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--INSTRUMENTS--
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I Sing Out: Master Rhythm
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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LUTH
MANDOLINE
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OCARINA
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ORGUE
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Crtitères actifs :
I Sing Out: Master Rhythm
Partitions à imprimer
67 partitions trouvées
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I Sing Out: Master Rhythm
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Methodes
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Mark Hayes
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Recorded Acc. Available.
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I Sing Out: Master Rhythm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Master Rhythm - SKU: AX.00-PC-0015381_MR Master Rhythm. Composed by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music ...
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Master Rhythm - SKU: AX.00-PC-0015381_MR Master Rhythm. Composed by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015381_MR. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015381_MR). UPC: 038081425771.From the sensitive opening solo, through the captivating textured polyphony, to the final choral refrain, this contemporary powerhouse teaches an inspiring lesson about the strength of song. From the very best part of who I am, I sing out!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
I Ain't Worried
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Piano, Voix et Guitare
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FACILE
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Film/TV
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OneRepublic
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Barry McCormick
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I Ain't Worried
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1042119 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1042119 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry. Arranged by Barry McCormick. Film/TV,Pop. Score. 8 pages. B. McCormick #646917. Published by B. McCormick (A0.1042119). About this Piano/Vocal/Guitar arrangement of “I Ain’t Worried†This One Republic hit from the sound track of “Top Gun:Maverik†is a catchy tune to learn. This piano, guitar and vocal arrangement will help you learn the song “I Aint Worried.†The key is in F major and included is the lead sheet so this can be given to another instrumentalist or singer to perform along. The distinct features in the song, the bass and the hook I have kept close to the recording on the track. I have done some slight adjustments for the piano accompaniment to break up and differentiate the different sections otherwise it would be very repetitive. It is a very simple song in essence, a four chord riff and rhythmic motif that breaks for the bridge section. The rhythm isn’t the simplest for the bass part that permeates the song however it is repetitive which means once that is learned you have practically mastered the whole song. There is a lot of back and forward in the music to the chorus which jumps to different parts. I have tried to simplify this by using boxed text to identify each section clearly and indicate when you should jump to each section. Using first, second and third time bars with D.S and coda markings cluttered the music up and made it seem more complicated. So I hope this editorial decision to use boxed text makes it clearer. If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99
(I'VE Had) The Time Of My Life
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Bill Medley & Jennifer Warnes
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TopDots Orchestrations
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(I'VE Had) The Time Of My Life
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TopDots Orchestrations
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SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1418273 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by T...
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Rhythm Section Voice - Level 3 - SKU: A0.1418273 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by TopDots Orchestrations. Contemporary,Pop. 283 pages. TopDots Orchestrations #999829. Published by TopDots Orchestrations (A0.1418273). Professional Edition Key: Eb (Down 1 semitone from original recorded key) Also available in E and FProbably the most accurate arrangement available anywhere. Used widely by many Educational establishments and professional bands worldwide. Reviewed in UK Music Teacher magazine 'joy to read', 'notation is beautifully put together'.Contents: Rhythm section (Master Keyboards, Keyboards, Keyboards (Guide), Electric/Acoustic Piano, Crystal Electric Piano, Bass Guitar 4 & 5 String, Guitar Chords, Guitars 1/2, Guitar (single player), Drums, Electronic Drums, Shaker, Conga Drums, Tambourine) Guitar 1/2 and Bass 4/5 stg Tablature String Pad, String Synth, Violin 1, Violin 2, Viola, Cello Brass Synth, Orchestral Hit, Glockenspiel Front line (Flute, Clarinet, Trumpet 1, Trumpet 2, Alto Sax, Tenor Sax, Bari Sax, Trombone, French Horns 1/2) Single front line player for instruments pitched in C, Bb, Eb and C (Bass clef) Instrument/Vocal (Rhythm Section) Boy Vocal, Girl Vocal, Lyrics (x2), Synth Vocals Scores (Concert and Transposed) Full Scores (Concert and Transposed) Covers (Portrait and Landscape) Drum Nomenclature YOUTUBE EXAMPLE CREATED ONLY USING PARTS FROM OUR ESSENTIAL/PROFESSIONAL EDITIONS (plus latest AI vocal technologies*)(* Professional Edition includes Essential) For Essential Edition click HERE (104 pages!) (I've Had) The Time of My Life in E CLICK HERE(I've Had) The Time of My Life in F CLICK HEREFREE Bonus... Rhythm Section Play Along!For more great arrangements - www.top-dots.com
$76.90
(I'VE Had) The Time Of My Life
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Bill Medley & Jennifer Warnes
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TopDots Orchestrations
#
(I'VE Had) The Time Of My Life
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TopDots Orchestrations
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SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1418276 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by T...
