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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Had a Cat
Non classifié
280
Piano & claviers
Piano seul
111
Piano, Voix et Guitare
30
Orgue
23
Piano, Voix
17
2 Pianos, 4 mains
9
Instruments en Do
6
Piano grosses notes
5
Piano Facile
5
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
13
Guitare notes et tablatures
2
Basse electrique
2
Mandoline, Guitare (duo)
1
Voix
Chorale SATB
37
Chorale 3 parties
6
Chorale TTBB
5
Voix Soprano, Piano
4
Chorale 2 parties
3
Chorale Unison
1
Voix Alto, Piano
1
Voix seule
1
Voix duo, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Ensemble de saxophones
28
Clarinette
12
Ensemble de Clarinettes
11
Flûte traversière
6
Quintette de Flûte : 5 flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto et Piano
4
Saxophone Baryton
4
Hautbois
4
Saxophone Alto
4
Saxophone Soprano
4
2 Saxophones (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Piano (duo)
3
Saxophone Tenor
3
Flûte traversière et Piano
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette et Piano
3
3 Saxophones (trio)
2
Ensemble de Flûtes
2
Flute (partie séparée)
2
Saxophone Tenor et Piano
2
Hautbois (partie séparée)
2
Clarinette, Violoncelle (duo)
1
Cor anglais, Piano
1
2 Clarinettes (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Violoncelle
1
Saxophone Baryton, Piano
1
Cor Anglais
1
Flûte, Basson et Piano
1
Hautbois, Basson (duo)
1
Flûte, Violon, Piano
1
Saxophone Soprano et Piano
1
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
Piccolo
1
2 Flûtes traversières (duo)
1
+ 37 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres
11
Ensemble de Trombones
10
Cor
9
Ensemble de Trompettes
6
Trompette
6
Tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone
4
Trombone et Piano
4
Ensemble de Cors
3
Cor et Piano
3
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
1
Tuba et Piano
1
Cor anglais, Piano
1
Trombone (partie séparée)
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
Cor Anglais
1
Trompette (partie séparée)
1
Trompette, Piano
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon
10
Trio à Cordes: violon, alto, violoncelle
9
Violon et Piano
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Ensemble de Violons
6
Contre Basse
6
Ensemble d'Altos
6
Violoncelle
6
Alto seul
5
Harpe
4
2 Violons (duo)
4
Violoncelle, Piano
3
2 Altos (duo)
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Alto (duo)
2
Alto, Piano
2
Violon, Violoncelle (duo)
2
Alto, Violoncelle (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
65
Orchestre
24
Orchestre à Cordes
20
Orchestre de chambre
12
Ensemble Jazz
9
Jazz combo
7
Ensemble de Percussions
3
Ensemble de cuivres
2
Marimba
1
Piano et Orchestre
1
Vibraphone
1
2 Marimbas
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Artistes
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Achats pour Musiciens
Partitions Numériques
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Partitions Gratuites
1 312
Partitions Numériques
1 221
Librairie Musicale
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
I Had a Cat
Partitions à imprimer
1 221 partitions trouvées
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1201
I Had a Cat
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Piano, Voix et Guitare
#
FACILE
#
Hal Wright
#
Hal Wright
#
I Had a Cat
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Tyler Hilderbrand
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.873418 Composed by Hal Wright. Arranged by Hal Wright. Children,Instructional. Score. 1 pages. Tyler Hilder...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.873418 Composed by Hal Wright. Arranged by Hal Wright. Children,Instructional. Score. 1 pages. Tyler Hilderbrand #4808859. Published by Tyler Hilderbrand (A0.873418). This classic song is easy-to-read, fun to play, and features a single line melody along with the full score for the intermediate piano player. Guitar chords also included. Perfect for use at home or school. Fun, professional arrangement by Hal Wright.
$2.99
I Had A Little Nut Tree (SA)
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Chorale 2 parties
#
FACILE
#
English nursery rhyme
#
Carol Troutman Wiggins
#
I Had A Little Nut Tree
#
Carol Troutman Wiggins
#
SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.727474 Composed by English nursery rhyme. Arranged by Carol Troutman Wiggins. Children,Early Music,Folk,Instructio...
