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I Hear The Cry
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--INSTRUMENTS--
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I Hear The Cry
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
A Cry O Africa 1
Guitar - Digital Download SKU: A0.1066743 Composed by THEMIS KOUTRAS. Christian,Gos…
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Guitar - Digital Download SKU: A0.1066743 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 372. THEMIS KOUTRAS #5046331. Published by THEMIS KOUTRAS (A0.1066743). This a song about the 3rd world in hope a prayer is given that GOD may help with those that do help may help even more for the children and people die in the so many daily they are treated worse than a animal not to be looked after now all humans have the right to be looked after and to look after each other the rights of these people are taken away from them and everyone that is those not caring just turn a blind eye not to see or hear there cry some do not even care at all so I wrote this song in hope one day everyone will wake up out of that horror nightmare of sin and crime and give freely to all the needy in a way that the problem be solved forever from then on please show your support and help these poor people they are not animals they are human beings with no rights even the animals have more right then they do please give them there right back to live
$3.99
3.68 €
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THEMIS KOUTRAS
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A Cry O Africa 1
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THEMIS KOUTRAS
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SheetMusicPlus
I Want It All
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583201 By Queen. By Brian Ma…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583201 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jeff Tincher. Rock. Score. 28 pages. Jeff Tincher #3594105. Published by Jeff Tincher (A0.583201). As the song says Hear the cry of youth!. This is a piano/vocal/guitar arrangement of one of Queen's later hits. In the original key from their The Miracle CD, this song has a few changes both tempo and meter. It is what Queen does best, create anthems that stand the test of time. Great for any live venue ! Duration = 3:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.52 €
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Piano, Voix
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Queen
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Jeff Tincher
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I Want It All
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Jeff Tincher
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SheetMusicPlus
I Want It All
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583203 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jeff Tincher. Rock. 65 pages. Jeff Tincher #3594113. Published by Jeff Tincher (A0.583203). As the song says Hear the cry of youth!. This is a Saxophone Quartet arrangement of one of Queen's later hits. In the original key from their The Miracle CD, this song has a few changes both tempo and meter. It is what Queen does best, create anthems that stand the test of time. Great for any live venue ! Duration = 3:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.98 €
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Quatuor de Saxophones: 4 saxophones
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Queen
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Jeff Tincher
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I Want It All
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Jeff Tincher
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SheetMusicPlus
I Want It All
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.583204 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jeff Tincher. Rock. 85 pages. Jeff Tincher #3594115. Published by Jeff Tincher (A0.583204). As the song says Hear the cry of youth!. This is a Woodwind Quartet arrangement of one of Queen's later hits. In the original key from their The Miracle CD, this song has a few changes both tempo and meter. It is what Queen does best, create anthems that stand the test of time. Great for any live venue ! Duration = 3:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.98 €
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Flûte, Hautbois, Clarinette, Basson
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Queen
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Jeff Tincher
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I Want It All
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Jeff Tincher
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SheetMusicPlus
I Want It All
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.583202 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jeff Tincher. Rock. Score and parts. 85 pages. Jeff Tincher #3594111. Published by Jeff Tincher (A0.583202). As the song says Hear the cry of youth!. This is a String Quartet arrangement of one of Queen's later hits. In the original key from their The Miracle CD, this song has a few changes both tempo and meter. It is what Queen does best, create anthems that stand the test of time. Great for any live venue ! Duration = 3:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.98 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Queen
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Jeff Tincher
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I Want It All
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Jeff Tincher
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SheetMusicPlus
O Taste and See that the Lord Is Good (2-Part)
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.727462 Composed by Carol Tro…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.727462 Composed by Carol Troutman Wiggins. Christian,Contemporary,Contest,Festival,Religious,Sacred. Octavo. 11 pages. Carol Troutman Wiggins #4111629. Published by Carol Troutman Wiggins (A0.727462). O TASTE AND SEE THAT THE LORD IS GOOD2-Part Mixed or Equal VoicesWith text adapted from Psalm 34, the message of this upbeat and energetic song is that we should see the Lord's goodness and fear Him! O taste and see that the Lord is good; Blessed is the man who trusts in Him! Oh, fear the Lord, you His saints! There is no want to those who fear Him. But those who seek the Lord shall not lack any good thing. Come, you children, listen to me; I will teach you the fear of the Lord. The eyes of the Lord are on the righteous, and His ears are open to their cry. The righteous cry out, and the Lord hears, and delivers them out of all their troubles. The Lord is near to those who have a broken heart, and saves those that have a contrite spirit. Excellent for advanced upper elementary and above, and any 2-part church choir. Syncopated melody and accompaniment High energy and excitement Excellent for concert, church anthem or offertory.Piano Accompaniment Track on this site.