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Rhythm Section Voice - Level 3 - SKU: A0.1418276 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by TopDots Orchestrations. Contemporary,Pop. 283 pages. TopDots Orchestrations #999833. Published by TopDots Orchestrations (A0.1418276). Professional Edition Key: F (Up 1 semitone from original recorded key) Also available in E and EbProbably the most accurate arrangement available anywhere. Used widely by many Educational establishments and professional bands worldwide. Reviewed in UK Music Teacher magazine 'joy to read', 'notation is beautifully put together'.Contents: Rhythm section (Master Keyboards, Keyboards, Keyboards (Guide), Electric/Acoustic Piano, Crystal Electric Piano, Bass Guitar 4 & 5 String, Guitar Chords, Guitars 1/2, Guitar (single player), Drums, Electronic Drums, Shaker, Conga Drums, Tambourine) Guitar 1/2 and Bass 4/5 stg Tablature String Pad, String Synth, Violin 1, Violin 2, Viola, Cello Brass Synth, Orchestral Hit, Glockenspiel Front line (Flute, Clarinet, Trumpet 1, Trumpet 2, Alto Sax, Tenor Sax, Bari Sax, Trombone, French Horns 1/2) Single front line player for instruments pitched in C, Bb, Eb and C (Bass clef) Instrument/Vocal (Rhythm Section) Boy Vocal, Girl Vocal, Lyrics (x2), Synth Vocals Scores (Concert and Transposed) Full Scores (Concert and Transposed) Covers (Portrait and Landscape) Drum Nomenclature YOUTUBE EXAMPLE CREATED ONLY USING PARTS FROM OUR ESSENTIAL/PROFESSIONAL EDITIONS (plus latest AI vocal technologies*)(* Professional Edition includes Essential) For Essential Edition click HERE (104 pages!) (I've Had) The Time of My Life in F CLICK HERE(I've Had) The Time of My Life in Eb CLICK HEREFREE Bonus... Rhythm Section Play Along!For more great arrangements - www.top-dots.com
$76.90
(I'VE Had) The Time Of My Life
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Bill Medley & Jennifer Warnes
#
TopDots Orchestrations
#
(I'VE Had) The Time Of My Life
#
TopDots Orchestrations
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SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1418268 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by T...
