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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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COR
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FLUTE TRAVERSI…
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I Prepare A Place
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
SAXOPHONE
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Crtitères actifs :
I Prepare A Place
Partitions à imprimer
29 partitions trouvées
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1
26
I Prepare A Place (arr. Roger Thornhill)
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Musique Sacrée
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Roger Thornhill
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I Prepare A Place
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Choral,Voice (2-Part Mixed) - SKU: HX.1146820 Arranged by Roger Thornhill. This edition: scorch. Sacred. Octavo. 6 pages. Duration 165. Hal...
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Choral Choir,Choral,Voice (2-Part Mixed) - SKU: HX.1146820 Arranged by Roger Thornhill. This edition: scorch. Sacred. Octavo. 6 pages. Duration 165. Hal Leonard - Digital #344787. Published by Hal Leonard - Digital (HX.1146820).
$2.20
I Prepare a Place
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Musique Sacrée
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Diane Hannibal
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Roger Thornhill
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I Prepare a Place
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Hal Leonard - Digital
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SheetMusicPlus
Choral (Part 1 Dominant) - SKU: HX.1173306 Composed by Diane Hannibal. Arranged by Roger Thornhill. Sacred. Octavo. Duration 165. Hal Leonard - Digital ...
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Choral (Part 1 Dominant) - SKU: HX.1173306 Composed by Diane Hannibal. Arranged by Roger Thornhill. Sacred. Octavo. Duration 165. Hal Leonard - Digital #344787. Published by Hal Leonard - Digital (HX.1173306).
$2.99
I Prepare a Place
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Musique Sacrée
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Diane Hannibal
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Roger Thornhill
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I Prepare a Place
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.1173304 Composed by Diane Hannibal. Arranged by Roger Thornhill. Sacred. Octavo. Duration 165. Hal Leonard - Digital #344787. Published...
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Choral - SKU: HX.1173304 Composed by Diane Hannibal. Arranged by Roger Thornhill. Sacred. Octavo. Duration 165. Hal Leonard - Digital #344787. Published by Hal Leonard - Digital (HX.1173304).
$1.99
I Prepare a Place
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Musique Sacrée
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Diane Hannibal
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Roger Thornhill
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I Prepare a Place
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Hal Leonard - Digital
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SheetMusicPlus
Choral (Part 2 Dominant) - SKU: HX.1173307 Composed by Diane Hannibal. Arranged by Roger Thornhill. Sacred. Octavo. Duration 165. Hal Leonard - Digital ...
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Choral (Part 2 Dominant) - SKU: HX.1173307 Composed by Diane Hannibal. Arranged by Roger Thornhill. Sacred. Octavo. Duration 165. Hal Leonard - Digital #344787. Published by Hal Leonard - Digital (HX.1173307).
$2.99
I Prepare a Place
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Musique Sacrée
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Diane Hannibal
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Roger Thornhill
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I Prepare a Place
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Hal Leonard - Digital
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SheetMusicPlus
Choral Accompaniment Only - SKU: HX.1173305 Composed by Diane Hannibal. Arranged by Roger Thornhill. Sacred. Octavo. Duration 165. Hal Leonard - Digital...
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Choral Accompaniment Only - SKU: HX.1173305 Composed by Diane Hannibal. Arranged by Roger Thornhill. Sacred. Octavo. Duration 165. Hal Leonard - Digital #344787. Published by Hal Leonard - Digital (HX.1173305).
$19.99
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional English Carol
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Antony Cull
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Ta...
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Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
You Can't Tell a Newfie a Thing He Should Do
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Basse electrique
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INTERMÉDIAIRE
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David Kai
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David Kai
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You Can't Tell a Newfie a Thin
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David Kai
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SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Co...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Comedy,Country,Folk,Irish. Full Performance. Duration 190. David Kai #708538. Published by David Kai (A0.1105293). A song about a famous symbol of Newfoundland - the Newfoundland dog. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh It will bear all your burdens, not tiring all day It can carry a line from a boat to the land To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$1.99
You Can't Tell a Newfie - accompaniment in D
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Piano, Voix et Guitare
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FACILE
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the Newfoundland dog, whoâ€
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David Kai
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You Can't Tell a Newfie - acco
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai (A0.893869). ACCOMPANIMENT IN DA fun song about a famous symbol of Newfoundland - the Newfoundland Dog!You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do, To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$4.00
You Can't Tell a Newfie - lead sheet in D
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Piano, Voix et Guitare
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the Newfoundland dog, whoâ€
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David Kai
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You Can't Tell a Newfie - lead
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.893867 Composed by David Kai. Country,Folk,Pop. Score. 2 pages. David Kai #6140181. Published by David Kai (A0.893867...
