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--INSTRUMENTS--
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ALTO
AUTOHARPE
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CHORALE - CHAN…
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I Found A Way
Non classifié
107
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224
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87
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41
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31
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13
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4
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3
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2
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+ 4 instrumentations
Retracter
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26
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52
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9
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6
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5
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3
Voix Tenor, Piano
1
Voix Baryton, Piano
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Chorale SSATTB
1
Voix Tenor
1
Chorale SSAA
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2
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2
Ensemble de Clarinettes
2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
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5
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1
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1
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1
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28
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5
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Trio à Cordes: violon, alto, violoncelle
4
Alto, Piano
3
Harpe
3
Alto seul
3
Harpe, Voix
2
Violon, Violoncelle (duo)
2
Violoncelle
2
2 Violons (duo)
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
Alto, Violoncelle (duo)
1
Violon (partie séparée)
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 13 instrumentations
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12
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11
Orchestre
7
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5
Ensemble de cuivres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Vous avez sélectionné:
I Found A Way
Partitions à imprimer
838 partitions trouvées
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I Found A Way
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Orgue
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INTERMÉDIAIRE
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Drake Bell and Michael Corcora
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Jonathan Selimovic (a
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I Found A Way
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Jonny Music
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1291718 Composed by Drake Bell and Michael Corcoran. Arranged by Jonathan Selimovic (a.k.a. Jonny Music) and My Sheet Music Tr...
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Organ - Level 3 - SKU: A0.1291718 Composed by Drake Bell and Michael Corcoran. Arranged by Jonathan Selimovic (a.k.a. Jonny Music) and My Sheet Music Transcriptions. Film/TV,Rock. Score. 7 pages. Jonny Music #882327. Published by Jonny Music (A0.1291718). I Found A Way by Drake Bell (the full version of the Drake & Josh Theme Song) as arranged for the King of Instruments (Organ).Duration: 3:33This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in).Arranger Contact Info and Social MediaYouTube: https://goo.gl/vu9ifuFacebook: https://goo.gl/dBz3TwX (formerly Twitter): https://goo.gl/2PxpzVInstagram: https://goo.gl/q1dqJFWebsite: https://goo.gl/zyYa8t.
$7.99
I Found A Way
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Chorale 2 parties
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DÉBUTANT
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Contemporain
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Drake Bell
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Jack Zaino
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Josh
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I Found A Way
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Jack Zaino
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.883593 By Drake Bell. By Drake Bell and Michael Corcoran. Arranged by Jack Zaino. Contemporary. Octavo. 12 pages. ...
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Choral Choir (SA) - Level 1 - SKU: A0.883593 By Drake Bell. By Drake Bell and Michael Corcoran. Arranged by Jack Zaino. Contemporary. Octavo. 12 pages. Jack Zaino #3928171. Published by Jack Zaino (A0.883593). Can you believe that Nickelodeon's Drake & Josh premiered 15 years ago? Relive the nostalgia with this new arrangement of the instantly recognizable theme song! A perfect choice for graduation end-of-year concerts.Available for TTB and Two-Part.
$1.99
I Found A Way
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Chorale TTBB
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DÉBUTANT
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Contemporain
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Drake Bell
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Jack Zaino
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I Found A Way
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Jack Zaino
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.883592 By Drake Bell. By Drake Bell and Michael Corcoran. Arranged by Jack Zaino. Contemporary. Octavo. 10 pages...
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Choral Choir (TTBB) - Level 1 - SKU: A0.883592 By Drake Bell. By Drake Bell and Michael Corcoran. Arranged by Jack Zaino. Contemporary. Octavo. 10 pages. Jack Zaino #3928185. Published by Jack Zaino (A0.883592). Can you believe that Nickelodeon's Drake & Josh premiered 15 years ago? Relive the nostalgia with this new arrangement of the instantly recognizable theme song! A perfect choice for graduation end-of-year concerts.Available for TTB and Two-Part.
$1.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
2018 Holiday Contest Entry, "Away in a Manger"
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Guitare
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INTERMÉDIAIRE
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Noël
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James R
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R
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2018 Holiday Contest Entry, &q
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ralph scott carrier
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual ...
