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I Have A Shelter - Full Score
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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I Have A Shelter - Full Score
Partitions à imprimer
10 partitions trouvées
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
A Song For You
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Piano, Voix
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INTERMÉDIAIRE
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The Carpenters
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Dave Gingras and John E
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A Song For You
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1266450 By The Carpenters. By Leon Russell. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz,Pop. Score. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1266450 By The Carpenters. By Leon Russell. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz,Pop. Score. 4 pages. DAVID LEE GINGRAS #859188. Published by DAVID LEE GINGRAS (A0.1266450). A Song for You is a song written and originally recorded by rock singer and pianist Leon Russell for his first solo album Leon Russell, which was released in 1970 on Shelter Records. A slow, pained plea for forgiveness and understanding from an estranged lover, the tune is one of Russell's best-known compositions. Russell sang, played piano, and played tenor horn on the recording. This version features a root-based chord blocking that John and I have used in a number of our arrangements and we added what we think are some pretty cool left-hand fills! We hope you like what we've done with this awesome tune, it's one of John and my favorites!
$4.99
Vikki Cook: I Have A Shelter (complete set of parts) - orchestra/band (Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Vikki Cook
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Virtualsheetmusic
Instantly printable sheet music by Richard Kingsmore for orchestra/band (Orchestra) of MEDIUM skill level. / contemporary,concert,sacred,hymn
Instantly printable sheet music by Richard Kingsmore for orchestra/band (Orchestra) of MEDIUM skill level. / contemporary,concert,sacred,hymn
$79.99
A Quiet Place
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Take 6
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Jim Fieldhouse
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A Quiet Place
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Nefarious Music Publications
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.875870 By Take 6. By Ralph C...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.875870 By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Jazz. 9 pages. Nefarious Music Publications #4408528. Published by Nefarious Music Publications (A0.875870). Take 6, the american a cappella vocal group, formed in the 1980s.They soon gained critical acclaim and a succession of albums were released. They have worked with some of the biggest names in pop music, R&B and jazz and are still performing today. A Quiet Place was written my Ralph Carmichael in 1967 but the 1988 recording by Take 6 is the most well loved version of this song.This quartet arrangement is scored for two alto saxes, tenor and baritone. In order to bring Take 6's beautiful setting of Ralph Carmichael's music & lyrics to life, all four players will need to capitalise on the vocal fluidity of the saxophone sound. the lyrics (listed below) will give performers an indication of the atmosphere they are looking to create.There is a quiet placeFar from the rapid paceWhere God can soothe my troubled mindSheltered by tree and flowerThere in my quiet hourWith Him my cares are left behindWhether a garden smallOr on a mountain tallNew strength and courage there I find Then from this quiet placeI go prepared to faceA new day with love for all mankindEnjoy!
$20.00
Down Among The Sheltering Palms
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Piano, Voix
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Frank Sinatra
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Dave Gingras and John E
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Down Among The Sheltering Palm
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1434001 By Frank Sinatra. By James Brockman and Abe Olman. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musica...
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Piano,Vocal,Voice - SKU: A0.1434001 By Frank Sinatra. By James Brockman and Abe Olman. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1014243. Published by DAVID LEE GINGRAS (A0.1434001). Down Among the Sheltering Palms is a popular song. The music was written by Abe Olman, the lyrics by James Brockman and Leo Wood. The song was first published in 1914 by Olman who heavily marketed it in the Chicago region. Music publisher Leo Feist acquired it from Olman and gave it to Al Jolson to perform on stage. This Public Domain version was developed from the original sheet music and makes use of a root-based chord blocking that John and I have used in a number of our arrangements. We hope you like what we've done with this grand old tune!
$3.99
Preghiera
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Piano seul
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Monica Bergo
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Preghiera
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976836 Composed by Monica Bergo. Christian,Sacred,Spiritual. Score. 7 pages. Monica Bergo #3235483. Published by Monica Bergo (A0.9...
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Piano Solo - SKU: A0.976836 Composed by Monica Bergo. Christian,Sacred,Spiritual. Score. 7 pages. Monica Bergo #3235483. Published by Monica Bergo (A0.976836). 2017 Holiday Contest EntryPrayer I remember, as a child That church scared me low voices, eyes down And people did not laugh Your suffering face From the cross looking at me your hands tormented And the blood dripping And I remember those nights when I will praying and invoked you Change quickly my life Only this I was wondering And I was fragile Like a leaf in the wind so useless prey to every torment and I was still but always in motion voice of the soul screaming without complaint I remember gray days in which I was looking for you, and you begged and the silence around me amplified my empty and retrace the hours when there was nothing to hold onto and the question was: God exist or not? Kneeling in your church They say this is your home I am seeking warmth and yet I feel stateless And it was cold the bench, as my heart I look at your mother and her pain To be loved, is what I want too And I will pray It will be an incredible dialogue Inside me I hear you in every fiber of my being and reborn we are born to regret because every day here we die a little ' I will rise again? and I will pray and your voice that will envelop me already it turns into freedom you, father, friend You know that peace do not ever leave me stops my time at this moment while you're in me, so present I ask for nothing more and you are shelter and belief a search of attention I always hovering well between damnation and redemption no fate is already sealed and you delete my past and my days without faith I leave them behind me a thousand prayers I will invent I do not follow a book, I have only one chant written by my Lord, I do not see but it is always beside me ... .. Monica Bergo
$3.99
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Yuki-Onna (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Pub...
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Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
Yuki-Onna (piano 4-hands)
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. P...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
Oh! Amber-Haired Nora
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Piano, Voix
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INTERMÉDIAIRE
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Celtique/Irlandais
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Moy's lovely vale,
Her ric
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Irish Traditional
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Konrad Harley
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Co
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Oh! Amber-Haired Nora
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Konrad Harley
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1462640 Composed by Irish Traditional. Arranged by Konrad Harley. Celtic,Irish. Score. 4 pages. Konrad Harley #104...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1462640 Composed by Irish Traditional. Arranged by Konrad Harley. Celtic,Irish. Score. 4 pages. Konrad Harley #1041399. Published by Konrad Harley (A0.1462640). Based on a traditional Irish air from The Minstrelsy of Ireland, ed. Alfred Moffat (London: Augener & Co., 1897), p. 170. Arranged by Konrad Harley (1986-), 2024.Lyrics: Oh! amber-hair'd Nora, That thy fair head could restOn the arm that would shelterOr circle thy breast:Thou hast stol'n all my brain, love,And then left me lone--Though I'd cross o'er the main, love,To call thee my own.My fair one is dwelling By Moy's lovely vale,Her rich locks of amber Have left my cheek pale;May the king of the SabbathYet grant me to seeMy herds in the green lanesOf fair Baileath-Buidhe!
$3.00
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I Have A Shelter - Full Score