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How Can We Say Thank You - SATB
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How Can We Say Thank You - SATB
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Thank U, Next
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
4.6 €
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Piano, Voix
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Thank U, Next
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. …
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallbaumer
Here’s how to play “thank u, next” by Ariana Grande on piano!<br> <br> With this piano sheet music, you can play “thank u, next” on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.<br> <br> It’s a piano arrangement in the song’s original key of Bb minor, and comes with all parts of the song, full lyrics included.<br> <br> It’s not too hard to play and sounds fantastic!<br> <br> <br> Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released "thank u, next", a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!<br> <br> “thank u, next” serves as the lead single from Ariana Grande’s fifth studio album.<br> <br> Listen to the full arrangement here: https://youtu.be/yZWNKPCVvD0<br> <br> Here are the song’s full lyrics:<br> <br> <br> “Thought I'd end up with Sean<br> <br> But he wasn't a match<br> <br> Wrote some songs about Ricky<br> <br> Now I listen and laugh<br> <br> Even almost got married<br> <br> And for Pete, I'm so thankful<br> <br> Wish I could say, "Thank you" to Malcolm<br> <br> 'Cause he was an angel<br> <br> One taught me love<br> <br> One taught me patience<br> <br> And one taught me pain<br> <br> Now, I'm so amazing<br> <br> I've loved and I've lost<br> <br> But that's not what I see<br> <br> So, look what I got<br> <br> Look what you taught me<br> <br> And for that, I say<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin'<br> <br> Spend more time with my friends<br> <br> I ain't worried 'bout nothin'<br> <br> Plus, I met someone else<br> <br> We havin' better discussions<br> <br> I know they say I move on too fast<br> <br> But this one gon' last<br> <br> 'Cause her name is Ari<br> <br> And I'm so good with that (so good with that)<br> <br> She taught me love (love)<br> <br> She taught me patience (patience)<br> <br> How she handles pain (pain)<br> <br> That shit's amazing (yeah, she's amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching, and for that, I say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> I'm so fucking<br> <br> One day I'll walk down the aisle<br> <br> Holding hands with my mama<br> <br> I'll be thanking my dad<br> <br> 'Cause she grew from the drama<br> <br> Only wanna do it once, real bad<br> <br> Gon' make that shit last<br> <br> God forbid something happens<br> <br> Least this song is a smash (song is a smash)<br> <br> I've got so much love (love)<br> <br> Got so much patience (patience)<br> <br> I've learned from the pain (pain)<br> <br> I turned out amazing (turned out amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching<br> <br> And for that, I'll say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next”Here’s how to play “thank u, next” by Ariana Grande on piano!<br> <br> With this piano sheet music, you can play “thank u, next” on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.<br> <br> It’s a piano arrangement in the song’s original key of Bb minor, and comes with all parts of the song, full lyrics included.<br> <br> It’s not too hard to play and sounds fantastic!<br> <br> <br> Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released "thank u, next", a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!<br> <br> “thank u, next” serves as the lead single from Ariana Grande’s fifth studio album.<br> <br> Listen to the full arrangement here: https://youtu.be/yZWNKPCVvD0<br> <br> Here are the song’s full lyrics:<br> <br> <br> “Thought I'd end up with Sean<br> <br> But he wasn't a match<br> <br> Wrote some songs about Ricky<br> <br> Now I listen and laugh<br> <br> Even almost got married<br> <br> And for Pete, I'm so thankful<br> <br> Wish I could say, "Thank you" to Malcolm<br> <br> 'Cause he was an angel<br> <br> One taught me love<br> <br> One taught me patience<br> <br> And one taught me pain<br> <br> Now, I'm so amazing<br> <br> I've loved and I've lost<br> <br> But that's not what I see<br> <br> So, look what I got<br> <br> Look what you taught me<br> <br> And for that, I say<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin'<br> <br> Spend more time with my friends<br> <br> I ain't worried 'bout nothin'<br> <br> Plus, I met someone else<br> <br> We havin' better discussions<br> <br> I know they say I move on too fast<br> <br> But this one gon' last<br> <br> 'Cause her name is Ari<br> <br> And I'm so good with that (so good with that)<br> <br> She taught me love (love)<br> <br> She