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Solo Guitar - Level 3 - SKU: A0.924177 Composed by James R. Murray. Arranged by R.S. Carrier. Children,Christian,Christmas,Classical,Sacred. Individual part. 2 pages. Ralph scott carrier #3680995. Published by ralph scott carrier (A0.924177). The beloved Away in a Manger, known to children from two years of age and up. In the key of D (major,) a simple and well known melody. Note: Although I do consider this a simple little song, any thought that this is an unusually easy guitar arrangement would be a mistake. This is, in fact, a rather challenging arrangement, especially the way I have tabbed it. Measures 6 - 9 are particularly difficult. If you can find an easier way to finger it, more power to you. Some contradictory information has been found regarding the attribution of the opus. Some have suggested it was from Martin Luther (himself,) but others have said it was written for his 400th anniversary. But the hymn book I found it in (to copy the lyrics) attributes it to a James R. Murray, so I have also given him credit. It was first published in 1884, in any event.
$1.99
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Some Things Don't Always Last
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Piano seul
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FACILE
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Damien Gauci
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Some Things Don't Always Last
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1468149 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1030402. Published by Damie...
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Piano Solo - Level 2 - SKU: A0.1468149 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1030402. Published by Damien Gauci (A0.1468149). I always enjoy writing something simple but pretty and this piece is exactly that. As with many of my other piano compositions, I enjoy writing them in the style of “soft piano” pieces which you can listen to while you study, work, relax, or anything else. I initially came up with the original motif at the start of the piece which I really liked and expanded it into a full piece. When coming up to the B section I made it too dramatic and it would probably be too distracting for the listener if they were working or studying so I decided to start over with the B section and write something that expanded upon the original motif in a subtle and sweet way.I am quite pleased with the finished composition, it turned out in a way that I was aiming for from the beginning. As for the title, I sat down after I had finished writing the piece and listened to it a few times and brainstormed some names. I eventually settled on the name that it is now: ‘Some Things Don’t Always Last’ which has a bitter-sweet quality to it. I think it fits quite well with the piece as it’s like a lullaby that comes and goes. A distant memory that is recalled because of an old toy you found or because you drove past your childhood home that you grew up in.
$1.99
OUR ROTARY Piano/Vocal ( A New Song For Rotary International )
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Piano, Voix
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ROBERT VAN HORNE
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OUR ROTARY Piano/Vocal
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.914981 Composed by ROBERT VAN HORNE. Christian,Multicultural,Pop,Singer/Songwriter,Standards,World. Score. 7 pages. White Pi...
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Piano,Vocal,Voice - SKU: A0.914981 Composed by ROBERT VAN HORNE. Christian,Multicultural,Pop,Singer/Songwriter,Standards,World. Score. 7 pages. White Piano International Publishing #6696589. Published by White Piano International Publishing (A0.914981). OURÂ ROTARY (A New Song For Rotary International)Words & Music by ROBERT VAN HORNE6 PagesApprox. Performance Time: 3 minutesIn June 2005, while attending the annual International Rotary Convention in Chicago, I found myself enthralled and captivated by the many motivational speeches, the memorable ceremonies, and the heartfelt fellowship of the attendees from all over the world, who gathered to celebrate the one hundred year anniversary of the founding of Rotary International.Years later, it was brought to my attention that board members were exploring the idea of a new Rotarian Anthem. Remembering the extraordinary and enlightening experiences at the Chicago convention, I composed this song OUR ROTARY. It is dedicated to all the men and women who make up this very important and worthwhile organization.As my way of giving back, I present this song to Rotary International. Its continued beneficial contribution and service to the world is paramount...making the world a better place in which to live.Sheet music is also available at: The International Fellowship of Rotarian Musicians (IFRM) https://ifrm.orgRobert is a member of ASCAPRobert Van Horne Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$4.99
All Is Found
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Chorale SATB
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INTERMÉDIAIRE
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Kristen Anderson-Lopez and Rob
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Anna Cordwell-Rowe
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All Is Found
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Anna Cordwell-Rowe
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1311592 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Anna Cordwell-Rowe. A Cappella,B...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1311592 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Anna Cordwell-Rowe. A Cappella,Barbershop,Broadway,Musical/Show. 3 pages. Anna Cordwell-Rowe #900600. Published by Anna Cordwell-Rowe (A0.1311592). An a cappella arrangement of All is Found from Frozen 2, for four mixed gender voices (SATB), in the barbershop / a cappella style. My arrangement has its roots in barbershop but is not designed to be suitable for a contest. Rather, it is to be sung for the joy of it, with friends, or as a performance to captivate an audience. I've arranged it with a quartet in mind but it would also be suitable for a chorus, and you could perhaps play around with soloists to build the tension as the song progresses.This song brings out the magic of nature in a way that I feel everyone can connect with. I hope you enjoy it! As is a hallmark of this style, I have left the dynamics up to your individual interpretation. I have, however, offered some tempo suggestions.