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Guitar,Piano,Vocal,Voice - SKU: A0.893867 Composed by David Kai. Country,Folk,Pop. Score. 2 pages. David Kai #6140181. Published by David Kai (A0.893867). LEAD SHEET IN DA fun song about a famous symbol of Newfoundland - the Newfoundland dog.You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all handsBut you can’t tell a Newfie a thing it should do,To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$2.00
A Quiet Place
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Take 6
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A Quiet Place
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1080421 By Take 6. By Ralph Carmichael. Arranged by Sharon Wilson and Sharon Wilson Music. 20th Century,Christian,Contemp...
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Piano Solo - Level 3 - SKU: A0.1080421 By Take 6. By Ralph Carmichael. Arranged by Sharon Wilson and Sharon Wilson Music. 20th Century,Christian,Contemporary,Praise & Worship,Sacred. Score. 5 pages. Sharon Wilson #684656. Published by Sharon Wilson (A0.1080421). This meditative worship song by Ralph Carmichael became popular in the 1970's and has continued to bless listeners through the decades. The lyrics are filled with references to nature and God's restoration through quiet communion with Him. Let this flowing, expressive song inspire heart-felt worship to God as He prepares us to face a new day with love for all mankind.The audio sample begins at measure 21.Lyrics by Ralph Carmichael:There is a quiet place, far from the rapid pace,where God can soothe my troubled mind.Sheltered by tree and flower,There in my quiet hour with Him,My cares are left behind.Whether a garden small or on a mountain tallNew strength and courage there I find; Then from this quiet place I go prepared to face
$4.99
T.I.M.E.
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Chorale SATB
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INTERMÉDIAIRE
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Debbie Allen
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T.I.M.E.
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Nottingham Scores
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.742755 By Debbie Allen. By Debbie Allen. A Cappella,Classical,Contemporary,Contest,Festival,Instructional. Octav...
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Choral Choir (SATB) - Level 3 - SKU: A0.742755 By Debbie Allen. By Debbie Allen. A Cappella,Classical,Contemporary,Contest,Festival,Instructional. Octavo. 20 pages. Nottingham Scores #350889. Published by Nottingham Scores (A0.742755). T.I.M.E., a work for SATB Choir, expresses the mystery of time, how it passes, how we use it and how it grants new beginnings. During the COVID-19 pandemic, we have experienced time and what is important to us in different ways. Certainly, there have been moments of uncertainty, anxiety, even panic over danger of contracting the virus, the long-term effects of the virus and the loss of life. In isolation, awaiting further instructions, we have had time to reflect, prepare and imagine. We have had to manage life with new guidelines and restrictions, while trying to keep ourselves and others safe. This work attempts to put time in perspective, with a message of hope for recovery, and a better understanding of how to move forward with passion and grace. The message is not just for life in a pandemic, but for life, in general. Hopefully, this work can stand the “test of timeâ€, finding a meaningful place in the repertoire.
$2.99
A Quiet Place
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Take 6
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Jim Fieldhouse
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A Quiet Place
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Nefarious Music Publications
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.875871 By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Gospel. Score and parts. 16 pa...
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Brass Ensemble Trombone - Level 5 - SKU: A0.875871 By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Gospel. Score and parts. 16 pages. Nefarious Music Publications #4410775. Published by Nefarious Music Publications (A0.875871). A quiet Place was written in 1967 but it was the 1988 recording, by American a cappella group, Take 6, that has gone on to become the most well loved version. This arrangment for four trombones (or three trombones and tuba) is based on that recording.In order to bring this beautiful setting of Ralph Carmichael's music & lyrics to life, sensitive phrasing and legato playing is paramount. A very strong upper register is required for parts 1 & 2 This quartet is scored for three tenors and bass trombone. Treble clef B flat parts and a treble clef E flat tuba transposition of part 4 are included for brass bands and alternative parts 1 and 2 in tenor clef are available.There is a quiet placeFar from the rapid paceWhere God can soothe my troubled mindSheltered by tree and flowerThere in my quiet hourWith Him my cares are left behindWhether a garden smallOr on a mountain tallNew strength and courage there I find Then from this quiet placeI go prepared to faceA new day with love for all mankindDifficulty Rating : advanced plus
$20.00
A Quiet Place
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Take 6
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Jim Fieldhouse
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A Quiet Place
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Nefarious Music Publications
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.875870 By Take 6. By Ralph C...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.875870 By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Jazz. 9 pages. Nefarious Music Publications #4408528. Published by Nefarious Music Publications (A0.875870). Take 6, the american a cappella vocal group, formed in the 1980s.They soon gained critical acclaim and a succession of albums were released. They have worked with some of the biggest names in pop music, R&B and jazz and are still performing today. A Quiet Place was written my Ralph Carmichael in 1967 but the 1988 recording by Take 6 is the most well loved version of this song.This quartet arrangement is scored for two alto saxes, tenor and baritone. In order to bring Take 6's beautiful setting of Ralph Carmichael's music & lyrics to life, all four players will need to capitalise on the vocal fluidity of the saxophone sound. the lyrics (listed below) will give performers an indication of the atmosphere they are looking to create.There is a quiet placeFar from the rapid paceWhere God can soothe my troubled mindSheltered by tree and flowerThere in my quiet hourWith Him my cares are left behindWhether a garden smallOr on a mountain tallNew strength and courage there I find Then from this quiet placeI go prepared to faceA new day with love for all mankindEnjoy!