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Choral Choir (SA) - Level 2 - SKU: A0.727474 Composed by English nursery rhyme. Arranged by Carol Troutman Wiggins. Children,Early Music,Folk,Instructional,Traditional. Octavo. 3 pages. Carol Troutman Wiggins #4295913. Published by Carol Troutman Wiggins (A0.727474). I HAD A LITTLE NUT TREESA/2-Part Equal or Mixed VoicesThis old English nursery rhyme was first published in the late 1700s in a publication called the Newest Christmas Box, printed in London in 1797, but was believed to be much older. It has been said that the text could refer to Henry VIII, Catherine of Aragon and Henry's problems in producing suitable offspring. Excellent for upper elementary and middle school studentsEasy harmony in 3rds, descants for the sopranosOptional handbells; cues in the scoreChords included for addiotional instrumentsAdd harp or classical guitarPiano Accompaniment Track available on this site.
$2.50
I Had A Little Nut Tree (SA) Piano Accompaniment Track
#
Accompagnement Piano
#
Contemporain
#
English nursery rhyme
#
Carol Troutman Wiggins
#
I Had A Little Nut Tree
#
Carol Troutman Wiggins
#
SheetMusicPlus
Handbell,Piano - SKU: A0.1065660 Composed by English nursery rhyme. Arranged by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 87. Carol ...
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Handbell,Piano - SKU: A0.1065660 Composed by English nursery rhyme. Arranged by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 87. Carol Troutman Wiggins #4295923. Published by Carol Troutman Wiggins (A0.1065660). I HAD A LITTLE NUT TREE (Piano Track)SA/2-Part Equal or Mixed VoicesThis old English nursery rhyme was first published in the late 1700s in a publication called the Newest Christmas Box, printed in London in 1797, but was believed to be much older. It has been said that the text could refer to Henry VIII, Catherine of Aragon and Henry's problems in producing suitable offspring. Excellent for upper elementary and middle school studentsEasy harmony in 3rds, descants for the sopranosOptional handbells; cues in the scoreChords included for addiotional instrumentsAdd harp or classical guitar.
$9.99
Symphonische Toccata
#
Orgue
#
Christian Jost
#
Symphonische Toccata
#
Schott Music - Digital
#
SheetMusicPlus
Organ - SKU: S9.Q45410 Für Orgel. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Dig...
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Organ - SKU: S9.Q45410 Für Orgel. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q45410. Published by Schott Music - Digital (S9.Q45410). There is no other work more closely associated with the organ than Johann Sebastian Bach’s Toccata in D minor. During my compositional preparation, I repeatedly found myself returning to this work. I had a number of different formal models in mind, but felt myself gravitating towards the rhapsodic character of toccata form so that my new composition for organ ultimately became a toccata developing from a pedal point on the fundamental note ’D’. As is appropriate to the volume of a large modern organ, my concept focuses on symphonic tonal layers whose suggestive maelstrom originates from the inner strength of repeating elements and their register- like augmentation, culminating in the unleashing of polyrhythmic progressions. (Christian Jost).
$16.99
When I Had a Uniform On
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
FACILE
#
Comédie Musicale
#
Cole Porter
#
Bill Wilson
#
When I Had a Uniform On
#
Alexander Wilson
#
SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775153 Composed by Cole Porter. Arranged by Bill Wilson. Broadway,Musical/Show. 19 pages. Alexander Wilson #3529613. P...
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Brass Quintet - Level 2 - SKU: A0.775153 Composed by Cole Porter. Arranged by Bill Wilson. Broadway,Musical/Show. 19 pages. Alexander Wilson #3529613. Published by Alexander Wilson (A0.775153). Master Broadway composer Cole Porter's When I Had a Uniform On is a cute patriotic song, with Cole Porter taking a wistful yet very tongue-in-cheek look backward to the extra status that wearing a service uniform conveyed. Our arrangement primarily splits melody responsibilities between first trumpet, French horn, and trombone. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 3:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Oh, That I Had a Thousand Voices
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Johann B
#
David Christensen
#
Oh, That I Had a Thousand Voic
#
David Christensen
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.997691 Composed by Johann B. König. Arranged by David Christensen. Sacred. Individual part. 6 pages. Davi...
