English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Like To Move It
Sheetmusicplus
Non classifié
237
Piano & claviers
Piano seul
89
Piano, Voix
57
Piano, Voix et Guitare
9
Instruments en Do
7
Piano Facile
7
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Orgue
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare
12
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
Basse electrique
1
2 Guitares (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
27
Chorale TTBB
6
Chorale 3 parties
3
Voix Baryton, Piano
2
Chorale SSATTB
1
Vents
Ensemble de saxophones
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quintette de Saxophone: 5 saxophones
25
Ensemble de Clarinettes
10
Quatuor de Saxophones: 4 saxophones
10
Quatuor de Clarinettes: 4 clarinettes
8
Hautbois, Piano (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Alto et Piano
4
Ensemble de Flûtes
4
Flûte traversière et Piano
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Cor anglais, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Basson et Piano
1
2 Saxophones (duo)
1
Saxophone Alto
1
Saxophone Soprano et Piano
1
Clarinette
1
2 Clarinettes (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Clarinette et Piano
1
Flûte traversière
1
Hautbois (partie séparée)
1
+ 24 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de Cuivres
10
Ensemble de Trompettes
9
Ensemble de Trombones
9
Cor
3
Tuba et Piano
3
Ensemble de Cors
3
Trombone et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Cor anglais, Piano
1
Cor et Piano
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Trombone
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Trio à Cordes: violon, alto, violoncelle
9
Violon
8
Violon et Piano
5
Ensemble d'Altos
5
Ensemble de Violons
4
Violoncelle, Piano
4
Violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Contre Basse
2
Alto, Violoncelle (duo)
2
Violon, Alto (duo)
2
Alto, Piano
2
Violon, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Alto seul
1
Harpe
1
2 Altos (duo)
1
Harpe et Piano
1
Harpe, Flûte (duo)
1
Harpe, Voix
1
4 Contrebasses
1
Alto (partie séparée)
1
2 Violons (duo)
1
Ensemble de Violoncelles
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre
27
Orchestre à Cordes
16
Orchestre d'harmonie
16
Ensemble de cuivres
7
Orchestre de chambre
7
Ensemble Jazz
5
Jazz combo
3
Ensemble de Percussions
2
Batterie
1
Conga
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
+ 8 instrumentations
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CITHARE
CLAIRON
CLARINETTE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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BLUEGRASS
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OLD TIME - EARLY ROC…
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Vous avez sélectionné:
I Like To Move It
SheetMusicPlus
Partitions à imprimer
946 partitions trouvées
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926
I Like To Move It
Ensemble de cuivres
Brass Ensemble - Level 2 - Digital Download SKU: A0.916708 Composed by Erick Marill…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.916708 Composed by Erick Marillo and Mark Quashie. Arranged by Alice Hoven. Contemporary. Score and parts. 13 pages. Alice Hoven #4580035. Published by Alice Hoven (A0.916708). A groovy and catchy arrangement of I Like to Move It (famous for its appearance in Madagascar motion picture) for a brass quintet! Performance time:2'00.
$12.99
11.98 €
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Ensemble de cuivres
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Erick Marillo and Mark Quashie
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Alice Hoven
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I Like To Move It
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Alice Hoven
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SheetMusicPlus
I Like To Move It
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.945044 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.945044 Composed by Erick Marillo and Mark Quashie. Arranged by Jim Lutz. Contemporary. 29 pages. Jim Lutz #6011299. Published by Jim Lutz (A0.945044). An arrangement for small mixed wind chamber group, with an optional drum set part. Can be played with 4, 5, or 6 parts in any combination of brass and woodwinds. As performed by the US Army 10th MTN DIV Band. This is the second song of the Children's Series (Baby Shark is the first song, and it includes an optional segue into this song). This arrangement includes an optional segue into What Does The Fox Say by Ylvis. As with all songs in the series, my apologies in advance for this being stuck in your head!
