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I Am Music, Music Is Me
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I Am Music, Music Is Me
Chorale 2 parties
2-part choir - Digital Download SKU: LX.15-2054R Composed by Amy F Bernon. Janet Ga…
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2-part choir - Digital Download SKU: LX.15-2054R Composed by Amy F Bernon. Janet Galván Roots & Wings. Educational, Concert. Octavo. 12 pages. Roger Dean Publishing #e15/2054R. Published by Roger Dean Publishing (LX.15-2054R). UPC: 000308101119.I Am Music, Music Is Me a collaborative effort between Ms. Bernon and the students and faculty at the Berkshire Hills Music Academy in Massachusetts, who were asked to respond to this question: What does music mean to you? The result is a weaving of these emotions and thoughts in a light and lively musical setting.
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Chorale 2 parties
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Amy F Bernon
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I Am Music, Music Is Me
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Roger Dean Publishing
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SheetMusicPlus
I Travel On for SAB choir
Chorale 3 parties
Choral Choir (SAB) - Digital Download SKU: A0.840521 Composed by Tara Islas. Contem…
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Choral Choir (SAB) - Digital Download SKU: A0.840521 Composed by Tara Islas. Contemporary,Sacred. Octavo. 10 pages. Tara Islas #6857613. Published by Tara Islas (A0.840521). This choral piece was written and dedicated to the loss of a partner, best friend or anyone who has had a profound loss in their lives. The lyrics were adapted from the poem To Those Whom I Love (Anonymous) Questions or comments? We're here to help! taraislasmusic@gmail.com Lyrics: When I am gone, please let me go I have so many things to see, although, You must not shed too many tears, I plea But thankful for those years you've given me. I gave my love, and you can guess How much you've given me in happiness I thank you for the love each have shown But now it is time I travelled on. I travel on, I travel on, but my love for you will carry on. I travel on, I travel on alone, I won't be far away. So grieve a while, grieve you must Then let your grief be comforted by trust It is only for a while that we must part So treasure memories in your heart. I travel on, I travel on, but my love for you will carry on. I travel on, then when you come this way alone, I'll greet you and say welcome home.
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Chorale 3 parties
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Tara Islas
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I Travel On for SAB choir
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Tara Islas
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.39 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
I Am Thine, O Lord (Draw Me Nearer) (Downloadable)
Orgue
Organ - Moderately Easy - Digital Download SKU: MQ.10-647-2E Composed by Robert J. …
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Organ - Moderately Easy - Digital Download SKU: MQ.10-647-2E Composed by Robert J. Powell. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-647-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-647-2E). This is the fifth volume in this immensely popular series, which is intended to foster quiet meditation and introspection. Easy but expressive arrangements of: I AM THINE, MARTYRDOM, NEAR THE CROSS, and SOLID ROCK.
$5.00
4.67 €
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Orgue
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Robert J
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I Am Thine, O Lord
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
All That I Am
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.15-3751H Composed by Michael Ryan. Gen…
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SATB choir, Piano - Digital Download SKU: LX.15-3751H Composed by Michael Ryan. General. Octavo. 12 pages. Heritage Music Press #e15/3751H. Published by Heritage Music Press (LX.15-3751H). ISBN 9780787770006.All that I am, and all that I will ever be, is in my hands today. All that I need to live and to succeed, I have within me now. A light rhythmic style carries this affirmative message of personal caring, focusing on what really matters in life, and connecting with the world around us. Easy to teach and effective, it is a nice choice for moving-on ceremonies.