$2.50
2.3 €
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Chorale 2 parties
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Carol Troutman Wiggins
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O Taste and See that the Lord Is Good
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Carol Troutman Wiggins
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SheetMusicPlus
O Taste and See that the Lord Is Good (Piano Accompaniment Track)
Choir,Piano,Voice - Digital Download SKU: A0.1065649 Composed by Carol Troutman Wig…
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Choir,Piano,Voice - Digital Download SKU: A0.1065649 Composed by Carol Troutman Wiggins. Christian,Sacred,Standards. Accompaniment. Duration 143. Carol Troutman Wiggins #4111633. Published by Carol Troutman Wiggins (A0.1065649). O TASTE AND SEE THAT THE LORD IS GOOD (Piano Track)2-Part Mixed or Equal VoicesWith text adapted from Psalm 34, the message of this upbeat and energetic song is that we should see the Lord's goodness and fear Him! O taste and see that the Lord is good; Blessed is the man who trusts in Him! Oh, fear the Lord, you His saints! There is no want to those who fear Him. But those who seek the Lord shall not lack any good thing. Come, you children, listen to me; I will teach you the fear of the Lord. The eyes of the Lord are on the righteous, and His ears are open to their cry. The righteous cry out, and the Lord hears, and delivers them out of all their troubles. The Lord is near to those who have a broken heart, and saves those that have a contrite spirit. Excellent for advanced upper elementary and above, and any 2-part church choir. Syncopated melody and accompaniment High energy and excitement Excellent for concert, church anthem or offertory.
$9.99
9.21 €
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Carol Troutman Wiggins
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O Taste and See that the Lord Is Good
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Carol Troutman Wiggins
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SheetMusicPlus
Easter Anthem (William Billings) — brass quintet, timpani
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem†originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nightsâ€) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the ï¬rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem†is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!†to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the ï¬rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then ï¬rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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William Billings
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Todd Marchand
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Easter Anthem
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Con Spirito Music
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SheetMusicPlus
In the Bleak Midwinter
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gus…
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Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99
3.68 €
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Piano seul
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Parable feel the hurt
Piano seul
Piano - Digital Download SKU: A0.1066778 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066778 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 223. THEMIS KOUTRAS #5198257. Published by THEMIS KOUTRAS (A0.1066778). This song is a song that I feel the hurt when people just can not bother to cry out to me for help in order that I can help even that I serve for free because I am a preacher and sent here to help as many as I can for GOD hears my prayers see video version of this song
$3.99
3.68 €
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Piano seul
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THEMIS KOUTRAS
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Parable feel the hurt
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THEMIS KOUTRAS
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SheetMusicPlus
Hear My Cry, O God
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1027615 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1027615 Composed by Lane Price. Contemporary,Sacred. Octavo. 7 pages. Lane Price #2329623. Published by Lane Price (A0.1027615). Hear My Cry is a very personal prayer from the 61st Psalm written by David. It seems that words were not enough to express his inner turmoil so he needed to cry out to his Creator. While writing this piece I envisioned David falling at the feet of God, then compassionately being picked up and embraced. God, seeing David’s humility and faith, hears and answers his prayer. This contemporary choral setting uses cluster voicings and influences from jazz harmony to exploit the emotional intensity of the text.