$2.50
Bokeh - A Trio for Oboe/English Horn, Cello and Piano
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Contemporain
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Brian Strohmetz
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Bokeh - A Trio for Oboe/Englis
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Brian Strohmetz
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SheetMusicPlus
Cello,English Horn,Oboe,Piano Accompaniment - Level 5 - SKU: A0.1020744 Composed by Brian Strohmetz. Contemporary. 22 pages. Brian Strohmetz #5299807. P...
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Cello,English Horn,Oboe,Piano Accompaniment - Level 5 - SKU: A0.1020744 Composed by Brian Strohmetz. Contemporary. 22 pages. Brian Strohmetz #5299807. Published by Brian Strohmetz (A0.1020744). Time: 4min Instrumentation: Solo Oboe/English Horn, Solo Cello, Piano Accompaniment Program Notes: The definition of Bokeh according to Merriam-Webster Dictionary; the blurred quality or effect seen in the out-of-focus portion of a photograph taken with a narrow depth of field. It wasn’t until I set out to write this piece that I did research on one of my favorite photographic techniques. I always called bokeh those cool looking out of focus lights. Once I learned the techniques name, my fascination with it grew. In my research, I found that the photographs I was drawn to the most were those of out of focus city lights, and out of focus Christmas lights. One had a frantic beauty, the other a more calming comforting beauty. All beautiful in their own unique way. I wanted to capture in music what the photographer captured in film. To capture a certain kinetic electric energy. To capture a certain kind of momentary beauty. To see through music the photographers eye. To find more of Brian Strohmetz's Compositions and Arrangements or to contact Brian, visit www.brianstrohmetz.com.Â
$14.99
I HAVE RIDDEN THE WINGS OF THE DAWN - For Soprano/Tenor and Organ
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Piano, Voix
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Renato Tagliabue
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I HAVE RIDDEN THE WINGS OF THE
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Renato Tagliabue
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.724431 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Score. 4 pages. Renato Tagliabue #3883345. Pub...
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Piano,Vocal,Voice - SKU: A0.724431 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Score. 4 pages. Renato Tagliabue #3883345. Published by Renato Tagliabue (A0.724431). I have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.
$6.50
I HAVE RIDDEN THE WINGS OF THE DAWN - For SATB Choir and Organ
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Chorale SATB
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Renato Tagliabue
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I HAVE RIDDEN THE WINGS OF THE
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.724428 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Octavo. 6 pages. Renato Tagliabue #3883341. ...
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Choral Choir (SATB) - SKU: A0.724428 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Octavo. 6 pages. Renato Tagliabue #3883341. Published by Renato Tagliabue (A0.724428). I have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.
$6.50
Christmas Song (I sought him where the marble shone) for wind quartet and piano
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David Warin Solomons
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Christmas Song
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - SKU: A0.1486154 Composed by David Warin Solomons. Christmas,Classical,Contemporary,Religious...
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Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - SKU: A0.1486154 Composed by David Warin Solomons. Christmas,Classical,Contemporary,Religious. 23 pages. David Warin Solomons #1063211. Published by David Warin Solomons (A0.1486154). Instrumental arrangement of my setting of Christmas song - being a meditation on finding the Christ child within oneself - the poem is by Audrey Vaughan. I sought him where the marble shoneand rang with singing echoesto the hurrying prelates' feetand found him notI sought him where the golden glowand painted heav'n-eyed saints adorn the sleeping altarsand found him notI sought him where all nature's beauty burnedwith autumn leaves afirewith death against the long blue skyand found him not I sought him down the stone sett streets dull beneath the misty rain which closed the surrounding hillsand found him notI sought him in the eyes of strangersbright with giving thoughtsand in the hearts of friendsbut found him notI sought himhim whom I lovedin ev'ry thing I lovedin my own heart's lovingbut this night I found him notbut still I sought himthis gurgling boy of joy, but where?the dark sky all above and round melike a suffocating empty cloaktook time awaymy thoughts awaymy search awayand the peace of emptiness of selfopened the low brown doorand there his newness tiny laydeep in the shriven hollow of my heart, cradled thereI found him©Audrey VaughanThe audio preview is an mp3 of the first couple of minutes - a full version will be available later.The pdf contains score and parts.
