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I Guess You Get It
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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I Guess You Get It
Partitions à imprimer
17 partitions trouvées
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1
Someone You Loved
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. B…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
4.6 €
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Trompette
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Someone You Loved
Clarinette
Clarinet Solo - Level 1 - Digital Download SKU: A0.507363 By Lewis Capaldi. By Benj…
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Clarinet Solo - Level 1 - Digital Download SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117503. Published by M das Melodias (A0.507363). Music score Someone You Loved for Clarinet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
4.6 €
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Clarinette
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Someone You Loved
Violoncelle
Cello Solo - Digital Download SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Le…
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Cello Solo - Digital Download SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117502. Published by M das Melodias (A0.505840). Music score Someone You Loved for Cello. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
4.6 €
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Violoncelle
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Someone You Loved
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.505824 By Lewis Capaldi. By Benjam…
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Violin Solo - Level 1 - Digital Download SKU: A0.505824 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. 1 pages. M das Melodias #117486. Published by M das Melodias (A0.505824). Music score Someone You Loved for violin. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
4.6 €
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Violon
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
I Guess You Get It (from No Hard Feelings)
Piano seul
By Earl Rose. This edition: scorch. Film/TV,Jazz,Pop. Score. 2 pages. Duration 122. …
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By Earl Rose. This edition: scorch. Film/TV,Jazz,Pop. Score. 2 pages. Duration 122. Hal Leonard - Digital #350474. Published by Hal Leonard - Digital
$4.99
4.6 €
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Piano seul
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Earl Rose
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I Guess You Get It
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Hal Leonard - Digital
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SheetMusicPlus
Lewis Capaldi - Someone You Loved
Piano, Voix
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Lewis Ca…
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Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Lewis Capaldi. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Someone You Loved" by Lewis Capaldi on piano!<br> <br> With this piano sheet music, you can play the piano part of "Someone You Loved" just like it is played in the song.<br> It's an accurate transcription of the piano accompaniment in the song's original key of Db major.<br> <br> These piano sheets come with a seperate system for the singer, the song's full melody and lyrics.<br> They are perfect if you want to accompany a singer, or sing along yourself!<br> <br> "Someone You Loved" was released in November 2018 as a single from Lewis Capaldi's EP "Breach".<br> <br> The song will also be included on his debut album "Divinely Uninspired to a Hellish Extent".<br> <br> "Someone You Loved" is an emotional piano ballad and his biggest hit so far, reaching #1 on the UK Singles chart!<br> <br> Here are the full lyrics to "Someone You Loved" by Lewis Capaldi:<br> <br> [Verse 1]<br> I'm going under and this time I fear there's no one to save me<br> This all or nothing really got a way of driving me crazy<br> I need somebody to heal<br> Somebody to know<br> Somebody to have<br> Somebody to hold<br> It's easy to say<br> But it's never the same<br> I guess I kinda liked the way you numbed all the pain<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Verse 2]<br> I'm going under and this time I fear there's no one to turn to<br> This all or nothing way of loving got me sleeping without you<br> Now, I need somebody to know<br> Somebody to heal<br> Somebody to have<br> Just to know how it feels<br> It's easy to say but it's never the same<br> I guess I kinda liked the way you helped me escape<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Bridge]<br> And I tend to close my eyes when it hurts sometimes<br> I fall into your arms<br> I'll be safe in your sound 'til I come back around<br> <br> [Chorus]<br> For now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> But now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you lovedHere's how to play "Someone You Loved" by Lewis Capaldi on piano!<br> <br> With this piano sheet music, you can play the piano part of "Someone You Loved" just like it is played in the song.<br> It's an accurate transcription of the piano accompaniment in the song's original key of Db major.<br> <br> These piano sheets come with a seperate system for the singer, the song's full melody and lyrics.