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Vous avez sélectionné:
I Am But A Small Voice
Partitions à imprimer
42 partitions trouvées
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I Am But A Small Voice
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1233623 By Roger Wh…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1233623 By Roger Whittaker. By Odina E. Batnag and Roger Whitaker. Arranged by Rochus Paul. Pop. 15 pages. Rochus Paul #829209. Published by Rochus Paul (A0.1233623). SATB-Arrangement with optional partings in Soprano.Originally a duet between child and man, here is a much more adult version of the hymn.You get full score, choir score and piano score.Please buy as many copies as performers participate during the performance - fair and square. Copies may be reused. Minor modifications are always permitted. For audio material or special wishes please visit rochuspaul.de/kontakt.
$2.99
2.69 €
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Chorale SATB
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Roger Whittaker
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Rochus Paul
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I Am But A Small Voice
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Rochus Paul
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SheetMusicPlus
I Am But A Small Voice
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1233668 By Roger Whittaker. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1233668 By Roger Whittaker. By Odina E. Batnag and Roger Whitaker. Arranged by Rochus Paul. Pop. Score and Parts. 55 pages. Rochus Paul #829256. Published by Rochus Paul (A0.1233668). Orchestral Accompagnation to my SATB-Arrangement.Originally a duet between child and man, here is a much more adult version of the hymn.Copies may be reused. Minor modifications are always permitted. For audio material or special wishes please visit rochuspaul.de/kontakt.
$64.99
58.44 €
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Orchestre
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Roger Whittaker
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Rochus Paul
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I Am But A Small Voice
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Rochus Paul
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SheetMusicPlus
I Am But A Small Voice
Chorale TTBB
(TTBB) - Digital Download SKU: HX.305267 By Odina E. Batnag. Arranged by Kirby Shaw…
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(TTBB) - Digital Download SKU: HX.305267 By Odina E. Batnag. Arranged by Kirby Shaw. Choral. A Cappella,Concert,Jazz. Choral. 7 pages. Published by Hal Leonard - Digital (HX.305267).
$1.95
1.75 €
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Chorale TTBB
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Odina E
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Kirby Shaw
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I Am But A Small Voice
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Hal Leonard - Digital
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SheetMusicPlus
A Long Way Home (from where I am)
Harpe, Voix
Instrumental Duet Harp,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.797…
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Instrumental Duet Harp,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.797550 Composed by Mary Lloyd. World. Score and parts. 54 pages. Afghan Press Music for the Harp #5777685. Published by Afghan Press Music for the Harp (A0.797550). Not just a book of harp music, but a journey where you'll make friends with inspirational words and elegant melodies. Mary has written eleven thought-provoking poems and put them to music. All are playable as solo harp music, and many of them are playable on harps as small as 23 strings with a few modifications. Lyrics are provided for many of the pieces, but singing is optional. Contents: A Long Way Home (From Where I Am) *, The Wanderer [with vocal] *, Peaceful River *, Have Faith In Dreams [with vocal] *, When Summer Ends [with vocal] *, Stars and Shadows [with vocal] *, Rain Must Fall [key of F] *, Rain Must Fall [key of G] *, Wistful Heart, Sunrise On Forever, Redemption, The Stars Go With You [with vocal] *, All Shall Be Well [harp solo] *, All Shall Be Well [with vocal] *, Dance for Joy *, On My Way (Going Home) *, (Titles marked with * are adaptable for 23-string lap harp with F as the lowest note.)
$16.00
14.39 €
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Harpe, Voix
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Mary Lloyd
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A Long Way Home
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Afghan Press Music for the Harp
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SheetMusicPlus
Kirby Shaw: I Am But A Small Voice - choir (SATB: soprano, alto, tenor, bass)
Chorale SATB
Instantly printable sheet music by Kirby Shaw for choir (SATB: soprano, alto, tenor, bass)…
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Instantly printable sheet music by Kirby Shaw for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / jazz,concert,a cappella
$5.93
5.33 €
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Chorale SATB
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Kirby Shaw
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Virtualsheetmusic
Kirby Shaw: I Am But A Small Voice - choir (SSA: soprano, alto)
Chorale 3 parties
Instantly printable sheet music by Kirby Shaw for choir (SSA: soprano, alto) of MEDIUM ski…
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Instantly printable sheet music by Kirby Shaw for choir (SSA: soprano, alto) of MEDIUM skill level. / jazz,concert,a cappella
$4.93
4.43 €
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Chorale 3 parties
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Kirby Shaw
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Virtualsheetmusic
Kirby Shaw: I Am But A Small Voice - choir (TTBB: tenor, bass)
Chorale TTBB
Instantly printable sheet music by Kirby Shaw for choir (TTBB: tenor, bass) of MEDIUM skil…
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Instantly printable sheet music by Kirby Shaw for choir (TTBB: tenor, bass) of MEDIUM skill level. / jazz,concert,a cappella
$5.93
5.33 €
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Chorale TTBB
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Kirby Shaw
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Virtualsheetmusic
I See You
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michell…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49
2.24 €
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Chorale SATB
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arran…