$11.00
The Leaves Around Me Falling [A Minor]
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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The Leaves Around Me Falling [
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1393223 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Praise ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1393223 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #976704. Published by Anastace (A0.1393223). Here is the full piano vocal version of “The Leaves Around Me Fallingâ€, as heard on my YouTube channel and in many comforting, beautiful funeral playlists. This version is in A minor to suit singers with higher voices [the melody extends from D4-D5 for a comfortable soprano range], and has the exact piano accompaniment as well as full melody and lyrics for a soloist or choir. It works well as a solo or congregational song for any autumn or funeral service, featuring the meaningful lyrics of Henry Francis Lyte reminding us of the swiftness of this life, and the hope we have for the life beyond. Also included at the end of the file is a separate printout of both the piano and vocal parts separately for ease of practice and rehearsal.The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and harmonic arrangement, which can be found on all streaming platforms as well as Youtube, where lyric videos of this and other songs are readily available for church or personal use. Not just a hymn for September and October, I've found myself going back to this song often, as it captures the rich beauty and yet sadness of the autumn season, and still somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano and Vocal in E Minor for easier playing [vocal range A3-A4]Piano and Vocal in F Minor to match the original recording [vocal range Bb3-Bb4]Lead Sheet Version in F Minor [vocal range Bb3-Bb4] [as well as more detailed chords]Lead Sheet Version in E Minor for easier playing [vocal range A3-A4]For other formats including large print, different vocal ranges, or extended choral SATB versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$6.00
Found In Fifteen (Trio for Organ), Opus 16
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Rien Schalkwijk
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Found In Fifteen
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Rien Schalkwijk
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1252012 By Rien Schalkwijk. By Rien Schalkwijk. 21st Century,Contemporary,Praise & Worship,Sacred. Score. 2 pages. Rien Schalk...
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Organ - Level 3 - SKU: A0.1252012 By Rien Schalkwijk. By Rien Schalkwijk. 21st Century,Contemporary,Praise & Worship,Sacred. Score. 2 pages. Rien Schalkwijk #846193. Published by Rien Schalkwijk (A0.1252012). A Week Ago I released my 15th composition, Trumpet Tune no. 2. You can find it here: https://youtu.be/Rr8pCO8FNE8. Today I found out there was a Trio for Organ hidden in dat piece. And here it is. Hence the name “Found in Fifteen.†It’s written in F major, with a “harmonic oddity†half way, just like the Trumpet Tune!. Suitable for any occasion!
$4.99
I Found You
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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I Found You
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841591 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 4 pages. Andrew Mc Donald (Macka Records) #34725...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841591 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 4 pages. Andrew Mc Donald (Macka Records) #3472503. Published by Andrew Mc Donald (Macka Records) (A0.841591). I Found You is a song about the widow who lost her coin.She looked everywhere and when she found it she was overjoyed. In the same way God will rejoice over one sinner who repents and is saved. .
$4.99
For the straight way was lost - Bb Clarinet & Viola duet
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Contemporain
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Charles Griffin
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For the straight way was lost
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Coriolis Press
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SheetMusicPlus
Clarinet,Instrumental Duet,Viola - SKU: A0.1000882 Composed by Charles Griffin. Contemporary. 23 pages. Coriolis Press #6096901. Published by Coriolis P...
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Clarinet,Instrumental Duet,Viola - SKU: A0.1000882 Composed by Charles Griffin. Contemporary. 23 pages. Coriolis Press #6096901. Published by Coriolis Press (A0.1000882). For the straight way was lost was commissioned and premiered by The Darkwood Consort in Boise, Idaho. But it has since been performed throughout the US and Europe many times in many duet combinations: Bb Clarinet and Viola, Bb Clarinet and Cello; Alto Sax and Viola, Alto Sax and Cello, and Viola and Bass Clarinet (the original!). The live video concert performance seen here is for Bb Clarinet and Cello, performed by Natalie Grata and Chris Erickson in Orlando, Florida. The title became unintentionally more and more appropriate over time, as the work has undergone multiple revisions and tweaking, and experiments. The title comes from a passage in Dante’s The Divine Comedy, and I chose it because, first, it includes the name of the ensemble that commissioned it from me, but second, it also seems a good description of how the compositional process sometimes goes and did go with this piece; sometimes while working, the piece takes unexpected turns (almost of its own volition) that must then be dealt with: Nel mezzo del cammin di nostra vitami retrovai per una selva oscura,che la diritta via era smarrita. In the middle of the journey of our lifeI found myself in a dark wood,for the straight way was lost. -Dante, from The Divine Comedy
$12.00
3 Preludes for a Quarantine for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Anthony Bannach
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3 Preludes for a Quarantine fo
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Anthony Bannach Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published...
