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I'll Take Les: String Bass
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Vous avez sélectionné:
I'll Take Les: String Bass
Partitions à imprimer
9 partitions trouvées
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I'll Take Les: String Bass
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Contrebasse (partie séparée)
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Methodes
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John Scofield
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Mike Kamuf
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I'll Take Les: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016291_SB String Bass. Composed by John Scofield. Arranged by Mike Kamuf. Instructional. Part. 4 pages. Alfred Mus...
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Jazz Ensemble - SKU: AX.00-PC-0016291_SB String Bass. Composed by John Scofield. Arranged by Mike Kamuf. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016291_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016291_SB). UPC: 038081474236.A straight-eighth groove that's a little funky plus a catchy melody at 130 BPM, and you have a winner. Features written solos for tenor, trumpet 2, or guitar, lead trumpet range to written A, a great bari sax part, and optional parts for Latin percussion and vibes. Excellent writing. (5:15) This title is available in SmartMusic.
$3.00
Can't Take My Eyes Off Of You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Frankie Valli
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Sherry Lewis
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Can't Take My Eyes Off Of You
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521722 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Sherry Lewis. Pop,We...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521722 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Sherry Lewis. Pop,Wedding. 25 pages. Sherry Lewis Publishing #6404911. Published by Sherry Lewis Publishing (A0.521722). CAN'T TAKE MY EYES OFF YOU String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Intermediate Level Score: 12 pages Parts: 10 pages Time: 3'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
I Love My Kitty Cat
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Parry Gripp
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I Love My Kitty Cat
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Han...
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Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,Horn,Medium-High Voice,Oboe,Organ,Piano and Keyboard,Piccolo,Rhythm Instrument,Synthesizer,Tuba - SKU: A0.1143215 By Parry Gripp. By Amphibia Cultural Legacy and Parry P. Gripp. Broadway,Comedy,Disco,Musical/Show,Pop,Rock. 3 pages. Amphibia Cultural Legacy #741724. Published by Amphibia Cultural Legacy (A0.1143215). The internet is a beautiful place; every once in a while, it gifts us with something truly special. This time, we’ve been blessed with the epic remix of Parry Gripp’s I Love My Kitty Cat cover by Amphibia Cultural Legacy. The remix takes the catchy tune to another level, turning it into an upbeat and groovy orchestral piece that will have you rocking out on the dance floor.This remix will get your body moving with its driving percussion, funky bassline, and soaring strings section. Whether you’re a disco or rock n’ roll fan, there’s something for everyone here. The energy is infectious, and you’ll find yourself singing along to the lyrics in no time.But what sets this remix apart is its masterful use of orchestration.
$10.00
A te l'estremo addio... Il lacerato spirito - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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Opera
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Classique
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Giuseppe Verdi
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Stefano Olcese
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A te l'estremo addio... Il lac
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Stefano Olcese
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SheetMusicPlus
Level 3 - SKU: A0.1144014 Composed by Giuseppe Verdi. Arranged by Stefano Olcese. 19th Century,Chamber,Classical,Opera,Romantic Period. 8 pages. Stefano...
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Level 3 - SKU: A0.1144014 Composed by Giuseppe Verdi. Arranged by Stefano Olcese. 19th Century,Chamber,Classical,Opera,Romantic Period. 8 pages. Stefano Olcese #744324. Published by Stefano Olcese (A0.1144014). This is one of the most famous opera arias for bass voice. It's taken from Giuseppe Verdi's opera Simon Boccanegra and it's one of the most beautiful and touching musical moments of that score. It's originally composed for full orchestra and I arranged it for string quintet, horn and, of course, bass voice. Please contact me if you wish to have the separate parts too, I'll send the PDF files to you. http://www.stefano-olcese.com/ https://www.instagram.com/stefano_olcese/ https://www.facebook.com/olcesestefano/.
$4.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Count On Me
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Bruno Mars
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Amphibia Cultural Legacy
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Count On Me
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harpsichord,Horn,Medium-High Voice,M...
