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PIANO & CLAVIERS
Piano Trio: piano, violon, violoncelle
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Vous avez sélectionné:
How Great Thou Art, for Piano, Violin and Cello
Partitions à imprimer
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How Great Thou Art, for Piano, Violin and Cello
Piano Trio: piano, violon, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.543939 Composed by Swedish. Arranged by Cindy Blevins. Praise & Worship,Sacred. 10 pages. Cindy Blevins #3520569. Published by Cindy Blevins (A0.543939). This arrangement is for piano, violin and cello. Your download includes the score, piano part, violin part and cello part. My website: https://www.blevinsmusic.com.
$5.99
5.53 €
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Piano Trio: piano, violon, violoncelle
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Swedish
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Cindy Blevins
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How Great Thou Art, for Piano, Violin and Cello
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Cindy Blevins
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SheetMusicPlus
How Great Thou Art (Violin + Cello Duet and Piano)
Piano Trio: piano, violon, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1185224 Composed by Stuart K. Hine. Arranged by Tyler Adams. Christian,Praise & Worship,Religious. 7 pages. Adams Arrangements #784910. Published by Adams Arrangements (A0.1185224). How Great Thou Art warmly arranged as a duet for violin and cello with piano accompaniment.
$3.99
3.69 €
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Piano Trio: piano, violon, violoncelle
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Stuart K
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Tyler Adams
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How Great Thou Art
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Adams Arrangements
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SheetMusicPlus
How Great Thou Art, for Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle
Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1352773 Composed by S…
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Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1352773 Composed by Swedish Folk Melody. Arranged by c. Christian,Praise & Worship,Religious. 11 pages. Cindy Blevins #937562. Published by Cindy Blevins (A0.1352773). This is a beautiful, playable arrangement for violin, viola, cello and piano. You receive the score and the separate parts.
$7.99
7.38 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Swedish Folk Melody
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c
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How Great Thou Art, for Violin, Viola, Cello and Piano
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Cindy Blevins
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SheetMusicPlus
How Great Thou Art
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1081…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1081848 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Ian Wei. Sacred. Score and parts. 11 pages. Ian Wei #685976. Published by Ian Wei (A0.1081848). A traditional hymn arranged for piano trio performance.
$12.99
12 €
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Piano Trio: piano, violon, violoncelle
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Martina McBride
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Ian Wei
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How Great Thou Art
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Ian Wei
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SheetMusicPlus
How Great Thou Art - for Beginner Orchestra. (with chords)
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tu…
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1478352 Composed by Carl Gustav Boberg. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 20 pages. Müller Publishing company #1055733. Published by Müller Publishing company (A0.1478352). Arrangement of the Traditional Hymn How Great Thou Art by Carl Gustav Boberg - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, How Great Thou Art, composed by Carl Gustav Boberg. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of How Great Thou Art will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of How Great Thou Art. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
1.84 €
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Carl Gustav Boberg
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L
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How Great Thou Art - for Beginner Orchestra.
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Müller Publishing company
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SheetMusicPlus
How Great Thou Art - for Beginner Orchestra.
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tu…
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1478354 Composed by Carl Gustav Boberg. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 20 pages. Müller Publishing company #1055735. Published by Müller Publishing company (A0.1478354). Arrangement of the Traditional Hymn How Great Thou Art by Carl Gustav Boberg - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, How Great Thou Art, composed by Carl Gustav Boberg. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of How Great Thou Art will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of How Great Thou Art. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
1.84 €
#
Carl Gustav Boberg
#
L
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How Great Thou Art - for Beginner Orchestra.
