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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
How Far We've Come - Tuba
Non classifié
7
Piano & claviers
Piano, Voix et Guitare
5
Piano, Voix
3
Piano seul
1
Piano Facile
1
Guitares
Basse électrique (partie séparée)
1
Guitare
1
Voix
Chorale 3 parties
4
Chorale 2 parties
2
Chorale
2
Vents
Clarinette (partie séparée)
1
Saxophone Tenor
1
Saxophone Alto
1
Saxophone (partie séparée)
1
Flute (partie séparée)
1
Cuivres
Trompette (partie séparée)
3
Cor
2
Tuba ou Euphonium ou Saxhorn
1
Trombone
1
Cordes
Violon, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon et Piano
1
Harpe, Voix
1
Trio à Cordes: violon, alto, violoncelle
1
Orchestre & Percussions
Fanfare
4
Percussion
3
Orchestre
1
Xylophone
1
Batterie
1
Autres
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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OPERA
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PUNK
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Vous avez sélectionné:
How Far We've Come - Tuba
Partitions à imprimer
55 partitions trouvées
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How Far We've Come
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1000336 By Matchbox Twenty. …
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1000336 By Matchbox Twenty. By Brian Yale, Kyle Cook, Paul Doucette, and Rob Thomas. Arranged by Polly Andrews. Pop. Octavo. 15 pages. Polly Andrews #5728809. Published by Polly Andrews (A0.1000336). An arrangement of Matchbox Twenty's How Far We've Come, arranged for SA choir and piano.
$3.99
3.66 €
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Chorale 2 parties
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Matchbox Twenty
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Polly Andrews
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How Far We've Come
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Polly Andrews
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SheetMusicPlus
Look How Far We've Come
(Full Performance) - Digital Download SKU: HX.249354 Composed by Cristi Cary Miller…
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(Full Performance) - Digital Download SKU: HX.249354 Composed by Cristi Cary Miller. Concert,Graduation,Pop. Choral. Duration 217. Published by Hal Leonard - Digital (HX.249354).
$1.99
1.83 €
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Cristi Cary Miller
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Look How Far We've Come
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Hal Leonard - Digital
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SheetMusicPlus
We Three Kings Commiseration Arrangement
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1514360 By Kim Kirkman. By J…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1514360 By Kim Kirkman. By John Henry Hopkins Jnr. Arranged by Kim Kirkman. Christmas,Comedy. Score. 6 pages. Kim Kirkman #1088840. Published by Kim Kirkman (A0.1514360). We Three Kings re-written to commiserated with those epic walkers of old. Those of fantastic feet. Those with super sandals.Arranged for three voices and piano.Lyrics:Tutti: We three kings of Orient are;bearing gifts we traverse afar,sandals flopping, without stoppingfollowing yonder star.Refrain:O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,How far to this Nazarite?King I: Born a King on Bethlehem's plain,gold I bring to crown him again,Walking ever, ceasing never,Wowzers my leg’s in pain.Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Trav’lling on both day and night.King II: Frankincense to offer have I;incense owns a Deity nigh;Real trail-blazing, it’s hair-raising,Trudging along, I sigh. Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Breaks are a true delight. King III: Myrrh is mine; its bitter perfumebreathes a life of gathering gloom;blisters bleeding, not conceding,Where is the next bathroom? Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Dunes are a gruesome sight. Tutti: Glorious now, at last we’ve arrived,From our comforts we’ve been deprived:Presents given, wish we’d been driven Don’t think my knees survived. Tutti: O star of wonder, star of light,star with royal beauty bright,West we followed, pain we swallowed,Back we sorely trudge tonight. Comments as leave stage: What, all the way back again? Home again, jigged-jog. We just came all this way West and now we have to go back east?
