Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
How Great Thou Art in A Major
Non classifié
42
Piano & claviers
Piano seul
13
Piano Facile
6
Orgue
2
Piano, Voix
2
Guitares
Guitare
3
Paroles et Accords
2
Guitare notes et tablatures
1
Mandoline
1
Voix
Chorale 2 parties
2
Chorale SATB
1
Voix Alto, Piano
1
Vents
Flûte traversière et Piano
7
Quintette de Saxophone: 5 saxophones
5
3 Saxophones (trio)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Saxophones: 4 saxophones
4
Hautbois, Piano (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Clarinette et Piano
3
Saxophone Tenor et Piano
3
Saxophone Baryton, Piano
3
Saxophone Alto et Piano
3
Quintette de Flûte : 5 flûtes
2
2 Clarinettes, Piano
2
Saxophone Soprano et Piano
2
Flûte à Bec, Piano
1
Quatuor de Flûtes à bec
1
Flûte à bec Tenor
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone
1
3 Clarinettes (trio)
1
Clarinette, Basson (duo)
1
2 Flûtes traversières (duo)
1
Piccolo, Piano
1
2 Clarinettes (duo)
1
Ensemble de Hautbois
1
+ 25 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Cors (duo)
1
Cor anglais, Piano
1
Trompette, Piano
1
Cor et Piano
1
Euphonium, Piano (duo)
1
Trombone et Piano
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trombones
1
Trompette
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violoncelle, Piano
2
Harpe
2
Alto, Piano
2
Trio à Cordes: violon, alto, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
Violon
1
Violon et Piano
1
Violon, Violoncelle (duo)
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
3
Ensemble Jazz
3
Orchestre à Cordes
3
Orchestre
2
Orchestre d'harmonie
1
Piano et Orchestre
1
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Maurane
4 - Michel Legrand
5 - Emma Daumas
6 - Sophie Daumier
7 - Jean Jacques Goldman
8 - Barbara
9 - Georges Brassens
10 - Céline Dion
11 - Yann Tiersen
12 - Jacques Brel
13 - Mylene Farmer
14 - Dalida
15 - Richard Cocciante
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - Astor Piazzolla
3 - The Beatles
4 - Camille Saint-Saens
5 - Dan Coates
6 - Leonard Bernstein
7 - George Gershwin
8 - Andrew Lloyd Webber
9 - Bela Bartok
10 - John Rutter
11 - Mark Hayes
12 - Scott Joplin
13 - Lloyd Larson
14 - Maurice Ravel
15 - Taylor Swift
16 - Ralph Vaughan Williams
17 - Erik Satie
18 - Irving Berlin
19 - Christopher Norton
20 - Jérôme Naulais
21 - Sergei Rachmaninoff
22 - Dmitri Shostakovich
23 - Henry Mancini
24 - Benjamin Britten
25 - Aaron Copland
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
147
Partitions Numériques
191
Librairie Musicale
75
Matériel de Musique
7
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
How Great Thou Art in A Major
Partitions à imprimer
191 partitions trouvées
<
1
26
51
....
176
How Great Thou Art in A Major
#
Piano, Voix
#
INTERMÉDIAIRE
#
Carl Boberg
#
Andres M
#
How Great Thou Art in A Major
#
Clem & Jun Bascar
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1500497 Composed by Carl Boberg. Arranged by Andres M. Bascar, Jr. 19th Century,A Cappella,Christian,Praise & Wors...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1500497 Composed by Carl Boberg. Arranged by Andres M. Bascar, Jr. 19th Century,A Cappella,Christian,Praise & Worship,Traditional. Score. 7 pages. Clem & Jun Bascar #1076582. Published by Clem & Jun Bascar (A0.1500497). Be inspired and inspire all Christian beolievers with this awfully wonderful song. It is zestfully arranged for female solo or duet. Could be used as a preliminary or prelude for Thanksgiving celebration. Happy Thanksgiving 2024.
$5.99
How Great Thou Art
#
Saxophone
#
DÉBUTANT
#
Martina McBride
#
P
#
How Great Thou Art
#
P. R. Frederick
#
SheetMusicPlus
Instrumental Solo,Saxophone - Level 1 - SKU: A0.1321425 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by P. R. Frede...
