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Crtitères actifs :
I'm Wanted on the 'Phone
Partitions à imprimer
8 partitions trouvées
<
1
I'm Wanted on the 'Phone
#
Piano, Voix
#
Frank Wood
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I'm Wanted on the 'Phone
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.19323 Composed by Frank Wood. Portraits, Cartoons, Anger, Telephones, Inventions, Debts, Storytelling, Actors, Marriage, Honey...
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Piano and voice - SKU: LV.19323 Composed by Frank Wood. Portraits, Cartoons, Anger, Telephones, Inventions, Debts, Storytelling, Actors, Marriage, Honeymoons. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19323). I'm Wanted on the 'Phone. Written & Composed Frank Wood. Published 1894 by Francis, Day & Hunter, 195 Oxford St. W. in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Cartoons, Anger, Telephones, Inventions, Debts, Storytelling, Actors, Marriage, Honeymoons. First line reads Now the song I'm going to sing is about a handy thing, And its usefulness to ev'ry one is known.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Luther: Out of the Depths for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
DÉBUTANT
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Tenor Sax & Piano
#
Saxophone Tenor et Piano
#
DÉBUTANT
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
DÉBUTANT
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Alto Sax & Piano
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Martin Luther
#
James M
#
piano
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part....
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Alto Saxophone,Piano - Level 1 - SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
The First Noel for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Tenor Sax &
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pa...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Faroese National Anthem for Piano
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Piano seul
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Faroese National Anthem for Pi
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Keith Terrett
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1431316 By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instruction...
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Piano Solo - Level 3 - SKU: A0.1431316 By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Keith Terrett #1011784. Published by Keith Terrett (A0.1431316). An arrangement of the Faroese National Anthem for Piano.Tú alfagra land mítt (Thou fairest land of mine), officially Mítt alfagra land (My fairest land), is the national anthem of the Faroe Islands. It was written in 1906 by headteacher Símun av Skarði, and the melody was composed in 1907 by violinist Petur Alberg.The song was written in a work dated 1 February 1906 by Símun av Skarði, the headmaster of a high school in Føgrulið, southwest of Klaksvík. It was written during a time of strong division in the Faroe Islands between conservatives who wanted to preserve Danish rule and autonomists who wanted more self-government, of which Símun was the latter.Violinist Petur Alberg wrote the first notes of the music of the anthem on 4 September 1907, after the melody came to him that evening. He later sang the melody down the phone in the Løgting to Símun av Skarði, who liked it. Petur then sent it to a music teacher he knew in Akureyri, Iceland, and to asked him to harmonise it for a male quartet. In October 1907, the male quartet arrangement arrived, and singers began to practice it for a Boxing Day concert in Sloan's Hall in Tórshavn. Petur, not daring to reveal the song's author, told the singers the song was Icelandic, by a certain Jón Sveinsson. However, the singers liked the song. The song was performed at the concert on 26 December 1907, which was the first time any song by Petur had been performed publicly and the first time Tú alfagra land mítt was performed publicly.On 8 January 1908, Tú alfagra land mítt was published in the Faroese newspaper Tingakrossur. It was then published in the Lesibók, a literary history in chronological order, in 1911. It was later published in many editions of the Songbók Føroya fólks (Faroese People's Songbook), generally in the number one position, from 1913 through 1959.In 1925, a Nynorsk translation of the song by Rolf Hjort Schøgen was published in the Tingakrossur. In 1928, a Danish translation by university student Tormod Jørgensen was published in Højskolebladet No. 7928.[1][2] An Icelandic translation by Jochum M. Eggertsson appeared in the magazine Dvöl in 1935. The same year, a German translation by Ernst Krenn was published in the Føroyaheftið (Faroese Instalment), a Faroese booklet at the Nordic Society in Vienna, Austria. In 1943, an English translation by Padre G. C. C. Knowleson was featured in the notes of the magazine The Pioneer by some British soldiers in the Faroe Islands during World War II. As the national anthem Tú alfagra land mítt won out in a rivalry with Eg oyggjar veit (I know some islands), from 1877, on which song should become the national anthem of the Faroe Islands. Tú alfagra land mítt has been sung at all festivals in the Faroe Islands, and it has been in the psalm book of the Faroese Church since 1990. The national radio station Útvarp Føroya, established in 1957, played it every night before ending its broadcast for the evening.
$4.99
The Loneliest
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Maneskin
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Rami Yacoub, Jason Evigan, Dam
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Lorenzo Bocci
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The Loneliest
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1314267 By Maneskin. By Damiano David, Ethan Torchio, James John Abrahart Jr., Jason Evigan, and Rami Yacoub. Arranged ...
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Concert Band - Level 3 - SKU: A0.1314267 By Maneskin. By Damiano David, Ethan Torchio, James John Abrahart Jr., Jason Evigan, and Rami Yacoub. Arranged by Lorenzo Bocci. Lent,Rock. 62 pages. Lorenzo Bocci #903009. Published by Lorenzo Bocci (A0.1314267). For Concert Band - Grade 3 - Â Composed by Rami Yacoub, Jason Evigan, Damiano David, Ethan Torchio, James John Abrahart Jr. Arranged by Lorenzo Bocci. Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'03''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Clarinet in Eb, 1st Clarinet in Bb, 2nd & 3rd Clarinet in Bb, Bass Clarinet in Bb, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb, 1st Trumpet in Bb, 2nd & 3rd Trumpet in Bb, 1st & 3rd Horn in F, 2nd & 4th Horn in F, 1st & 2nd Trombone in C, Bass Trombone in C, Euphonium in C, Bass in C, Electric Bass, Drum Set, Electric Guitar, Piano.Additional Parts:Soprano Saxophone in Bb, 1st & 3rd Horn in Eb, 2nd & 4th Horn in Eb, 1st & 2nd Trombone in Bb T.C., B.C., Bass Trombone in Bb T.C., B.C., Euphonium in Bb T.C., B.C., Bass in Bb T.C., B.C., Bass in Eb T.C., B.C.The Loneliest is a song by Italian rock band MÃ¥neskin, released on 7 October 2022 as the third single from their third studio album Rush! (2023). The song was written by the band members with James Abrahart, Jason Evigan, Rami Yacoub and Sarah Hudson, with production by Fabrizio Ferraguzzo, during a recording session in Los Angeles, California. The Loneliest was performed live for the first time during the group's performance at Underworld in London on 6 October 2022.The frontman Damiano David talked about the meaning of the song:Â Â The song is somewhere between a love letter and a will. I wrote it at a very difficult time in my life, when I was away from home and the people I love. The idea is: what would I want to say to these people if I were to die? It talks about feelings that everyone can relate to, and we would love to understand how different people understand the lyrics. We are happy that we were able to take some time to write a lot of new music. We chose to come out with this single because it shows a side of us that people haven't seen yet and we wanted to start our new journey from here..
$99.00
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I'm Wanted on the 'Phone