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Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
27.38 €
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Ensemble Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Tobi Crawford
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
182.53 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
All My Life
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1451774 By K-Ci and JoJo. By Joel Hailey and Rory Bennett. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,R & B,Soul,Wedding. 22 pages. Sarah Cellobat Chaffee #1031083. Published by Sarah Cellobat Chaffee (A0.1451774). Released as a single from their 1997 album Love Always, All My Life is a soulful ballad by the popular R&B duo K-Ci and Jojo. This beautiful song ended up being a commercial success -- not only did it top the Billboard charts for three consecutive weeks, but it also received two Grammy nominations, and it has since been dubbed the most successful song of the group's career. With its heartfelt lyrics describing how all my life, I prayed for someone like you, it's no wonder this song is a popular request for wedding ceremonies and receptions! This Cellobat arrangement for your string quartet will be a hit at all your events -- with its soaring melodies, beautiful countermelodies, and relaxing vibe, you're sure to pull at your audience's heartstrings. Rated intermediate; this will be playable for students and sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.51 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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K-Ci and JoJo
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Sarah Cellobat Chaffee
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All My Life
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Sarah Cellobat Chaffee
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SheetMusicPlus
It Feels Like Christmas
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1329489 Composed by Paul Williams. Arranged by Isaac Smith. Broadway,Christmas,Holiday,Musical/Show. 9 pages. Isaac Smith #917471. Published by Isaac Smith (A0.1329489). If you're looking to add some new repertoire to your holiday brass quintet book, look no further!This is a sweet, charming little arrangement I did several years ago of my favorite adaptation of the Dickens classic: The Muppets Christmas Carol. Not only is it a silly and heartfelt movie with one of the best Scrooges ever, it also has a wonderful soundtrack! Enjoy Wherever You Find Love (It Feels Like Christmas)!
$20.00
18.25 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Paul Williams
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Isaac Smith
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It Feels Like Christmas
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Isaac Smith
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SheetMusicPlus
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arran…
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
4.55 €
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Alm@music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.64 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
HOLY LORD
Piano seul
Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 215. THEMIS KOUTRAS #4783867. Published by THEMIS KOUTRAS (A0.1066628). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.55 €
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Piano seul
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THEMIS KOUTRAS
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HOLY LORD
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THEMIS KOUTRAS
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SheetMusicPlus
HOLY LORD 2
Piano seul
Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 218. THEMIS KOUTRAS #4782783. Published by THEMIS KOUTRAS (A0.1066608). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.55 €
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Piano seul
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THEMIS KOUTRAS
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HOLY LORD 2
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THEMIS KOUTRAS
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SheetMusicPlus
The Butterfly
Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Dan…
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Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00
10.95 €
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
The Door
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1415908 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1415908 Composed by Carter Datz. 21st Century,Classical,Contemporary,Thriller. 11 pages. Carter Datz #997602. Published by Carter Datz (A0.1415908). The Door weaves a story of someone who feels stuck - they'd like to make a change in their life but it's easier to stay inside their comfort zone, far away from the fear monster that guards the door. Eventually they decide to stand and go through the door, but they find themselves unable to vanquish the fear monster. They realize that the only way through is by accepting their fear! The moral of the story is that true courage isn't the absence of fear - it's being scared out of your mind and making the tough decision anyway. I wrote this piece in collaboration with the Wentzville Liberty Chamber Choir - the students came up with the idea for the piece and contributed lyric and musical ideas. They wanted a roller coaster of a piece, and I did my best to deliver.
$2.99
2.73 €
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Chorale SATB
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Carter Datz
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The Door
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Carter Datz
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SheetMusicPlus
Celtic Christmas SATB and piano with optional instruments
Alto Voice,Bass Voice,Cello,Flute,Piano,Soprano voice,Tenor Voice,Violin - Level 2 - Digit…
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Alto Voice,Bass Voice,Cello,Flute,Piano,Soprano voice,Tenor Voice,Violin - Level 2 - Digital Download SKU: A0.1270503 Composed by Connie Boss. Arranged by Connie Boss. Advent,Christmas. 182 pages. Connie Boss #862886. Published by Connie Boss (A0.1270503). This book contains Christmas music with a Celtic feel to them. They are for SATB voices and piano and also has parts for either violin, flute or cello to play along with the song. All of the parts are included with each song, but only one instrument is needed to play the part. There are 15 songs included in the book which is a total of 52 minutes. Most are familar public domain songs, but there are also original songs I have composed. I can only include one mp3 with this upload, but you can listen to the music on YouTube. I don't have vocals recorded for SATB, but I do for SSAA so you can hear what it will sound like. The songs are also listed for sale individually, so you can listen to each one by searching here with my name to hear it that way if you prefer. Any questions or requests, please email cdboss@cvalley.netYouTube playlist link - https://youtube.com/playlist?list=PLlYnLRoGREBhlNPg6ubUbfSif5ktxYi9HSong List1.    Away in a Manger2.    Brightest and Best3.    Bring a Torch Jeanette Isabella4.    Christ Child’s Lullaby5.    Christmas Angels - new6.    Christmas Carols7.    Emmanuel, Please Come to Us - new8.    Go Tell it on the mountain9.    How am I Worthy - new10.  In the stillness of the night - new11.  Little Did She Know - new12.  O Holy Night13.  Peace on Earth - new14.  Think About That Day - new15.  We Three Kings.
