English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
4
Partitions
Numériques
37
Librairie
Musicale
27
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
7
PIANO & CLAVIERS
Orgue
7
Piano, Voix
2
Piano seul
2
Accompagnement Piano
1
1 Piano, 4 mains
1
GUITARES
VOIX
VENTS
Saxophone Alto et Piano
1
Flûte traversière
1
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba
1
CORDES
Violoncelle, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle (partie séparée)
1
Violon et Piano
1
Trio à Cordes: 2 violons, alto
1
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1
Orchestre
1
Orchestre à Cordes
1
Cloches
1
Orchestre de chambre
1
AUTRES
Vous avez sélectionné:
Hymnal Variations
Partitions à imprimer
37 partitions trouvées
<
1
26
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.45 €
#
Saxophone Alto et Piano
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Dan Cutchen
#
Alto Sax - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.53 €
#
Violoncelle, Piano
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Dan Cutchen
#
Cello - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
(+)
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.53 €
#
Tuba
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Dan Cutchen
#
Tuba solo - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Centur…
(+)
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
9.21 €
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations on a Shaker Tune
#
Thomas Oboe Lee
#
SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Down…
(+)
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.21 €
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations on a Shaker Tune
#
Thomas Oboe Lee
#
SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…
(+)
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.21 €
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations on a Shaker Tune
#
Thomas Oboe Lee
#
SheetMusicPlus
Op. 3 Variations on "St. Denio"
Orgue
Organ - Level 3 - Digital Download SKU: A0.898550 Composed by Matthew Alan Edwards.…
(+)
Organ - Level 3 - Digital Download SKU: A0.898550 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. 20th Century,Concert,Contemporary,Sacred. Score. 9 pages. Matthew Alan Edwards #4266089. Published by Matthew Alan Edwards (A0.898550). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-3 !Immortal, invisible, God only wise describes God’s omnipresence and omniscience, with His hand present in all things on earth in all aspects of life. The four variations follow the four verses of text written by Walter Chalmers Smith (1824-1908) as found in the Hymnal 1982. I leave it to your artistic imagination to interpret how the melodies and harmonies of each variation paint the text. Much like my Opus 2 (Partita Vom Himmel hoch), this set of variations was initially conceived as an improvisation. As such, some rubato should be employed in performance. Registration suggestions are indicated in the score though are by no means binding. To maintain the atmosphere of wonderment established by the first variation, the tempo of the final variation should not be too fast.
$5.99
5.52 €
#
Orgue
#
Matthew Alan Edwards
#
Matthew Alan Edwards
#
Op. 3 Variations on "St. Denio"
#
Matthew Alan Edwards
#
SheetMusicPlus
'Til the Vaults of Heaven Ring: Variations on "Saints Bound for Heaven"
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1119849 Composed by Nathaniel Hon…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1119849 Composed by Nathaniel Hontz and William Walker. Arranged by Nathaniel Hontz. Christian,Folk,Historic,Sacred,Traditional. Score and Parts. 49 pages. TigerSong LLC #721194. Published by TigerSong LLC (A0.1119849). Classic, pentatonic old American hymn tune Saints Bound for Heaven from the hymnal The Southern Harmony and Musical Companion arranged for concert band. An accessible and upbeat arrangement, good for bands of varying size and instrumentation.
$24.99
23.04 €
#
Orchestre d'harmonie
#
Nathaniel Hontz and William Walker
#
Nathaniel Hontz
#
'Til the Vaults of Heaven Ring: Variations on "Saints Bound for Heaven"
#
TigerSong LLC
#
SheetMusicPlus
Variations on KEDRON
Piano seul
Piano Solo - Digital Download SKU: A0.963855 Composed by Ann K. Holler. Contemporar…
(+)
Piano Solo - Digital Download SKU: A0.963855 Composed by Ann K. Holler. Contemporary. Score. 9 pages. Ann K. Holler #4573173. Published by Ann K. Holler (A0.963855). Piano solo based on the hymn tune KEDRON, originally published in Sacred Harp and other hymnals. According to Hymnary.org, the Sacred Harp text was as follows: Thou Man of grief, remember me, Who never canst Thyself forget. Thy last expiring agony, Thy fainting pangs and bloody sweat. The Variations evoke this rugged image and take the listener through the last hours of the life of Jesus. Other familiar hymn tunes are woven into the Variations. Our church pianist plays this work on Ash Wednesday during the imposition of ashes.