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Rhythm Section Voice - Level 3 - SKU: A0.1418268 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by TopDots Orchestrations. Contemporary,Pop. 283 pages. TopDots Orchestrations #999825. Published by TopDots Orchestrations (A0.1418268). Professional Edition Key: E (original recorded key) Also available in F and EbProbably the most accurate arrangement available anywhere. Used widely by many Educational establishments and professional bands worldwide. Reviewed in UK Music Teacher magazine 'joy to read', 'notation is beautifully put together'.Contents: Rhythm section (Master Keyboards, Keyboards, Keyboards (Guide), Electric/Acoustic Piano, Crystal Electric Piano, Bass Guitar 4 & 5 String, Guitar Chords, Guitars 1/2, Guitar (single player), Drums, Electronic Drums, Shaker, Conga Drums, Tambourine) Guitar 1/2 and Bass 4/5 stg Tablature String Pad, String Synth, Violin 1, Violin 2, Viola, Cello Brass Synth, Orchestral Hit, Glockenspiel Front line (Flute, Clarinet, Trumpet 1, Trumpet 2, Alto Sax, Tenor Sax, Bari Sax, Trombone, French Horns 1/2) Single front line player for instruments pitched in C, Bb, Eb and C (Bass clef) Instrument/Vocal (Rhythm Section) Boy Vocal, Girl Vocal, Lyrics (x2), Synth Vocals Scores (Concert and Transposed) Full Scores (Concert and Transposed) Covers (Portrait and Landscape) Drum Nomenclature YOUTUBE EXAMPLE CREATED ONLY USING PARTS FROM OUR ESSENTIAL/PROFESSIONAL EDITIONS (plus latest AI vocal technologies*)(* Professional Edition includes Essential) For Essential Edition click HERE (104 pages!) (I've Had) The Time of My Life in F CLICK HERE(I've Had) The Time of My Life in Eb CLICK HEREFREE Bonus... Rhythm Section Play Along!For more great arrangements - www.top-dots.com
$76.90
(I'VE Had) The Time Of My Life
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Bill Medley & Jennifer Warnes
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TopDots Orchestrations
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(I'VE Had) The Time Of My Life
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TopDots Orchestrations
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SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1418292 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by T...
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Rhythm Section Voice - Level 3 - SKU: A0.1418292 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by TopDots Orchestrations. Contemporary,Pop. 104 pages. TopDots Orchestrations #999854. Published by TopDots Orchestrations (A0.1418292). Essential Edition Key: Eb (Down 1 semitone from original recorded key) Also available in E and FProbably the most accurate arrangement available anywhere. Used widely by many Educational establishments and professional bands worldwide. Reviewed in UK Music Teacher magazine 'joy to read', 'notation is beautifully put together'.Contents: Rhythm section (Master Keyboards, Keyboards, Keyboards (guide). Bass Gtr 4 & 5 String, Guitar Chords, Guitar, Drums, Drums Guide, Shaker) Front line (Trumpet, Alto Sax, Tenor Sax and Trombone) Boy Vocal, Girl Vocal, Lyrics (x2) Scores (Concert and Transposed) Covers (Portrait and Landscape) Drum Nomenclature YOUTUBE EXAMPLE CREATED USING ONLY THE PARTS FROM OUR PROFESSIONAL EDITION (plus latest AI vocal technologies*)(* Professional Edition includes Essential) For Professional Edition click HERE (283 pages!) (I've Had) The Time Of My Life - Eb CLICK HERE(I've Had) The Time Of My Life -  F CLICK HEREFREE Bonus... Rhythm Section Play Along!For more great arrangements - www.top-dots.com
$66.50
(I'VE Had) The Time Of My Life
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Bill Medley & Jennifer Warnes
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TopDots Orchestrations
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(I'VE Had) The Time Of My Life
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TopDots Orchestrations
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SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1418294 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by T...
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Rhythm Section Voice - Level 3 - SKU: A0.1418294 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by TopDots Orchestrations. Contemporary,Pop. 104 pages. TopDots Orchestrations #999856. Published by TopDots Orchestrations (A0.1418294). Essential Edition Key: F (Up 1 semitone from original recorded key) Also available in E and EbProbably the most accurate arrangement available anywhere. Used widely by many Educational establishments and professional bands worldwide. Reviewed in UK Music Teacher magazine 'joy to read', 'notation is beautifully put together'.Contents: Rhythm section (Master Keyboards, Keyboards, Keyboards (guide). Bass Gtr 4 & 5 String, Guitar Chords, Guitar, Drums, Drums Guide, Shaker) Front line (Trumpet, Alto Sax, Tenor Sax and Trombone) Boy Vocal, Girl Vocal, Lyrics (x2) Scores (Concert and Transposed) Covers (Portrait and Landscape) Drum Nomenclature YOUTUBE EXAMPLE CREATED USING ONLY THE PARTS FROM OUR PROFESSIONAL EDITION (plus latest AI vocal technologies*)(* Professional Edition includes Essential) For Professional Edition click HERE (283 pages!) (I've Had) The Time Of My Life - E CLICK HERE(I've Had) The Time Of My Life - Eb CLICK HEREFREE Bonus... Rhythm Section Play Along!For more great arrangements - www.top-dots.com
$66.50
(I'VE Had) The Time Of My Life
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Bill Medley & Jennifer Warnes
#
TopDots Orchestrations
#
(I'VE Had) The Time Of My Life
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TopDots Orchestrations
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SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1418290 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by T...