$15.00
13.69 €
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Connie Boss
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Connie Boss
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Celtic Christmas SATB and piano with optional instruments
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Connie Boss
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SheetMusicPlus
Celtic Christmas SSAA and piano with optional instruments
Alto Voice,Cello,Flute,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.…
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Alto Voice,Cello,Flute,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1270506 Composed by Connie Boss. Arranged by Connie Boss. Advent,Christmas. 216 pages. Connie Boss #862889. Published by Connie Boss (A0.1270506). This book contains Christmas music with a Celtic feel to them. They are for SATB voices and piano and also has parts for either violin, flute or cello to play along with the song. All of the parts are included with each song, but only one instrument is needed to play the part. There are 15 songs included in the book which total 52 minutes. Most are familar public domain songs, but there are also original songs I have composed. I can only include one mp3 with this upload, but you can listen to the music on YouTube. Copy and paste the playlist link to listen. The songs are also listed for sale individually, so you can listen to each one by searching here with my name to hear it that way if you prefer. Any questions or requests, please email cdboss@cvalley.netYouTube playlist link: https://youtube.com/playlist?list=PLlYnLRoGREBhlNPg6ubUbfSif5ktxYi9HSong List1.    Away in a Manger2.    Brightest and Best3.    Bring a Torch Jeanette Isabella4.    Christ Child’s Lullaby5.    Christmas Angels - new6.    Christmas Carols7.    Emmanuel, Please Come to Us - new8.    Go Tell it on the mountain9.    How am I Worthy - new10.  In the stillness of the night - new11.  Little Did She Know - new12.  O Holy Night13.  Peace on Earth - new14.  Think About That Day - new15.  We Three Kings.
$15.00
13.69 €
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Connie Boss
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Connie Boss
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Celtic Christmas SSAA and piano with optional instruments
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Connie Boss
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SheetMusicPlus
Beyond The Sea
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
9.13 €
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Chorale SATB
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Overture to The Marriage of Figaro
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996103 Composed by Wolfgang …
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996103 Composed by Wolfgang Amadeus Mozart. Arranged by Erik Cole. Classical. 108 pages. Erik Cole #4792771. Published by Erik Cole (A0.996103). When approaching how to arrange this piece, the biggest challenge was the motor rhythm of the repeated eighth notes constantly present in the string parts. It is also occasionally present in the original bassoon parts, however, and is playable if the piece is taken at a more conservative tempo. Double-tonguing certainly makes it possible at faster speeds, but having an entire ensemble that can do it is an unlikely scenario. Leaving it out completely made for a much less exciting arrangement. As such, I've tried to spread those passages among all the parts so that no one part had to do it for too long a stretch at a time. Also, the option to replace the eighth notes with quarter notes is present in all the parts - that can be done uniformly throughout the ensemble, only for players that need it, or even would be fine if players who can mostly keep up with the tonguing need just a measure or two break. As typical in my large transcriptions, all of the oboe and bassoon parts are divisi in two parts. I did my best to keep up with the tonguing in the layered recording attached, and, as always, keep in mind that I'm an oboist, and please forgive my inelegant attempt at what is a very standard and challenging bassoon excerpt.