$5.00
4.61 €
#
Piano seul
#
Ann K
#
Variations on KEDRON
#
Ann K. Holler
#
SheetMusicPlus
Variations on "Christe Sanctorum"
Orgue
Organ: 3-staff - Moderately Advanced SKU: LO.70-2084S Composed by Lynn Trapp. Sacre…
(+)
Organ: 3-staff - Moderately Advanced SKU: LO.70-2084S Composed by Lynn Trapp. Sacred, Concert, General. Sacred Music Press #70/2084S. Published by Sacred Music Press (LO.70-2084S). ISBN 9780787758530.Appearing in many hymnals with a variety of texts, the tune CHRISTE SANCTORUM is present in many worship traditions. Lynn Trapp’s set of four variations forms an extended work for recital or may be played separately as service voluntaries.
$21.00
19.36 €
#
Orgue
#
Lynn Trapp
#
Variations on "Christe Sanctorum"
#
Sacred Music Press
#
SheetMusicPlus
Guthrie: Organ Variations on Herzlich tut mich verlangen
Orgue
Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20t…
(+)
Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by jmsgu3 (A0.547959). Theme and seven variations for organ, suitable for performance in church or recital hall. Contents/Durations:Theme: 1:15Canon: 2:06Fugue I: 2:29Fantasia: 2:09Trio: 1:55Fugue II:1:43Interlude/Double Fugue 4:51Meditation: 1:47Herzlich tut mich verlangen is a German hymn with lyrics written in 1599 by Christoph Knoll. It contains 11 stanzas and is known for its plaintive character.  The melody was adapted from a secular song by Hans Leo Hassler called Mein G'müt ist mir verwirret. The tune, Befiehl du deine Wege, first appeared in print in the 1601 Lustgarten Neuer Teutscher Gesäng.The melody is associated with the prayer for a blessed death, beginning Herzlich tut mich verlangen nach einem sel'gen End (I do desire dearly a blessed end). The hymn has been referenced in the works of composers such as J.S. Bach and Brahms, and it is also associated with the organ piece BWV 727. The title is sometimes confused with O Haupt voll Blut und Wunden, as the two melodies are occasionally interchangeable in hymnals from the time.