$14.99
13.82 €
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Flûte, Hautbois, Clarinette, Basson
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Erick Marillo and Mark Quashie
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Jim Lutz
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I Like To Move It
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Jim Lutz
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SheetMusicPlus
Cesar Franck Violin Sonata Fourth Movement for two violins only
2 Violons (duo)
Violin Duet Violin - Level 4 - Digital Download SKU: A0.779699 Composed by Cesar Au…
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.779699 Composed by Cesar Auguste Franck. Arranged by Kim Kirkman. Concert,Romantic Period. 13 pages. Kim Kirkman #6759521. Published by Kim Kirkman (A0.779699). The beautiful Fourth Movement of the Franck violin sonata in A arranged for two violins.I like to play it with my students.Score comes with full score and parts.
$1.99
1.83 €
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2 Violons (duo)
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Cesar Auguste Franck
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Kim Kirkman
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Cesar Franck Violin Sonata Fourth Movement for two violins only
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Kim Kirkman
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SheetMusicPlus
I Like To Move It
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1104987 By Reel 2 Real. By Erick …
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C Instrument - Level 2 - Digital Download SKU: A0.1104987 By Reel 2 Real. By Erick Marillo and Mark Quashie. Arranged by Christoph Fleischmann. 20th Century,Disco,Jazz,Pop. Lead Sheet / Fake Book. 1 pages. Tonstoff #708231. Published by Tonstoff (A0.1104987). A simple Leadsheet Version for small jazz ensemble for Bb Instruments.
$9.99
9.21 €
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Instruments en Do
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Reel 2 Real
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Christoph Fleischmann
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I Like To Move It
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Tonstoff
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SheetMusicPlus
I Like To Move It
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1104985 By Reel 2 Real. By Erick …
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C Instrument - Level 2 - Digital Download SKU: A0.1104985 By Reel 2 Real. By Erick Marillo and Mark Quashie. Arranged by Christoph Fleischmann. 20th Century,Disco,Film/TV,Jazz. Lead Sheet / Fake Book. 1 pages. Tonstoff #708229. Published by Tonstoff (A0.1104985). A simple Leadsheet Version for small jazz ensemble.
$9.99
9.21 €
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Instruments en Do
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Reel 2 Real
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Christoph Fleischmann
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I Like To Move It
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Tonstoff
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SheetMusicPlus
Silent Night: From Austria to Africa
Guitare notes et tablatures
Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99
4.6 €
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Guitare notes et tablatures
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Franz Xaver Gruber
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Richard Hirsch
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Silent Night: From Austria to Africa
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Richard Hirsch
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SheetMusicPlus
Sonata op 58 - Theme from 1st Movement (Easier version for advanced intermediate players)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1113172 By Reimund Merkens. By FrÃ…
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Piano Solo - Level 4 - Digital Download SKU: A0.1113172 By Reimund Merkens. By Frédérik Chopin. Arranged by Reimund Merkens. Romantic Period. Score. 5 pages. Reimund Merkens #715126. Published by Reimund Merkens (A0.1113172). The sonata no 3 (1st Movement) by Frederik Chopin is known as difficult to play. This sonata has such a beautiful theme and so I decided to simplify it in order to make it possible to be played by good intermediate players. I would say i changed its difficulty level from 5 to 3. I did a lot of effort to let it still sounding good like the original score. Listen to my recording to get an impression and try to play it. It is possible for you.
$7.50
6.91 €
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Piano seul
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Reimund Merkens
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Reimund Merkens
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Sonata op 58 - Theme from 1st Movement
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Reimund Merkens
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SheetMusicPlus
Grande Fantasie de Mozart I. Adagio
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1168517 Composed by Wolfgang …
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String Orchestra - Level 3 - Digital Download SKU: A0.1168517 Composed by Wolfgang Amadeus Mozart. Arranged by Nick M Lacanski. Classical. Score and parts. 10 pages. Theupperstaff #768853. Published by theupperstaff (A0.1168517). This composition was also titled Grand Fantasia and was written for organ. It actually has three movements: Adagio, Allegro and Lento. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/conductor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings. I hope you enjoy this arrangement for strings, and I thank you for looking.