$2.50
2.33 €
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Chorale SATB
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Michael Ryan
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All That I Am
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Heritage Music Press
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SheetMusicPlus
Music with No Name
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1168324 Composed by Mudi…
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1168324 Composed by Mudiwa Williams. Chamber,Contemporary. 8 pages. Mudiwa Music #768655. Published by Mudiwa Music (A0.1168324). EMAIL ME FOR PARTS: mudiwamusic@gmail.comI joke that I am a hypocritical musician. As an audience member, I hate listening to really dissonant, contemporary music. Names like Schonberg, Stravinsky, Bartok, and so on don’t sit well with me. However, when writing music, I seem to lean pretty heavily on contemporary ideas like ostinatos, crunchy chords, and new harmonies. This piece started as an assignment to write 16 measures of music using pandiatonicism. Music that is pandiatonic is music with a feeling of more than one key. Every note is treated somewhat equal, so nothing sticks out as “tonic.†Try humming the tonic when listening to this piece. You can’t, because more than one exists. Since this is music with no tonic, it almost has “no name,†unlike how classical music may be labeled “Concerto in Eb Major.†I greatly appreciate the work of Austin Andrade, Aidan Lewis, Eithan Moreno, and Heather test, as the performers and director for this piece.
$12.00
11.2 €
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Mudiwa Williams
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Music with No Name
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Mudiwa Music
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SheetMusicPlus
I Saw the Lord
Chorale SATB
SATB choir, organ (3-staff) SKU: LO.10-5362S Composed by Stephen Burtonwood. Choral…
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SATB choir, organ (3-staff) SKU: LO.10-5362S Composed by Stephen Burtonwood. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5362S. Published by Sacred Music Press (LO.10-5362S). ISBN 9780787768751.One of the most dramatic and powerful texts in the Old Testament is Isaiah’s vision in chapter 6. Stephen Burtonwood has made a stunning anthem from this vivid scene, employing a very active and significant organ part. And the foundations of the threshold shook at the voice of him who called, and the house was filled with smoke. And I said: 'Woe is me! Woe is me! For I am lost.'â€.
$3.20
2.99 €
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Chorale SATB
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Stephen Burtonwood
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I Saw the Lord
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Sacred Music Press
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SheetMusicPlus
I Saw the Lord
Chorale SATB
SATB choir and Organ 3-staff - Digital Download SKU: LX.10-5362S Composed by Stephe…
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SATB choir and Organ 3-staff - Digital Download SKU: LX.10-5362S Composed by Stephen Burtonwood. Sacred Anthem, General. Octavo. 16 pages. Sacred Music Press #e10/5362S. Published by Sacred Music Press (LX.10-5362S). ISBN 9780787768751.One of the most dramatic and powerful texts in the Old Testament is Isaiah’s vision in chapter 6. Stephen Burtonwood has made a stunning anthem from this vivid scene, employing a very active and significant organ part. And the foundations of the threshold shook at the voice of him who called, and the house was filled with smoke. And I said: 'Woe is me! Woe is me! For I am lost.'.
$2.75
2.57 €
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Chorale SATB
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Stephen Burtonwood
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I Saw the Lord
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Sacred Music Press
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SheetMusicPlus
We Open In Venice (from "Kiss Me Kate")
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012989 We Open In Venice
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012989 We Open In Venice. Composed by Cole Porter. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0012989. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0012989). ISBN 9780739073124. UPC: 038081402178.This songbook contains all of the classic songs from Cole Porter's greatest success, the hilarious and tuneful Broadway production Kiss Me, Kate. A total of 19 songs are featured in the book, which includes two that were never used. The book also includes an essay about the history of the show, illustrations and memorabilia from its various productions, and a personal remembrance from Patricia Morison, who played Kate in the original Broadway run. Titles: Another Op'nin', Another Show * Why Can't You Behave? * Wunderbar * So in Love * We Open in Venice * Tom, Dick or Harry * I've Come to Wive It Wealthily in Padua * I Hate Men * Were Thine That Special Face * I Sing of Love * Too Darn Hot * Where Is the Life That Late I Led? * Always True to You in My Fashion * Bianca * Brush Up Your Shakespeare * From This Moment On * I Am Ashamed That Women Are So Simple * We Shall Never Be Younger * What Does Your Servant Dream Bout.