$20.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Diane Hannibal: I Prepare A Place (arr. Roger Thornhill) - choir (2-Part Mixed)
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Chorale 2 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Diane Hannibal
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Virtualsheetmusic
Instantly printable sheet music by Diane Hannibal for choir (2-Part Mixed) of MEDIUM skill level. / sacred
Instantly printable sheet music by Diane Hannibal for choir (2-Part Mixed) of MEDIUM skill level. / sacred
$4.97
Spanish Romance / Romance d'Amour / Romanza (EASY PIANO)
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Piano Facile
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FACILE
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incorporating these recommende
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unknown / anonymous
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Darek
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Spanish Romance / Romance d'Am
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1259202 Composed by unknown / anonymous. Arranged by Darek. 19th Century,Classical,Folk,Romantic Period,Traditional. Scor...
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Easy Piano - Level 2 - SKU: A0.1259202 Composed by unknown / anonymous. Arranged by Darek. 19th Century,Classical,Folk,Romantic Period,Traditional. Score. 1 pages. Darek #852474. Published by Darek (A0.1259202). Spanish Romance / Romance d'Amour / Romanza (EASY PIANO) Simplified arrangement for pianists of Spanish Romance (Romance d'Amour / Romanza). Spanish Folk Melody. Easy version for beginner pianists / Easy piano arrangement. Included: Fingering and video Youtube tutorial. I present to you a treasure trove of piano sheet music designed especially for beginner pianists. Today, I am delighted to introduce you to the timeless beauty of Spanish Romance, also known as Romance d'Amour and Romanza. I understand the importance of starting with pieces that ignite passion and excitement. That's why I have carefully curated this collection of piano sheet music, tailor-made for those at an easy level of playing. With my sheet music, you'll embark on a melodious journey that will captivate your senses and inspire your musical growth. Within these pages, you will find a wealth of musical guidance. Fingering suggestions grace every measure, offering you a roadmap to navigate the keys with confidence and precision. By incorporating these recommended finger placements, you'll effortlessly glide from note to note, giving your performance a professional touch. To enhance your learning experience, I have also prepared a YouTube tutorial video exclusively for this piece. Delivered in a clear and comprehensive manner, the tutorial serves as your personal virtual mentor, guiding you through each section of the song. With visual cues and valuable insights, you'll master the nuances of Spanish Romance and bring your interpretation to life. Spanish Romance originates from the era of romantic music, a period cherished for its evocative melodies and heartfelt expressions. By delving into this composition, you'll not only refine your piano skills but also develop a profound understanding of the musical intricacies of that era. Immerse yourself in the emotion and nostalgia of the music as you unlock the secrets of this captivating piece. At my online store, I strive to provide you with the essential tools to succeed on your musical journey. The sheet music, fingering suggestions, and tutorial video create a comprehensive package, empowering you to progress at your own pace and master this enchanting composition. With practice and dedication, you'll soon find yourself playing Spanish Romance with grace and confidence. Elevate your musical repertoire, mesmerize your audience, and indulge in the pleasure of playing the piano. Embrace the magic of Spanish Romance as it resonates through your fingertips, filling the air with its beguiling melodies. Begin your musical odyssey today and let the music carry you to new heights of artistic expression.
$2.00
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
Sunset: St. Louis
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Chorale 3 parties
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FACILE
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Dennis Tobenski
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Sunset: St. Louis
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Dennis Tobenski
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by D...