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Rhythm Section Voice - Level 3 - SKU: A0.1418290 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by TopDots Orchestrations. Contemporary,Pop. 104 pages. TopDots Orchestrations #999852. Published by TopDots Orchestrations (A0.1418290). Essential Edition Key: E (original recorded key) Also available in Eb and FProbably the most accurate arrangement available anywhere. Used widely by many Educational establishments and professional bands worldwide. Reviewed in UK Music Teacher magazine 'joy to read', 'notation is beautifully put together'.Contents: Rhythm section (Master Keyboards, Keyboards, Keyboards (guide). Bass Gtr 4 & 5 String, Guitar Chords, Guitar, Drums, Drums Guide, Shaker) Front line (Trumpet, Alto Sax, Tenor Sax and Trombone) Boy Vocal, Girl Vocal, Lyrics (x2) Scores (Concert and Transposed) Covers (Portrait and Landscape) Drum Nomenclature YOUTUBE EXAMPLE CREATED USING ONLY PARTS FROM OUR PROFESSIONAL EDITION (plus latest AI vocal technologies*)(* Professional Edition includes Essential) For Professional Edition click HERE (283 pages!) (I've Had) The Time Of My Life - Eb CLICK HERE(I've Had) The Time Of My Life - F CLICK HEREFREE Bonus... Rhythm Section Play Along!For more great arrangements - www.top-dots.com
$66.50
I Love My Kitty Cat
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Parry Gripp
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I Love My Kitty Cat
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Han...
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Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,Horn,Medium-High Voice,Oboe,Organ,Piano and Keyboard,Piccolo,Rhythm Instrument,Synthesizer,Tuba - SKU: A0.1143215 By Parry Gripp. By Amphibia Cultural Legacy and Parry P. Gripp. Broadway,Comedy,Disco,Musical/Show,Pop,Rock. 3 pages. Amphibia Cultural Legacy #741724. Published by Amphibia Cultural Legacy (A0.1143215). The internet is a beautiful place; every once in a while, it gifts us with something truly special. This time, we’ve been blessed with the epic remix of Parry Gripp’s I Love My Kitty Cat cover by Amphibia Cultural Legacy. The remix takes the catchy tune to another level, turning it into an upbeat and groovy orchestral piece that will have you rocking out on the dance floor.This remix will get your body moving with its driving percussion, funky bassline, and soaring strings section. Whether you’re a disco or rock n’ roll fan, there’s something for everyone here. The energy is infectious, and you’ll find yourself singing along to the lyrics in no time.But what sets this remix apart is its masterful use of orchestration.
$10.00
You Can Close Your Eyes
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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James Taylor
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John Murphy C
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#
You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Pu...
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Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99
You Can Close Your Eyes
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Guitare notes et tablatures
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by...
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Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99
You Can Close Your Eyes
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Guitare notes et tablatures
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FACILE
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Pu...