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Instrumental Solo,Organ - Level 4 - SKU: A0.997691 Composed by Johann B. König. Arranged by David Christensen. Sacred. Individual part. 6 pages. David Christensen #603353. Published by David Christensen (A0.997691). This arrangement begins with a powerful statement of the theme on a trumpet stop and ends with a toccata. Appropriate for postlude or recital.
$5.99
If I Had A Hammer (the Hammer Song)
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Trini Lopez
#
Jim Farley www
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If I Had A Hammer
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Jim Farley arrangementsone.com
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - SKU: A0.765171 By Trini Lopez. By Lee Hays and ...
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Small Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - SKU: A0.765171 By Trini Lopez. By Lee Hays and Pete Seeger. Arranged by Jim Farley www.arrangementsone.com. Contemporary,Country,Folk,Latin,Standards. Score and parts. 44 pages. Jim Farley arrangementsone.com #4992659. Published by Jim Farley arrangementsone.com (A0.765171). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$29.99
If I Had A Hammer (The Hammer Song)
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Orgue
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Folklorique/Traditionel
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Peter Paul and Mary and Trini
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If I Had A Hammer
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Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.569713 By Peter Paul and Mary and Trini Lopez. This edition: scorch. E-Z Play Today. Folk. Score....
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.569713 By Peter Paul and Mary and Trini Lopez. This edition: scorch. E-Z Play Today. Folk. Score. 3 pages. Hal Leonard - Digital #387410. Published by Hal Leonard - Digital (HX.569713). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
I Had A Beautiful Time
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Piano Facile
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Country
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Merle Haggard
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I Had A Beautiful Time
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Hal Leonard - Digital
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SheetMusicPlus
Piano - SKU: HX.1134886 By Merle Haggard. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonard - Digital #358193. Published by Hal...
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Piano - SKU: HX.1134886 By Merle Haggard. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonard - Digital #358193. Published by Hal Leonard - Digital (HX.1134886). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
I Had A Little Nut Tree
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Orgue
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Enfant
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I Had A Little Nut Tree
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Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.508863 This edition: scorch. E-Z Play Today. Children. Score. 1 pages. Published by Hal Leonard -...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.508863 This edition: scorch. E-Z Play Today. Children. Score. 1 pages. Published by Hal Leonard - Digital (HX.508863). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
I Had a Dream
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Ken Piche
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Ken Piche
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Breathe Taking
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I Had a Dream
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Ken Piche
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SheetMusicPlus
Level 3 - SKU: A0.979485 Composed by Ken Piche. Arranged by Ken Piche. Film/TV,Instructional,Multicultural,Pop,World. 18 pages. Ken Piche #3908083. Publ...
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Level 3 - SKU: A0.979485 Composed by Ken Piche. Arranged by Ken Piche. Film/TV,Instructional,Multicultural,Pop,World. 18 pages. Ken Piche #3908083. Published by Ken Piche (A0.979485). Breathe Taking Beautiful Memorable Catchy Unforgetable Dreamy Relaxing Most of the proceeds from the sales of my music going to Sick Children;s Hospitals Cancer Heart and Stroke and Diabeties
$1.99
Fifth Book of Madrigals ("I Tatti")
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Gavin Bryars
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Fifth Book of Madrigals
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Schott Music - Digital
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SheetMusicPlus
Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score....
