English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
26
Partitions
Numériques
58
Librairie
Musicale
0
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2
PIANO & CLAVIERS
Piano, Voix et Guitare
8
Instruments en Do
5
Piano seul
4
Piano, Voix
1
Piano Facile
1
GUITARES
Guitare notes et tablatures
5
Paroles et Accords
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare
1
VOIX
Chorale SATB
3
Chorale 2 parties
1
Chorale TTBB
1
Chorale
1
VENTS
Hautbois (partie séparée)
2
3 Saxophones (trio)
1
Flûte traversière
1
Flute (partie séparée)
1
CUIVRES
Cor
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trombone (partie séparée)
1
2 Tubas (duo)
1
Trompette (partie séparée)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
PERCUSSIONS & ORCHESTRES
Fanfare
5
Orchestre d'harmonie
1
Orchestre
1
AUTRES
Vous avez sélectionné:
I Can See For Miles
SheetMusicPlus
Partitions à imprimer
58 partitions trouvées
<
1
26
51
I Can See For Miles
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1400902 By The Who. By Pete Tow…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1400902 By The Who. By Pete Townshend. Arranged by Dick Tunney. Pop,Rock. 100 pages. Dick Tunney #984120. Published by Dick Tunney (A0.1400902). This arrangement is based on the original 1967 recording by The Who. Â The Score is formatted to 11 x 17 (Tabloid) and the Parts are formatted to 8.5 x 11 (Letter) for printing. Â The arrangement is for full orchestra with rhythm section and singers.
$50.00
44.82 €
#
Orchestre
#
The Who
#
Dick Tunney
#
I Can See For Miles
#
Dick Tunney
#
SheetMusicPlus
I Can See For Miles
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Euphonium,Flute,Horn…
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Euphonium,Flute,Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Digital Download SKU: A0.934781 By The Who. By Pete Townshend. Arranged by Thomas Ruggieri. Rock. Score and parts. 28 pages. Thomas Ruggieri #4283567. Published by Thomas Ruggieri (A0.934781). This marching band arrangement includes parts for guitar and electric bass. The single bass drum line can easily be adapted for a pitched line. Email tom.ruggieri@boardmanschools.org for more information.
$40.00
35.86 €
#
The Who
#
Thomas Ruggieri
#
I Can See For Miles
#
Thomas Ruggieri
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.58 €
#
Chorale TTBB
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
I Can See for Miles/Happy Together
Fanfare
Marching Band - Level 3 - Digital Download SKU: HX.380227 By The Turtles and The Wh…
(+)
Marching Band - Level 3 - Digital Download SKU: HX.380227 By The Turtles and The Who. Arranged by Tom Wallace. This edition: scorch. Pop. Part. 10 pages. Arrangers' Publishing Company #0. Published by Arrangers' Publishing Company (HX.380227).
$80.00
71.71 €
#
Fanfare
#
The Turtles and The Who
#
Tom Wallace
#
I Can See for Miles/Happy Together
#
Arrangers' Publishing Company
#
SheetMusicPlus
I Can See for Miles/Happy Together - Flute 1
Flute (partie séparée)
Marching Band - Level 3 - Digital Download SKU: HX.380196 By The Turtles and The Wh…
(+)
Marching Band - Level 3 - Digital Download SKU: HX.380196 By The Turtles and The Who. Arranged by Tom Wallace. This edition: scorch. Pop. Part. 1 pages. Arrangers' Publishing Company #0. Published by Arrangers' Publishing Company (HX.380196).
$5.99
5.37 €
#
Flute (partie séparée)
#
The Turtles and The Who
#
Tom Wallace
#
I Can See for Miles/Happy Together - Flute 1
#
Arrangers' Publishing Company
#
SheetMusicPlus
I Can See for Miles/Happy Together - Trumpet 1
Trompette (partie séparée)
Marching Band - Level 3 - Digital Download SKU: HX.380204 By The Turtles and The Wh…
(+)
Marching Band - Level 3 - Digital Download SKU: HX.380204 By The Turtles and The Who. Arranged by Tom Wallace. This edition: scorch. Pop. Part. 1 pages. Arrangers' Publishing Company #0. Published by Arrangers' Publishing Company (HX.380204).
$5.99
5.37 €
#
Trompette (partie séparée)
#
The Turtles and The Who
#
Tom Wallace
#
I Can See for Miles/Happy Together - Trumpet 1
#
Arrangers' Publishing Company
#
SheetMusicPlus
I Can See for Miles/Happy Together - Trombone 1
Trombone (partie séparée)
Marching Band - Level 3 - Digital Download SKU: HX.380209 By The Turtles and The Wh…
(+)
Marching Band - Level 3 - Digital Download SKU: HX.380209 By The Turtles and The Who. Arranged by Tom Wallace. This edition: scorch. Pop. Part. 1 pages. Arrangers' Publishing Company #0. Published by Arrangers' Publishing Company (HX.380209).