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Choral Choir (SSA) - Level 2 - SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by Dennis Tobenski (A0.1003298). Sunset: St. Louis for SSA choir and piano was written at the suggestion of a conductor I met at the 2013 American Choral Directors’ Association national conference in Dallas, TX. He lamented the lack of new music for SSA choir that kept the voices within a restricted range yet wasn’t simplistic, and also didn’t use a restricitve number of accompanying instruments; throughout the week his sentiment was echoed by countless other conductors who I had the pleasure of spending time with. At that point, I also had no music for treble/women’s choir in my catalog, so this piece is not only an attempt to fill in this hole in the repertoire, but also an attempt to fill in the hole in my own choral output. The piece opens with a short passage for solo piano evocative of late afternoon light on water which leads into the voices’ hazy entrance of close diatonic harmonies and loose, liquid rhythms. After this soft opening, the piano begins a gently undulating, water-like accompaniment that – like the Mississippi – flows by, bringing harmonic shifts and swells. The words Dream by the river captured my imagination, conjuring images of the city drifting to sleep as the sun sets, so I couldn’t resist making the single word Dream into a refrain, weaving it into the larger structure of the poem, which makes the piece not only a love song to the city, but also a lullaby. The vocal parts have a compressed range: Soprano 1 has a few unsustained Gs, and the Alto line never drops below B-flat. There are some minor challenges with rhythm and pitch (hemiolas, tuplets, and some harmonic cross-relations with the piano), but all are navigable. The piece was written and prepared for publication in a compositional frenzy between 1pm on March 30, 2013 and 7pm on March 31, 2013 in Montauk, NY.Duration: ca. 4 min. Composed: 2013 Registered with ASCAP. Please email dennis@dennistobenski.com so that your performance of Sunset: St. Louis can be added to Dennis' website calendar. Email: dennis@dennistobenski.com Website: dennistobenski.com Facebook: facebook.com/dennistobenski Twitter: @dennistobenski Tumblr: A Commonplace Blog Soundcloud: soundcloud.com/dennistobenski
$1.99
Vichnaya Pamyat
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Ro...
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Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
Vichnaya Pamyat
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Con...
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
The Doomsday Clock
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Blaze Scheuerman
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The Doomsday Clock
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Blaze Scheuerman
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. B...
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Piano Solo - Level 4 - SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338). The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock†as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.
$5.99
From Today
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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using as many or as few verses
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Lewis A
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From Today
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Lewis A. Kocher
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.943025 Composed by Lewis A. Kocher. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 10 pages. Lewis A. Koche...
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Choral Choir (SAB) - Level 3 - SKU: A0.943025 Composed by Lewis A. Kocher. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 10 pages. Lewis A. Kocher #4601927. Published by Lewis A. Kocher (A0.943025). FROM TODAYChoral with piano accompanimentPlaying time: FlexibleServices: Pentecost/Confirmation, Ordinary TimeI have composed this piece with a number of things in mind:• Spiritual quality in text and music• Flexible performance length• SAB suited to small or large choirs• Easy to learn for the choir and the accompanist• Should require few rehearsals to prepareThis piece has been conducted at large Confirmation services which required a piece of great length because more than one church was celebrating in the same place, and for shorter, more intimate services. By using as many or as few verses as you need, and repeating any as necessary, the work can be timed to conclude as the Confirmation portion of the service concludes.I do apologize for the quality of the MP3 recording. Although this piece has been performed a number of times, I have no audio recording of it. Hence I am including a digital version here using Choir Ahhs. In the recording you will hear the refrain, one verse, and the final refrain - but the actual piece itself is flexible and can last as long as is necessary for the service. Thank you for your patience and understanding on the recording! God bless.
$6.50
Sunday Bloody Sunday
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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U2
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Kyle Pudenz
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
Två ordlösa dalakoraler
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Chorale SATB
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Trad
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Anna Cederberg-Orreteg
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Två ordlösa dalakor
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSATB chorus - SKU: BJ.1290 Composed by Trad. Sweden. Arranged by Anna Cederberg-Orreteg. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1290. Published by...
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SSATB chorus - SKU: BJ.1290 Composed by Trad. Sweden. Arranged by Anna Cederberg-Orreteg. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1290. Published by Bo Ejeby Forlag - Digital (BJ.1290). 8.27 x 11.7 inches.Two Dalecarlian hymns without words: Bereden vag for Herran and Himmelriket liknas vid tio jungfrur. One of my ensembles requested a new adaptation of the traditional regional Dalecarlian version of Bereden vag for Herran (Prepare the Way). Since I personally find the arrangement by Anders Bond very beautiful indeed, it seemed pointless. But my resistance was worn down in time and I composed this arrangement without lyrics and inserted the more traditional Bond variant. It is possible of course to replace this with a unison presentation of the chorale or to have the audience/congregation join in. If you prefer to sing the arrangement as it is, you should go directly from bar 25 to bar 31. The chords to these two hymns have been added later, in the event that they might be a foundation for improvisation. - Anna Cederberg-Orreteg.
$2.80
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I Prepare A Place