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Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score. Schott Music - Digital #Q42747. Published by Schott Music - Digital (S9.Q42747). Italian.The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti, who was a specialist in Bronzino and Pontormo. Bronzino's sonnet is a lament on the death of Pontormo, his teacher; Laura Battiferri's poem is a direct response to that of Bronzino. As I was also asked to set sonnets by Petrarca, I chose two of his closely linked sonnets, numbers 229 and 230 in the Rime Sparse. I had written a work for I Tatti some five years earlier setting Petrarca (A qualunque animale, the first in my Fourth Book of Madrigals) and was familiar with the context. However, through correspondence with Kathryn Bosi, Music Librarian at I Tatti and, through her, Craig Smyth's family, I became increasingly aware of his unusual and quite special character. From his undergraduate days at Princeton and indeed throughout his life, although a great scholar and writer, he was at the same time an aficionado of jazz, loving above all Louis Armstrong, being photographed with Duke Ellington, taking his children to see Thelonious Monk, listening to Ben Webster and playing the tenor saxophone himself. Indeed, he had told Kathryn Bosi that he had been proud to walk in procession at the funerals of black musicians in New Orleans. In some ways his life was almost an obverse mirror image of parts of my own - I was a professional jazz musician but found myself teaching art history for a time. As Fiorella Superbi of I Tatti has said: Craig was a maestro di vita. I raise a glass in his memory and dedicate these sonnets to him. Gavin Bryars.
$16.99
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
If I Only Had A Brain
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E
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Gilbert Taunton
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If I Only Had A Brain
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Gilbert Taunton
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1227069 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Gilbert Taunton. Broadway,Children,Film/TV,Musical/Show. 1...
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Guitar - Level 2 - SKU: A0.1227069 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Gilbert Taunton. Broadway,Children,Film/TV,Musical/Show. 13 pages. Gilbert Taunton #823076. Published by Gilbert Taunton (A0.1227069). Looking for a unique and captivating addition to your school music class or ensemble? Look no further than our classical guitar arrangement of the timeless classic, If I Only Had a Brain from the beloved film, The Wizard of Oz.Our arrangement perfectly captures the essence of this iconic song with beautiful, intricate guitar work that will transport listeners to the magical land of Oz. Featuring both melodic and harmonic elements, this piece will challenge and delight guitar players of all levels.Perfect for school classes and ensembles, our If I Only Had a Brain arrangement is the perfect way to add variety and excitement to your repertoire. With its uplifting message and catchy tune, this song is sure to capture the hearts of your audience and leave them humming along for days to come.So why wait? Add our classical guitar arrangement of If I Only Had a Brain to your repertoire today and give your music class or ensemble the unique and captivating sound they deserve!
$17.00
Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
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Juliana Hall
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Buffalo Dusk: Song for Soprano
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company -...
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Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #9229-E. Published by E. C. Schirmer Music Company - Digital (MQ.9229-E). English.Written for Jun Mo Yang, a young tenor studying in the graduate Vocal Arts Program at the Bard Conservatory of Bard College. He and his fellow students were working on a special project studying contemporary composers whose work engages with climate change, environmentalism, and the natural environment. The students had been asked to read a chapter from David Haskell’s Sounds Wild and Broken and had further been given the following direction to guide them: “we are assigning each of you to a project in which you will seek out song repertoire from a living composer whose work responds to climate change or the natural environment, heightening our connection to and awareness of the natural world. This topic has arisen from a call to Bard faculty to #MakeClimateAClass: Bard faculty are urged to use our collective power as educators to engage with the climate change crisis.â€Jun wrote to me that he was drawn to my music and asked whether any of my songs might fit within this subject area. At the time I had plenty of songs that spoke of the natural world, but none I could categorize as specifically dealing with the class’ more narrow focus, so I offered to write this song on a poem by one of my favorite poets, Carl Sandburg, who even by the early twentieth century was noting the degradation of the natural environment and its impact on life of all kinds trying to adjust to changed circumstances brought on in one way or another by man. I quickly found the poem Buffalo Dusk, seeing how strongly it speaks of the extinction of species and the loss that represents. Jun and his teachers remarked what a “beautiful and sad poem†it was, so in short order I was pleased to present this song to Jun, who gave Buffalo Dusk its first performance in April of 2023 at the Bard Conservatory.
$9.95
OF LIGHT AND SHADOW (A NEW YEAR)
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Contemporain
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Monica Bergo
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OF LIGHT AND SHADOW
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Moni Bergo
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SheetMusicPlus
Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Publis...
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Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Shadow Dances
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dan Chadburn
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Shadow Dances
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Dan Chadburn Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.744820 Composed by Dan Chadburn. Concert,Contemporary,New Age,Spiritual,Standards. Score. 8 pages. Dan Chadburn Music #60...