$49.00
44.72 €
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Wolfgang Amadeus Mozart
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Erik Cole
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Overture to The Marriage of Figaro
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Erik Cole
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SheetMusicPlus
Nevermore
Saxophone
Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by…
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Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
$17.99
16.42 €
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Saxophone
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Craig Wadley
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Nevermore
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Wadley Publications
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SheetMusicPlus
Caravan
Cloches
Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ell…
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Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00
4.56 €
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Cloches
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Duke Ellington and his Orchestra
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Michael Gancz
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Caravan
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Michael Gancz
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SheetMusicPlus
Bohemian Rhapsody - Piano Solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario S…
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Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
With these piano sheets, you can play “Bohemian Rhapsody” on piano!<br> <br> It’s an accurate piano arrangement of the whole piece, including all parts, full melody & instrumental solos.<br> <br> I believe this is the most accurate piano arrangement of the song you will find anywhere.<br> <br> It’s a “Bohemian Rhapsody” piano version in the song’s original key, it’s playable, and it sounds fantastic!<br> <br> <br> I also created sheet music of the same piano arrangement with the song’s full lyrics - you can get it here: https://www.sheetmusicplus.com/title/21155920<br> <br> <br> “Bohemian Rhapsody” was, of course, written by the one and only Freddie Mercury.<br> <br> It was included on Queen’s 1975 album “A Night at the Opera” and became one of Queen’s biggest hits. Today, it is considered by many to be the best classic rock song of all time.<br> <br> <br> There’s a good reason why the 2018 biographical film about Freddie Mercuy (played by Rami Malek) is named after this song - arguably his greatest composition.<br> <br> <br> “Bohemian Rhapsody” is famous for its diverse parts: from the a-capella-intro to rock ballad verses, from hard rock guitar solos to operatic sections.<br> <br> “Bohemian Rhapsody” really is the whole package - and all parts of it can sound surprisingly great on piano, if played right!<br> <br> <br> In my experience, many arrangements of the song seem to be lacking something: They are not accurate, don’t sound powerful enough, there are important parts or even whole sections missing.<br> <br> So I took my time to create a piano arrangement of the song which I feel does justice to this wonderful piece.<br> <br> <br> I hope you enjoy playing it as much as I do!<br> <br> <br> <br> Here are the full lyrics to “Bohemian Rhapsody”:<br> <br> <br> “Is this the real life?<br> <br> Is this just fantasy?<br> <br> Caught in a landslide<br> <br> No escape from reality<br> <br> Open your eyes<br> <br> Look up to the skies and see<br> <br> I'm just a poor boy, I need no sympathy<br> <br> Because I'm easy come, easy go<br> <br> A little high, little low<br> <br> Anyway the wind blows, doesn't really matter to me, to me<br> <br> Mama, just killed a man<br> <br> Put a gun against his head<br> <br> Pulled my trigger, now he's dead<br> <br> Mama, life had just begun<br> <br> But now I've gone and thrown it all away<br> <br> Mama, oh oh<br> <br> Didn't mean to make you cry<br> <br> If I'm not back again this time tomorrow<br> <br> Carry on, carry on, as if nothing really matters<br> <br> Too late, my time has come<br> <br> Sends shivers down my spine<br> <br> Body's aching all the time<br> <br> Goodbye everybody I've got to go<br> <br> Gotta leave you all behind and face the truth<br> <br> Mama, oh oh (anyway the wind blows)<br> <br> I don't want to die<br> <br> Sometimes wish I'd never been born at all<br> <br> I see a little silhouetto of a man<br> <br> Scaramouch, Scaramouch will you do the Fandango<br> <br> Thunderbolt and lightning very very frightening me<br> <br> Gallileo, Gallileo, Gallileo, Gallileo, Gallileo, figaro, magnifico<br> <br> I'm just a poor boy and nobody loves me<br> <br> He's just a poor boy from a poor family<br> <br> Spare him his life from this monstrosity<br> <br> Easy come easy go will you let me go<br> <br> Bismillah, no we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let me go<br> <br> (Will not let you go) let me go (never, never let you go) let me go (never let me go)<br> <br> Oh oh no, no, no, no, no, no, no<br> <br> Oh mama mia, mama mia, mama mia let me go<br> <br> Beelzebub has a devil put aside for me for me for me<br> <br> So you think you can stop me and spit in my eye<br> <br> So you think you can love me and leave me to die<br> <br> Oh baby can't do this to me baby<br> <br> Just gotta get out just gotta get right outta here<br> <br> Oh oh oh yeah, oh oh yeah<br> <br> Nothing really matters<br> <br> Anyone can see<br> <br> Nothing really matters<br> <br> Nothing really matters to me<br> <br> Anyway the wind blows”With these piano sheets, you can play “Bohemian Rhapsody” on piano!