$29.95
27.61 €
#
Orgue
#
James M
#
Guthrie: Organ Variations on Herzlich tut mich verlangen
#
jmsgu3
#
SheetMusicPlus
David Hurd: Variations for organ
Orgue
Organ - Level 5 - Digital Download SKU: A0.534348 Composed by David Hurd. 20th Cent…
(+)
Organ - Level 5 - Digital Download SKU: A0.534348 Composed by David Hurd. 20th Century,Concert,Standards. Score. 18 pages. Musik Fabrik Music Publishing #3364729. Published by Musik Fabrik Music Publishing (A0.534348). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$11.95
11.02 €
#
Orgue
#
David Hurd
#
David Hurd: Variations for organ
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Hymnal Variations
By Stephen Emmons. For Woodwind Trio (Flute. Clarinet and Bassoon). Trio music. Published …
(+)
By Stephen Emmons. For Woodwind Trio (Flute. Clarinet and Bassoon). Trio music. Published by Cimarron Music Press
$18.00
16.59 €
#
Stephen Emmons
#
Hymnal Variations
#
Cimarron Music Press
#
SheetMusicPlus
Variations on Come, Ye Sinners, Poor and Needy by The Southern Harmony Hymnal - Keyboard or Organ Solo
The Southern Harmony Hymnal - Variations on Come, Ye Sinners, Poor and Needy - Arise Digit…
(+)
The Southern Harmony Hymnal - Variations on Come, Ye Sinners, Poor and Needy - Arise Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Keyboard;Organ; 6 pages -- Sacred~~Hymn~~Religious
$5.75
5.3 €
#
Keyboard or Organ Solo
#
Musicnotes
Lost in the Night
Cloches
3, 4, or 5 octaves handbells - Level 2+ - Digital Download SKU: C7.CGB1014 Composed…
(+)
3, 4, or 5 octaves handbells - Level 2+ - Digital Download SKU: C7.CGB1014 Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Advent. With Violin. Score. 8 pages. Chorister's Guild - Digital #CGB1014. Published by Chorister's Guild - Digital (C7.CGB1014). UPC: 749193025376.Hymn Embellishments is a reproducible collection of handbell variations on ten hymns written to enhance and encourage hymn singing. Two different settings are provided for each hymn, which may be used together with piano or organ in a variety of creative ways. In addition to using these settings with congregational singing, they may also be used as solo pieces with keyboard accompaniment. The variety of seasonal and general titles included will make the collection useful throughout the church year. Many of the hymntunes are published with a variety of different hymn texts, so be sure to check your hymnal's tune index to find additional uses for these settings. A list of compatible hymnal settings is provided for each hymn. The collection is published in compatible editions for 2-3 and 3-5 octaves. Contents: Christ the Lord Is Risen Today; For the Beauty of the Earth; For the Fruit of All Creation; Holy, Holy, Holy; Jesus Christ Is Risen Today; Jesus Shall Reign; Joy to the World!; Joyful, Joyful, We Adore Thee; O Come, All Ye Faithful; O Come, O Come Emmanuel; Thine Is the Glory.
$4.95
4.56 €
#
Cloches
#
Cathy Moklebust
#
Cathy Moklebust
#
For the Beauty of the Earth
#
Lost in the Night
#
Chorister's Guild - Digital
#
SheetMusicPlus
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Ob…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
9.21 €
#
Orchestre de chambre
#
Thomas Oboe Lee
#
Hancock Shaker Village
#
Thomas Oboe Lee
#
SheetMusicPlus
Zacchaeus
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776842 Composed by Tradition…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776842 Composed by Traditional. Arranged by Leonora Hardy. Children,Christian,Sacred. Score. 3 pages. Leonora Hardy #5200899. Published by Leonora Hardy (A0.776842). This charming classic children's song is arranged with two variations. It is helpful for the church pianist who wants to have something a little different from what the hymnal offers when accompanying singers. To that end, the melody is retained, as well as traditional timing to help singers even if a song leader is not present. Lyrics are included as well as chords for guitar. Intermediate level. Right hand melody.
$2.99
2.76 €
#
Piano, Voix
#
Traditional
#
Leonora Hardy
#
Intermediate level
#
Zacchaeus
#
Leonora Hardy
#
SheetMusicPlus
The B-I-B-L-E
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776841 Composed by Tradition…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776841 Composed by Traditional. Arranged by Leonora Hardy. Children,Christian,Sacred. Score. 2 pages. Leonora Hardy #5200853. Published by Leonora Hardy (A0.776841). This classic children's song is arranged in three variations. It is an easily learned arrangement for the church pianist who wants something more than a standard hymnal offers to accompany singing. To that end, the melody is retained, as well as traditional timing to help singers even if a song leader is not present. Lyrics are included as well as chords for guitar. Intermediate level. Right hand melody.