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Piano Solo - Level 4 - SKU: A0.744820 Composed by Dan Chadburn. Concert,Contemporary,New Age,Spiritual,Standards. Score. 8 pages. Dan Chadburn Music #6063363. Published by Dan Chadburn Music (A0.744820). Shadow Dances is one of more than 300 piano improvisations Dan Chadburn first created in 1996, each one played on an electronic midi piano into a computer's memory using MOTU's Performer software. In late 1997, Dan transcribed nine of these improvisations, including Shadow Dances, and recorded each of them in early 1998 at Bias Studios in Springfield, Virginia, along with four new improvisations. These thirteen tracks were then released on Dan's 1998 award-winning album, Solo Piano.In her review at MainlyPiano.com, Kathy Parsons wrote, Dan Chadburn's debut recording is a soaring collection of thirteen wonderful compositions and improvisations. Some solo piano albums seem a bit empty and in need of accompaniment, but Dan clearly indicates why solo piano can be the most expressive of any musical medium. I've probably listened to this album at least twenty times, but each time, I've discovered something new, and the songs always seem as fresh as the first time I heard them.For more information about Dan Chadburn and his music, visit his website at www.DanChadburn.com
$5.50
Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band Version Score and Parts PD
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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Shades of Eltham
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by...
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Concert Band - Level 3 - SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by BJE Music (A0.750863). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about the two thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way.I hope you enjoy my musical tribute to the Shades. The MP3 was recorded with NotePerformer.Now available as an orchestral arrangement as well. See Related Scores.
$30.00
Shades of Eltham - Orchestra
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Orchestre
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Contemporain
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Brendan Elliget
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Shades of Eltham - Orchestra
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BJE Music
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SheetMusicPlus
Full Orchestra - SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by BJE Music (A0.75...
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Full Orchestra - SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by BJE Music (A0.750708). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Orchestral VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about two-thirds of the way into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the Shades.The MP3 has been recorded with Note Performer.Grade = 4 Duration = 7:20 Mins
$30.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Shadow Puppets (String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Dave Kenney
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Shadow Puppets
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davekenneymusic
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.966499 Composed by Dave Kenney (davekenneymusic@gmail.com). 20th Century,Contemporary,World. Score and...
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String Quartet String Quartet - Level 5 - SKU: A0.966499 Composed by Dave Kenney (davekenneymusic@gmail.com). 20th Century,Contemporary,World. Score and parts. 22 pages. Davekenneymusic #3638713. Published by davekenneymusic (A0.966499). Shadow Puppets is the second movement of my first string quartet. My inspiration came from watching a video of a shadow puppet show presented in Indonesia. The puppets irregular and sudden movements inspired me to use the pizzicato and arco staccato sounds of the string quartet. The music is essentially a playful fugue with the second violin stating the main subject in imitation and which recurs frequently in the course of the work. I used a lot of different time signatures to mimic the irregular movements of the puppets.The fabric of the string quartet is based on my studies of the Bartok quartets with my composition teacher in NYC, Hall Overton. (davekenneymusic@gmail.com).length 2 minutes 52 seconds Thanks Dave Kenney copyright davekenneymusic 2013 https://youtu.be/CYROP1dQnLk
$5.99
I'll Never Fall In Love Again
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Dionne Warwick
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John Fries
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I'll Never Fall In Love Again
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sh...
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C Instrument - Level 4 - SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #987069. Published by John Fries (A0.1403900). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. In the fall of 1968, Bacharach and David were in Boston for previews of Promises, Promises, the new musical for which producer David Merrick had asked if they would write the score, and Merrick realized, We're missing a song in the middle of the second act, and what we need is something the audience can whistle on their way out of the theater. But around this time, Bacharach was hospitalized with pneumonia and wasn't able to sit at a piano to write the music until after he was released. By that time Hal had already come up with the lyrics to 'I'll Never Fall in Love Again,' and my hospital stay had inspired him to write, 'What do you get when you kiss a girl? You get enough germs to catch pneumonia. After you do, she'll never phone you.' When he finally sat with the lyrics in front of him, he recalls, I wrote the melody for 'I'll Never Fall in Love Again' faster than I had ever written any song in my life..
$3.99
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I Had a Cat