$3.99
3.72 €
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Piano, Voix et Guitare
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Cole Porter
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We Open In Venice
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Were Thine That Special Face (from "Kiss Me Kate")
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012991 Were Thine That Spec…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012991 Were Thine That Special Face. Composed by Cole Porter. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0012991. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0012991). ISBN 9780739073124. UPC: 038081402178.This songbook contains all of the classic songs from Cole Porter's greatest success, the hilarious and tuneful Broadway production Kiss Me, Kate. A total of 19 songs are featured in the book, which includes two that were never used. The book also includes an essay about the history of the show, illustrations and memorabilia from its various productions, and a personal remembrance from Patricia Morison, who played Kate in the original Broadway run. Titles: Another Op'nin', Another Show * Why Can't You Behave? * Wunderbar * So in Love * We Open in Venice * Tom, Dick or Harry * I've Come to Wive It Wealthily in Padua * I Hate Men * Were Thine That Special Face * I Sing of Love * Too Darn Hot * Where Is the Life That Late I Led? * Always True to You in My Fashion * Bianca * Brush Up Your Shakespeare * From This Moment On * I Am Ashamed That Women Are So Simple * We Shall Never Be Younger * What Does Your Servant Dream Bout.
$3.99
3.72 €
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Piano, Voix et Guitare
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Cole Porter
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Were Thine That Special Face
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
This Is Me (The Greatest Showman) SATB Choir
Chorale SATB
Piano Accompaniment, Choir, SATB - Intermediate - Digital Download By Keala Settle and T…
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Piano Accompaniment, Choir, SATB - Intermediate - Digital Download By Keala Settle and The Greatest Showman Ensemble. Arranged by Michael Pilley. Score. 14 pages. Published by Michael Pilley Music
From the smash hit movie musical The Greatest Showman comes a stirring song that encompasses the moral lesson of self-acceptance and triumph under adversity. Scored for SATB choir with soloist at an intermediate difficulty, this arrangement is a direct transcription off the original soundtrack and will be a sure fire hit in any program. With music by the award winning Pasek and Paul, The Greatest Showman is a movie musical based on the life of P.T. Barnum. It is a story of overcoming adversity, rising above social classes and the establishment of an entertainment visionary. Brilliantly played by Keala Settle, the bearded lady gives us an emotional rendition of This Is Me, with lyrics such as ?I won?t let them break me down to dust? and ?I am who I?m meant to be?, speaking of the struggle to be accepted in society. If you would like to accompany this with a rhythm section and 4 piece horn section, you can also buy those parts here: https://bit.ly/2HcXyVD And if you want to add some extra percussion that mirrors the original orchestration, pick up the Brass Band version here: https://bit.ly/2zxu5ig
$4.50
4.2 €
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Chorale SATB
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Keala Settle and The Greatest Showman Ensemble
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Michael Pilley
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This Is Me
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Michael Pilley Music
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SheetMusicPlus
This Is Me
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.746174 Composed by Benj Pasek and Justin Paul. Arranged by Michael Pilley. Broadway,Film/TV,Musical/Show,Pop. Brass Band. 77 pages. Michael Pilley Music #3867599. Published by Michael Pilley Music (A0.746174). From the smash hit movie musical The Greatest Showman comes a stirring song that encompasses the moral lesson of self-acceptance and triumph under adversity. Scored for choir, brass band and rhythm at an advanced-intermediate difficulty, this arrangement utilises extended percussion techniques to mirror the amazing orchestration in the original soundtrack and will be a sure fire hit in any program.Featuring extended percussion such as field drum and techniques for capturing the woosh sound in the original recording, this arrangement is a direct transcription of the track on the original soundtrack.With music by the award winning Pasek and Paul, The Greatest Showman is a movie musical based on the life of P.T. Barnum. It is a story of overcoming adversity, rising above social classes and the establishment of an entertainment visionary. Brilliantly played by Keala Settle, the bearded lady gives us an emotional rendition of This Is Me, with lyrics such as I won’t let them break me down to dust and I am who I’m meant to be, speaking of the struggle to be accepted in society.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$80.00
74.67 €
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Benj Pasek and Justin Paul
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Michael Pilley
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This Is Me