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Mixed Percussion,Strings Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harpsichord,Horn,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,Piccolo,Recorder,Suspended Cymbal,Synthesizer,Trumpet,Tuba - SKU: A0.1297838 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Amphibia Cultural Legacy. Classical,Comedy,Jazz,Pop,Soul. 8 pages. Amphibia Cultural Legacy #887814. Published by Amphibia Cultural Legacy (A0.1297838). Count On Me is a heartwarming and uplifting cover performed by Amphibia Cultural Legacy, beautifully showcasing Connie Talbot's signature style. This rendition takes the beloved original to new heights, as it remixes elegantly with the orchestra's enchanting sounds and additional instruments.From the beginning, the sweet and gentle tone of Connie Talbot's voice takes center stage, delivering the heartfelt lyrics with a refined yet innocent charm. Amphibia Cultural Legacy's interpretation allows Connie's vocals to effortlessly soar above the rich, dynamic orchestration, giving the song a grand and cinematic quality.The delicate orchestral arrangement weaves together a tapestry of lush strings, majestic horns, and whimsical woodwinds, creating a magical backdrop that beautifully complements Connie's vocals. Throughout the song, these additional instruments add depth and emotion, enhancing the already profound message of friendship, support, and unwavering companionship echoed in the lyrics, You can count on me like 1, 2, 3, I'll be there.As the song progresses, Amphibia Cultural Legacy skillfully balances Connie's tender vocals with the soaring crescendos of the orchestra, creating moments of both intimate reflection and exhilarating grandeur. This contrast amplifies the emotions conveyed, captivating listeners and allowing them to truly connect with the uplifting and empowering message of the song.In this remarkable rendition of Count On Me, Amphibia Cultural Legacy brilliantly marries Connie Talbot's unique style with the timeless elegance of an orchestra and other additional instruments, resulting in a truly captivating musical experience.
$70.00
"Saturday Night Game" (Fanfare)
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Faustino Yunior Morales
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"Saturday Night Game"
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Yunior Morales
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SheetMusicPlus
Large Ensemble Bass Drum,Cello,Piccolo Trumpet,Snare Drum,Trombone,Tuba,Violin - SKU: A0.481389 Composed by Faustino Yunior Morales. 20th Century,Film/T...
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Large Ensemble Bass Drum,Cello,Piccolo Trumpet,Snare Drum,Trombone,Tuba,Violin - SKU: A0.481389 Composed by Faustino Yunior Morales. 20th Century,Film/TV,Patriotic,Video Game. Score and parts. 4 pages. Published by Yunior Morales (A0.481389). This is a heroic theme/fanfare that I've composed. This piece features epic brass, strings, and percussion that pumps power on your face and gives off a nice cinematic vibe. - You can imagine by the title of the song that this is a Saturday Night Game in which athletes are preparing for the game of their lives and it is there that they'll do whatever it takes to prove their desired destiny true. This story motivated me to write this piece, so enjoy! :).
$12.75
Prelude from Bach BWV998 for 2 guitars
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2 Guitares (duo)
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INTERMÉDIAIRE
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Classique
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Various
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Derek Hasted
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Prelude from Bach BWV998 for 2
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1265359 By Various. By Johann Sebastian Bach. Arranged by Derek Hasted. Baroque. 21 pages. Derek Hasted #85...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1265359 By Various. By Johann Sebastian Bach. Arranged by Derek Hasted. Baroque. 21 pages. Derek Hasted #858199. Published by Derek Hasted (A0.1265359). Bach Prelude from BWV998 for 2 GUITARSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This wonderfully lyrical Bach Prelude is one of the most famous preludes to fit onto guitar.I hope you’ll find it’s also one of the best to fit onto two guitars!The original was in the key of Eb major and the facsimile score I used as the basis for my arrangement was for keyboard. I’ve simply taken all the original music and split it across two guitars in the key of D, to give a wonderful stereo effect and to make the phrases stand out. The original had very specific rests in the bass lines which are pretty much automatic on a harpsichord with limited sustain, and quite easy to do on a modern piano. For a guitar, the mix of open and stopped strings can make consistent note lengths quite hard to achieve, and I have included a second arrangement in which the bass notes are notated as ringing on (as indeed most solo guitarists do, starting with the first note of the piece!). The result is a score which is much easier on the eye, and the “decay†of the guitar's bass notes mean that it doesn’t sound at all untidy - indeed it sounds more mellow.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at  www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$1.99
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I'll Take Les: String Bass