$4.99
4.6 €
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Orchestre à Cordes
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Wolfgang Amadeus Mozart
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Nick M Lacanski
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Grande Fantasie de Mozart I. Adagio
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theupperstaff
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SheetMusicPlus
Grande Fantasie de Mozart I. Adagio
Quintette à cordes: 2 violons, 2 altos, violoncelle
String Quintet Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1168511 By N…
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String Quintet Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1168511 By Nick M Lacanski. By Wolfgang Amadeus Mozart. Arranged by Orlowski. Classical. 10 pages. Theupperstaff #768846. Published by theupperstaff (A0.1168511). This composition was also titled Grand Fantasia and was written for organ. It actually has three movements: Adagio, Allegro and Lento. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/conductor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings. I hope you enjoy this arrangement for strings, and I thank you for looking.
$4.99
4.6 €
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Nick M Lacanski
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Orlowski
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Grande Fantasie de Mozart I. Adagio
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theupperstaff
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SheetMusicPlus
Grande Fantasie de Mozart I. Adagio
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1169900 Composed by Wolfgang Amadeus Mozart. Arranged by Nick M Lacanski. Classical. Score and parts. 9 pages. Theupperstaff #770265. Published by theupperstaff (A0.1169900). This composition was also titled Grand Fantasia and was written for organ. It actually has three movements: Adagio, Allegro and Lento. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/conductor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings. I hope you enjoy this arrangement for strings, and I thank you for looking.
$4.99
4.6 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Wolfgang Amadeus Mozart
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Nick M Lacanski
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Grande Fantasie de Mozart I. Adagio
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theupperstaff
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SheetMusicPlus
Santa Claus Is Comin' To Town
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven …
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Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
$5.99
5.52 €
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Piano seul
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Michael Buble
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Thomas Gunther
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Santa Claus Is Comin' To Town
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Thomas Gunther Music Productions
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SheetMusicPlus
May 1974, a Greyhound Bus (The Majik Bus to Cohoes)
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts. 13 pages. Sonata Grendel Publishing #5731611. Published by Sonata Grendel Publishing (A0.837494). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 2. May 1974, a Greyhound Bus (duration – 4:08) The Majik Bus to Cohoes A young stage manager takes a long bus ride to a new job in Cohoes, NY only to be visited in a dream by the ghost of Eva. There was a girl with wild eyes glaring from the house. She looked so wounded!
$9.99
9.21 €
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Brett L
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May 1974, a Greyhound Bus
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Sonata Grendel Publishing
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SheetMusicPlus
I Heard the Bells on Christmas Day
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1125799 By Michael Swedberg. By Jea…
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Piano Solo - Level 5 - Digital Download SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726539. Published by Niska Music Publishing (A0.1125799). I must admit that I was far more familiar with the 1956 setting of this poem as sung by Bing Crosby to music by Johnny Marks than I was to the one found in many hymnals. It was on several of the Christmas albums that would be played on the phonograph in our house during the holiday season. However, I chose to arrange the carol setting for this collection as it resonated more deeply with me and seemed to better capture the essence of the poem by Longfellow. He wrote it during the Civil War, on Christmas Day of 1863, and several of the verses make reference to the war. While I did not set any of the Civil War verses, there is an almost martial quality to the opening music and one can almost hear the brass choir ringing out in the first verse. With each subsequent verse, the rhythm of the right hand becomes quicker, moving from half notes to quarter note triplets to eighth notes and finally to eighth note triplets in the final verse. For the most part, the left hand maintains the steady beat of quarter notes, with the exception of the final verse where it begins to move in eighth notes setting up a two-against-three pattern between the hands. It is the most jubilant of the verses and feels like an explosion of sound as the bells ring out across all the land proclaiming God is not dead, nor doth He sleep; The Wrong shall fail, The Right prevail, With peace on earth, good-will to men..