$2.99
2.76 €
#
Piano, Voix
#
Traditional
#
Leonora Hardy
#
Intermediate level
#
The B-I-B-L-E
#
Leonora Hardy
#
SheetMusicPlus
On Jordan's Stormy Banks - Flex Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From South…
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99
9.21 €
#
Orchestre à Cordes
#
having one or more instruments play the melody part, and then add any other instrument on their ensemble part
#
From Southern Harmony
#
Kristin Campbell
#
#
On Jordan's Stormy Banks - Flex Orchestra
#
Horsehair Music
#
SheetMusicPlus
We Gather Together- flute solo
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.967483 Composed by Netherlands Folk…
(+)
Flute Solo - Level 3 - Digital Download SKU: A0.967483 Composed by Netherlands Folk Hymn. Arranged by Rhonda Berlin. Christian,Praise & Worship,Sacred. Individual part. 1 pages. Berlin Music Studio #5795931. Published by Berlin Music Studio (A0.967483). For the flutist who wants to sound great by Sunday! This arrangement of We Gather Together will work with most hymnal arrangements. It includes 3 verses. Verse one is the melody, verses two and three are variations on the melody. Play along with congregational singing or enjoy playing a lovely flute solo.
$1.99
1.83 €
#
Flûte traversière
#
Netherlands Folk Hymn
#
Rhonda Berlin
#
We Gather Together- flute solo
#
Berlin Music Studio
#
SheetMusicPlus
What Wondrous Love Is This (String Trio)
Trio à Cordes: 2 violons, alto
String Ensemble,String Trio Viola,Violin - Level 2 - Digital Download SKU: A0.697675
(+)
String Ensemble,String Trio Viola,Violin - Level 2 - Digital Download SKU: A0.697675 Composed by American Folk Hymn. Arranged by Sandy McIntire. Contemporary,Easter,Instructional,Sacred,Traditional. Score and parts. 13 pages. Sandy McIntire #6339131. Published by Sandy McIntire (A0.697675). What Wondrous Love Is This is arranged here for an easy intermediate string trio (two violins and cello). This American Christian hymn is taken from William Walker's Southern Harmony (1835), a shape note hymnal. The lyrics of the hymn were first published in 1811 and the melody is older with sources referring to various origins. Each of the four iterations builds on the melody. The second and third are variations in baroque style. A score and single sheets for each instrument are included. The second violin part is also within easy range of a viola.This arrangement is appropriate for Lent and Easter holidays, and its modal key and rhythm make it particularly appropriate for a processional or memorial piece.An MP3 audio version of this arrangement is also available at sheetmusicplus.com.
$6.99
6.44 €
#
Trio à Cordes: 2 violons, alto
#
American Folk Hymn
#
Sandy McIntire
#
What Wondrous Love Is This
#
Sandy McIntire
#
SheetMusicPlus
What Wondrous Love Is This
Digital Download SKU: A0.1068254 Composed by American Folk Hymn. Arranged by Sandy …
(+)
Digital Download SKU: A0.1068254 Composed by American Folk Hymn. Arranged by Sandy McIntire. Contemporary,Easter,Sacred. Full Performance. Duration 207. Sandy McIntire #6339141. Published by Sandy McIntire (A0.1068254). What Wondrous Love Is This is played here by a string trio (two violins and cello). This American Christian hymn is taken from William Walker's Southern Harmony (1835), a shape note hymnal. The lyrics of the hymn were first published in 1811 and the melody is older with sources referring to various origins. Each of the four iterations builds on the melody. The second and third are variations in baroque style. This arrangement is appropriate for Lent and Easter holidays, and its modal key and rhythm make it particularly appropriate for a processional or memorial .A score and single sheets for each instrument are also available at sheetmusicplus.
