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How Great Thou Art - Swedish Folk Tune - VERY EASY PIANO
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AUTOHARPE
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BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
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Vous avez sélectionné:
How Great Thou Art - Swedish Folk Tune - VERY EASY PIANO
Partitions à imprimer
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That Easter Day With Joy Was Bright
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Flûte traversière et Piano
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FACILE
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Musique Sacrée
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Traditional
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Joan Bujacich
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That Easter Day With Joy Was B
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Joan Bujacich
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.1175997 Composed by Traditional. Arranged by Joan Bujacich. Easter,Holiday,Praise & Worship,Religious,Sacred. Score and ...
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Flute,Piano - Level 2 - SKU: A0.1175997 Composed by Traditional. Arranged by Joan Bujacich. Easter,Holiday,Praise & Worship,Religious,Sacred. Score and part. 4 pages. Joan Bujacich #776123. Published by Joan Bujacich (A0.1175997). That Easter Day With Joy Was Bright, also titled That Eastertide With Joy was Bright, arranged for Flute with an easy, Junior level Piano accompanimnet in the hymnal key of D major.This ancient Hymn is performed at Easter. The beautiful tune is labeled PUER NOBIS and is a melody from a fifteenth-century manuscript from Trier. However, the tune probably dates from an earlier time and may even have folk roots. PUER NOBIS was first altered in Spangenberg's Christliches GesangbUchlein (1568), in Petri's famous Piae Cantiones (1582). Most hymnals have it in the key of D, so that is the key I arranged it in. The lyrics are noted with the music for verse. The accompaniment supports the melody allowing the flute to phrase and interpret without too much complexity. Though the harmony is somewhat reduced from the hymnal , 4-part version, it still has color and interest and works nicely accompanying the solist. Adult beginners will also get satisfaction from this arrangement, the 4 part writing in hymnals are usually to hard for this level player, that is why I arranged it so more people can enjoy this lovely Easter song. For more Easter arrangements, I also have a nice arrangement of On This Day Earth Shall Ring (A bit harder), Mary Did You KNow (Great both at Christmas and Easter) and the secular Easter music, Easter Parade and Peter Cottontail, all available here on Sheet Music Plus!
$3.99
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
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