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Michael Pilley Music
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SheetMusicPlus
This Is Me
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombo…
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.746176 Composed by Benj Pasek and Justin Paul. Arranged by Michael Pilley. Broadway,Film/TV,Musical/Show,Pop. Score and parts. 27 pages. Michael Pilley Music #3872327. Published by Michael Pilley Music (A0.746176). From the smash hit movie musical The Greatest Showman comes a stirring song that encompasses the moral lesson of self-acceptance and triumph under adversity. Scored for pop combo with 4 horns at an intermediate difficulty, this arrangement is a direct transcription of the original soundtrack and will be a sure fire hit in any program.The 4 horn parts cover the string and choir lines on the original recording, with a few extra brassy lines in the chorus to make this arrangement really pop. You can also play this arrangement with 3 horns (trumpet, tenor sax and trombone)With music by the award winning Pasek and Paul, The Greatest Showman is a movie musical based on the life of P.T. Barnum. It is a story of overcoming adversity, rising above social classes and the establishment of an entertainment visionary. Brilliantly played by Keala Settle, the bearded lady gives us an emotional rendition of This Is Me, with lyrics such as I won’t let them break me down to dust and I am who I’m meant to be, speaking of the struggle to be accepted in society.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$30.00
28 €
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Benj Pasek and Justin Paul
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Michael Pilley
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This Is Me
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Michael Pilley Music
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SheetMusicPlus
This Is Me
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.746169 Composed by Benj Pasek and Justin Paul. Arranged by Michael Pilley. Contemporary. Brass Band. 57 pages. Michael Pilley Music #3540989. Published by Michael Pilley Music (A0.746169). From the smash hit movie musical The Greatest Showman comes a stirring song that encompasses the moral lesson of self-acceptance and triumph under adversity. Scored for standard brass band at an advanced-intermediate difficulty, this arrangement utilises extended percussion techniques to mirror the amazing orchestration in the original soundtrack and will be a sure fire hit in any program.Featuring two solos by the flugelhorn, a cornet and trombone duet, extended percussion such as field drum and techniques for capturing the woosh sound in the original recording, this arrangement is a direct transcription of the track on the original soundtrack.You can hear the entire piece here: https://youtu.be/7pYOaatfUsY and for a simplified 10 piece Brass Ensemble arrangement, click here: https://goo.gl/oKr6fbWith music by the award winning Pasek and Paul, The Greatest Showman is a movie musical based on the life of P.T. Barnum. It is a story of overcoming adversity, rising above social classes and the establishment of an entertainment visionary. Brilliantly played by Keala Settle, the bearded lady gives us an emotional rendition of This Is Me, with lyrics such as I won’t let them break me down to dust and I am who I’m meant to be, speaking of the struggle to be accepted in society.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
46.67 €
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Benj Pasek and Justin Paul
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Michael Pilley
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This Is Me
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Michael Pilley Music
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SheetMusicPlus
Yes, I know!
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940065 Composed by Jacob E…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940065 Composed by Jacob Evans. Christian,Gospel,Sacred. Octavo. 9 pages. JDE FORCHRISTMUSIC #3374747. Published by JDE FORCHRISTMUSIC (A0.940065). This piece of music is a statement of faith. The chorus states, Yes, I know, the Lord, He loves me so! It is a fun, bright song that is perfect for many different occasions.Lyrics:Verse 1Every day through life we're faced with sin and strife,We see that the heart of men is black;They say that they all know the way,They think they're satisfied with what they have.When at first we see that Jesus set us free,Our selfish self says we know what's right.But since we are filthy we must turn to the light.ChorusYes, I know, The Lord, he loves me so;He saved me from bondage deep within.I know where I'm going; I'm assured of that home,The new earth that is free from death and sin!Oh yes, I know, the Lord, he loves me so,For he took my sin and changed it for his love.Since I made him me guide I now feel certain insideThat I am going to heaven above!Verse 2None can know that day that he will showHimself to this world he made so well;He'll stand and say who chose the way of sinOr who on right things chose to dwell.If he came today, would you stand in dismayAnd say that you're not ready to depart?Be willing, accept himAs Lord into your heart.Chorus.
$2.99
2.79 €
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Chorale SATB
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Jacob Evans
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Yes, I know!