$5.99
5.49 €
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Kim Kirkman
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Kim Kirkman
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We Three Kings Commiseration Arrangement
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Kim Kirkman
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SheetMusicPlus
We Three Kings Commiseration Arrangement
Chorale 3 parties
Choral 3-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1514358 By K…
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Choral 3-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1514358 By Kim Kirkman. By John Henry Hopkins Jnr. Arranged by Kim Kirkman. Christmas,Comedy. 6 pages. Kim Kirkman #1088836. Published by Kim Kirkman (A0.1514358). We Three Kings re-written to commiserated with those epic walkers of old. Those of fantastic feet. Those with super sandals.Arranged for three voices and piano.Lyrics:Tutti: We three kings of Orient are;bearing gifts we traverse afar,sandals flopping, without stoppingfollowing yonder star.Refrain:O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,How far to this Nazarite?King I: Born a King on Bethlehem's plain,gold I bring to crown him again,Walking ever, ceasing never,Wowzers my leg’s in pain.Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Trav’lling on both day and night.King II: Frankincense to offer have I;incense owns a Deity nigh;Real trail-blazing, it’s hair-raising,Trudging along, I sigh. Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Breaks are a true delight. King III: Myrrh is mine; its bitter perfumebreathes a life of gathering gloom;blisters bleeding, not conceding,Where is the next bathroom? Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Dunes are a gruesome sight. Tutti: Glorious now, at last we’ve arrived,From our comforts we’ve been deprived:Presents given, wish we’d been driven Don’t think my knees survived. Tutti: O star of wonder, star of light,star with royal beauty bright,West we followed, pain we swallowed,Back we sorely trudge tonight. Comments as leave stage: What, all the way back again? Home again, jigged-jog. We just came all this way West and now we have to go back east?
$2.99
2.74 €
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Chorale 3 parties
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Kim Kirkman
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Kim Kirkman
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We Three Kings Commiseration Arrangement
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Kim Kirkman
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SheetMusicPlus
How far is it to Bethlehem a cappella arrangement (ATB) (mp3)
Choir - Level 3 - Digital Download SKU: A0.1342162 By dwsChorale. By Traditional. A…
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Choir - Level 3 - Digital Download SKU: A0.1342162 By dwsChorale. By Traditional. Arranged by not known. Children,Christmas,Holiday,Traditional. Full Performance. Duration 112. David Warin Solomons #927684. Published by David Warin Solomons (A0.1342162). This is an a cappella arrangement of the tune Stowey, which is a traditional English folksong often paired with these words by Frances Chesterton:How far is it to Bethlehem, not very far?Shall we find the stable room lit by a star?Can we see the little child, is He within?If we lift the wooden latch, may we go in?May we stroke the creatures there, ox, ass or sheep?May we peek like them and see Jesus asleep?If we touch His tiny hand, will He awake?Will He know we've come so far just for His sake?Great Kings have precious gifts and we have noughtLittle smiles and little tears are all we have brought.For all weary children Mary must weepHere, on His bed of straw, sleep, children, sleep.God in his mother's arms, babes in the byreSleep as they sleep who find their heart's desire.
$5.50
5.04 €
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dwsChorale
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not known
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How far is it to Bethlehem a cappella arrangement
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David Warin Solomons
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SheetMusicPlus
You're Still The One
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1462534 By Shan…
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1462534 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Homco/Crinion. Country,Pop,Wedding. 3 pages. Homco/Crinion #1041284. Published by Homco/Crinion (A0.1462534). Shania Twain and her then-husband and producer Robert John Mutt Lange wrote You're Still the One in 1997 as an attempt at a crossover from Country to Pop. It was a very successful folksy, country pop ballad and played as a bonafide hit on stations in the Adult Pop Market, as well as on country stations. It is an often requested vibrant, classic love song that speaks loudly at Weddings & Anniversaries. You've got to love it: a Canadian; singing Country; playing on Pop Hit Radio! It has that kind of universal appeal. Look how far we've come, (now) my baby..
