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Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
感動的回憶 Touching Memories for Violin and Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1323168 By Diau-Hua Lim. By Diau-…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1323168 By Diau-Hua Lim. By Diau-Hua Lim 林肇è¯. 21st Century,Chamber. 7 pages. Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores #911431. Published by Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores (A0.1323168). Touching Memories is an original violin solo piece with beautiful melody composed by Diau-Hua Lim in 2014. It was firstly performed by violinist I-Ching Li and pianist Pei-Yao Wang at National Concert Hall in Taipei, Taiwan in 2014. Then many excellent musicians performed this work successively at Tokyo Hamarikyu Asahi Hall in Japan,Chung Shan Hall in Taichung and eslite Performance Hall in Taipei in the following years with critical acclaim.
$18.99
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Violon et Piano
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Diau-Hua Lim
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感動的回憶 Touching Memories for Violin and Piano
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Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores
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SheetMusicPlus
I Ching Sawblade Scales (etude) for horn in F, Op.304a
Cor
French Horn Solo - Level 3 - Digital Download SKU: A0.1226847 Composed by Richard O…
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French Horn Solo - Level 3 - Digital Download SKU: A0.1226847 Composed by Richard O. Burdick. 20th Century,21st Century,Classical. Individual part. 6 pages. I Ching Music #822854. Published by I Ching Music (A0.1226847). I Ching Sawblade Scales (etude) for horn in FThis is another I Ching Cycle from Richard Burdickthis one is more an etude than Musicbut it is a excellent introduction to my I Ching ScalesSee Three version currently available:Opus 304a French horn in FOpus 304b Clarinet in BbOpus 304c Flute in C.
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Cor
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Richard O
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I Ching Sawblade Scales
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I Ching Music
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SheetMusicPlus
I Ching Sawblade Scales (etude) for clarinet in Bb, Op. 304b
Clarinette
Clarinet Solo - Level 3 - Digital Download SKU: A0.1226848 Composed by Richard O. B…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.1226848 Composed by Richard O. Burdick. 20th Century,21st Century,Chamber,Classical. Individual part. 6 pages. I Ching Music #822855. Published by I Ching Music (A0.1226848). I Ching Sawblade Scales (etude) for Clarinet in BbThis is another I Ching Cycle from Richard Burdickthis one is more an etude than Musicbut it is a excellent introduction to my I Ching ScalesSee Three version currently available:Opus 304a French horn in FOpus 304b Clarinet in BbOpus 304c Flute in C.
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Clarinette
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Richard O
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I Ching Sawblade Scales
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I Ching Music
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SheetMusicPlus
I Ching Sawblade Scales (etude) for flute, Op. 304c
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.1226849 Composed by Richard O. Burd…
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Flute Solo - Level 3 - Digital Download SKU: A0.1226849 Composed by Richard O. Burdick. 20th Century,21st Century,Chamber,Classical. Individual part. 6 pages. I Ching Music #822856. Published by I Ching Music (A0.1226849). I Ching Sawblade Scales (etude) for fluteThis is another I Ching Cycle from Richard Burdickthis one is more an etude than Musicbut it is a excellent introduction to my I Ching ScalesSee Three version currently available:Opus 304a French horn in FOpus 304b Clarinet in BbOpus 304c Flute in C.
$8.00
7.35 €
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Flûte traversière
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Richard O
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I Ching Sawblade Scales
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I Ching Music
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SheetMusicPlus
Sky I & II
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1011298 Composed by Ho Jie Rong. Co…
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Piano Solo - Level 2 - Digital Download SKU: A0.1011298 Composed by Ho Jie Rong. Contemporary,Standards. Score. 5 pages. Ho Jie Rong #5794125. Published by Ho Jie Rong (A0.1011298). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Sky I & IIThis set of short pieces is composed in 2013. Sky I is a piece of chance music. This piece is composed using the I-Ching, which is one of the compositional tools by the famous US composer, John Cage. I chose a total of 37 out of the 64 notes for this piece, of which they are deduced from the hexagram in the I-Ching.Sky II is a piece derived from Sky I, hence one can say Sky I is the fundamental of Sky II. The note values of Sky II are the opposite of Sky I. This means that a short note value in Sky I is actually represented in Sky II as a longer note value. the range of the notes in Sky II are translated accordingly to Sky I. Sky I & II is dedicated to my piano teacher and uncle, Mr Joseph Toh.
