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I Can Be Whoever I Am
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Crtitères actifs :
I Can Be Whoever I Am
Partitions à imprimer
5 partitions trouvées
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1
I Can Be Whoever I Am
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Piano seul
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FACILE
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Elizabeth C
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Elizabeth C
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I Can Be Whoever I Am
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Piano Press
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1477584 By Elizabeth C. Axford. By Elizabeth C. Axford. Arranged by Elizabeth C. Axford. 21st Century,Contemporary,Instru...
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Piano Solo - Level 2 - SKU: A0.1477584 By Elizabeth C. Axford. By Elizabeth C. Axford. Arranged by Elizabeth C. Axford. 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. Score. 3 pages. Piano Press #1054980. Published by Piano Press (A0.1477584). Early-intermediate level piano solo in a C Major; RH melody, LH broken and block chords; I, IV, and V7 chords; 4/4 meter, Moderato; eighth, quarter, dotted quarter, and half notes; dynamics; verse-chorus form; lyrics; song to celebrate Pride Month annually in June in the U.S.A.
$3.99
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Changing Seasons (an etude for piano)
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Piano seul
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DÉBUTANT
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Adam R
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Adam R
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Changing Seasons
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Adam R. Hass
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1031280 Composed by Adam R. Hass. Arranged by Adam R. Hass. Concert,Instructional,Standards. Score. 4 pages. Adam R. Hass...
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Piano Solo - Level 1 - SKU: A0.1031280 Composed by Adam R. Hass. Arranged by Adam R. Hass. Concert,Instructional,Standards. Score. 4 pages. Adam R. Hass #6073933. Published by Adam R. Hass (A0.1031280). This is my first original composition with PDF sheet music upload. The piece is a beginner's level variation on my theme, Changing Seasons, which I composed originally in October of 2008. Eventually this piece will be published for a large ensemble but for now, I am sticking with humble beginings. This version of the song is meant to serve as an etude for piano. The song is a fun study of arpeggiation, intriguing chordal movement including secondary dominants, repeats with 1st and 2nd endings, classic piano technique, dexterity, and a small homage to Pachelbel's Canon (although not in D, in this case.) This etude is written in the key of C Major for ease of learning's sake. The original composition was written in the key of D Major. I used PreSonus' Notion 6 for this project. However, I ran into a plethora of difficulties when I transferred the file over to PDF format. Some text was lost as well as the majority of all my performance and technique notes in the score. I will try to correct this ASAP and get the score reloaded. I really just need to get something posted on here because I AM a composer and I have never actually shared a composition in musical score form for others to purchase, play or peruse. This is my first ever. I hope whoever selects this piece enjoys it and might offer some constructive criticism or insight. Have fun! (Note, the piece is intended to be played at approximately 120 bpm but I encourage playing it slowly several times at first to figure out a way through the printing errors for now).
$2.50
Omnia Sol Temperat Op. 4
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Contemporain
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Scott Carr, Jr
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Omnia Sol Temperat Op. 4
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Scott Carr, Jr. Music
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - SKU: A0.1027978 Composed by Scott Carr, Jr. Music. Contemporary. Score and parts. 4 pages. Scott Carr, Jr. Music #580...
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Small Ensemble Flute,Piano,Voice - SKU: A0.1027978 Composed by Scott Carr, Jr. Music. Contemporary. Score and parts. 4 pages. Scott Carr, Jr. Music #5802379. Published by Scott Carr, Jr. Music (A0.1027978). Omnia Sol Temperat came out of an assignment from Professor David Bryant to create mood music, also called photoplay music, a common genre of film music during the silent era. When the accompaniment for films was performed live, the performers used books of stock music conveying various emotions, any of which could be selected to fit the scene. The studio provided the performers with a cue sheet for the film, describing each scene along with suggestions for what music would accompany it best. Omnia Sol Temperat is intended to accompany a romantic scene, not a young innocent love, but a relationship that has faced numerous struggles and has grown-up. The text is in Latin, and originates from the Carmina Burana manuscripts. It can be translated: Love me faithfully, Taking heed of my loyalty, With all your heart, With all your mind. I am closest to you When I am far away; Whoever loves like this Rides on the wheel (of Fortune)..
$4.99
Shine Bright
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Musique Sacrée
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Minni K
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Shine Bright
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Dr Minni Ang
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.793355 Composed by Minni K. Ang with lyrics by Cheong Siew Fun. Christian,Sacred. 1 pages. Dr Minni Ang #4756179. P...
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Vocal Solo,Voice - Level 1 - SKU: A0.793355 Composed by Minni K. Ang with lyrics by Cheong Siew Fun. Christian,Sacred. 1 pages. Dr Minni Ang #4756179. Published by Dr Minni Ang (A0.793355). Contemplative Christian song, suitable for congregational sharing.Like the stars in the constellationsLike the moon that shines by nightWe are a light to the nationsHelp us Lord to shine brightIn a world where darkness reignsWe are the only guide for the peopleWe can’t let our light grow faintHelp us Lord to be Your FlameCHORUSJesus said I am the Light of the World,Whoever follows me will not walk in darknessBut in the Light of Jesus ChristSo let us shine bright for the Lord
$1.99
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I Can Be Whoever I Am