<br> <br> It’s an accurate piano arrangement of the whole piece, including all parts, full melody & instrumental solos.<br> <br> I believe this is the most accurate piano arrangement of the song you will find anywhere.<br> <br> It’s a “Bohemian Rhapsody” piano version in the song’s original key, it’s playable, and it sounds fantastic!<br> <br> <br> I also created sheet music of the same piano arrangement with the song’s full lyrics - you can get it here: https://www.sheetmusicplus.com/title/21155920<br> <br> <br> “Bohemian Rhapsody” was, of course, written by the one and only Freddie Mercury.<br> <br> It was included on Queen’s 1975 album “A Night at the Opera” and became one of Queen’s biggest hits. Today, it is considered by many to be the best classic rock song of all time.<br> <br> <br> There’s a good reason why the 2018 biographical film about Freddie Mercuy (played by Rami Malek) is named after this song - arguably his greatest composition.<br> <br> <br> “Bohemian Rhapsody” is famous for its diverse parts: from the a-capella-intro to rock ballad verses, from hard rock guitar solos to operatic sections.<br> <br> “Bohemian Rhapsody” really is the whole package - and all parts of it can sound surprisingly great on piano, if played right!<br> <br> <br> In my experience, many arrangements of the song seem to be lacking something: They are not accurate, don’t sound powerful enough, there are important parts or even whole sections missing.<br> <br> So I took my time to create a piano arrangement of the song which I feel does justice to this wonderful piece.<br> <br> <br> I hope you enjoy playing it as much as I do!<br> <br> <br> <br> Here are the full lyrics to “Bohemian Rhapsody”:<br> <br> <br> “Is this the real life?<br> <br> Is this just fantasy?<br> <br> Caught in a landslide<br> <br> No escape from reality<br> <br> Open your eyes<br> <br> Look up to the skies and see<br> <br> I'm just a poor boy, I need no sympathy<br> <br> Because I'm easy come, easy go<br> <br> A little high, little low<br> <br> Anyway the wind blows, doesn't really matter to me, to me<br> <br> Mama, just killed a man<br> <br> Put a gun against his head<br> <br> Pulled my trigger, now he's dead<br> <br> Mama, life had just begun<br> <br> But now I've gone and thrown it all away<br> <br> Mama, oh oh<br> <br> Didn't mean to make you cry<br> <br> If I'm not back again this time tomorrow<br> <br> Carry on, carry on, as if nothing really matters<br> <br> Too late, my time has come<br> <br> Sends shivers down my spine<br> <br> Body's aching all the time<br> <br> Goodbye everybody I've got to go<br> <br> Gotta leave you all behind and face the truth<br> <br> Mama, oh oh (anyway the wind blows)<br> <br> I don't want to die<br> <br> Sometimes wish I'd never been born at all<br> <br> I see a little silhouetto of a man<br> <br> Scaramouch, Scaramouch will you do the Fandango<br> <br> Thunderbolt and lightning very very frightening me<br> <br> Gallileo, Gallileo, Gallileo, Gallileo, Gallileo, figaro, magnifico<br> <br> I'm just a poor boy and nobody loves me<br> <br> He's just a poor boy from a poor family<br> <br> Spare him his life from this monstrosity<br> <br> Easy come easy go will you let me go<br> <br> Bismillah, no we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let him go<br> <br> Bismillah, we will not let you go, let me go<br> <br> (Will not let you go) let me go (never, never let you go) let me go (never let me go)<br> <br> Oh oh no, no, no, no, no, no, no<br> <br> Oh mama mia, mama mia, mama mia let me go<br> <br> Beelzebub has a devil put aside for me for me for me<br> <br> So you think you can stop me and spit in my eye<br> <br> So you think you can love me and leave me to die<br> <br> Oh baby can't do this to me baby<br> <br> Just gotta get out just gotta get right outta here<br> <br> Oh oh oh yeah, oh oh yeah<br> <br> Nothing really matters<br> <br> Anyone can see<br> <br> Nothing really matters<br> <br> Nothing really matters to me<br> <br> Anyway the wind blows”
$4.99
4.55 €
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Piano seul
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Queen
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Mario Stallbaumer
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Bohemian Rhapsody - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
By Grace
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1241467 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1241467 Composed by Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. 21st Century,A Cappella,Advent,Christian,Contemporary. 1 pages. Semii Music #836837. Published by Semii Music (A0.1241467). Title: By Grace This song is very special in terms of how it was written. I was a poor sinner but there was someone who did something that i cannot pay back in large sums of money or property. God gave His only beggotten so that takes away my sin.By grace is the song one needs to learn when you think that you're a guilty sinner saved only By Grace.