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Müller Publishing company
#
SheetMusicPlus
How Great Thou Art - String Quartet with piano accompaniment (+CHORDS)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - Digital Download SKU…
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1407997 Composed by Stuart Hine. Arranged by Valdir Maia. Easter,Praise & Worship,Religious,Traditional. 7 pages. Valdir Maia #990563. Published by Valdir Maia (A0.1407997). Title: Elevate Your Ensemble with How Great Thou Art String Quartet Sheet MusicDescription: Enrich your ensemble's repertoire with the timeless beauty of How Great Thou Art using our meticulously crafted string quartet sheet music. Accompanied by piano and chords, this arrangement captures the spiritual essence of the piece, perfect for enhancing worship services, recitals, or special events. With the soaring melodies of the violin, the warm tones of the viola, and the resonant depth of the violoncello, each instrument in the quartet contributes to a rich and harmonious performance. Ideal for intermediate to advanced string players, this arrangement offers flexibility and expression while maintaining the traditional and deeply spiritual nature of the piece.Experience the transformative power of music and bring the emotive depth of How Great Thou Art to life with your string quartet today.
$12.99
12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Stuart Hine
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Valdir Maia
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How Great Thou Art - String Quartet with piano accompaniment
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Valdir Maia
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SheetMusicPlus
How Great Thou Art (for String Trio - Piano Accompaniment)
Accompagnement Piano
Brass Ensemble Trumpet - Level 2 - Digital Download SKU: A0.612204 Composed by Trad…
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Brass Ensemble Trumpet - Level 2 - Digital Download SKU: A0.612204 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 20 pages. Exultet Music #3580625. Published by Exultet Music (A0.612204). One of the most favorite and requested hymns of all time has now been freshly arranged for a String Trio (Violin, Viola, Cello), with a Bb-Trumpet obbligato and Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$12.99
12 €
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Accompagnement Piano
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Traditional
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Stephen DeCesare
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How Great Thou Art
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Exultet Music
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SheetMusicPlus
How Great Thou Art (Violin and Cello Duet with Piano Accompaniment)
Piano Quatuor: piano, 2 violons, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1051188 Composed by Traditional. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score and parts. 5 pages. Ben Dockery #655514. Published by Ben Dockery (A0.1051188). Arranged for violin and cello duet with piano accompaniment. Great for offertories, preludes, postludes, and recitals. Early intermediate level. Includes score and parts.
$4.99
4.61 €
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Piano Quatuor: piano, 2 violons, violoncelle
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Traditional
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B
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How Great Thou Art
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Ben Dockery
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SheetMusicPlus
How Great Thou Art
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.858157 By Katherine Jenkins. By A…
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Piano,Violin - Level 4 - Digital Download SKU: A0.858157 By Katherine Jenkins. By Adam Palmer, Matthew Hein, Stephanie Kulla, Stuart Hine, and Traditional Swedish Folk Tune. Arranged by Eric L. Carlson (ASCAP). Folk,Praise & Worship,Sacred,Spiritual,Traditional. 8 pages. Eric Carlson, dba Uplifting Music #4593683. Published by Eric Carlson, dba Uplifting Music (A0.858157). Solo violin with piano accompaniment. Wonderful arrangement for church prelude or offertory. Also see Eric's cello arrangement of How Great Thou Art.