<br> They are perfect if you want to accompany a singer, or sing along yourself!<br> <br> "Someone You Loved" was released in November 2018 as a single from Lewis Capaldi's EP "Breach".<br> <br> The song will also be included on his debut album "Divinely Uninspired to a Hellish Extent".<br> <br> "Someone You Loved" is an emotional piano ballad and his biggest hit so far, reaching #1 on the UK Singles chart!<br> <br> Here are the full lyrics to "Someone You Loved" by Lewis Capaldi:<br> <br> [Verse 1]<br> I'm going under and this time I fear there's no one to save me<br> This all or nothing really got a way of driving me crazy<br> I need somebody to heal<br> Somebody to know<br> Somebody to have<br> Somebody to hold<br> It's easy to say<br> But it's never the same<br> I guess I kinda liked the way you numbed all the pain<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Verse 2]<br> I'm going under and this time I fear there's no one to turn to<br> This all or nothing way of loving got me sleeping without you<br> Now, I need somebody to know<br> Somebody to heal<br> Somebody to have<br> Just to know how it feels<br> It's easy to say but it's never the same<br> I guess I kinda liked the way you helped me escape<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Bridge]<br> And I tend to close my eyes when it hurts sometimes<br> I fall into your arms<br> I'll be safe in your sound 'til I come back around<br> <br> [Chorus]<br> For now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> But now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved
$4.99
4.6 €
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Piano, Voix
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Lewis Capaldi
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Mario Stallbaumer
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Lewis Capaldi - Someone You Loved
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Mario Stallbaumer
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SheetMusicPlus
I Guess You Get It from No Hard Feelings - Piano Solo
Piano seul
Sheet Music for I Guess You Get It from No Hard Feelings arranged for Instrumental Solo in…
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Sheet Music for I Guess You Get It from No Hard Feelings arranged for Instrumental Solo in Eb Major. Digital sheet music from Musicnotes. --
$5.99
5.52 €
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Piano seul
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Piano Solo
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Musicnotes
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.83 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.74 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.83 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.83 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Lay Down, Stay Down
Basse electrique
Bass Guitar - Level 3 - Digital Download SKU: A0.1290549 By Deep Purple. By Ian Gil…
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Bass Guitar - Level 3 - Digital Download SKU: A0.1290549 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Tracy Dean McCallum. Rock. Score. 7 pages. Tracy Dean McCallum #881269. Published by Tracy Dean McCallum (A0.1290549). https://tracymccallum.com I don't care if my lady's goneAs long as you give me just what I wantI've been losin' my directionGotta find a new connectionYou have wasted the love I tastedNow I'm really gettin' hungry more and moreBeen a long time, had a bad signTell me what am I fighting for?Let me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downLookin' for trouble, I guess that's rightWhen I was young, I was taught to fightIt's been long gone since I had knownNow I'm headin' for some moreLet me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downLet me know you feel itYou know I really need itKeep on pushin' for moreLay down, stay downI got something to findThere's one thing I really needI'm gonna tell you right nowLay down, stay downSource: LyricFind
$7.99
7.37 €
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Basse electrique
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Deep Purple
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Tracy Dean McCallum
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Lay Down, Stay Down
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Tracy Dean McCallum
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SheetMusicPlus
Pearls
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1237726 Composed by Clarence Bern…
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Concert Band - Level 3 - Digital Download SKU: A0.1237726 Composed by Clarence Bernard Coffee, Coffee Clarence Jr., Jessica Lois Ware, Jessie Ware, Sarah Hudson, and Stuart Price. Arranged by John Ivor Holland. 21st Century,Disco,Pop,Singer/Songwriter. Score and Parts. 44 pages. John Ivor Holland #833229. Published by John Ivor Holland (A0.1237726). Nu Disco never sounded so good! In Jessie Ware's own words: “Pearls†is a record that doesn’t take itself too seriously but demands you to have a dance. It’s inspired by divas like Donna Summer, Evelyn “Champagne†King, Teena Marie and Chaka Khan and I guess attempts to show — in lightness — all the hats I try to wear (usually at the same time). It sounds just as good on the bandstand as it does on the radio, so bring out the glam at your next event and this is sure to get your audience dancing along!