$4.97
4.54 €
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Chorale SATB
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Grace
This song is very special in terms of how it was written
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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By Grace
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Semii Music
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SheetMusicPlus
Heritage Hymns
Large Print Hymnal
Large Print Hymnal
Song List: A Mighty Fortress Is Our God Abide with Me Alas! And Did My Savior Bleed? Amazing Grace An Evening Prayer At Calvary At the Cross Beulah Land Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, We That Love The Lord Come, Ye Thankful People, Come Crown Him with Many Crowns Face To Face Fairest Lord Jesus Faith of Our Fathers God Be With You God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Is Coming Again He Leadeth Me He Lives Hiding In Thee His Eye Is On The Sparrow Holy, Holy, Holy How Can I Help but Love Him? How Firm A Foundation I Am His And He Is Mine I Am Thine, O Lord I Love To Tell The Story In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus, Keep Me Near the Cross Jesus, Lover of My Soul Jesus Saves Jesus, Savior, Pilot Me Joy To The World! Just As I Am, Without One Plea Leaning on the Everlasting Arms Love Divine, All Loves Excelling Man Of Sorrows, What A Name More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Nearer, My God, to Thee Near to the Heart of God No, Not One! O Come, All Ye Faithful O God, Our Help In Ages Past O Happy Day O Little Town of Bethlehem O Worship the King Oh, How I Love Jesus Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Praise Him! Praise Him! Rescue the Perishing Revive Us Again Rock Of Ages Savior, Like a Shepherd Lead Us Silent Night! Holy Night! Standing On The Promises Sweet By And By Sweet Hour of Prayer Take The Name Of Jesus With You Take My Life and Let It Be Tell Me The Old, Old Story The Church In The Wildwood The Church's One Foundation The Haven Of Rest The Ninety And Nine The Old Rugged Cross The Way Of The Cross Leads Home There Is A Green Hill Far Away There Shall Be Showers Of Blessing 'Tis So Sweet to Trust in Jesus Trust and Obey What a Friends We Have in Jesus When I Survey the Wondrous Cross When The Roll Is Called Up Yonder Whiter Than Snow Wonderful Words Of Life
Song List
: A Mighty Fortress Is Our God Abide with Me Alas! And Did My Savior Bleed? Amazing Grace An Evening Prayer At Calvary At the Cross Beulah Land Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, We That Love The Lord Come, Ye Thankful People, Come Crown Him with Many Crowns Face To Face Fairest Lord Jesus Faith of Our Fathers God Be With You God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Is Coming Again He Leadeth Me He Lives Hiding In Thee His Eye Is On The Sparrow Holy, Holy, Holy How Can I Help but Love Him? How Firm A Foundation I Am His And He Is Mine I Am Thine, O Lord I Love To Tell The Story In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus, Keep Me Near the Cross Jesus, Lover of My Soul Jesus Saves Jesus, Savior, Pilot Me Joy To The World! Just As I Am, Without One Plea Leaning on the Everlasting Arms Love Divine, All Loves Excelling Man Of Sorrows, What A Name More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Nearer, My God, to Thee Near to the Heart of God No, Not One! O Come, All Ye Faithful O God, Our Help In Ages Past O Happy Day O Little Town of Bethlehem O Worship the King Oh, How I Love Jesus Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Praise Him! Praise Him! Rescue the Perishing Revive Us Again Rock Of Ages Savior, Like a Shepherd Lead Us Silent Night! Holy Night! Standing On The Promises Sweet By And By Sweet Hour of Prayer Take The Name Of Jesus With You Take My Life and Let It Be Tell Me The Old, Old Story The Church In The Wildwood The Church's One Foundation The Haven Of Rest The Ninety And Nine The Old Rugged Cross The Way Of The Cross Leads Home There Is A Green Hill Far Away There Shall Be Showers Of Blessing 'Tis So Sweet to Trust in Jesus Trust and Obey What a Friends We Have in Jesus When I Survey the Wondrous Cross When The Roll Is Called Up Yonder Whiter Than Snow Wonderful Words Of Life
$16.95
15.47 €
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Heritage Hymns
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SheetMusicPlus
Mandolin Chord Melody System
Mandoline
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…
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Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
13.68 €
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Mandoline
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Aaron Weinstein
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Mandolin Chord Melody System
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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