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--INSTRUMENTS--
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AUTOHARPE
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE DE PAN
FLUTE TRAVERSI…
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HAUTBOIS
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How Long? Baroque
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.51 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Monteverdi - The Fourth Book of Madrigals (Complete)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$125.00
115.24 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fourth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
La Folia in D Minor
Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose …
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Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
4.61 €
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Great Symphonic Themes - Series 5FC - (Key Map Tablature)
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.984698 Composed by Various. Arrange…
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Easy Piano - Level 3 - Digital Download SKU: A0.984698 Composed by Various. Arranged by John M. Honeycutt. Baroque,Classical,Romantic Period. Score. 10 pages. Music Innovators Workshop #4356973. Published by Music Innovators Workshop (A0.984698). These are easy to play themes from 7 great symphonic works. The themes are placed on key map tablatures that notate the melodies and chords, and provide standard chord symbols as well. Series 5FC - To make fingering of melodies easy to follow, each 5-finger group begins with a finger number and colored notes. Then successive fingered groups are identified with contrasting colored notes. Notes not belonging in a 5-fingered group are white.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
1.84 €
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Piano Facile
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Various
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John M
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Great Symphonic Themes - Series 5FC -
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Music Innovators Workshop
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SheetMusicPlus
Joy to the World (for One Octave Handbell Choir with Piano accompaniment)
Accompagnement Piano
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.56596…
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.565967 By Sharon Wilson. By George Frideric Handel. Arranged by Sharon Wilson. Baroque,Children,Christmas,Classical,Sacred. 10 pages. Sharon Wilson #6606799. Published by Sharon Wilson (A0.565967). This sheet music is arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. The piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. An optional repeat and second ending is included in case a longer song is desired. Included in this set of scores is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). A color-coded note chart is also provided showing the Handbell notes used for this arrangement as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. The color-coded score is enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). As noted above, one of the Handbell scores is color-coded for easier note reading for beginning ringers. This separate color-coded score uses the Chroma-Notesâ„¢ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbells with Piano).A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Joy to the World (Piano Accompaniment Track for One Octave Handbell Choir). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.52 €
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Accompagnement Piano
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Sharon Wilson
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Sharon Wilson
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Joy to the World
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Sharon Wilson
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SheetMusicPlus
“Joy to the World” for One Octave Boomwhackers® with Piano accompaniment (Color Coded Notes)
Accompagnement Piano
Small Ensemble Boomwhackers,Piano Accompaniment - Level 1 - Digital Download SKU: A0.56…
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Small Ensemble Boomwhackers,Piano Accompaniment - Level 1 - Digital Download SKU: A0.569866 By Sharon Wilson. By George Frideric Handel. Arranged by Sharon Wilson. Baroque,Christmas,Classical,Sacred,Standards. Score and parts. 9 pages. Sharon Wilson #6609325. Published by Sharon Wilson (A0.569866). This sheet music is arranged for a one octave, 13-note chromatic scale Boomwhackers® choir with Piano accompaniment. The piano provides an introduction then the Boomwhackers® play the melody and occasional 2-part harmony. An optional repeat and second ending is included in case a longer song is desired. Included in this set of scores is a combined score with both instruments (Boomwhackers® and Piano) on a grand staff plus a separate color-coded score for the Boomwhackers®. The color-coded Boomwhackers® score uses the Chroma-Notes™ Colored Music System. If you have a set of tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Boomwhackers® match this color scheme. A color-coded note chart is also provided showing the Boomwhackers® notes used for this arrangement as well as the number of times each note is played. The note distribution is helpful when assigning notes to whackers. You may want to assign fewer notes to beginners or evenly distribute the tubes between all whackers. The color-coded score is enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning whackers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see. Other suggestions and uses: * use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes * use as part of the music education for children at school, home, or church * these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. This arrangement is one of the 10 songs in the collection Christmas Carols (Collection of 10 Color-Coded Arrangements for One Octave Boomwhackers® with Piano). Boomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.52 €
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Accompagnement Piano
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Sharon Wilson
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Sharon Wilson
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“Joy to the World” for One Octave Boomwhackers® with Piano accompaniment
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Sharon Wilson
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.09 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Rosary Sonatas: The Descent of the Holy Spirit
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 78 pages. JMJ Arrangements #685832. Published by JMJ Arrangements (A0.1081709). When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. Now there were dwelling in Jerusalem Jews, devout men from every nation under heaven. And at this sound the multitude came together, and they were bewildered, because each one heard them speaking in his own language. And they were amazed and wondered, saying, 'Are not all these who are speaking Galileans? And how is it that we hear, each of us in his own native language? Par′thians and Medes and E′lamites and residents of Mesopota′mia, Judea and Cappado′cia, Pontus and Asia, Phryg′ia and Pamphyl′ia, Egypt and the parts of Libya belonging to Cyre′ne, and visitors from Rome, both Jews and proselytes, Cretans and Arabians, we hear them telling in our own tongues the mighty works of God.'†--Acts 2:1-11 (RSV-CE).