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Piano seul
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Ho Jie Rong
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Sky I & II
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Ho Jie Rong
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SheetMusicPlus
When I Hear Music
Chorale Unison
Unison choir & Piano - Grade 1 - Digital Download SKU: IZ.VMS165U Composed by Brian…
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Unison choir & Piano - Grade 1 - Digital Download SKU: IZ.VMS165U Composed by Brian Katona. Score. 7 pages. Imagine Music - Digital #VMS165U. Published by Imagine Music - Digital (IZ.VMS165U). 8.5 x 11 in inches.A choral piece inspired by and inspiring to children both young and old, When I Hear Music is a beautiful yet simple composition for unison voices with a flowing melody and heartfelt words. Brian Katona's lyrics and music were inspired by the 2015aEUR2016 third grade class at Maurice Hawk Elementary School in West Windsor, New Jersey, where his children attended at the time, and the result is a touching tribute to the school and the children's expression of the importance of music in their lives. Dr. Katona is a composer, orchestrator, arranger and conductor who has scored documentary films and television pilots, and has composed numerous instrumental, choral and musical theater pieces.
$1.90
1.75 €
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Chorale Unison
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Brian Katona
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When I Hear Music
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Imagine Music - Digital
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SheetMusicPlus
When I Hear Music
Two-part choir & Piano - Grade 1 - Digital Download SKU: IZ.VMS165 Composed by Bria…
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Two-part choir & Piano - Grade 1 - Digital Download SKU: IZ.VMS165 Composed by Brian Katona. Score. 7 pages. Imagine Music - Digital #VMS165. Published by Imagine Music - Digital (IZ.VMS165). 8.5 x 11 in inches.A choral piece inspired by and inspiring to children both young and old, When I Hear Music is a beautiful yet simple composition for unison voices with a flowing melody and heartfelt words. Brian Katona's lyrics and music were inspired by the 2015-2016 third grade class at Maurice Hawk Elementary School in West Windsor, New Jersey, where his children attended at the time, and the result is a touching tribute to the school and the children's expression of the importance of music in their lives. Dr. Katona is a composer, orchestrator, arranger and conductor who has scored documentary films and television pilots, and has composed numerous instrumental, choral and musical theater pieces.
$2.10
1.93 €
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Brian Katona
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When I Hear Music
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Imagine Music - Digital
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SheetMusicPlus
You're the One That I Want (from the musical Grease): Low Brass & Woodwinds #2 - Treble Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018142_LBW2TC Instructional. 1 page…
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Marching Band - Digital Download SKU: AX.00-PC-0018142_LBW2TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018142_LBW2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018142_LBW2TC). UPC: 038081305462.
$3.00
2.76 €
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Fanfare
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You're the One That I Want (from the musical Grease): Keyboard/Synthesizer
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018142_KS Instructional. 2 pages. A…
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Marching Band - Digital Download SKU: AX.00-PC-0018142_KS Instructional. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0018142_KS. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018142_KS). UPC: 038081305462.
$3.00
2.76 €
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Fanfare
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You're the One That I Want (from the musical Grease): Low Brass & Woodwinds #1 - Bass Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018142_LBW1BC Instructional. 1 page…
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Marching Band - Digital Download SKU: AX.00-PC-0018142_LBW1BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018142_LBW1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018142_LBW1BC). UPC: 038081305462.
$3.00
2.76 €
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Fanfare
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You're the One That I Want (from the musical Grease): Low Brass & Woodwinds #2 - Bass Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018142_LBW2BC Instructional. 1 page…
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Marching Band - Digital Download SKU: AX.00-PC-0018142_LBW2BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018142_LBW2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018142_LBW2BC). UPC: 038081305462.
$3.00
2.76 €
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Fanfare
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You're the One That I Want (from the musical Grease): Low Brass & Woodwinds #1 - Treble Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018142_LBW1TC Instructional. 1 page…
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Marching Band - Digital Download SKU: AX.00-PC-0018142_LBW1TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018142_LBW1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018142_LBW1TC). UPC: 038081305462.
$3.00
2.76 €
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Fanfare
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You're the One That I Want (from the musical Grease): Mallets
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018142_M1 Instructional. 1 pages. A…
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Marching Band - Digital Download SKU: AX.00-PC-0018142_M1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018142_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018142_M1). UPC: 038081305462.
$3.00
2.76 €
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Fanfare
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You're the One That I Want (from the musical Grease): Score
Fanfare
Marching Band - Digital Download SKU: AX.00-PR-0006347 Instructional. Score. 13 pag…
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Marching Band - Digital Download SKU: AX.00-PR-0006347 Instructional. Score. 13 pages. Alfred Music - Digital Sheet Music #00-PR-0006347. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0006347). UPC: 038081305462.
$8.00
7.35 €
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Fanfare
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Am I Wrong: Low Brass & Woodwinds #2 - Bass Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0016977_LBW2BC Low Brass & Woodwi…
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Marching Band - Digital Download SKU: AX.00-PC-0016977_LBW2BC Low Brass & Woodwinds #2 - Bass Clef. By Nico and Vinz. By Abdoulie Jallow, Nicolay Sereba, Vincent Dery, and William Larsen. Afrobeat Pop; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016977_LBW2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016977_LBW2BC). UPC: 038081495958.From veteran writer Brian Scott comes this solid arrangement of the hit from pop duo Nico and Vinz. The chart has a great Afrobeat groove and would be perfect for field or stands use. (2:10).