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JDE FORCHRISTMUSIC
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SheetMusicPlus
Let Me Love from For a Breath of Ecstasy (Downloadable Choral Score)
Chorale SATB
SATB choir, oboe, and string quartet or piano - Medium - Digital Download SKU: MQ.1.352…
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SATB choir, oboe, and string quartet or piano - Medium - Digital Download SKU: MQ.1.3529-E Composed by Michael John Trotta. Instrument part. 13 pages. Duration 4 minutes, 14 seconds. Galaxy Music Corporation - Digital #1.3529-E. Published by Galaxy Music Corporation - Digital (MQ.1.3529-E). English.The final movement from For a Breath of Ectasy begins rhythmically as the first movement did. In fact, the writing touches on moods and motives in many of the other six movements, although the text here is a different poem. Yet the movement stands perfectly well on its own, and the poem is sublime: Oh, let me love with all my strength, careless if I am loved again. Duration: 4:14Oboe part included.
$2.85
2.66 €
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Chorale SATB
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Michael John Trotta
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Let Me Love from For a Breath of Ecstasy
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Take Me As I Am
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.512644 Composed by Frank W…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.512644 Composed by Frank Wildhorn and Leslie Bricusse. Arranged by Theodore Hicks. A Cappella. Octavo. 5 pages. Theo Hicks Music #3926339. Published by Theo Hicks Music (A0.512644). *One purchase guarantees four (4) legal copies. Please purchase enough for your ensemble!An a cappella (barbershop) arrangement of the powerful and gripping song from the musical Jekyll & Hyde. This arrangement was originally premiered by an internationally ranked quartet of the Barbershop Harmony Society, Zero Hour. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at www.facebook.com/theohicksmusic. You can find a performance of this arrangement on the Barbershop Harmony Society's YouTube channel.https://www.youtube.com/watch?v=iI3CzII-3Pw
$19.99
18.66 €
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Chorale TTBB
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Frank Wildhorn and Leslie Bricusse
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Theodore Hicks
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Hyde
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Take Me As I Am
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Theo Hicks Music
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SheetMusicPlus
Jesus, Keep Me Near the Cross (Near the Cross) (Downloadable)
Orgue
Organ - Moderately Easy - Digital Download SKU: MQ.10-647-3E Composed by Robert J. …
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Organ - Moderately Easy - Digital Download SKU: MQ.10-647-3E Composed by Robert J. Powell. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-647-3E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-647-3E). This is the fifth volume in this immensely popular series, which is intended to foster quiet meditation and introspection. Easy but expressive arrangements of: I AM THINE, MARTYRDOM, NEAR THE CROSS, and SOLID ROCK.
$5.00
4.67 €
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Orgue
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Robert J
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Jesus, Keep Me Near the Cross
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
You Raise Me Up - Advanced Piano Solo
Piano seul
Piano Solo - Advanced - Digital Download By Josh Groban, Josh Groban & The Africa…
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Piano Solo - Advanced - Digital Download By Josh Groban, Josh Groban & The African Children'S Choir, Secret Garden. Arranged by Arranged by Elena Fortin. Sheet Music Single. 5 pages. Published by Elena Fortin
You Raise Me Up - Advanced Piano Solo<br> <br> Arranged by Elena Fortin<br> Music and Words by Brendan Graham & Rolf Lovland<br> <br> This year, I am continuing to arrange songs that I consider to be important. In order to fit my criteria for arranging, I look for pieces that have stood the test of time, are uplifting, and can be used in many different situations. This one is a favourite of my Mom's so it went on my "To Do list" quite a while ago.<br> <br> I decided to dedicate it to my Mom and Dad, for giving into my pleadings for music lessons and supporting me all these years.<br> <br> The arrangement is written for an advanced player because the left hand can be quite challenging. There are many giant leaps and arpeggios all over the piano, including some challenging chord changes and full chords in the right hand. The piece starts in E flat major, but transitions to a F major finish. Each repetition of the melody is changed slightly--there is a challenging section near the end which brings out the melody in a thunderous full arrangement which is really fun to play. Rather than bringing everything to a crashing end though, I moved the melody into a sweet treble that signals a quiet, peaceful ending.<br> <br> I hope you will enjoy playing this arrangement!
