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Vous avez sélectionné:
Hour Of The Gun
Partitions à imprimer
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Hour Of The Gun (main Title)
Piano seul
Piano Solo - Intermediate - Digital Download By Jerry Goldsmith. Arranged by Jeff Sie…
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Piano Solo - Intermediate - Digital Download By Jerry Goldsmith. Arranged by Jeff Siesser. 2 pages. Published by Mercenary Publications
This is my piano solo arrangement of the exciting main title theme from Jerry Goldsmith's score from the 1967 western "Hour of the Gun."
$4.99
4.58 €
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Piano seul
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Jerry Goldsmith
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Hour Of The Gun
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Mercenary Publications
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SheetMusicPlus
Light And Tuneful (Wimbledon Opening Theme)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansf…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansfield. Arranged by Kevin Riley. 20th Century,Film/TV. 33 pages. Kevin Riley #1046894. Published by Kevin Riley (A0.1468652). Keith Mansfield (born 1941 in London, England) is a British composer and arrangerknown for his creation of prominent television theme tunes, including the Grandstandtheme for the BBC.Mansfield's works include The Young Scene (the original 1968 theme to The Big Match), Light and Tuneful (the opening theme for the BBC's coverage of the Wimbledon Tennis Championships), World Champion (the closing theme for NBC's coverage of the same tournament), and World Series (used for the BBC's athletics coverage). One of his library music recordings, Teenage Carnival, was used as the theme to the cult 1960s ITV children's television series Freewheelers. He has also composed film scores for British movies such as Loot (1970) and Taste of Excitement (1970), and the western Three Bullets for a Long Gun (1971). He also scored the start-up and shutdown themes for Granada Television in 1978, which were used for ten years before it switched to 24-hour television.
$50.00
45.91 €
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Orchestre
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Keith Mansfield
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Kevin Riley
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Light And Tuneful
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Kevin Riley
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.37 €
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2 Tubas (duo)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Soprano: Dreamers
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1390719 Composed by Clint Bo…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1390719 Composed by Clint Borzoni. 21st Century,Classical,Contemporary,Opera,Romantic Period. Score. 11 pages. Clint Borzoni #974275. Published by Clint Borzoni (A0.1390719). Soldiers are citizens of death's grey land, Drawing no dividend from time's to-morrows. In the great hour of destiny they stand, Each with his feuds, and jealousies, and sorrows. Soldiers are sworn to action; they must win Some flaming, fatal climax with their lives. Soldiers are dreamers; when the guns begin They think of firelit homes, clean beds and wives. I see them in foul dug-outs, gnawed by rats, And in the ruined trenches, lashed with rain, Dreaming of things they did with balls and bats, And mocked by hopeless longing to regain Bank-holidays, and picture shows, and spats, And going to the office in the train.– Siegfried Sassoon (1886-1967).
$6.00
5.51 €
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Piano, Voix
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Clint Borzoni
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Soprano: Dreamers
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Clint Borzoni
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SheetMusicPlus
Eisenbahn [11 pieces for 2 saxophones]
2 Saxophones (duo)
Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1402117 By Ibra…
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Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1402117 By Ibrahim Gunbardhi. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,Latin. Saxophone Duet. 38 pages. Juan Maria Solare #985321. Published by Juan Maria Solare (A0.1402117). Eisenbahn, this cycle of 11 pieces for two saxophones is an important milestone in Juan MarÃa Solare's output. The pieces are dedicated to the Albanian clarinetist Ibrahim Gunbardhi, which requires telling a little anecdote: For a few years, the composer lived as a neighbor of the clarinetist in Bremen-Lesum, Germany. Each Thursday, there were clarinet and saxophone lessons for several hours. The sounds awakened the composer and mixed themselves in his dreams. From that to composing a cycle of duos was just a simple step.All titles of the cycle are related to the railroad (but in German): The rails meet on the horizon, Unexpected meeting in the on-board bistro, Trees passing by, Curious cows watch us go by, End station, and many others.Why eleven pieces? Some would prefer a round number such as ten or twelve. However, eleven is the composer's favorite number - among other things because it is a prime number and because he was born on the eleventh (of August).Musically speaking, this cycle of pieces is quite rhythmic, particularly with rhythms related to South America.More trivia? For the basic textural idea of the eighth piece ('Nap on the train'), the composer developed an old composition exercise that he had written in the early 80s.Three pieces of the cycle Eisenbahn (Ibrahim Gunbardhi and Thomas Sauer):Three pieces of the cycle Eisenbahn (composer: Juan MarÃa Solare)
$11.00
10.1 €
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2 Saxophones (duo)
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Ibrahim Gunbardhi