$3.00
2.76 €
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Fanfare
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Nico and Vinz
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Pop
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Am I Wrong: Low Brass & Woodwinds #2 - Bass Clef
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Am I Wrong: Mallets
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0016977_M1 Mallets. By Nico a…
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Marching Band - Digital Download SKU: AX.00-PC-0016977_M1 Mallets. By Nico and Vinz. By Abdoulie Jallow, Nicolay Sereba, Vincent Dery, and William Larsen. Afrobeat Pop; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016977_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016977_M1). UPC: 038081495958.From veteran writer Brian Scott comes this solid arrangement of the hit from pop duo Nico and Vinz. The chart has a great Afrobeat groove and would be perfect for field or stands use. (2:10).
$3.00
2.76 €
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Fanfare
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Nico and Vinz
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Pop
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Am I Wrong: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Am I Wrong: Low Brass & Woodwinds #1 - Treble Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0016977_LBW1TC Low Brass & Woodwi…
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Marching Band - Digital Download SKU: AX.00-PC-0016977_LBW1TC Low Brass & Woodwinds #1 - Treble Clef. By Nico and Vinz. By Abdoulie Jallow, Nicolay Sereba, Vincent Dery, and William Larsen. Afrobeat Pop; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016977_LBW1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016977_LBW1TC). UPC: 038081495958.From veteran writer Brian Scott comes this solid arrangement of the hit from pop duo Nico and Vinz. The chart has a great Afrobeat groove and would be perfect for field or stands use. (2:10).
$3.00
2.76 €
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Fanfare
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Nico and Vinz
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Pop
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Am I Wrong: Low Brass & Woodwinds #1 - Treble Clef
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Am I Wrong: Low Brass & Woodwinds #1 - Bass Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0016977_LBW1BC Low Brass & Woodwi…
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Marching Band - Digital Download SKU: AX.00-PC-0016977_LBW1BC Low Brass & Woodwinds #1 - Bass Clef. By Nico and Vinz. By Abdoulie Jallow, Nicolay Sereba, Vincent Dery, and William Larsen. Afrobeat Pop; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016977_LBW1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016977_LBW1BC). UPC: 038081495958.From veteran writer Brian Scott comes this solid arrangement of the hit from pop duo Nico and Vinz. The chart has a great Afrobeat groove and would be perfect for field or stands use. (2:10).
$3.00
2.76 €
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Fanfare
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Nico and Vinz
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Pop
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Am I Wrong: Low Brass & Woodwinds #1 - Bass Clef
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Last Friday Night (T.G.I.F.): Low Brass & Woodwinds #2 - Bass Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018273_LBW2BC Instructional. 1 page…
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Marching Band - Digital Download SKU: AX.00-PC-0018273_LBW2BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018273_LBW2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018273_LBW2BC). UPC: 038081430935.
$3.00
2.76 €
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Fanfare
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Last Friday Night
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
All I Wanna Do: Mallets
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018128_M1 Instructional. 1 pages. A…
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Marching Band - Digital Download SKU: AX.00-PC-0018128_M1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018128_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018128_M1). UPC: 038081304076.
$3.00
2.76 €
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Fanfare
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All I Wanna Do: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Do Ya Think I'm Sexy?: Low Brass & Woodwinds #1 - Treble Clef
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018116_LBW1TC Instructional. 1 page…
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Marching Band - Digital Download SKU: AX.00-PC-0018116_LBW1TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018116_LBW1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018116_LBW1TC). UPC: 038081277523.
$3.00
2.76 €
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Fanfare
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Do Ya Think I'm Sexy?: Low Brass & Woodwinds #1 - Treble Clef
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
(I Can't Get No) Satisfaction: Mallets
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018372_M1 Instructional. 1 pages. A…
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Marching Band - Digital Download SKU: AX.00-PC-0018372_M1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018372_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018372_M1). ISBN 9780757935664. UPC: 654979076377.
$3.00
2.76 €
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Fanfare
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(I Can't Get No) Satisfaction: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
World of Warcraft, Part I: Xylophone
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018241_X Instructional. 1 pages. Al…
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Marching Band - Digital Download SKU: AX.00-PC-0018241_X Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018241_X. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018241_X). UPC: 038081417349.
$3.00
2.76 €
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Fanfare
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World of Warcraft, Part I: Xylophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Last Friday Night (T.G.I.F.): Optional Baritone T.C. (Tuba Double)
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0018273_OBTC1 Instructional. 1 pages…
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Marching Band - Digital Download SKU: AX.00-PC-0018273_OBTC1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018273_OBTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018273_OBTC1). UPC: 038081430935.
$3.00
2.76 €
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Fanfare
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Last Friday Night
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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