(+)
Instrumental Solo,Saxophone - Level 1 - SKU: A0.1321425 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by P. R. Frederick. Christian,Folk,Religious. Individual part. 1 pages. P. R. Frederick #909884. Published by P. R. Frederick (A0.1321425). The hymn How Great Thou Art has its origins in Sweden in 1886. It was written by Carl Boberg, a member of the Swedish Parliament, after he was inspired by the beauty of nature and the sound of church bells. The song was initially known in several countries before reaching the United States1. The English version was translated by Stuart K. Hine, a British Methodist missionary, and was published in 19492. The hymn has been widely popular and has been recorded by numerous artists. It has also been used in major television programs and motion pictures5.The song's powerful lyrics and melody have made it a favorite among Christians and non-Christians alike. It has been performed by various artists and has been recognized with awards, including a Grammy Award for Best Sacred Performance for Elvis Presley's rendition5. The hymn's enduring popularity is a testament to its universal appeal and the profound impact of its message.Here it is arranged as a solo for saxophone. Enjoy!See all of my solo arrangements here
$6.00
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
#
Classique
#
Johann Baptist Wanhal
#
Uwe Grodd
#
Flute Quartet in F major, Op.7
#
Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #10...
(+)
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00
How Great Thou Art
#
Piano Facile
#
DÉBUTANT
#
Musique Sacrée
#
Martina McBride
#
Amie Webster
#
How Great Thou Art
#
Amie Webster
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1494618 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Amie Webster. Christian,Clas...
(+)
Easy Piano - Level 1 - SKU: A0.1494618 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Amie Webster. Christian,Classical,Praise & Worship. Score. 2 pages. Amie Webster #1071207. Published by Amie Webster (A0.1494618). This late elementary piano solo is inspired by the traditional hymn tune, How Great Thou Art, based on a Swedish Folk Tune.The right hand focuses on finding the melody hidden in the C major scale and is complemented by foundational harmonies in the left hand that are simpler to allow for the movement in the right hand.This piece is designed to be able to use the traditional scale fingering for the 2 octave C major scale to allow pianists to build dexterity while enjoying playing a familiar hymn tune.
$4.99
How Great Thou Art for Mandolin and Guitar
#
Mandoline
#
FACILE
#
Musique Sacrée
#
FERNANDO LUIZ NEVES
#
FERNANDO LUIZ NEVES
#
How Great Thou Art for Mandoli
#
Fernando Neves
#
SheetMusicPlus
Mandolin - Level 2 - SKU: A0.1295260 By FERNANDO LUIZ NEVES. By Carl Boberg. Arranged by FERNANDO LUIZ NEVES. 19th Century,Christian,Multicultural,Prais...
(+)
Mandolin - Level 2 - SKU: A0.1295260 By FERNANDO LUIZ NEVES. By Carl Boberg. Arranged by FERNANDO LUIZ NEVES. 19th Century,Christian,Multicultural,Praise & Worship,Religious,World. Score. 8 pages. Fernando Neves #885560. Published by Fernando Neves (A0.1295260). This sacred hymn is part of most Christian songbooks. It was composed in 1886 by Carl Boberg in Sweden. The song was arranged for mandolin and Acoustic guitar by Fernando Neves and it is perfect for religious events such as services, weddings and even funerals. The PDF file contains 8 pages with 4 pages for the entire arrangement and separated parts for mandolin ( 2 pages) and the guitar (2 pages). The song starts in the key of A major and finalizes after a modulation to B major. The time signature is 4/4.
$15.97
String Quartet in F major, Op. 14, No. 1 (score and parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Anton Hoffmeister
#
Artaria Editions
#
String Quartet in F major, Op.
#
Artaria Editions
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092082 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score a...
(+)
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092082 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 70 pages. Artaria Editions #696221. Published by Artaria Editions (A0.1092082). For string quartet Artaria Editions AE171 Edited by Dianne James 70 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..
$53.00
String Quartet in F major, Op. 14, No. 1 - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Anton Hoffmeister
#
Artaria Editions
#
String Quartet in F major, Op.
#
Artaria Editions
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1092081 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 31 pages....
(+)
String Quartet String Quartet - SKU: A0.1092081 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 31 pages. Artaria Editions #696220. Published by Artaria Editions (A0.1092081). For string quartet Artaria Editions AE171 Edited by Dianne James 31 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..
$28.00
How Great Thou Art
#
Piano seul
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Marcia Wells
#
Marcia Wells
#
How Great Thou Art
#
Piano Girl Publishing
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1367633 By Marcia Wells. By Traditional Swedish Folk Melody. Arranged by Marcia Wells. Christian,Praise & Worship,Religio...