$3.99
3.68 €
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Piano seul
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Michael Swedberg
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Terrence Niska
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I Heard the Bells on Christmas Day
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Niska Music Publishing
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SheetMusicPlus
If You Asked Me To
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015855 By Celine Dion. By Dian…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015855 By Celine Dion. By Diane Warren. Pop/Rock. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015855. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015855). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.68 €
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Piano, Voix et Guitare
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Celine Dion
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If You Asked Me To
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
When I See You Smile
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015853 Composed by Diane Warre…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015853 Composed by Diane Warren. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0015853. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015853). ISBN 9781470620028. UPC: 038081497860.This enormous collection of over 40 songs highlights the biggest hits from the start of the 1990s. Piano accompaniment, vocal melodies, lyrics, and guitar chord diagrams are included. Titles: All I Wanna Do (Sheryl Crow) * All the Pretty Little Ponies (Kenny Loggins) * Because You Loved Me (Theme from Up Close and Personal) (Celine Dion) * Better Days (Bruce Springsteen) * Bitter Sweet Symphony (The Verve) * Blame It on the Rain (Milli Vanilli) * A Change Would Do You Good (Sheryl Crow) * Coming Out of the Dark (Gloria Estefan) * Copperline (James Taylor) * The Dance (Garth Brooks) * Every Road Leads Back to You (Bette Midler) * (Everything I Do) I Do It for You (Bryan Adams) * Feels Like Home (Randy Newman) * Go Rest High on That Mountain (Vince Gill) * Gonna Make You Sweat (Everybody Dance Now) (C+C Music Factory) * How Can We Be Lovers? (Michael Bolton) * How Do I Live? (LeAnn Rimes) * Human Touch (Bruce Springsteen) * I Don't Want to Miss a Thing (from Armageddon) (Aerosmith) * I Have Nothing (Whitney Houston) * I Love to See You Smile (Randy Newman) * I Swear (John Michael Montgomery) * I Turn to You (Christina Aguilera) * If I Could Turn Back Time (Cher) * If It Makes You Happy (Sheryl Crow) * If You Asked Me To (Celine Dion) * I'll Stand by You (The Pretenders) * I'm Too Sexy (Right Said Fred) * Just to Hear You Say That You Love Me (Faith Hill and Tim McGraw) * Leaving Las Vegas (Sheryl Crow) * Live for Loving You (Gloria Estefan) * Love Can Move Mountains (Celine Dion) * Love Will Lead You Back (Taylor Dayne) * Maria Maria (Carlos Santana) * My Favorite Mistake (Sheryl Crow) * One (Creed) * Reach (Gloria Estefan) * Streets of Philadelphia (Bruce Springsteen) * Time, Love and Tenderness (Michael Bolton) * Torn (Creed) * Un-Break My Heart (Toni Braxton) * When I See You Smile (Bad English) * When the Night Comes (Bryan Adams) * You've Got a Friend in Me (from Toy Story) (Randy Newman).
$3.99
3.68 €
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Piano, Voix et Guitare
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Diane Warren
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When I See You Smile
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
46.05 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Piano Sonata in F Minor - I. Allegro
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1243451 By Gabriel Lagos. By Gabrie…
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Piano Solo - Level 4 - Digital Download SKU: A0.1243451 By Gabriel Lagos. By Gabriel Lagos. 19th Century,Classical,Romantic Period. Score. 5 pages. Lagos Music #838413. Published by Lagos Music (A0.1243451). This is my first full attempt at writing sonata-allegro form. Currently I have no title for it. I wrote Minor Celebration in my sheet music, since it has an upbeat tempo and is in a minor key, and I have a reason to celebrate: two years without a single drop of alcohol! I think my influences come through a lot in my composing. In this piece in particular, the ones that are most apparent to me are: Mozart, Beethoven, Inti-Illimani (group), and Koji Kondo. Especially my opening theme, which is based on Beethoven's F Minor Sonata opening, just in reverse (it also hints at Mozart's D Minor Concerto). It took me about a week to compose this movement from start to finish. I will upload movements 2, 3, and 4 when they are finished. The plan is for: II. Andante (Minuet and Trio), III. Adagio (Funeral March), and IV. Allegro (Rondo), but I have not started writing these yet. I hope you like it :) Thank you, Gabe.