$3.99
3.68 €
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Chorale SATB
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Lane Price
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Hear My Cry, O God
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Lane Price
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SheetMusicPlus
As I walked forth
Hautbois, Piano (duo)
Small Ensemble Bassoon,Clarinet,Oboe,Piano - Digital Download SKU: A0.576454 Compos…
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Small Ensemble Bassoon,Clarinet,Oboe,Piano - Digital Download SKU: A0.576454 Composed by Robert Johnson. Arranged by David Warin Solomons. 20th Century,Contemporary,Renaissance. Score and parts. 19 pages. David Warin Solomons #26513. Published by David Warin Solomons (A0.576454). Arrangement for wind trio and piano of a romantic sad song by Renaissance composer Robert Johnson The original words are as follows: As I walked forth one summer's day, To view the meadows green and gay A pleasant bower I espied Standing fast by the river side, And in't a maiden I heard cry: Alas! alas! there's none e'er loved as I. Then round the meadow did she walk, Catching each flower by the stalk Such flow'rs as in the meadow grew, The Dead Man's Thumb, an herb all blue; And as she pull'd them still cried she: Alas! alas! there's none e'er loved as I. The flowers of the sweetest scents She bound about with knotty bents; And as she bound them up in bands She wept, she sigh'd, she wrung her hands; Alas! alas! alas! cried she, Alas! alas! there's none e'er loved as I. When she had fill'd her apron full Of such green things as she could cull, The green things served her for her bed, The flow'rs were the pillows for her head; Then down she laid her, ne'er more did speak; Alas! alas! with love her heart did break.
$12.00
11.06 €
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Hautbois, Piano (duo)
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Robert Johnson
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David Warin Solomons
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As I walked forth
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David Warin Solomons
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SheetMusicPlus
Mass for the Soul (Full Score and Parts
Chorale
Choral Choir (4-Part) - Digital Download SKU: A0.885590 Composed by Michael E. Ekbl…
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Choral Choir (4-Part) - Digital Download SKU: A0.885590 Composed by Michael E. Ekbladh. Christian,Contemporary,Jewish,Sacred,Spiritual. Octavo. 203 pages. Michael E. Ekbladh #32723. Published by Michael E. Ekbladh (A0.885590). The Psalms speak to us through centuries of despair and hope. Just as todayâ??s believers use the psalms to express their faith, so did the believers of centuries past. Originally titled I Cry to Thee, this work was commissioned by the Brazos Valley Chorale in the spring of 1998 and was first performed with choir and piano in May of the same year. This is the recording you will hear. The orchestration followed six years later in the spring of 2004 with the first full performance on May 23, 2004. Mass for the Soul possesses five structural elements from the psalms of lament: the address (and introductory petition), lament, confession of trust, petition, and vow of praise. It is this structure that forms the five movements. The way out of the depths begins in the possibility of prayer and the awareness that only the One who hears that prayer can draw us out of the depths. So the self that is caught in its iniquities cries out because of the need for forgiveness and because with God forgiveness is possible. [Interpreting the Psalms by Patrick Miller] Choral Score also available (MEE9800CS).
$100.00
92.19 €
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Chorale
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Michael E
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Mass for the Soul
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Michael E. Ekbladh
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SheetMusicPlus
Mass for the Soul
Choral Choir (4-Part) - Digital Download SKU: A0.885588 Composed by Michael E. Ekbl…
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Choral Choir (4-Part) - Digital Download SKU: A0.885588 Composed by Michael E. Ekbladh. Christian,Contemporary,Jewish,Sacred,Spiritual. Octavo. 44 pages. Michael E. Ekbladh #2033323. Published by Michael E. Ekbladh (A0.885588). The Psalms speak to us through centuries of despair and hope. Just as today’s believers use the psalms to express their faith, so did the believers of centuries past. Originally titled I Cry to Thee, this work was commissioned by the Brazos Valley Chorale in the spring of 1998 and was first performed with choir and piano in May of the same year. This is the recording you will hear. The orchestration followed six years later in the spring of 2004 with the first full performance on May 23, 2004. Mass for the Soul possesses five structural elements from the psalms of lament: the address (and introductory petition), lament, confession of trust, petition, and vow of praise. It is this structure that forms the five movements. The way out of the depths begins in the possibility of prayer and the awareness that only the One who hears that prayer can draw us out of the depths. So the self that is caught in its iniquities cries out because of the need for forgiveness and because with God forgiveness is possible. [Interpreting the Psalms by Patrick Miller] Full Score and parts also available (MEE9800FS).