$19.99
18.43 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Descent of the Holy Spirit
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JMJ Arrangements
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99
8.29 €
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Flûte, Hautbois, Clarinette, Basson
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Jesu, Joy of Man's Desiring for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919036 Composed by Johann …
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919036 Composed by Johann Sebastian Bach. Arranged by L.C. Harnsberger. Baroque,Christmas,Concert,Easter,Wedding. Score and parts. 17 pages. LCH Music #6474799. Published by LCH Music (A0.919036). This set and parts contains TWO VERSIONS: one complete version, and one easier short version (see below)Jesu, Joy of Man’s Desiring is a chorale from J. S. Bach’s cantata Herz un Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. The original scoring was for trumpet, oboes, two violins, basso continuo, and chorus. The melody is instantly recognizable and has been featured in countless films, recordings, and TV shows including Downtown Abbey, The Minority Report, The Muppet Show, the album Switched-On Bach by Moog-synthesizer artist Wendy Carlos, and the song Lady Linda by The Beach Boys. It is also found on most Top-100 lists of All-Time Classical Music Favorites. Two arrangements are included: The Complete Version is the entire cantata and is just over four minutes long. This version is perfect for worship services and recitals. The Short Version is a much simpler arrangement that is ideal for Weddings. It conveniently repeats sixteen measures so it can be as short as one minute (perhaps for a candle lighting ceremony), and may be repeated as needed if the processional takes longer than expected, or for any situation where you need to vamp.
$9.99
9.21 €
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Quatuor de cuivres: 4 cors
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Johann Sebastian Bach
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L
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Jesu, Joy of Man's Desiring for Horn Quartet
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LCH Music
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SheetMusicPlus
Christchurch Alive!
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00
92.19 €
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
Bist du bei mir for Bass Trombone or Tuba and Piano
Bass Trombone,Instrumental Solo,Piano,Tuba - Level 3 - Digital Download SKU: A0.1270460…
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Bass Trombone,Instrumental Solo,Piano,Tuba - Level 3 - Digital Download SKU: A0.1270460 Composed by Johann Sebastian Bach. Arranged by Philip Brink. Baroque. Score and individual part. 3 pages. Gordon Cherry #862844. Published by Gordon Cherry (A0.1270460). J. S. Bach's Bist du bei mir, BWV 508 is a tender and poignant aria that showcases the composer's mastery of vocal music. Originally attributed to Bach, it is now believed to have been composed by Gottfried Heinrich Stölzel. This beautiful piece, written in the 18th century, is sung in German and translates to If you are with me. Its simple yet heartfelt melody is accompanied by delicate piano or harpsichord chords, creating an intimate atmosphere. Bist du bei mir expresses deep love, longing, and a sense of comfort in the presence of a loved one, making it a cherished gem in the classical vocal repertoire.This mini masterpiece has been arranged for Bass Trombone or Tuba by Phil Brink and is perfect for intermediate level performers.