taught me patience (patience)<br> <br> How she handles pain (pain)<br> <br> That shit's amazing (yeah, she's amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching, and for that, I say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> I'm so fucking<br> <br> One day I'll walk down the aisle<br> <br> Holding hands with my mama<br> <br> I'll be thanking my dad<br> <br> 'Cause she grew from the drama<br> <br> Only wanna do it once, real bad<br> <br> Gon' make that shit last<br> <br> God forbid something happens<br> <br> Least this song is a smash (song is a smash)<br> <br> I've got so much love (love)<br> <br> Got so much patience (patience)<br> <br> I've learned from the pain (pain)<br> <br> I turned out amazing (turned out amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching<br> <br> And for that, I'll say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next”
$4.99
4.6 €
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Piano, Voix
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
I Travel On for SAB choir
Chorale 3 parties
Choral Choir (SAB) - Digital Download SKU: A0.840521 Composed by Tara Islas. Contem…
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Choral Choir (SAB) - Digital Download SKU: A0.840521 Composed by Tara Islas. Contemporary,Sacred. Octavo. 10 pages. Tara Islas #6857613. Published by Tara Islas (A0.840521). This choral piece was written and dedicated to the loss of a partner, best friend or anyone who has had a profound loss in their lives. The lyrics were adapted from the poem To Those Whom I Love (Anonymous) Questions or comments? We're here to help! taraislasmusic@gmail.com Lyrics: When I am gone, please let me go I have so many things to see, although, You must not shed too many tears, I plea But thankful for those years you've given me. I gave my love, and you can guess How much you've given me in happiness I thank you for the love each have shown But now it is time I travelled on. I travel on, I travel on, but my love for you will carry on. I travel on, I travel on alone, I won't be far away. So grieve a while, grieve you must Then let your grief be comforted by trust It is only for a while that we must part So treasure memories in your heart. I travel on, I travel on, but my love for you will carry on. I travel on, then when you come this way alone, I'll greet you and say welcome home.
$1.99
1.83 €
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Chorale 3 parties
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Tara Islas
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I Travel On for SAB choir
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Tara Islas
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SheetMusicPlus
Chapter Two
1 Piano, 4 mains
1 Piano,4 Hands,Cello,Clarinet,Flute,Vibraphone,Violin - Level 3 - Digital Download SKU…
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1 Piano,4 Hands,Cello,Clarinet,Flute,Vibraphone,Violin - Level 3 - Digital Download SKU: A0.1103677 Composed by Siobhan Dyson. 20th Century,Chamber,Classical,Film/TV. 50 pages. Siobhan Dyson #706947. Published by Siobhan Dyson (A0.1103677). Chapter Two This small ensemble piece was written to showcase Siobhan’s second chapter in her life. After six years of higher education study, Siobhan is now ready to move onto the next chapter of her life by writing music for a variety of studios and companies. Siobhan is confident in her pursuit of becoming a well-known composer who is known for writing music for a variety of media. She is already undertaking this task by writing for a documentary and a potential game. Siobhan feels ready to leave and cannot wait to see what this next chapter brings her. She wrote this piece as a farewell to her lecturer of her entire RCS career, Dr Oliver Searle who she has admired and adored throughout her studies. Note from the composer: Dear Oliver, Surprise, I wrote this to say thanks to you, embarrassing I know :/ So as my last final effort to embarrass both of us I wrote this into my programme note. (Kind of cringey and, as I am writing this, I’m getting totes emosh) Thank you for being the best lecturer I could have ever asked for, thank you for being a great person who is caring, kind and someone who truly listens and teaches well. I hope to make you proud in my pursuits! I will always look back on the times of terrible dad jokes (not me), trying to break my stubbornness and all the funny times we had (mostly me :P). I will cherish all you have taught me (except the key signature thing, still not changing my mind on that). You have watched me grow into this weird, funny, and slightly embarrassing person. I don’t think I would be where I am today without you and, from my dark, dark evil heart, thank you for pushing me to being the person I am today. (So, if it all goes wrong, I blame you :P) K, Thanks. Signed: Your favourite.