$5.99
5.37 €
#
Trombone (partie séparée)
#
The Turtles and The Who
#
Tom Wallace
#
I Can See for Miles/Happy Together - Trombone 1
#
Arrangers' Publishing Company
#
SheetMusicPlus
I Can See for Miles/Happy Together - Bass Drums
Fanfare
Marching Band - Level 3 - Digital Download SKU: HX.380222 By The Turtles and The Wh…
(+)
Marching Band - Level 3 - Digital Download SKU: HX.380222 By The Turtles and The Who. Arranged by Tom Wallace. This edition: scorch. Pop. Part. 1 pages. Arrangers' Publishing Company #0. Published by Arrangers' Publishing Company (HX.380222).
$5.99
5.37 €
#
Fanfare
#
The Turtles and The Who
#
Tom Wallace
#
I Can See for Miles/Happy Together - Bass Drums
#
Arrangers' Publishing Company
#
SheetMusicPlus
I Can See For Miles
Instruments en Do
C Instrument - Digital Download SKU: HX.379719 By The Who. This edition: scorch. Po…
(+)
C Instrument - Digital Download SKU: HX.379719 By The Who. This edition: scorch. Pop,Rock. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #350256. Published by Hal Leonard - Digital (HX.379719).
$3.99
3.58 €
#
Instruments en Do
#
The Who
#
I Can See For Miles
#
Hal Leonard - Digital
#
SheetMusicPlus
I Can See For Miles [Classical version] (arr. Phillip Keveren)
Piano seul
Interactive Download SKU: HX.468909 By The Who. Arranged by Phillip Keveren. This e…
(+)
Interactive Download SKU: HX.468909 By The Who. Arranged by Phillip Keveren. This edition: Interactive Download. Pop,Rock. Piano Solo. 3 pages. Published by Hal Leonard - Digital (HX.468909).
$4.99
4.47 €
#
Piano seul
#
The Who
#
Phillip Keveren
#
I Can See For Miles [Classical version]
#
Hal Leonard - Digital
#
SheetMusicPlus
I Can See for Miles/Happy Together - Percussion Score
Fanfare
Marching Band - Level 3 - Digital Download SKU: HX.380227 By The Turtles and The Wh…
(+)
Marching Band - Level 3 - Digital Download SKU: HX.380227 By The Turtles and The Who. Arranged by Tom Wallace. This edition: scorch. Pop. Part. 10 pages. Arrangers' Publishing Company #0. Published by Arrangers' Publishing Company (HX.380227).
$10.00
8.96 €
#
Fanfare
#
The Turtles and The Who
#
Tom Wallace
#
I Can See for Miles/Happy Together - Percussion Score
#
Arrangers' Publishing Company
#
SheetMusicPlus
I Can See for Miles/Happy Together - Full Score
Fanfare
Marching Band - Level 3 - Digital Download SKU: HX.380195 By The Turtles and The Wh…
(+)
Marching Band - Level 3 - Digital Download SKU: HX.380195 By The Turtles and The Who. Arranged by Tom Wallace. This edition: scorch. Pop. Score and parts. 8 pages. Arrangers' Publishing Company #0. Published by Arrangers' Publishing Company (HX.380195).
$10.00
8.96 €
#
Fanfare
#
The Turtles and The Who
#
Tom Wallace
#
I Can See for Miles/Happy Together - Full Score
#
Arrangers' Publishing Company
#
SheetMusicPlus
I Can See for Miles/Happy Together - Wind Score
Fanfare
Marching Band - Level 3 - Digital Download SKU: HX.380226 By The Turtles and The Wh…
(+)
Marching Band - Level 3 - Digital Download SKU: HX.380226 By The Turtles and The Who. Arranged by Tom Wallace. This edition: scorch. Pop. Score and parts. 8 pages. Arrangers' Publishing Company #0. Published by Arrangers' Publishing Company (HX.380226).
$10.00
8.96 €
#
Fanfare
#
The Turtles and The Who
#
Tom Wallace
#
I Can See for Miles/Happy Together - Wind Score
#
Arrangers' Publishing Company
#
SheetMusicPlus
I Can See For Miles
Guitare notes et tablatures
Interactive Download SKU: HX.440413 By The Who. This edition: Interactive Download.…
(+)
Interactive Download SKU: HX.440413 By The Who. This edition: Interactive Download. Pop,Rock. Easy Guitar with TAB. 3 pages. Published by Hal Leonard - Digital (HX.440413).
