking into the future, Isaiah sees the apparent end of the Davidic line (which actually happened in the 4th generation after Manasseh.) Yet God had promised David that his lineage would continue. Isaiah foresees that the Davidic line will be like a tree that is cut down and presumed dead, only to sprout anew and produce future offspring.♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
1.85 €
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Chorale SATB
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Stephen R Dalrymple
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Hope of the World 05: A Shoot Will Spring Forth
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Stephen R Dalrymple
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SheetMusicPlus
Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.43 €
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Ensemble de cuivres
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Hope for Planet Sea
Small Ensemble Cello,Flute,Marimba,Piano - Level 3 - Digital Download SKU: A0.1043967
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Small Ensemble Cello,Flute,Marimba,Piano - Level 3 - Digital Download SKU: A0.1043967 By John Eric Copeland. By John Eric Copeland. Arranged by John Eric Copeland. 20th Century,Classical,Contemporary,Multicultural,New Age,World. Score and parts. 18 pages. Eric Copeland Music #648672. Published by Eric Copeland Music (A0.1043967). A hopeful, melodic piece for Marimba, Cello, Flute, and Piano as each take a role in describing the state of the future of our planet.
$49.99
46.18 €
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John Eric Copeland
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John Eric Copeland
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Hope for Planet Sea
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Eric Copeland Music
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SheetMusicPlus
Comfort at the Cross
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1017859 Composed by Mikey Lucic…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1017859 Composed by Mikey Lucich. Arranged by Connor Prim. Christian,Contemporary,Gospel. Score and parts. 18 pages. Connor Prim #6340251. Published by Connor Prim (A0.1017859). An inspirational tale of triumph over the evil we all try to run from, Comfort at the Cross is a fantastic choice for any intermediate to advanced brass quintet. It starts with a haunting fugue that then morphs into a Bach-esque chorale texture that later adds in an epic horn line reminiscent of DCI mellophone writing. From there, the piece turns into an uplifting song of hope for the future, ending with a triumphant clarino trumpet line to bring the piece into a joyous celebration.
$9.99
9.23 €
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Ensemble de cuivres
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Mikey Lucich
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Connor Prim
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Comfort at the Cross
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Connor Prim
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SheetMusicPlus
THE CROWN - FOR STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle
Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By …
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Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. Score, Set of Parts. 22 pages. Published by Helen Marple-Horvat
'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.<br> <br> <br> I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.<br> <br> As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!<br> <br> The long ‘piano’ sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.<br> <br> I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.<br> <br> There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ‘breath’ at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven’t marked it as such, and I couldn’t write a ‘simile’ on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.<br> <br> Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.
$20.00
18.48 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Zimmer, Gregson-Williams, Balfe
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Helen Marple-Horvat
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THE CROWN - FOR STRING QUARTET
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Helen Marple-Horvat
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SheetMusicPlus
THE FINAL WAVE for Violin & Piano
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instructional,Multicultural,World. Score and parts. 26 pages. White Piano International Publishing #728022. Published by White Piano International Publishing (A0.1127398). THE FINAL WAVE for Violin & Piano Piano 22 pages / Violin 4 pages Approx. Time: 6:15 On Saturday afternoon, March 26, 2011, I was invited to a special meeting of Bay Area business people. Their purpose was wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that I compose a new song for the project that would let those afflicted in Japan know they would not be forgotten.I was so inspired by the dedication and volunteerism of all the people at the meeting that I went home and composed a new piece of music entitled: THERE IS HOPE THROUGH MUSIC. After a favorable response from the group, I began composing another piece for violin and piano entitled: THE FINAL WAVE. In this piece, I tried to paint the horror, destruction, uncertainty and sadness of the disaster while giving hope for a future for the people who witnessed this catastrophic event. Unfortunately, THE FINAL WAVE was never completed as planned back in 2011. However, eleven years later, I completed this memorable piano and violin duet. Even though it’s been many years since that terrible day of March 11, 2011, the music can still convey emotions of melancholy, discord, resilience and compassion for tragic and unforeseeable events of today. This timeless work is dedicated to remember and give hope to all those affected by disasters and catastrophic tragedies. This advanced level of music is clearly notated for piano and violin and can be an extraordinary supplemental selection for recitals and concerts. This musical recording of THE FINAL WAVE is an electronic representation available in the notation program. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$14.99
13.85 €
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Violon et Piano
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ROBERT VAN HORNE
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THE FINAL WAVE for Violin & Piano
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White Piano International Publishing
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SheetMusicPlus
J. Frederick Bridge | With Thee, Sweet Hope! | for Brass Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 5 - Digital …
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1472000 By J. Frederick Bridge. By J. Frederick Bridge. Arranged by Andrew Lamb. 19th Century. 67 pages. Andrew Lamb #1049697. Published by Andrew Lamb (A0.1472000). 🎺 Brass Quintet Arrangement: With Thee, Sweet Hope! by J. Frederick Bridge 🎶✨ About the Arrangement:This arrangement of With Thee, Sweet Hope! by the esteemed English composer and organist J. Frederick Bridge offers a challenging yet rewarding piece for advanced brass ensembles. The flexibility in instrumentation allows for a unique blend of timbres and a captivating performance.📯 Scored for: Part 1: Trumpet / Cornet / Flugel in Bb / Soprano in Eb Part 2: Trumpet / Cornet / Flugel in Bb Part 3: French Horn / Tenor Horn Part 4: Euphonium / Baritone / Trombone (Bass Clef and Treble Clef) Part 5: Tuba / Eb Bass (Treble Clef) / Bb Bass (Treble Clef) 🎼 Level of Difficulty: Hard🎤 Potential Uses:Perfect for concert or recital performances, this arrangement will showcase the versatility and skill of your brass quintet.✨ About the Composer: Sir John Frederick Bridge (1844–1924) was a prominent English organist, composer, teacher, and writer. His career highlights include being the organist at Westminster Abbey, conducting the Royal Choral Society, and teaching at prestigious institutions like the Royal College of Music and Gresham College. Bridge played a significant role in modernizing church music and was instrumental in organizing music for state occasions, including coronations.📌 Key Points: Early Life: Born in Oldbury, Worcestershire, he was introduced to music early, joining Rochester Cathedral's choir as a boy. Career: Held positions at Manchester Cathedral and Westminster Abbey, where he made significant contributions to church music. Teaching: Taught at the Royal College of Music and Gresham College, influencing many future prominent musicians. Conducting: Led the Royal Choral Society for 25 years, premiering works by notable British composers. 🔔 Please like and subscribe for more videos and music arrangements. 😊
$10.00
9.24 €
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J
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Andrew Lamb
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J. Frederick Bridge | With Thee, Sweet Hope! | for Brass Quintet
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Andrew Lamb
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SheetMusicPlus
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