$48.00
44.25 €
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1 Piano, 4 mains
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Siobhan Dyson
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Chapter Two
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Siobhan Dyson
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SheetMusicPlus
Monody
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. …
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Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
55.31 €
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Orchestre d'harmonie
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
VALS FRÅN DREFVIKEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
#
Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
LÄTTA FINGRAR
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
#
Lars Ek
#
LÄTTA FINGRAR
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
#
Lars Ek
#
FORNUDDSVALSEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
#
Lars Ek
#
LOVELY THOUGHTS
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
SNÖKÄNGAN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
#
Lars Ek
#
SNÖKÄNGAN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Aquarius
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1222866 By The Fifth …
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1222866 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by John Fries. 20th Century,Broadway,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #819108. Published by John Fries (A0.1222866). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA.  Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew.  As Holman tells it, the recording can be traced to an incident in which 5th Dimension lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show:  After they'd seen it I received a phone call in which they were all talking over one another, saying 'We've got to cut this song Aquarius.  It's the best thing ever.'.
$4.99
4.6 €
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Piano, Voix et Guitare
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The Fifth Dimension
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John Fries
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Aquarius
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John Fries
#
SheetMusicPlus
Aquarius
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1223448 By The Fifth …
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1223448 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by John Fries. 20th Century,Broadway,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #819641. Published by John Fries (A0.1223448). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. The song spent six weeks at number one on the US Billboard Hot 100 pop singles chart in the spring of 1969 and was eventually certified platinum in the US by the RIAA.  Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew.  As Holman tells it, the recording can be traced to an incident in which 5th Dimension lead singer Billy Davis Jr. left his wallet in a New York City cab; the man who found the wallet was involved in the production of Hair and invited the group to see the show:  After they'd seen it I received a phone call in which they were all talking over one another, saying 'We've got to cut this song Aquarius.  It's the best thing ever.'.
$4.99
4.6 €
#
Piano, Voix et Guitare
#
The Fifth Dimension
#
John Fries
#
Aquarius
#
John Fries
#
SheetMusicPlus
The Best Hymns of All Time (for Strings) Book 1
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed b…
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 60 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time<br> Arranged for Strings by Colin Kirkpatrick<br> <br> Book 1<br> <br> We’re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts but could be used with virtually any combination of stringed instruments from string quartet upwards. Book 1 includes full four-part instrumental scores plus parts for 1st violin, 2nd violin, viola and cello/double bass reading from the same part. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio sample.<br> <br> These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The score and all the parts are contained in a single 60-page PDF file.<br> <br> Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse).<br> <br> The audio samples include Abide with me (Eventide); All Through the Night (Ar Hyd y Nos); Nearer my God to Thee (Bethany), Soldiers of Christ, Arise (Diademata) and What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name.The Best Hymns of All Time<br> Arranged for Strings by Colin Kirkpatrick<br> <br> Book 1<br> <br> We’re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts but could be used with virtually any combination of stringed instruments from string quartet upwards. Book 1 includes full four-part instrumental scores plus parts for 1st violin, 2nd violin, viola and cello/double bass reading from the same part. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio sample.<br> <br> These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The score and all the parts are contained in a single 60-page PDF file.<br> <br> Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse).<br> <br> The audio samples include Abide with me (Eventide); All Through the Night (Ar Hyd y Nos); Nearer my God to Thee (Bethany), Soldiers of Christ, Arise (Diademata) and What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name.
$25.99
23.96 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Worship, General Worship
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
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