$3.99
3.58 €
#
Guitare notes et tablatures
#
The Who
#
I Can See For Miles
#
Hal Leonard - Digital
#
SheetMusicPlus
I Can See For Miles
Chorale
By The Who. By Pete Townshend. Arranged by Alexander L'Estrange. A Cappella, Jazz…
(+)
By The Who. By Pete Townshend. Arranged by Alexander L'Estrange. A Cappella, Jazz, Pop, Rock, Standards. Octavo. 16 pages. Alexander L'Estrange #652803. Published by Alexander L'Estrange
$4.99
4.47 €
#
Chorale
#
The Who
#
Alexander L'Estrange
#
I Can See For Miles
#
Alexander L'Estrange
#
SheetMusicPlus
I Can See For Miles
Guitare notes et tablatures
By The Who. This edition: scorch. Jazz, Pop, Rock. Play- Along, tablature. 11 pages. …
(+)
By The Who. This edition: scorch. Jazz, Pop, Rock. Play- Along, tablature. 11 pages. Hal Leonard - Digital #350256. Published by Hal Leonard - Digital
$4.99
4.47 €
#
Guitare notes et tablatures
#
The Who
#
I Can See For Miles
#
Hal Leonard - Digital
#
SheetMusicPlus
Through a Child's Eyes - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G…
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3395631. Published by Kevin G. Pace (A0.701759). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/fxh5D3JYM_o When I see the world through a child’s eyes, I see mountains and bluebirds and bright butterflies; I feel sand through my toes when at the beach And the apples on the tree just out of reach. When I see the world through a child’s eyes, It’s easy to believe in a Heavenly Father so wise, That He created this earth and all its beauty untold; I still hope to see it that way when I’m old. When I see a family through the eyes of a child, I see a father who provides and a mother who smiles; I have brothers and sisters who are kind to me And we all play together in harmony. When I see a family through the eyes of a child, I can believe in Heavenly Parents, loving and mild, I can view each person as someone of worth And accept them as God’s family here on the earth. When I see others through the eyes of a child, I can learn compassion, to speak without guile; I can be teachable, forgiving, honest, and true, When I see the kind things others may do. It’s easy to believe in a God who is just, When I learn from others to show mercy and trust. I can learn patience while waiting a while, For God’s blessings to come to an obedient child. (Optional for the Christmas season) When I see Christmas through a child’s eyes, I feel laughter and magic and wondrous surprise; I love lights and music and cookies and songs, I want to serve others and never do wrong. It’s easy to believe when Baby Jesus was born Though ‘twas long ago on that Christmas morn, That Love had come down to redeem and glorify, When I see our Savior through a child’s eyes.
$1.99
1.78 €
#
Chorale SATB
#
Kevin G
#
Through a Child's Eyes - an original hymn for SATB voices
#
Kevin G. Pace
#
SheetMusicPlus
All Hail the Power of Jesus' Name (Miles Lane)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1245073 By Duke Unive…
(+)
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1245073 By Duke University Chapel. By Words: Edward Perronet and John Rippon / Music: William Shrubsole. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #839974. Published by Leatherman Music Services (A0.1245073). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.68 €
#
Piano, Voix et Guitare
#
Duke University Chapel
#
Lyndell Leatherman
#
some were not
#
All Hail the Power of Jesus' Name
#
Leatherman Music Services
#
SheetMusicPlus
A Thousand Miles
Piano Facile
Instrumental Solo,Piano and Keyboard - Level 1 - Interactive Download SKU: A0.1042852
(+)
Instrumental Solo,Piano and Keyboard - Level 1 - Interactive Download SKU: A0.1042852 By Vanessa Carlton. By Vanessa Carlton. Arranged by Noriko W.D. This edition: Interactive Download. Pop. Individual part. 3 pages. Duration 115. Walker publish #3YCLHfSFRVIzK4xFl6idFm. Published by Walker publish (A0.1042852). Key: B major.For early Intermediate level. I made this piece simple with slow tempo like music box. Short version. The Left hand is playing only 6 keys in the piece so that it’s so easy to practice with joy! I didn’t repeat in ‘Verse 1’ but you can see the repeat sign on the score. Have fun.
