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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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I Got a Robe - Flute Trio
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I got a robe. Voice, piano and cello trio
Cello,Piano,Voice - Level 1 - Digital Download SKU: A0.1342022 Composed by Anonimo.…
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Cello,Piano,Voice - Level 1 - Digital Download SKU: A0.1342022 Composed by Anonimo. Arranged by Ester Alessandrini. Christmas,Instructional,Praise & Worship,Religious,Wedding. Full Performance. Duration 73. Ester #927533. Published by ester (A0.1342022). Easy arrangement for voice, piano and cello trio of the gospel.
$2.00
1.87 €
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Anonimo
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Ester Alessandrini
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I got a robe. Voice, piano and cello trio
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ester
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SheetMusicPlus
Neuf Ésquisses ... Hommage à C.V.A. (2023)
2 Pianos, 8 mains
2 Pianos,8 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1377886 Composed b…
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2 Pianos,8 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1377886 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 38 pages. Thomas Oboe Lee #961575. Published by Thomas Oboe Lee (A0.1377886). I was recently invited to a farewell cocktail party for Robert Levin and Ya Fei Chuang on the occasion of their move from Cambridge, Massachusetts, to Salzburg where Ya Fei got a job teaching at the Mozarteum. John Harbison wrote a little piano duet for them, and it inspired me to looking into writing a grand duo for two pianos. Looking around, I discovered that Charles-Valentin Alkan (1813-1888) wrote a work with the title, Grand Duo Concertant for violin and piano. I immediately launched into a search for Alkan the composer and I discovered that he was a contemporary of Chopin, Franz Liszt, George Sand, and Victor Hugo. Like Liszt and Chopin, he wrote tons of music for the piano, and he was at the cusp of fame when he withdrew from society and remained a recluse for the last years of his life.Aside from the Grand Duo Concertant, I found his 49 Ésquisses to be especially lovely and beguiling. My work for two pianos is based on ideas from both works. I especially thought the beginning of the GDC fascinating because the LH sounded like a walking jazz bass line. That got me started on the Prelude, and then I organized the remaining movements of the work around the GDC with materials I found attractive in the 49 ésquisses.I. Prélude ... Assez animéII. La Vision ... Assez lentementIII. La Staccatissimo ... Allegro, TRIOIV. Barcarollette ... LentementV. L'enfer ... Lentement, PrestoVI. Grâces ... Assez lentementVII. Contredanse ... VivaceVIII. Petit Air Dolente ... AdagiettoIX. Fuguette ... Très carrémentThis work is dedicated to Jung-A and Min on the occasion of their wedding ceremony in December of 2023.
$9.99
9.35 €
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2 Pianos, 8 mains
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Thomas Oboe Lee
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Neuf Ésquisses ... Hommage à C.V.A.
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Thomas Oboe Lee
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SheetMusicPlus
Have You Ever Really Loved A Woman?
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.799116 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Dan Sanchez. Contemporary,Pop. Score and parts. 15 pages. Dan Sanchez #4776285. Published by Dan Sanchez (A0.799116). This arrangement of Have You Ever Really Loved a Woman? for String Quartet can also be performed with a String Trio, since the 2nd Violin part is optional. This song was featured in the 1995 film Don Juan DeMarco, starring Johnny Depp. It’s got a Spanish flair, which can be a lot of fun at wedding parties and receptions. 1st Violin hogs the melody, I’ll admit that. But the 2nd Violin adds some really nice harmony, and the Viola will stay quite busy! The Cello part is essential with its hearty bass line. One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages! Another great thing is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
12.15 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Bryan Adams
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Dan Sanchez
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Have You Ever Really Loved A Woman?
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Dan Sanchez
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.48 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
The Star-Spangled Banner
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933611 Composed by John St…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933611 Composed by John Stafford Smith. Arranged by Thomas Coker. Folk,Patriotic. Octavo. 4 pages. Thomas Rembert Coker Jr #3503513. Published by Thomas Rembert Coker Jr (A0.933611). In 2009 when Sanctuary Choir of South Main Baptist Church in Houston where I served as Music Minister was scheduled to sing the National Anthem for the Houston Astros baseball game, I carefully examined the several arrangements in our library and other resources. Finding nothing which met the simple, straight-forward criteria I was searching for, we created this simple arrangement. Since its addition to the music library it has proven very useful on numerous occasions for a variety of groups. About the National Anthem:The lyrics for The Star-Spangled Banner were written on September 14, 1814 from a British ship in the Baltimore Harbor where attorney Francis Scott Key had waited anxiously through the night as the twenty-five hour bombing of Ft. McHenry progressed. He had been sent to negotiate the release of an American civilian and then was held on board the ship. At the dawn’s early light when the flag could still be seen indicating the British had not taken the fort, he jotted down this poem which on March 3, 1931 finally became the National Anthem of the United States. Interestingly, it was Robert Ripley who in November of 1929 drew a panel in his syndicated cartoon, Ripley’s Believe It or Not stating Believe It or Not, America has no national anthem. With the encouragement of John Philip Sousa, President Herbert Hoover signed into law the adoption of The Star-Spangled Banner to rectify this situation. According to the Smithsonian, the melody, written by John Stafford Smith, was originally titled Anacreon in Heaven. Anacreon was an ancient Greek poet known for his love of wine and love. The song had become the constitutional song of a London gentlemen’s club called the Anacreontic Society. Could this explain the wide range of the melody? By utilizing this tune to the moving text, this once merry drinking song took on a bold new and powerful meaning. Thomas Coker, August 27, 2015
$1.99
1.86 €
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Chorale SATB
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utilizing this tune to the moving text, this once merry drinking song took on a bold new and powerful meaning
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John Stafford Smith
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Thomas Coker
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The Star-Spangled Banner
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Thomas Rembert Coker Jr
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SheetMusicPlus
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