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Eisenbahn [11 pieces for 2 saxophones]
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Juan Maria Solare
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SheetMusicPlus
Orgelsinfonie No. 9
Orgue
Organ - advanced - Digital Download SKU: S9.Q7132 Pathétique. Composed by…
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Organ - advanced - Digital Download SKU: S9.Q7132 Pathétique. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7132. Published by Schott Music - Digital (S9.Q7132). One of the first things that comes to one's mind when reading the title of Organ Symphony No. 9 'Pathétique' by Enjott Schneider is another work with this epithet: Tchaikovsky's Symphony No. 6. And that is no coincidence: The composer regards his organ work as an homage to this 'elder sister'. While Tchaikovsky, in a secret programme, made out his own life to be a struggle and long ordeal to the point of his suspected suicide, Enjott Schneider presents those hours as the ultimate tale of woe in which Jesus had well and truly become human, fatefully bearing the pain and misery of all people. 'Gethsemane', 'Geiselung: Ecce homo', 'Golgatha' and 'Grablegung': Maria Magdalena' are the names of the stages and movements. The Greek word 'pathos' means 'strong emotion, feeling, passion or suffering' - in Schneider's Organ Symphony No. 9, this comes true, musically, in his inner conflict, struggle, wrestling with his fate, cruelty of the crucifixion and deathly silence.Natürlich denkt man beim Titel Orgelsinfonie Nr. 9 Pathétique von Enjott Schneider an ein anderes Werk mit diesem Beinamen: an Tschaikowskys Sinfonie Nr. 6. Und das ist kein Zufall: Der Komponist sieht sein Orgelwerk als Hommage an diese große Schwester an.
$21.99
20.19 €
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Orgue
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Enjott Schneider
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Orgelsinfonie No. 9
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Schott Music - Digital
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SheetMusicPlus
Pescador de Hombres
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.922030 Composed by Cesareo…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.922030 Composed by Cesareo Gabarain. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Hope Ram #3626507. Published by Hope Ram (A0.922030). Arreglo para coros con partes para solista y duetos soprano/alto y soprano/tenor.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos:  - Selecciona solista y duetos primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos.  - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y los duetos por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 3:18 a velocidad 80 (6/8). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist, soprano/alto duet, and soprano/tenor duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duets first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble.  - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 3:18 at tempo 80 (6/8). Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com
$1.99
1.83 €
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Chorale SATB
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Cesareo Gabarain
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Antonio Rmz
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Pescador de Hombres
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Hope Ram
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SheetMusicPlus
Imagine
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1419155 By John Lennon And The Plas…
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Piano Solo - Level 4 - Digital Download SKU: A0.1419155 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Thomas Gunther. Pop,Singer/Songwriter. Score. 4 pages. Thomas Gunther Music Productions #1000584. Published by Thomas Gunther Music Productions (A0.1419155). This solo piano version is made for classically trained pianists!Imagine has always been one of my favorite pop ballads. I know classical pianists that would love to play it too. So I decided to write a piano arrangement of it that is tailored specifically towards pianists that are looking for challenging arrangements of famous pop songs notated in great detail.Although the arrangement does not look or sound very difficult at first glance, to perform it beautifully, I would expect that even more advanced pianists will have to practice it quite a bit. I can tell you that I had to put in hours of practicing before I was able to record it to my liking. Of course, I am not specialist in sight-reading music, nor am I performing classical concerts.Bottom line, should you be a pianist who would like to add a beautiful pop song to your repertory, you may want to give this arrangement a closer look.
$7.99
7.34 €
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Piano seul
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John Lennon And The Plastic Ono Band
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Thomas Gunther
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Imagine
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Thomas Gunther Music Productions
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SheetMusicPlus
Sweet Child O' Mine
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.743782 By Guns N' Roses. By Duff Mc…
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Cello Solo - Level 3 - Digital Download SKU: A0.743782 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by DK Music. Rock. Individual part. 2 pages. DK Music #5775329. Published by DK Music (A0.743782). Cello solo arrangement of Sweet Child O Mine by Guns n Roses. Perfect for weddings, cocktail hours, or other events. Also great for teaching, learning and casually playing. This arrangement follows the general structure of the song - it's fun and straightforward!Duration: 2 min 24 sec.