$49.99
46.09 €
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Orchestre d'harmonie
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Clarence Bernard Coffee, Coffee Clarence Jr
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John Ivor Holland
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Pearls
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John Ivor Holland
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SheetMusicPlus
Passacaglia
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. …
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Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sally Whitwell (A0.873027). At the end of July 2016, I was in my hometown Canberra for a job interview. I was sick as a dog with laryngitis for the interview and audition. Imagine me trying to take a choir rehearsal with no voice? It was never going to happen for me and I was feeling pretty sorry for myself. Halfway back to Sydney on the bus, I get a text from my dear friend Emma. I don’t remember the exact words, but the gist of it was No easy way to say this. We lost Jeff today. Jeff being Emma’s beloved husband and all round awesome human. It was truly devastating. I didn’t know what to do. I felt terribly guilty for thinking of myself and my employment failure all day instead of thinking of Emma and Jeff, even though that was completely irrational. Didn’t want to call because I knew she’d have enough stuff to deal with. Couldn’t turn around cos Public Transport. Had lost the ability to formulate sentences because in that situation, there are no words. So I fell back into the place where I express most clearly. Music. And into my native habitat, the piano. Passacaglia came flowing out very quickly. I hardly stopped to edit. Normally I would try to plan a composition a bit, so that it’s structurally sound. I didn’t do that but somehow it just emerged fully formed. I sent it to Emma who asked if I could come and perform it at the memorial service. But I couldn’t make it to the memorial. And you know what the saddest thing is? I can’t even now remember why, which means it can’t have actually been that important. Instead I created an electronic file of the piece, with more sounds than just piano. I hope it worked ok. Emma told me later that after the funeral when she suddenly found herself alone, she just played it over and over again on repeat. So I guess it did its job, but now it’s ready to make its own way in the world in its original version for solo piano. I hope it can bring some solace to others in grief
$2.99
2.76 €
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Piano seul
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Sally Whitwell
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Passacaglia
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Sally Whitwell
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SheetMusicPlus
Happy Place
Chorale 2 parties
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whi…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
1.83 €
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Chorale 2 parties
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Brahms Lullaby
Trio à Cordes: 2 violons, violoncelle
String Ensemble,String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.884228
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String Ensemble,String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.884228 Composed by Johannes Brahms. Arranged by Halley Feaster. Romantic Period. Score and parts. 5 pages. Halley Feaster #4331285. Published by Halley Feaster (A0.884228). This is a String Trio (Violin I, Violin II, Cello) arrangement of the Brahm's Lullaby, AKA Guten Abend, Gute Nacht, AKA Ukolébavka.It's on the simpler side, with no syncopations. I arranged this for a couple of my intermediate violin students to play together - I guess the cello part is slightly more difficult because of the leaps throughout, but still manageable, and would be a great training opportunity for a budding cellist.Easy to put together, short and sweet. Hope you like it!
$6.99
6.44 €
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Trio à Cordes: 2 violons, violoncelle
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Johannes Brahms
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Halley Feaster
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Brahms Lullaby
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Halley Feaster
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SheetMusicPlus
12 Evocations (for Piano solo)
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionist…
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Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
“Évocations” is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.<br> <br> These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.<br> <br> Evocation I – The Harvest<br> <br> The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.<br> <br> Evocation II – The Sepia photograph<br> <br> Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.<br> <br> Evocation III – The dead soldier<br> <br> The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.<br> <br> Evocation IV – The composer<br> <br> The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.<br> <br> Evocation V – The Glowing Sun<br> <br> The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn – she spins and swirls with heavenly grace.<br> <br> Evocation VI – The Far<br> <br> Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...<br> <br> Evocation VII – The Queen of Spades<br> <br> The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.<br> <br> Evocation VIII – The Poem<br> <br> A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?<br> <br> Evocation IX – The Thinker<br> <br> A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.<br> <br> Evocation X – The Island of the Hydrangeas.<br> <br> A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.<br> <br> Evocation XI – The Near<br> <br> When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.<br> <br> Evocation XII –Saffron rice<br> <br> The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.“Évocations” is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.<br> <br> These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.<br> <br> Evocation I – The Harvest<br> <br> The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.<br> <br> Evocation II – The Sepia photograph<br> <br> Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.<br> <br> Evocation III – The dead soldier<br> <br> The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.<br> <br> Evocation IV – The composer<br> <br> The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.<br> <br> Evocation V – The Glowing Sun<br> <br> The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn – she spins and swirls with heavenly grace.<br> <br> Evocation VI – The Far<br> <br> Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...<br> <br> Evocation VII – The Queen of Spades<br> <br> The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.<br> <br> Evocation VIII – The Poem<br> <br> A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?<br> <br> Evocation IX – The Thinker<br> <br> A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.<br> <br> Evocation X – The Island of the Hydrangeas.<br> <br> A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.<br> <br> Evocation XI – The Near<br> <br> When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.<br> <br> Evocation XII –Saffron rice<br> <br> The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99
23.96 €
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Piano seul
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
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