$4.99
4.66 €
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Piano seul
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Josh Groban, Josh Groban & The African Children'S Choir, Secret Garden
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The African Children'
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You Raise Me Up - Advanced Piano Solo
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Elena Fortin
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SheetMusicPlus
Draw Me Nearer
Chorale 2 parties
2-part choir - Digital Download SKU: LX.10-1830RA Composed by Steve Franks. Arrange…
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2-part choir - Digital Download SKU: LX.10-1830RA Composed by Steve Franks. Arranged by John H. Morton. Sacred Anthem. Octavo. 8 pages. Radiant Music #e10/1830RA. Published by Radiant Music (LX.10-1830RA). UPC: 000308044874.This reflective, passionate ballad is based on the famous Fanny Crosby tune, I Am Thine, O Lord. This lovely setting of an old hymn features wonderful lyrics, with great pacing and tempo.
$2.40
2.24 €
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Chorale 2 parties
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Steve Franks
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John H
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Draw Me Nearer
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Radiant Music
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SheetMusicPlus
I Ain't Worried
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1042119 By OneRepubli…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1042119 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry. Arranged by Barry McCormick. Film/TV,Pop. Score. 8 pages. B. McCormick #646917. Published by B. McCormick (A0.1042119). About this Piano/Vocal/Guitar arrangement of “I Ain’t Worried†This One Republic hit from the sound track of “Top Gun:Maverik†is a catchy tune to learn. This piano, guitar and vocal arrangement will help you learn the song “I Aint Worried.†The key is in F major and included is the lead sheet so this can be given to another instrumentalist or singer to perform along. The distinct features in the song, the bass and the hook I have kept close to the recording on the track. I have done some slight adjustments for the piano accompaniment to break up and differentiate the different sections otherwise it would be very repetitive. It is a very simple song in essence, a four chord riff and rhythmic motif that breaks for the bridge section. The rhythm isn’t the simplest for the bass part that permeates the song however it is repetitive which means once that is learned you have practically mastered the whole song. There is a lot of back and forward in the music to the chorus which jumps to different parts. I have tried to simplify this by using boxed text to identify each section clearly and indicate when you should jump to each section. Using first, second and third time bars with D.S and coda markings cluttered the music up and made it seem more complicated. So I hope this editorial decision to use boxed text makes it clearer. If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99
4.66 €
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Piano, Voix et Guitare
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OneRepublic
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Barry McCormick
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I Ain't Worried
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B. McCormick
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SheetMusicPlus
I Am The Walrus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Cello,Drum Set,Electric Bass Guita…
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Cello,Drum Set,Electric Bass Guitar,Euphonium,Flute,Hand Percussion,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.846329 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Hyziak. Contemporary. 58 pages. MPH Holding #5221937. Published by MPH Holding (A0.846329). (SLIGHTLY REDUCED) CONCERT BAND with optional Strings.Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html Â
$60.00
56 €
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The Beatles
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Mike Hyziak
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I Am The Walrus
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MPH Holding
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SheetMusicPlus
Jesus Loves Me
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.749867 Composed by Evelyn R. Larter…
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Piano Solo - Level 2 - Digital Download SKU: A0.749867 Composed by Evelyn R. Larter. Arranged by Evelyn Larter Music. Christian,Sacred. Score. 5 pages. Evelyn R Larter #5794017. Published by Evelyn R Larter (A0.749867). This accessible early intermediate arrangement was written for a young student who wanted to enter a competition, and needed a sacred piece around five minutes in length, which was difficult to find at her level. It uses two familiar hymns, Jesus Loves Me, This I Know, and I Am So Glad That Jesus Loves Me. She played it well and I had several requests for the music, so here it is! It offers a vehicle for a young pianist to participate in a worship service. More information on my music may be found on my website, www.evelynlartermusic.com, or on my Facebook page for Evelyn Larter Music.
$3.99
3.72 €
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Piano seul
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Evelyn R
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Evelyn Larter Music
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Jesus Loves Me
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Evelyn R Larter
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SheetMusicPlus
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