$4.99
4.58 €
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Violoncelle
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Guns N' Roses
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DK Music
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Sweet Child O' Mine
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DK Music
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SheetMusicPlus
Sweet Child O' Mine
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.743781 By Guns N' Roses. By Duff M…
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Violin Solo - Level 3 - Digital Download SKU: A0.743781 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by DK Music. Metal,Rock. 2 pages. DK Music #5775327. Published by DK Music (A0.743781). Violin solo arrangement of Sweet Child O Mine by Guns n Roses. Perfect for weddings, cocktail hours, or other events. Also great for teaching, learning and casually playing. This arrangement follows the general structure of the song - it's fun and straightforward!Duration: 2 min 24 sec.
$4.99
4.58 €
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Violon
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Guns N' Roses
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DK Music
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Sweet Child O' Mine
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DK Music
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SheetMusicPlus
Amazing Grace
Piano Facile
Piano Solo, Piano/Vocal/Chords, Easy Piano - Early Intermediate - Digital Download …
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Piano Solo, Piano/Vocal/Chords, Easy Piano - Early Intermediate - Digital Download Arranged by Mario Stallbaumer. Christian, Gospel, Spiritual. 2 pages. Published by Mario Stallbaumer
Here’s how to play the famous Christian hymn “Amazing Grace” on piano!<br> <br> This is an easy-to-play piano arrangement of “Amazing Grace” in the key of G major.<br> <br> You can use this sheet music to simply play the song on piano, accompany singers, or sing along yourself!<br> <br> The lyrics of “Amazing Grace” were written by English poet and clergyman John Newton (1725–1807), it was first published in 1779.<br> <br> Containing a message of forgiveness, it is one of the most recognizable gospel songs in the English-speaking world.<br> <br> Even US president Barack Obama once sang it in public during his eulogy for state Senator Clementa Pinckney (one of the victims of the Charleston church shooting 2015).<br> <br> It’s centainly one of the greatest gospel songs to sing and play.<br> <br> <br> These sheets come with a seperate system for the singer, and the song’s full lyrics:<br> <br> <br> Amazing grace! How sweet the sound<br> <br> That saved a wretch like me!<br> <br> I once was lost, but now am found;<br> <br> Was blind, but now I see.<br> <br> <br> ’Twas grace that taught my heart to fear,<br> <br> And grace my fears relieved;<br> <br> How precious did that grace appear<br> <br> The hour I first believed.<br> <br> <br> Through many dangers, toils, and snares,<br> <br> I have already come;<br> <br> ’Tis grace hath brought me safe thus far,<br> <br> And grace will lead me home.<br> <br> <br> The Lord has promised good to me,<br> <br> His Word my hope secures;<br> <br> He will my Shield and Portion be,<br> <br> As long as life endures.<br> <br> <br> Yea, when this flesh and heart shall fail,<br> <br> And mortal life shall cease,<br> <br> I shall possess, within the veil,<br> <br> A life of joy and peace.<br> <br> <br> When we’ve been there ten thousand years,<br> <br> Bright shining as the sun,<br> <br> We’ve no less days to sing God’s praise<br> <br> Than when we’d first begun.
$1.99
1.83 €
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Piano Facile
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Mario Stallbaumer
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Amazing Grace
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Mario Stallbaumer
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SheetMusicPlus
Una Caja de Cristal (A crystal box)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.947084 By Federico Viel. By Federi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.947084 By Federico Viel. By Federico Viel. Classical,Contemporary,Film/TV,Multicultural,World. Individual part. 2 pages. Federico Viel #552813. Published by Federico Viel (A0.947084). Esta es una composición inspirada en nuestro ser creativo, en esas miles de horas que podemos pasar haciendo eso que nos hace sentir y olvidar el tiempo, en la fragilidad de los momentos, en los estudiantes llenos de preguntas. This is a composition inspired by our creative being, in those thousands of hours that we can spend doing what makes us feel and forget time, in the fragility of moments, in students full of questions.
$2.00
1.84 €
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Guitare
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Federico Viel
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Una Caja de Cristal
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Federico Viel
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SheetMusicPlus
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