(+)
Piano Solo - Level 3 - SKU: A0.1367633 By Marcia Wells. By Traditional Swedish Folk Melody. Arranged by Marcia Wells. Christian,Praise & Worship,Religious,Sacred,Traditional. Score. 6 pages. Piano Girl Publishing #952007. Published by Piano Girl Publishing (A0.1367633). This is the traditional Swedish folk melody O Store Gud written in 1885.  The English version of the hymn and its title are a loose translation by the English missionary Stuart K. Hine from 1949. This arragment for piano solo has verse 1, v2, chorus, v3, chorus and is in the key of C Major with no key changes. Performance time is approximately 4 minutes and 45 seconds. Great for prelude, offertory, postlude, or any place quiet hymns are appropriate. For additional piano solos, hymns and 4-hand piano duets, please visit http://www.marciawellspiano.com/.
$4.99
How Great Thou Art - Chord Melody
#
Guitare notes et tablatures
#
FACILE
#
Musique Sacrée
#
Traditional
#
Christopher Bell
#
How Great Thou Art - Chord Mel
#
Silent Home Records
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.812430 Composed by Traditional. Arranged by Christopher Bell. Christian,Sacred. Guitar Tab. 1 pages. Silent Home Records #582...
(+)
Guitar - Level 2 - SKU: A0.812430 Composed by Traditional. Arranged by Christopher Bell. Christian,Sacred. Guitar Tab. 1 pages. Silent Home Records #5825405. Published by Silent Home Records (A0.812430). The great hymn How Great Thou Art arranged for solo guitar. A wonderful chord melody introducing new positions. The verse is in 1st and 2nd position, the chorus is firmly rooted in 7th. This is a great way to get your students into learning these. Key of G Major. Level 2-3. Includes tab. Approximately 2 minutes long. .
$2.99
How Great Thou Art - Flute Duet
#
2 Flûtes traversières (duo)
#
DÉBUTANT
#
Swedish Folk Melody
#
Lynette Auberjeunois
#
How Great Thou Art - Flute Due
#
Flute Files Publishing
#
SheetMusicPlus
Flute Duet Flute - Level 1 - SKU: A0.1389529 Composed by Swedish Folk Melody. Arranged by Lynette Auberjeunois. Christian,Folk,Praise & Worship,Religiou...
(+)
Flute Duet Flute - Level 1 - SKU: A0.1389529 Composed by Swedish Folk Melody. Arranged by Lynette Auberjeunois. Christian,Folk,Praise & Worship,Religious,Traditional. Score. 5 pages. Flute Files Publishing #973120. Published by Flute Files Publishing (A0.1389529). How Great Thou Art flute duet sheet music. Swedish folk melody arranged by Lynette Auberjeunois for late beginner level. Digital download includes a two page flute duet score in the key of G major. Range: Flute 1: A1 - C3, Flute 2: F#1 - F2. Published by Flute Files Publishing (RL42-0035B).
$2.99
How Great Thou Art
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Carl Boberg and William Thomas
#
Telmo D
#
How Great Thou Art
#
Telmo D. Zaldivar Jr.
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1256878 Composed by Carl Boberg and William Thomas Emmanuel. Arranged by Telmo D. Zaldivar Jr. Christian,Lent,Religious. ...
(+)
Piano Solo - Level 4 - SKU: A0.1256878 Composed by Carl Boberg and William Thomas Emmanuel. Arranged by Telmo D. Zaldivar Jr. Christian,Lent,Religious. Score. 8 pages. Telmo D. Zaldivar Jr. #850266. Published by Telmo D. Zaldivar Jr. (A0.1256878). A well loved Hymn arranged for Solo Piano. Arranged in Eb major and modulated to its relative minor key at the middle part and back to its original key Eb major. A suitable piece for the church prelude, offertory and for personal meditation. A great addition for a recital as well. Hope you will love this piece. Enjoy. Check out my Youtube at SeeSoundbites. thank you.
$6.99
String Quartet in B flat major, Op. 14, No. 2 (score and parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Anton Hoffmeister
#
Artaria Editions
#
String Quartet in B flat major
#
Artaria Editions
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092086 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score a...
(+)
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1092086 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 72 pages. Artaria Editions #696227. Published by Artaria Editions (A0.1092086). For string quartet Artaria Editions AE172 Edited by Dianne James 72 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..
$53.00
String Quartet in B flat major, Op. 14, No. 2 - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Anton Hoffmeister
#
Artaria Editions
#
String Quartet in B flat major
#
Artaria Editions
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1092084 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 32 pages....