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
4.49 €
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Alm@music
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (Low Voice) and orchestra
Bassoon,Cello,Clarinet,Double Bass,Flute,Low Voice,Oboe,Viola,Violin - Level 3 - Digital D…
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Bassoon,Cello,Clarinet,Double Bass,Flute,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.753643 Composed by Traditional. Arranged by John Hoesly. Contemporary,Film/TV,Folk,Traditional. 46 pages. PRS&B #5222659. Published by PRS&B (A0.753643). Wayfaring Stranger- for Solo Voice (Low Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
44.96 €
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Traditional
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John Hoesly
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
44.96 €
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Orchestre de chambre
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Traditional
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j
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
I Am But A Small Voice
Chorale SATB
By Odina E. Batnag. Arranged by Kirby Shaw. SATB. A Cappella; Concert; Jazz. Choral. 7 pag…
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By Odina E. Batnag. Arranged by Kirby Shaw. SATB. A Cappella; Concert; Jazz. Choral. 7 pages. Published by Hal Leonard - Digital Sheet Music
$1.95
1.75 €
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Chorale SATB
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Odina E
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Kirby Shaw
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Concert
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I Am But A Small Voice
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
I Am But A Small Voice
Chorale 3 parties
By Odina E. Batnag. Arranged by Kirby Shaw. SSA. A Cappella; Concert; Jazz. Choral. 7 page…
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By Odina E. Batnag. Arranged by Kirby Shaw. SSA. A Cappella; Concert; Jazz. Choral. 7 pages. Published by Hal Leonard - Digital Sheet Music
$1.95
1.75 €
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Chorale 3 parties
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Odina E
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Kirby Shaw
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Concert
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I Am But A Small Voice
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.49 €
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Piano, Voix
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
I Am a Carpenter (Joseph's Song) [Backing Track No Choir - MP3]
Tenor Voice - Digital Download SKU: A0.1068142 Composed by Cherolyn Klosner-Lane. A…
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Tenor Voice - Digital Download SKU: A0.1068142 Composed by Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane, Gene Klosner. Christian,Christmas,Sacred. Accompaniment. Duration 319. Cher & Gene Klosner #6167883. Published by Cher & Gene Klosner (A0.1068142). Beautifully moving Christmas song from Joseph’s perspective, anticipating the birth of Jesus, after having a dream that Mary would bear a child. Perfect for any traditional Christmas Pageant or Nativity Story, no matter how large or small. Available separately: Piano/Vocal/Guitar (Tenor); Piano/Vocal/Guitar (Tenor)+SATB 1 and 2; Guitar, Vocal; Guitar (Capo 3), Vocal; Full Score; Tenor Solo Voice+SATB 1 and 2; Guitar; Guitar (Capo 3); Violins; Viola; Solo Cello+Celli; Bass Guitar; Drums. Full MP3 and backing tracks available. This version has the full instrumentation, but no choir, no lead vocal. ca. 5:15.www.facebook.com/chergenewww.chergene.comwww.youtube.com/cgklosner
$1.99
1.79 €
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Cherolyn Klosner-Lane
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I Am a Carpenter
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Cher & Gene Klosner
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SheetMusicPlus
I'm Trying to Be Like Jesus
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Per…
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Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$9.99
8.98 €
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Piano seul
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Janice Kapp Perry
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Mark Gubler
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I'm Trying to Be Like Jesus
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Mark Gubler
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SheetMusicPlus
A Treatise on the Astrolabe
Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.10230…
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Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages. Penguinman Music #6097405. Published by Penguinman Music (A0.1023054). The only one of Chaucer’s works that is scientific, not literary, in nature, A Treatise on the Astrolabe represents the oldest known English-language scientific manual and is a personal manual for his son on how to use an astrolabe, an ancient astronomical instrument. The that this work was created for a practical rather than artistic purpose was particularly appealing – it called to mind Walter Miller’s A Canticle for Leibowitz, when Brother Francis creates an illumination of a relic of St. Leibowitz, unaware that the relic was in fact a simple, and quite ordinary, circuit diagram.Presented here are seven songs divided among four parts. The first part, Prelude, contains one song, a setting of Chaucer’s personal introduction to his son, Lewis. The second, Here Begynneth the descripcioun of thin Astrolabie, contains three songs describing various components of the astrolabe. The worken the verrey pracktik of the forseide conclusions follows with two songs explaining the use of the astrolabe to calculate the position of the sun and the time of dawn and dusk; here, the words are spoken rather than sung. Postlude concludes the work in a style reminiscent of the opening, unmeasured material, using for its text the humble conclusion to Chaucer’s introduction.I am very grateful to soprano Tiffany DuMouchelle and percussionist Steve Solook, who I first approached in 2011 about a potential Chaucer cycle, as well as bassist Scott Worthington, who came to the project later but no less enthusiastically; without their support this piece would not have been possible.With the purchase, you are authorized to print a copy of the score for each member of the ensemble for the purposes of rehearsal and performance. For best results print on 11x17 tabloid size paper, landscape orientation.