$4.99
4.6 €
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Piano seul
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Gabriel Lagos
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Piano Sonata in F Minor - I. Allegro
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Lagos Music
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SheetMusicPlus
It Is Well With My Soul (When Peace Like a River)
Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Compos…
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Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul. This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn. The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost. The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus. The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross… The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails. However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing. Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well. The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace. This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.
$5.99
5.52 €
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Horatio Spafford
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Michael E
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It Is Well With My Soul
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Michael E. Ropp
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SheetMusicPlus
Baby Shark
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.945042 By J…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.945042 By Johnny Only. By Jonathan Robert Wright. Arranged by Jim Lutz. Contemporary. 28 pages. Jim Lutz #5995321. Published by Jim Lutz (A0.945042). An arrangement for small mixed wind chamber group, with an optional drum set part. Can be played with 4, 5, or 6 parts in any combination of brass and woodwinds. As performed by the US Army 10th MTN DIV Band. This is the first song of the Children's Series and includes an optional segue into I Like To Move It from Madagascar. Apologies in advance for this being stuck in your head.
$14.99
13.82 €
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Flûte, Hautbois, Clarinette, Basson
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Johnny Only
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Jim Lutz
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Baby Shark
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Jim Lutz
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SheetMusicPlus
I never knew (I could love anybody, honey, like I'm loving you) - Pitts, Egan, Marsh & Whiteman (Bra
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802657
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. Arranged by Dudley E Bayford & Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6216933. Published by Peet du Toit (A0.802657). This Quick-Step piece was recorded by Judy Garland in 1943 by Decca Records on her Second Souvenir album.The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Caribbean and African dancers. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing.This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation. The tempo of quickstep dance is rather brisk, as it was developed to ragtime era jazz music, which is fast-paced when compared to other dance music.The quickstep is elegant like the foxtrot and should be smooth and glamorous. The dancers should appear to be very light on their feet. It is very energetic and form-intensive. The quickstep is danced to 4/4 music of 48-52 measures per minute.
$14.00
12.91 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts
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I never knew
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Peet du Toit
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SheetMusicPlus
Comin' Home to Mama
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1362537 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1362537 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 21st Century,Christian,Contemporary,Country,Folk. Score. 6 pages. Kevin G. Pace #946987. Published by Kevin G. Pace (A0.1362537). A fun, country-style song about good memories of mom and coming home again.  Music by Kevin G. Pace.  Text by Kathryn W. Hales.Text:The teacher said I had done a good job, And applied a bright shiny star, At the To the top of the grammar school paper, I cannot wait to show it to Ma.â€The coach said that old cut was nothin at all, Though it might just leave a scar. “You've just gotta be tough, he said with voice so gruff, I know Mama's kiss can heal from a far. Chorus: I'm comin' back home to you, Mama, Though my steps have taken me so far, Oh, praise for a star and a kiss for a scar, I am comin' back home to where you are. . I've grown now, moved on or so they say, Cut those old apron strings, Though your hair is as snow, your voice so low, Your face such sweet memories bring.  Across the wide world I've traveled, The miles between us are long, But through the years, the fears, and through the tears, Your smile floats to me like a song.Chorus:Ending:When life's road gets rough And the goin' gets so tough, Home will be wherever; Wherever you are.
$3.99
3.68 €
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Piano, Voix
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Kevin G
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Wherever you are.
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Comin' Home to Mama
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Kevin G. Pace
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
36.87 €
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Orchestre
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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