(+)
String Quartet String Quartet - SKU: A0.1092084 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 32 pages. Artaria Editions #696224. Published by Artaria Editions (A0.1092084). For string quartet Artaria Editions AE172 Edited by Dianne James 32 pages This is a scholarly edition of a public domain work. The three Op.14 Quartets were advertised in the Wiener Zeitung on 15 January, 1791 as the composer's newest works. They were dedicated to M. Joseph de Preuer Senior, a lawyer resident in Linz. Although modest in scope and emotional depth, all three works reveal Hoffmeister as a craftsman of refined musical sensibilities. They show a clear grasp of the conversational style of the genre, as cultivated especially by his great compatriot and true master of the genre, Joseph Haydn, and reveal a kinship with the Mozartian string quartet style in their translucent scoring, harmonic richness and melodic invention. Hoffmeister's liking for third-related juxtapositions is frequently apparent, as is his awareness of the varied textural opportunities - duets and trio scoring for example - offered by the four voices. Taken together, the freshness and vitality of all three Op.14 Quartets make them extremely worthwhile additions to the repertory of 18th-century Viennese string quartets..
$28.00
Dance a Cachucha
#
Chorale 2 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Opera
#
Classique
#
Gilbert and Sullivan
#
Martin Neill
#
Dance a Cachucha
#
Martin Neill
#
SheetMusicPlus
Choral Choir (2-Part) - Level 4 - SKU: A0.1240603 Composed by Gilbert and Sullivan. Arranged by Martin Neill. Opera. Octavo. 6 pages. Martin Neill #8359...
(+)
Choral Choir (2-Part) - Level 4 - SKU: A0.1240603 Composed by Gilbert and Sullivan. Arranged by Martin Neill. Opera. Octavo. 6 pages. Martin Neill #835984. Published by Martin Neill (A0.1240603). This popular chorus from The Gondoliers has been arranged in two parts rather than four, but loses none of its zest! The lower key of D major suits amateur choirs better. Can be performed with female voices on the top part, male on the bottom part, or all female / all male.Martin Neill is a professional composer and arranger based in the UK. He has won many international composition competitions, and his music is published by Starshine, Chichester Music Press and others. His arrangements show great attention to detail, including phrasing, dynamics and fingering suggestions, which is why they are popular with tens of thousands of musicians around the globe.
$4.99
A Billings Triptych - for 8-Part Brass Choir
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
William Billings
#
Mike Allsen
#
A Billings Triptych - for 8-Pa
#
Aaron Hettinga
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
5 Famous Songs by Bach for Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Cla
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arrange...
(+)
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Baritone Sax Quartet
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Bar
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luth...
(+)
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Sax
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by And...
(+)
Saxophone Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Tenor Sax Quartet
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Ten
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther....
(+)
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Alto Sax Quartet
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Alt
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. ...
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Recorder Quartet
#
Quatuor de Flûtes à bec
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Rec
#
Woods Only, Arrangements
#
SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1137832 Composed by Christian Petzold, Johann Sebastian Bach, and Martin...
(+)
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1137832 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. Recorder Ensemble. 44 pages. Woods Only, Arrangements #738086. Published by Woods Only, Arrangements (A0.1137832). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
English Folk Song by way of Am
#
F
#
I Gave My Love a Cherry
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Serenade No. 11
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Stephen Levintow
#
Serenade No. 11
#
Cypress Publishing
#
SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
(+)
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
How Great Thou Art - FOR EASY VIOLIN
#
Violon
#
DÉBUTANT
#
Musique Sacrée
#
Carl Boberg and Grace UnHae Kw
#
Grace UnHae Kwon
#
How Great Thou Art - FOR EASY
#
GraceUnHaeKwon.com
#
SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1420000 By Carl Boberg and Grace UnHae Kwon. By Carl Boberg and Swedish Hymn. Arranged by Grace UnHae Kwon. Children,Chr...
(+)
Violin Solo - Level 1 - SKU: A0.1420000 By Carl Boberg and Grace UnHae Kwon. By Carl Boberg and Swedish Hymn. Arranged by Grace UnHae Kwon. Children,Christian,Praise & Worship,Religious,Sacred. 4 pages. GraceUnHaeKwon.com #1001428. Published by GraceUnHaeKwon.com (A0.1420000). How Great Thou Art - FOR EASY VIOLIN SOLO Written in G Major Difficulty: EASY Written for my students to practice skill sets: 16th notes, ties, and extended 4th finger (C natural on E string). This is the equivalent of Suzuki Book 2, Song 10, Gavotte Level. My sheet music has big print 2-page version for young students and a regular print 1-page version for older students. Arrangement: Grace UnHae Kwon.
$4.99
<
1
26
51
....
176
How Great Thou Art in A Major