$12.50
11.52 €
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Johann Sebastian Bach
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Philip Brink
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Bist du bei mir for Bass Trombone or Tuba and Piano
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Gordon Cherry
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SheetMusicPlus
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
8.29 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed Euridice for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Carolan's Dream - Clarinet and Bassoon
Clarinette, Basson (duo)
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1213739
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1213739 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Folk,Irish,Traditional. 3 pages. Arezzo Music #810936. Published by Arezzo Music (A0.1213739). Carolan’s Dream Clarinet and Bassoon Sheet Music Join us on a musical journey through the magical world of Celtic music with our rendition of Carolan's Dream arranged for Clarinet Sheet music and bassoon. This beautiful melody was originally composed by the Irish harper Turlough O'Carolan in the 17th century and has since become a beloved classic of the Celtic tradition.Our arrangement features the lovely interplay between the rich, deep tones of the bassoon and the sweet, soaring melodies of the Clarinet. Together, they weave a tapestry of sound that transports the listener to a land of rolling hills, misty moors, and ancient legends. As you listen The Clarinet sheet Music you'll hear the intricate interplay of the harmony whit the Bassoon sheet music line , each one complementing the other in a delicate dance of harmony and counterpoint. You'll also hear the subtle nuances of the melody, with its intricate ornamentation and variations, all expertly crafted to showcase the beauty and complexity of Celtic music.Whether you're a longtime fan of Celtic music or simply looking for a new musical adventure, our arrangement of this timeless classic for Clarinet sheet music and Bassoon is sure to delight and inspire. Hope that you like our Carolan’s Dream Clarinet and Bassoon Sheet Music.
$3.99
3.68 €
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Clarinette, Basson (duo)
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Turlough O'carolan
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Arezzo Music
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Carolan's Dream - Clarinet and Bassoon
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Arezzo Music
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SheetMusicPlus
Album Leaf B109
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1248274 Composed by Antonin Dvorak. Arranged by André Nusa. Baroque. 7 pages. Andre_Nusa #842821. Published by Andre_Nusa (A0.1248274). Discover the enchanting beauty of Dvorak's Album Leaf B109 as it comes to life in this exquisite arrangement for string quartet. Immerse yourself in the lush melodies and rich harmonies as each instrument contributes to the delicate tapestry of sound, evoking a sense of longing and introspection. Dvorak's Album Leaf B109 is a hidden gem within his vast repertoire. With this arrangement for string quartet, the inherent charm and lyrical qualities of the original composition are lovingly preserved, allowing each instrument to shine and showcase its unique voice. Perfectly suited for intermediate string players, this arrangement offers a captivating musical experience for quartets seeking to explore Dvorak's evocative melodies. The intricate interplay between the instruments creates a dynamic and nuanced performance that will captivate both performers and audiences alike.
$7.99
7.37 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Antonin Dvorak
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André Nusa
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Album Leaf B109
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Andre_Nusa
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SheetMusicPlus
Bach - Fugue in D Minor - Series 5FC - (Key Map Tablature)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.984701 Composed by Johann Sebastian…
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Piano Solo - Level 3 - Digital Download SKU: A0.984701 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Workshop #4357533. Published by Music Innovators Workshop (A0.984701). This wonderful organ piece is arranged for piano on a key map tablature.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.Series 5FC - Five Finger Positions Colored. To make fingering of melodies easy to follow, each 5-finger group begins with a finger number and colored notes. Then successive 5-fingered groups are identified with contrasting colored notes. Notes not belonging in a 5-fingered group are white. (version code 5FC)
$2.00
1.84 €
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Piano seul
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Johann Sebastian Bach
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John M
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Bach - Fugue in D Minor - Series 5FC -
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Music Innovators Workshop
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SheetMusicPlus
Joy to the World (Easy Bowed Psaltery Solo with Piano Accompaniment)
Accompagnement Piano
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565928 By Sharon Wilson. By George Frideric Handel and Isaac Watts. Arranged by Sharon Wilson. Advent,Baroque,Christmas,Classical,Sacred. Score and individual part. 5 pages. Sharon Wilson #6597479. Published by Sharon Wilson (A0.565928). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic Christmas carol Joy to the World using the tune ANTIOCH by George F. Handel and lyrics by Isaac Watts. The psaltery part was designed for a beginning psaltery player and is written in the key of C major with no sharps or flats. The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C. . .). The psaltery plays the melody for one verse. An optional repeat is included in case a longer selection is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Joy to the World (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is only one octave. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to C5 (one octave above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$3.99
3.68 €
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Accompagnement Piano
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Sharon Wilson
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Sharon Wilson
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Joy to the World
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Sharon Wilson
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SheetMusicPlus
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