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Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00
I Am One of His Sheep, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Am One of His Sheep, a sacre
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1278924 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1278924 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #870473. Published by Kevin G. Pace (A0.1278924). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:When I stray from His flock, and when I feel lost,When I don’t know my way, when I’m blind,The Good Shepherd is there with his loving care;He is there with his power to find.I am one of his sheep though still I am weak.He will leave ninety-nine as He seeks.Jesus rescues my soul, so I can be whole.He protects me and makes me complete.When I make a wrong choice and can’t hear His voice,When the winds and the rainstorms abound,The Good Shepherd will come and rescue with love;He will call ‘til His sheep are all found.I am one of his flock, so for me He sought.Still He blesses when with Him I walk.Jesus knows all the sheep He ever will keep,For He gave his whole life for the flock.I am one of his sheep He ever will keep.He is there with his love oh so deep.
$1.99
A Purple Robe
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Cloches
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FACILE
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David G
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Kevin Mazimas Ko
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A Purple Robe
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Hope Publishing - Digital
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SheetMusicPlus
Handbells 3-5 octave handbell choir with optional 3-5 octave handchimes - Level 2 - SKU: H1.2745DP Arranged by Kevin Mazimas Ko. General Worship, Sacred...
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Handbells 3-5 octave handbell choir with optional 3-5 octave handchimes - Level 2 - SKU: H1.2745DP Arranged by Kevin Mazimas Ko. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #2745DP. Published by Hope Publishing - Digital (H1.2745DP). By David G. Wilson.Hymn tune by David G. Wilson A contemplation on the Crucifixion, Timothy Dudley-Smith's hymn text, A Purple Robe, has found its way into many of today's hymnals. With phrases like: I see my Savior stand. . . I see my Savior go. . . I see my Savior die. . . . I sing my Savior's name, this is a moving reflection on Christ's journey to the cross. David Wilson's lovely hymn tune has a folk-like quality and is set for handbells in a thoughtful manner by arranger Kevin Ko.
$7.00
We Found Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Rihanna Featuring Calvin Harri
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Paul Ghica
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We Found Love
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pop4strings.com
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.887646 By Rihanna Featuring Calvin Harris. By Calvin Harris. Arranged by Paul Ghica. Pop. Score and pa...
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String Quartet String Quartet - Level 5 - SKU: A0.887646 By Rihanna Featuring Calvin Harris. By Calvin Harris. Arranged by Paul Ghica. Pop. Score and parts. 4 pages. Pop4strings.com #3489621. Published by pop4strings.com (A0.887646). Optional viola part.**Note: this does not necessarily mean the viola part is boring or simply filler. The arrangement is intended to be played by a full quartet; however, if the viola part is omitted, I have made sure there are no melodic or harmonic gaping holes.I always smile whenever someone pulls out a Ghica chart at a gig... they are the best arrangements around.- Matthew Agnew, principal cellist, Elgin Symphony OrchestraBy the way, your arrangements are beyond famous among musicians who play them... truly, they're beyond anything anyone will ever write... I think the listeners sense it, and I’m very honored to have them in my collection.- Emanuel Ban, founder, Wellington StringsThanks Paul! Your arrangements are some of the best I've ever played.- Melissa Bach, cello, Quartet Parapluie.
$19.99
Until I Found You
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Stephen Sanchez
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Antonius Agung Setiawan
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Until I Found You
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Antonius Agung Setiawan
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1402630 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Guit...
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Guitar - Level 4 - SKU: A0.1402630 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Guitar Tab. 7 pages. Antonius Agung Setiawan #985854. Published by Antonius Agung Setiawan (A0.1402630). Until I Found YouBy Stephen SanchezSolo guitar arrangement by Antonius Agung SetiawanUse a capo on the 10th fret (can be lowered if necessary)This arrangement is suitable for playing on electric guitar or steel string cutaway acoustic guitar Fingerstyle guitar arrangement, Easy to play, Tablature includedTo see more of my work, please visit https://linktr.ee/pakagung
$5.75
Until I Found You
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Stephen Sanchez
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Antonius Agung Setiawan
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Until I Found You
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Antonius Agung Setiawan
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1402632 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Antonius Agung Setiawan. Contemporary,Pop....
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Solo Guitar - Level 4 - SKU: A0.1402632 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 4 pages. Antonius Agung Setiawan #985856. Published by Antonius Agung Setiawan (A0.1402632). Until I Found YouBy Stephen SanchezSolo guitar arrangement by Antonius Agung SetiawanUse a capo on the 10th fret (can be lowered if necessary)This arrangement is suitable for playing on electric guitar or steel string cutaway acoustic guitarFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.75
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I Found A Way
