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Partitions à imprimer
4 partitions trouvées
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Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
La forza del destino
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Piano seul
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AVANCÉ
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Opera
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Classique
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Reimund Merkens
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Reimund Merkens
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La forza del destino
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Reimund Merkens
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1081753 By Reimund Merkens. By Giuseppe Martucci. Arranged by Reimund Merkens. Classical,Opera. Score. 20 pages. Reimund ...
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Piano Solo - Level 5 - SKU: A0.1081753 By Reimund Merkens. By Giuseppe Martucci. Arranged by Reimund Merkens. Classical,Opera. Score. 20 pages. Reimund Merkens #685880. Published by Reimund Merkens (A0.1081753). This is a true secret masterpiece for piano written by Guiseppe Martucci. The melodies based on the opera La forza del destino (The force of destiny) from Guiseppe Verdi. The original score edition of that masterpiece had a lot of mistakes and the score wasn't very well to read. So I decided to do a complete new score. It took me one month to do a corrected and well readable score.
$12.00
Happy We Chorus orchestral parts and score
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Orchestre de chambre
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INTERMÉDIAIRE
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Opera
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Classique
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Kim Kirkman
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Kim Kirkman
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Happy We Chorus orchestral par
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Kim Kirkman
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1410579 By Kim Kirkman. By George Frideric Handel. Arranged by Kim Kirkman. Baroque,Opera. 7 pages. Kim Kirkman #9...
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Chamber Orchestra - Level 3 - SKU: A0.1410579 By Kim Kirkman. By George Frideric Handel. Arranged by Kim Kirkman. Baroque,Opera. 7 pages. Kim Kirkman #992999. Published by Kim Kirkman (A0.1410579). There are several versions of Acis and Galatea. In some the orchestral parts do not include the 'Happy We' chorus that happens instead of the da capo of the aria.I have written out the parts here.Includes score and correct bar numbers (replacing bars 53 onwards).You're welcome! haha.
$9.99
"Habanera" from Bizet's Carmen - for String Duet (ANY COMBINATION) - Score & Parts
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Opera
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Classique
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Georges Bizet
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Grant Gilman
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"Habanera" from Bize
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Dr. Grant Gilman
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.799742 Composed by Georges Bizet. Arranged by Grant Gilman. Opera,Romantic Period. Score and par...
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Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.799742 Composed by Georges Bizet. Arranged by Grant Gilman. Opera,Romantic Period. Score and parts. 19 pages. Dr. Grant Gilman #3623883. Published by Dr. Grant Gilman (A0.799742). This duo arrangement draws on the original, complete vocal part of the Habanera with an easily accessible accompaniment. Most importantly, it is arranged for any combination of strings! Divided into A and B parts for each instrument you can play this trio in the following combinations: Violin, Violin Violin, Viola Violin, Cello Viola, Viola Viola, Cello Cello, Cello You can even switch it up so that your cellist plays the A part, while the violin plays the B part. So many possibilities! Use this at a gig or as a showcase to give your audience fully immersing experience with an old standard. I am here to specialize! Please do not hesitate to contact me if you would like some modifications: Â Conductor@grantgilman.comwww.grantgilman.com
$9.99
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