$5.50
4.93 €
#
Piano Facile
#
Vanessa Carlton
#
Noriko W
#
A Thousand Miles
#
Walker publish
#
SheetMusicPlus
I Come to the Garden
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1477653 Composed by C. Austin Miles…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1477653 Composed by C. Austin Miles. Arranged by Amy J Snyder. Christian,Religious,Sacred. Score. 5 pages. Amy J. Snyder #1055011. Published by Amy J. Snyder (A0.1477653). I Come to the Garden is a timeless classic hymn written by C. Austin Miles. This lovely arrangement is for advanced intermediate piano solo, key of A Major, and contains lots of helpful fingering and dynamics. Use lots of rubato for a nice effect. Always bring out the melody when it is surrounded by a 2nd voice in the R.H. This song is perfect for church preludes, offertories, special music, and retirement home entertainment. If you enjoy this arrangement, check out Amy's other hymn, gospel, and contemporary Christian solos such as Amazing Grace, O the Deep Deep Love, If My People, Christ the Lord is Risen Today, Christ Arose, Wonderful Words of Life, His Eye is on the Sparrow, No One Ever Cared For Me Like Jesus, Near the Cross/Nearer My God to Thee, Oceans, Good Good Father, I've Just Seen Jesus, Via Dolorosa, I Can Only Imagine, and many patriotic songs also! Visit Amy at https://www.facebook.com/amyjsnyder7 .
$5.50
4.93 €
#
Piano seul
#
C
#
Amy J Snyder
#
I Come to the Garden
#
Amy J. Snyder
#
SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
(+)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
17.93 €
#
2 Tubas (duo)
#
Gregory Fritze
#
Fifteen Safari Duets for Tubas
#
Musica Nova USA
#
SheetMusicPlus
Neon Lights over Desert Skies, for flute, alto flute and bassoon
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Flute,Bassoon - Level 4 - Digital Download SKU: A0…
(+)
Woodwind Ensemble,Woodwind Trio Alto Flute,Bassoon - Level 4 - Digital Download SKU: A0.1273630 Composed by Martin J. Van Klompenberg. Chamber,Classical. 44 pages. Martin J. Van Klompenberg #865773. Published by Martin J. Van Klompenberg (A0.1273630). I spent six years of my life driving through the Arizona desert, memorizing I-10 between southern Phoenix and Tucson. The Sonoran Desert, while driving, can be both incredibly boring and amazingly exciting. The sand, rocks and cacti create an amazing, almost unending tapestry. On the outskirts of Phoenix, sits the Desert Horse Pass Casino. On dark, clear nights, the lights of this casino welcomed me home. They could be seen from miles ahead.  Neon Lights over Desert Skies is the juxtaposition of these two ideas. The eerie solace of the desert, immediately broken up the lights and sounds of the Desert Horse Pass. Starting with a barely audible four note motif in the bassoon, the opening is a chorale of subtle changes, never quite resolving, when it is interrupted by the increasing chaos on the casino floor, where slots machines, blackjack tables and frantic activity provide a stark contrast to the unbroken desert.
$50.00
44.82 €
#
3 Saxophones (trio)
#
Martin J
#
Neon Lights over Desert Skies, for flute, alto flute and bassoon
#
Martin J. Van Klompenberg
#
SheetMusicPlus
If I Were A Bell
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.499997 Composed by Frank Loesser.…
(+)
C Instrument - Level 4 - Digital Download SKU: A0.499997 Composed by Frank Loesser. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113227. Published by John Fries (A0.499997). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. It has become a jazz standard after it was featured by trumpeter Miles Davis, on the 1956 Prestige album Relaxin' with The Miles Davis Quintet. The Miles Davis Quintet featured tenor saxophone player John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones. The song became a Miles Davis specialty and it appears on several live session recordings and compilations in different versions. The tune was taken up and performed by countless jazz musicians and is still a favorite in jam sessions.
$3.99
3.58 €
#
Instruments en Do
#
Frank Loesser
#
John Fries
#
If I Were A Bell
#
John Fries
#
SheetMusicPlus
If I Were A Bell
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196920 By Teena Mari…
(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196920 By Teena Marie. By Mary Brockert. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #796074. Published by John Fries (A0.1196920). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. It has become a jazz standard after it was featured by trumpeter Miles Davis, on the 1956 Prestige album Relaxin' with The Miles Davis Quintet. The Miles Davis Quintet featured tenor saxophone player John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones. The song became a Miles Davis specialty and it appears on several live session recordings and compilations in different versions. The tune was taken up and performed by countless jazz musicians and is still a favorite in jam sessions.
$4.99
4.47 €
#
Piano, Voix et Guitare
#
Teena Marie
#
John Fries
#
If I Were A Bell
#
John Fries
#
SheetMusicPlus
I Can See For Miles
Paroles et Accords
By The Who. For guitar. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital She…
(+)
By The Who. For guitar. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.78 €
#
Paroles et Accords
#
The Who
#
Rock
#
I Can See For Miles
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