$3.99
3.68 €
#
American Folk Hymn
#
Sandy McIntire
#
What Wondrous Love Is This
#
Sandy McIntire
#
SheetMusicPlus
My Heavenly Father Watches Over Me (1 piano 4 hands)
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1012274
(+)
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1012274 Composed by Charles H. Gabriel. Arranged by Sylvia Hung. Christian,Concert,Contemporary,Gospel,Praise & Worship. Score and parts. 10 pages. Notes of Delight #5995295. Published by Notes of Delight (A0.1012274). This beautiful all time Christian classics by William Martin / Charles Gabriel was arranged for one piano four hands, perfect for all church worship occasion, school performance or recital. The four verses were arranged in four distinctively different style, classics, waltz and jazz / contemporary. While savoring the wonder of God’s love and grace while you play, you will definitely enjoy the interesting and creative harmony and style variations of this piece. The piece duration is around 4:00.You will receive full set of music including score along with 2 piano parts with same bar number setup which will be easy for the 2 pianist to read through, one at each side. This piece is intermediate / advanced level. Sylvia Hung is a Toronto-based Christian Church composer/arranger/pianist, she has been arranging and composing numerous pieces for various church group and ensembles over the past 20 years, including weddings, hymnal services presentation and performances on special occasion. She herself has also served in church as a pianist /choir conductor/ ensemble director/ clinician. Please visit her music at https://sylviahungmusic.caMy Heavenly Father Watches Over Me(William C. Martin/ Charles H. Gabriel)Lyrics I trust in God wherever I may be, Upon the land, or on the rolling sea,For come what may, from day to day,My heav’nly Father watches over me.Refrain:I trust in God, I know He cares for me; On mountain bleak or on the stormy sea; Though billows roll, He keeps my soul; My heav’nly Father watches over me.He makes the rose an object of His care, He guides the eagle through the pathless air, And surely He remembers me; My heav’nly Father watches over me.I trust in God, for, in the lion’s den, On battlefield, or in the prison pen, Through praise or blame, through flood or flame, My heav’nly Father watches over me. The valley may be dark, the shadows deep, But, oh, the Shepherd guards His lonely sheep; And through the gloom He’ll lead me home, My heav’nly Father watches over me.
$3.99
3.68 €
#
1 Piano, 4 mains
#
Charles H
#
Sylvia Hung
#
My Heavenly Father Watches Over Me
#
Notes of Delight
#
SheetMusicPlus
At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by…
(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spirito Music #850950. Published by Con Spirito Music (A0.1257721). An ideal hymn selection for Easter Sunday, Eastertide, or at any celebration of the eucharist, At the Lamb's High Feast We Sing is one of many hymns translated from Latin by Robert Campbell (1814-1868), a Scottish advocate (lawyer) and Roman Catholic layperson. First published in 1850, At the Lamb's High Feast We Sing was one of four of Campbell's hymn texts to be included in Hymns Ancient & Modern (1861), the first standardized and popular hymnal of the Anglican Church.The tune accompanying the text, known as SALZBURG, is attributed to the German composer Jakob Hintze (1622-1702). Its harmonization has long been attributed to J.S. Bach and numbered among his works as BWV 262. However, the New Edition of the Complete Works of Bach, published by Barenreiter, no longer recognizes this, and the harmonization matches that of Johann Pachelbel's Alle Menschen müssen sterben — Choral mit 8 Partiten (Chorale with 8 Variations) of 1683.Regardless of the authorship of text or tune, At the Lamb's High Feast We Sing is a richly theological, grand hymn that references God's saving works in both the Old Testament and the New, culminating in Christ's victorious resurrection and his triumph over sin and death, and celebrates his feeding of the faithful gathered for the eucharistic feast with his Body and Blood.This arrangement for organ and brass quintet begins with alternating fanfares for organ and brass, followed by:Verse 1: organ accompanimentVerse 2: brass accompanimentVerse 3: organ accompaniment with solo trumpet punctuationsInterludeVerse 4: organ and brass accompaniment in alternate harmonizationCoda recapitulating the introductory fanfares Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, and reproducible bulletin insert for voices ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
23.05 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Jakob Hintze
#
Todd Marchand
#
At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
#
Con Spirito Music
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