$5.00
4.61 €
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Michael E
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Mass for the Soul
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Michael E. Ekbladh
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SheetMusicPlus
Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.31 €
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Ensemble de cuivres
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Cygnus X-1 Book Ii: Hemispheres
Basse electrique
Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, …
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Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99
5.52 €
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Basse electrique
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemispheres
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Tracy Dean McCallum
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SheetMusicPlus
Tell My Father
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1411273 By Sol3 Mio. By Frank Wildhorn and Jack Murphy. Arranged by Nicholas Garrett. Broadway,Musical/Show. Brass Band. 30 pages. Nicholas Garrett #993608. Published by Nicholas Garrett (A0.1411273). Arrangement of Tell My Father for Brass Band - featuring Euphonium, Trombone, and Eb Bass soloists.Tell My Father from the musical Civil War is a heartwrenching song sung by a soldier wishing to let his father know that he died a man.Lyrics:Tell my father that his sonDidn’t run or surrenderThat I bore his name with prideAs I tried to rememberYou are judged by what you doWhile passing throughAs I rest ‘neath fields of greenLet him lean on your shoulderTell him how I spent my youthSo the truth could grow olderTell my father, when you canI was a manTell him we will meet againWhere the angels learn to flyTell him we will meet as menFor with honour did I dieTell him I wore the blueProud and true, through the fireTell my father so he’ll knowI love him soTell him how I wore the blueJust the way that he taught meTell my father not to cryThen say goodbye
$25.00
23.05 €
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Sol3 Mio
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Nicholas Garrett
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Tell My Father
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Nicholas Garrett
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SheetMusicPlus
The End Of The World
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur…
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99
6.44 €
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Piano seul
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
IN THE BEGINNING. For soprano and piano
Voix Soprano, Piano
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabri…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
5.53 €
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Voix Soprano, Piano
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Shine A Light In The Darkness
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.942922 Composed by Rick Lee Jam…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.942922 Composed by Rick Lee James. Arranged by Rick Lee James. Gospel,Praise & Worship,Rock. Score. 4 pages. Voices In My Head Productions LLC #6443759. Published by Voices In My Head Productions LLC (A0.942922). Shine A Light In The DarknessVerse 1You’ve been ignoring the truth you knowBeen a pretender for way too longYou’ve gotta be what you claim to beAre you a son of hell or a child of the KingVerse 2After the lies you said were trueThe compromise you waved on throughI know you’re wishing for something newBut The ancient roads are calling youYeah same old love is crying out to you sayingChorusWhere there is hatred let us loveWhere there is doubt let us trustWhere there is cursing let us blessLet us bravely walk through the shadow of deathShine a light in the darknessVerse 3You’ve burned bridges and destroyed the roadsThere’s nowhere left for you to goYou’ve held grudges and their dragging you downIf you don’t let go then you’re sure to drownBut it’s not too late to turn it all aroundBridgeIt’s time to let all the fighting ceaseTake up your cross and follow meCome on and see what see what love can bringThe lame to walkThe blind to seeThe deaf to hearThe mute to speakThe mourners cheerThe lepers cleanThe prisoners set freeTagShine a light in the darknessEndingShine a lightCCLI Song # 7177171Rick Lee James© James, Rick Lee
$4.99
4.6 €
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Piano, Voix et Guitare
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Rick Lee James
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Rick Lee James
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Shine A Light In The Darkness
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Voices In My Head Productions LLC
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SheetMusicPlus
Gathered by the Crystal Sea (Soprano Rehearsal MP3)
Chorale SATB
SATB Chorus - Digital Download SKU: C6.831117 Composed by Dale Peterson. Lent, East…
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SATB Chorus - Digital Download SKU: C6.831117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #831117. Published by Celebrating Grace - Digital (C6.831117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$2.99
2.76 €
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Chorale SATB
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Dale Peterson
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Gathered by the Crystal Sea
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Celebrating Grace - Digital
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SheetMusicPlus
Gathered by the Crystal Sea (Tenor Rehearsal MP3)
Chorale SATB
SATB Chorus - Digital Download SKU: C6.833117 Composed by Dale Peterson. Lent, East…
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SATB Chorus - Digital Download SKU: C6.833117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #833117. Published by Celebrating Grace - Digital (C6.833117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$2.99
2.76 €
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Chorale SATB
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Dale Peterson
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Gathered by the Crystal Sea
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Celebrating Grace - Digital
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SheetMusicPlus
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I Hear The Cry
