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I Knew A King Was Born
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Vous avez sélectionné:
I Knew A King Was Born
Partitions à imprimer
8 partitions trouvées
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I Knew a King Was Born
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Noël
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Philip Lawson
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I Knew a King Was Born
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.411769 Composed by Philip Lawson. Christmas. Choral. Duration 128. Published by Hal Leonard - Digital (HX.411769).
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(Accompaniment Only) - SKU: HX.411769 Composed by Philip Lawson. Christmas. Choral. Duration 128. Published by Hal Leonard - Digital (HX.411769).
$19.99
I Knew a King Was Born
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Noël
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Philip Lawson
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I Knew a King Was Born
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.411768 Composed by Philip Lawson. Christmas. Choral. Duration 128. Published by Hal Leonard - Digital (HX.411768).
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(Full Performance) - SKU: HX.411768 Composed by Philip Lawson. Christmas. Choral. Duration 128. Published by Hal Leonard - Digital (HX.411768).
$1.99
I Knew A King Was Born
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Chorale 3 parties
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Philip Lawson
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I Knew A King Was Born
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Hal Leonard - Digital
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SheetMusicPlus
(SAB) - SKU: HX.410634 Composed by Philip Lawson. Christmas,Poetry,Sacred. Choral. 6 pages. Published by Hal Leonard - Digital (HX.410634).
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(SAB) - SKU: HX.410634 Composed by Philip Lawson. Christmas,Poetry,Sacred. Choral. 6 pages. Published by Hal Leonard - Digital (HX.410634).
$2.10
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
I Followed the Star - Christmas Vocal Solo by KATHLEEN HOLYOAK
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Musique Sacrée
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KATHLEEN HOLYOAK
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I Followed the Star - Christma
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Kathleen Holyoak
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - SKU: A0.888513 Composed by KATHLEEN HOLYOAK. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 9 pages. K...
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Small Ensemble Flute,Piano,Voice - SKU: A0.888513 Composed by KATHLEEN HOLYOAK. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 9 pages. Kathleen Holyoak #6098901. Published by Kathleen Holyoak (A0.888513). A hauntingly beautiful Christmas vocal solo with words by Lawrence Lee with piano accompaniment and optional obbligato flute recounting a shepherd as he followed the star. Follow some of the words as you listen: A star had shown above to light the sky with rays of heaven. I, a shepherd watched, the glorious light that filled the night. God's peace had touched my heart, His love to impart. I gazed at the light, amazed, I followed the star. Refrain: I looked down on Him, He was just a baby; a child of Mary, no royal off'rings. Still in my heart I knew He was my Savior, I had found favor; I had seen our new born King! Also available for Tenor solo or SATB. .
$4.99
Philip Lawson: I Knew A King Was Born - choir (SAB: soprano, alto, bass)
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Chorale 3 parties
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INTERMÉDIAIRE
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Noël
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Philip Lawson
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Virtualsheetmusic
Instantly printable sheet music by Philip Lawson for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / christmas,sacred,traditional,advent,carol,festival...
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Instantly printable sheet music by Philip Lawson for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / christmas,sacred,traditional,advent,carol,festival
$5.08
Smoke Gets In Your Eyes
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Piano seul
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AVANCÉ
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The Platters
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Timothy Stapay
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Smoke Gets In Your Eyes
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,...
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Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home. Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
$8.99
Wind Quintet Op 91 No 4 - Movement 1: Andante. Allegro Assai
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Anton Reicha
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Adrian Barnes
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Wind Quintet Op 91 No 4 - Move
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Cammerayguy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Cha...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Chamber,Classical. 7 pages. Cammerayguy #854237. Published by Cammerayguy (A0.1261168). Anton (AntonÃn, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck.Reicha's 25 wind quintets, composed in Paris between 1811 and 1820, were mostly premiered from 1817 in the foyer of the Théâtre Favart by some of the world's fifinest wind soloists. They were well received and were played al over Europe shortly afterward.Reicha claimed in his memoirs that his wind quintets filed a void:At that time, there was a dearth not only of good classic[al] music, but of any good music at al for wind instruments, simply because the composers knew little of their technique.[Wikipedia]Notes concerning this editionIn preparing this edition various manuscripts were consulted including the facimilies held by the IMSLP and Clarinet Institute. I also acknowledge the excel ent transcriptions prepared by Charles-David Lehrer for the International Double Reed Society.In addition, various editorial markings have been added to facilitate the performance of the quintet in a contemporary ensemble. Editorial additions marked in red in the score and may be considered optional. [Adrian Barnes]
$10.00
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I Knew A King Was Born