$5.99
5.53 €
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Violon et Piano
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Katherine Jenkins
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Eric L
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How Great Thou Art
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Eric Carlson, dba Uplifting Music
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SheetMusicPlus
Then Sings My Soul (How Great Thou Art)
Choral, Handbell, Vocal, Solo - Digital Download SKU: H1.C5701DP Composed by Stuart…
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Choral, Handbell, Vocal, Solo - Digital Download SKU: H1.C5701DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Ring & Sing, Orchestra, Vocal Solo/Duet. Hymntune, Ring & Sing, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5701DP. Published by Hope Publishing - Digital (H1.C5701DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25
3 €
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Stuart Hine
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Mary McDonald
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Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
How Great Thou Art (Duet for Violin & Cello - Piano Accompaniment)
Piano Trio: piano, violon, violoncelle
Composed by Traditional. Arranged by Stephen DeCesare. Christian, Sacred, Praise &…
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Composed by Traditional. Arranged by Stephen DeCesare. Christian, Sacred, Praise & Worship, General Worship, Funeral. Score. 17 pages. Published by Exultet Music
One of the most favorite and requested hymns of all time has now been freshly arranged as a duet for Violin and Cello, with a Bb-Trumpet obbligato and Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
4.61 €
#
Piano Trio: piano, violon, violoncelle
#
Traditional
#
Stephen DeCesare
#
How Great Thou Art
#
Exultet Music
#
SheetMusicPlus
Then Sings My Soul (How Great Thou Art)
Solo Solo instrument - Digital Download SKU: H1.C5701ODP Composed by Stuart Hine. A…
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Solo Solo instrument - Digital Download SKU: H1.C5701ODP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Set of Instrumental Parts. 60 pages. Hope Publishing - Digital #C5701ODP. Published by Hope Publishing - Digital (H1.C5701ODP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$89.95
83.1 €
#
Stuart Hine
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Mary McDonald
#
Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Then Sings My Soul (How Great Thou Art)
Choral, Solo - Digital Download SKU: H1.C5993DP Composed by Stuart Hine. Arranged b…
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Choral, Solo - Digital Download SKU: H1.C5993DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5993DP. Published by Hope Publishing - Digital (H1.C5993DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25
3 €
#
Stuart Hine
#
Mary McDonald
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Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Then Sings My Soul (How Great Thou Art)
Choral, Solo - Digital Download SKU: H1.C5720DP Composed by Stuart Hine. Arranged b…
(+)
Choral, Solo - Digital Download SKU: H1.C5720DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5720DP. Published by Hope Publishing - Digital (H1.C5720DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25
3 €
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Stuart Hine
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Mary McDonald
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Then Sings My Soul
#
Hope Publishing - Digital
#
SheetMusicPlus
Then Sings My Soul (How Great Thou Art)
Vocal ensemble Solo (Med. Voice-Key A-flat)-Digital - Digital Download SKU: H1.8552DP
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Vocal ensemble Solo (Med. Voice-Key A-flat)-Digital - Digital Download SKU: H1.8552DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Hymntune, General Worship, Worship. Score. 8 pages. Hope Publishing - Digital #8552DP. Published by Hope Publishing - Digital (H1.8552DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$7.95
7.34 €
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Stuart Hine
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Mary McDonald
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Then Sings My Soul
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Hope Publishing - Digital
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SheetMusicPlus
Then Sings My Soul (How Great Thou Art)
Choral, Solo - Digital Download SKU: H1.C5724DP Composed by Stuart Hine. Arranged b…
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Choral, Solo - Digital Download SKU: H1.C5724DP Composed by Stuart Hine. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Orchestra, Vocal Solo/Duet. Hymntune, General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5724DP. Published by Hope Publishing - Digital (H1.C5724DP). Stuart K. Hine. 1 Thessalonians 4:16 - Daniel 9:4 - Habakkuk 3:2 - John 14:3 - Psalms 19:1 - Psalms 47:2 - Psalms 48:1 - Psalms 66:3 - Psalms 68:35 - Psalms 8:3 - Psalms 99:3 - Revelation 4:1 - Revelation 4:2 - Revelation 4:3 - Re.Original anthem with notes of How Great Thou Art Inspired by what is considered to be one of the greatest hymn texts of the 20th century, Mary McDonald has crafted an exceptional anthem available in a variety of voices. With altered melody and lush harmonies, this fresh treatment awakens a new breadth and splendor into this timeless hymn, giving rise to the greatness that it invokes in worshiping God, our Creator. The gorgeous orchestration by Michael Lawrence is a true complement to Mary's splendid choral writing. This includes a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T. C. ), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String Bass (opt. Bass Clarinet).