$45.00
40.46 €
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Kyle Rowan
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A Treatise on the Astrolabe
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Penguinman Music
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SheetMusicPlus
Better not cry (for spoken voice, flute and cello)
Small Ensemble Cello,Flute,Voice - Level 3 - Digital Download SKU: A0.576006 Compos…
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Small Ensemble Cello,Flute,Voice - Level 3 - Digital Download SKU: A0.576006 Composed by David Warin Solomons. Contemporary,World. Score and parts. 6 pages. David Warin Solomons #2029385. Published by David Warin Solomons (A0.576006). Poem by my father some time after Mum's funeral Suitable for a memorial at any humanist (or even religious) service. In the sound sample I am reciting the poem The instruments are an electronic preview but a live version will be available soon.
$7.00
6.29 €
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David Warin Solomons
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Better not cry
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David Warin Solomons
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SheetMusicPlus
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sull…
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
10.75 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Am But A Small Voice
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1426984 By Rog…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1426984 By Roger Whittaker. By Odina E. Batnag and Roger Whitaker. Arranged by J.P. Ulrich. Folk. 8 pages. Jonathan Ulrich #1007693. Published by Jonathan Ulrich (A0.1426984).
$1.99
1.79 €
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Chorale TTBB
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Roger Whittaker
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J
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I Am But A Small Voice
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Jonathan Ulrich
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.35 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Canon - Pachelbel, - string quartet with adapted viola part
Quatuor à cordes: 2 violons, alto, violoncelle
String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pache…
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String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 pages. Arr. Dan Edwards #6590467. Published by arr. Dan Edwards (A0.901334). Canon in D by Johann Pachelbel, arranged for string quartet, string quintet, or string orchestra by Dan Edwards. Dan is a prize-winning composer and arranger, and was the staff arranger for the Countess of Wessex's String Orchestra for many years. danedwardscreative.com This is an arrangement like no other!Pachelbel's Canon is a hugely popular piece, but unfortunately it was not written for the string quartet. The original is for three violins and basso continuo, so this presents quite a few problems when string quartets attempt to play it. - Firstly, the 'viola' part is extraordinarily high, not only making it very difficult to play, but making that one voice stick out much more than the other three in the highest parts of the piece. Usually the high bits are just transposed down an octave but this isn't very satisfying. My solution in this arrangement is to swap the voices of the canon around so that the viola always plays the lowest part. Have a look at the score to see what I mean - the viola part isn't transposed, but it never goes above an E on the A string. - Secondly, the first two bars should have harmony, as there should be a keyboard instrument accompanying the cello. To compensate for this I've added some simple harmony in small note heads at the start, before each canon entry. - Thirdly, the cellist always gets lost in this piece. I know because I am a cellist and I always get stressed out towards the end of this piece. So I've added a reduced-size violin 1 part to the cello part so the cellist can follow along and know exactly when the piece is going to end! Includes a full score (6 pages), and complete set of parts. Violin 1 - 3 pages. Violin 2 - 3 pages. Viola - 2 pages. Cello/ bass - 3 pages.
$14.99
13.48 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Pachelbel
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Dan Edwards
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Canon - Pachelbel, - string quartet with adapted viola part
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arr. Dan Edwards
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SheetMusicPlus
Smoke On The Water
Small Ensemble Flute,Oboe,Recorder,Viola,Violin,Voice - Intermediate - Digital Download
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Small Ensemble Flute,Oboe,Recorder,Viola,Violin,Voice - Intermediate - Digital Download SKU: A0.510118 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 48 pages. Published by Andrea La Rose (A0.510118). • Melody and four-part harmony parts for C instruments: voice, recorder, flute, oboe, violin, viola, mallets.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.68 €
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Deep Purple
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Andrea La Rose
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
New Divide
Small Ensemble Drum Set,Multi-Percussion,Piano Accompaniment,Voice - Early Intermediate - …
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Small Ensemble Drum Set,Multi-Percussion,Piano Accompaniment,Voice - Early Intermediate - Digital Download SKU: A0.510116 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Andrea La Rose. Metal,Rock. Score and parts. 51 pages. Published by Andrea La Rose (A0.510116). • Melody (vocal lead-sheet), piano/keyboard part (for flex band — please use my arrangement for solo & piano if you are looking for vocals with piano accompaniment), and drum set/percussion trio parts.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$12.99
11.68 €
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Linkin Park
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Andrea La Rose
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New Divide
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Andrea La Rose
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SheetMusicPlus
Smoke On The Water
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drum S…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drum Set,English Horn,Euphonium,Flute,Oboe,Piano Accompaniment,Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Intermediate - Digital Download SKU: A0.510117 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Andrea La Rose. Rock. Score and parts. 109 pages. Published by Andrea La Rose (A0.510117). • Melody and four-part harmony parts for all standard band and orchestral instruments.• Chords included in melody part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording.As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination?Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?!Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$29.99
26.97 €
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Deep Purple
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Andrea La Rose
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Smoke On The Water
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Andrea La Rose
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SheetMusicPlus
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