$4.99
4.58 €
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Violon, Violoncelle (duo)
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Shania Twain
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Homco/Crinion
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Anniversaries
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You're Still The One
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Homco/Crinion
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SheetMusicPlus
How Far We've Come by Matchbox Twenty - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Matchbox Twenty: How Far We've Come Digital Sheetmusic - instantly down…
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Performed by: Matchbox Twenty: How Far We've Come Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 9 pages -- Adult Alternative~~Alternative Pop/Rock~~Pop Rock~~American Trad Rock
$5.99
5.49 €
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Piano, Voix et Guitare
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Matchbox Twenty
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Piano/Vocal/Guitar
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Musicnotes
Look How Far We've Come by Dallas Fort Worth Mass Choir - Piano/Vocal/Chords
Piano, Voix
Performed by: Dallas Fort Worth Mass Choir: Look How Far We've Come Digital Sheetmusi…
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Performed by: Dallas Fort Worth Mass Choir: Look How Far We've Come Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: Voice;Piano;3-Part Choir; 3 pages -- Gospel~~Contemporary Gospel~~CCM~~Christian
$5.50
5.04 €
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Piano, Voix
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Dallas Fort Worth Mass Choir
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Piano/Vocal/Chords
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Musicnotes
Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 2…
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Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
32.09 €
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Orchestre
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Caleb Liu
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Main Titles of America - Orchestral Composition
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Caleb Liu
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SheetMusicPlus
Faced Against Fate
Violon et Piano
Small Ensemble Bass Guitar,Drum Set,Organ,Piano,Violin - Level 4 - Digital Download SKU…
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Small Ensemble Bass Guitar,Drum Set,Organ,Piano,Violin - Level 4 - Digital Download SKU: A0.1017658 Composed by ren. Contemporary,Video Game. Score and parts. 41 pages. Ren #6207517. Published by ren (A0.1017658). so in my last year of high school, my friends and i were considering making a shortish video game about some characters we made when we were bored, doing cringey stuff making film trailers on imovie in our lunch breaks. the idea never came to pass, but i found that i wrote a battle theme for it! i cleaned up the solo section and decided to sell it here, it kind of shows me how far i've come as a composer since then! hope you enjoy :3
$14.99
13.75 €
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Violon et Piano
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ren
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Faced Against Fate
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ren
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SheetMusicPlus
Rob Thomas: How Far We've Come (COMPLETE) - marching band
Fanfare
Instantly printable sheet music by Rob Thomas for marching band of MEDIUM skill level. / p…
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Instantly printable sheet music by Rob Thomas for marching band of MEDIUM skill level. / pop,rock
$59.99
55.02 €
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Fanfare
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Rob Thomas
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Virtualsheetmusic
How Far We've Come - Full Score
Fanfare
By Matchbox Twenty. By Kyle Cook, Brian Yale, Rob Thomas, and Paul Doucette. Arranged by P…
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By Matchbox Twenty. By Kyle Cook, Brian Yale, Rob Thomas, and Paul Doucette. Arranged by Paul Murtha. Pop; Rock. Marching Band. 8 pages. Published by Hal Leonard - Digital Sheet Music
$5.00
4.59 €
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Fanfare
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Matchbox Twenty
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Paul Murtha
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Rock
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How Far We've Come - Full Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Day We Fell In Love
Trio à Cordes: 2 violons, violoncelle
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1222232 Composed by J…
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1222232 Composed by Jerrold Lewis Bock and Lawrence Holofcener. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #818494. Published by Sarah Cellobat Chaffee (A0.1222232). *INSTRUMENTATION: 2 VIOLINS & CELLO*If you've ever heard the song The Day We Fell In Love, chances are that you haven't gotten this catchy tune out of your head ever since! Recorded in 2019 by Nick Kingsley and Danny Farrant, this bouncy upbeat love song has become immensely popular, especially after it was featured in numerous ads for shows and channels including Peacock, the Hallmark Channel, and Love Island. This arrangement for your two-violin and cello string trio features the catchy melodies, upbeat groove, and joyful lovestruck vibes of the original for a chart that will be just as fun to play as it is to listen to! Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
13.75 €
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Trio à Cordes: 2 violons, violoncelle
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Jerrold Lewis Bock and Lawrence Holofcener
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Sarah Cellobat Chaffee
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The Day We Fell In Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.34 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
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7.34 €
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