$3.25
3 €
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Stuart Hine
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Mary McDonald
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Then Sings My Soul
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Hope Publishing - Digital
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.16 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
How Great Thou Art
Orchestre
(Orchestra) - Digital Download SKU: H1.C5951ODP Arranged by Joel Raney. Piano Accom…
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(Orchestra) - Digital Download SKU: H1.C5951ODP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra. General Worship, Sacred. Set of Instrumental Parts. 106 pages. Hope Publishing - Digital #C5951ODP. Published by Hope Publishing - Digital (H1.C5951ODP). Stuart K. Hine. Ps. 48:1 - Ps. 19:1 - 1 Thes. 4:16 - Daniel 9:4 - Hab. 3:2 - John 14:3 - Ps. 47:2, 66:3, 68:35, 99:3 - Rev. 4:1-11, 5:13-15 - Rom. 8:32.Swedish Folk Melody One of the most influential hymns of the twentieth century is given a grand treatment by arranger Joel Raney in this awe-inspiring setting for choir and orchestra. Depicting the power and greatness of God, the sweeping choral writing, imaginative modulations, and unique transitions all combine for an emotionally rich presentation. Ochestrations: Conductor's Score, 2 Flutes, Oboe, 2 Clarinets in B-flat, Bassoon, 2 Horns in F, 3 Trumpets in B-Flat, 2 Trombones, Tuba, Percussion 1 & 2, Harp, Piano, 2 Violins, Viola, Cello, Double Bass.
$89.95
83.1 €
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Orchestre
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Joel Raney
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How Great Thou Art
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Hope Publishing - Digital
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SheetMusicPlus
Swedish Hymn (How Great Thou Art) arr. for Flexible Church instrumental group by David Catherwood
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.739431 Composed by Swedish…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.739431 Composed by Swedish Hymn. Arranged by David Catherwood. Multicultural,Praise & Worship,Sacred,World. Octavo. 9 pages. Opus 3 Music #3491355. Published by Opus 3 Music (A0.739431). Swedish Hymn (How Great Thou Art) arranged for Flexible Church instrumental group.This old Swedish hymn tune has gained worldwide popularity from its association with the well loved gospel song How Great Thou Art. This arrangement remains faithful to the original tune with just a slight contemporary approach to the harmony. There is a lot of flexibility in how this may be performed from a piano solo right through to a solo with string quartet, guitar and choral backing - or anything in between! The generous supply of parts allows you to use whatever musicians you have available. The download includes:Violin SoloistFlute SoloistBb Soloist (Trumpet or Clarinet)Piano Vocal Backing (SATB)String Quartet Parts (Violin 1& 2, Viola, 'cello)Bass/Guitar chords(Also available in a piano solo version).
$1.99
1.84 €
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Chorale SATB
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Swedish Hymn
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David Catherwood
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Swedish Hymn
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Opus 3 Music
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SheetMusicPlus
How Deep Is The Ocean (how High Is The Sky)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.636170 By Ben Webster. By Irving B…
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Cello,Piano - Level 3 - Digital Download SKU: A0.636170 By Ben Webster. By Irving Berlin. Arranged by Fishel Pustilnik. Contemporary. Score and part. 7 pages. F & N Enterprise #6273523. Published by F & N Enterprise (A0.636170). An excellent arrangement of the famous Song How Deep Is The Ocean for Cello and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/JX3CRNP3SPsThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.61 €
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Violoncelle, Piano
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Ben Webster
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Fishel Pustilnik
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How Deep Is The Ocean
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F & N Enterprise
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
How Great Thou Art!
Small Ensemble Cello,Clarinet,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.9…
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Small Ensemble Cello,Clarinet,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.937474 Composed by Swedish Folk Melody. Arranged by Gideon Gee-Bum Kim. Christian,Gospel,Spiritual. Score and parts. 11 pages. Gee-Bum Kim #6414701. Published by Gee-Bum Kim (A0.937474). All parts for the work for chorus, piano, flute, clarinet, violin, viola, and cello.
$2.99
2.76 €
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Swedish Folk Melody
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Gideon Gee-Bum Kim
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How Great Thou Art!
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Gee-Bum Kim
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SheetMusicPlus
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