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Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99
Easy
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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The Commodores
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Kyle Pudenz
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Easy
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.845966 By The Commodores. By Lionel Richie. Arranged by Kyle Pudenz. Contemporary,H...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.845966 By The Commodores. By Lionel Richie. Arranged by Kyle Pudenz. Contemporary,Hip-Hop,Pop,R & B,Rock. Score and parts. 21 pages. ViolinVagabond Music #4967807. Published by ViolinVagabond Music (A0.845966). Finally, the slow-dance number that your gig book has been missing for all these years! Dim the lights, pop a fresh bottle of bubbly, and melt your audience's troubles away with this jazzy rendition of one of the quintessential crooner, Lionel Richie's, most magnificent masterworks.A few tasteful reharminizations and backbeat chopping rhythms give this arrangement a groove that you can really lay back into. Feel free to repeat the solo section and throw down your best improv, or just let the Commodores' original signature solo set the Sunday morning scene; the guitar solo is printed in the parts. Did I mention I added a key change at the end? Oh no he didn't... OH YES I DID! You can almost feel the sunshine streaming down upon your face, folks. Chill. Vibes. For. Days. Thanks to the power of chopping and pizzicato bass lines, this arrangement can stand alone with absolutely no need for additional rhythm instruments. However, in the interest of inclusion, I have attached a rhythm section lead sheet so that all of your friends, whether they have bows, picks, or sticks, can join in on the fun.Prove your worth as an ensemble by tastefully caressing your listeners' ears with this sultry soliloquy; a reminder that the space between the notes can be the most important part of a captivating performance.If you love this arrangement, try upping the ante even more by pairing it with my arrangement of Brick House for an epic Commodores medley that's a surefire bet to wow the crowd! The optional transition is included in the parts.Brick House available at: https://www.sheetmusicplus.com/title/brick-house-jazz-string-quartet-digital-sheet-music/21498631?ac....Performance time: 3 minutes. Optionally, vamp the solo section and/or trade with other musicians if you need to stretch it out.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
“When the Roll Is Called Up Yonder” for 13-note Bells and Boomwhackers® (with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson Music
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“When the Roll Is Called
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.565975 By Sharon Wilson. By James M. Bla...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.565975 By Sharon Wilson. By James M. Black. Arranged by Sharon Wilson Music. Children,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 38 pages. Sharon Wilson #6612669. Published by Sharon Wilson (A0.565975). NOTE: This song has many eighth notes and may take beginners longer to learn and master. Those with a little music experience will probably have an easier time learning this arrangement and have a lot of fun with the quick tempo. For beginning musicians or for introducing new players to Handbells and Boomwhackers®, I recommend starting with an easy song which uses only quarter notes and rests in the score such as God Is So Good for 8-note Bells and Boomwhackers®. This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. Lyrics are provided on the grand staff for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir. In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers with 1 to 3 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Note assignment suggestions are provided. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$10.00
Vom Tode-Beethoven-Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Phil Beaman
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Vom Tode-Beethoven-Woodwind Qu
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.845167 Composed by Ludwig van Beethoven. Arranged by Phil Beaman. Cla...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.845167 Composed by Ludwig van Beethoven. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. 8 pages. Phil Beaman #6293527. Published by Phil Beaman (A0.845167). Vom Tode (Death) was composed by the Master, L. van Beethoven. It is the third of the Sechs Lieder (Six Songs), published in 1803, which foreshadowed the Art Songs of the Romantic Era. Originally for Voice and Piano, I have arranged it for Instrumental Quartet. My arrangement stays true to Beethoven's intent to capture the passion of the original text in the music. (The texts are all sacred poems by Gellert.) Without the presence of lyrics I needed to create musical interest and interpretation, so I realized inner voices and polyphony out of his original homophonic accompaniment. I added new shape to individual lines, altered phrasing, elaborated rhythms, and in true Beethoven style added more dynamic markings. The mood and meaning are now stunningly portrayed through music alone. Vom Tode is full of subtle dissonances as it solemnly, but Faithfully, contemplates the end of life. There is a rhythmic ostinato for the unrelenting march to Him. Â
$8.99
Vom Tode-Beethoven-String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Phil Beaman
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Vom Tode-Beethoven-String Quar
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Phil Beaman
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.845166 Composed by Ludwig van Beethoven. Arranged by Phil Beaman. Classical,Romanti...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.845166 Composed by Ludwig van Beethoven. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score and parts. 8 pages. Phil Beaman #6293531. Published by Phil Beaman (A0.845166). Vom Tode (Death) was composed by the Master, L. van Beethoven. It is the third of the Sechs Lieder (Six Songs), published in 1803, which foreshadowed the Art Songs of the Romantic Era. Originally for Voice and Piano, I have arranged it for Instrumental Quartet. My arrangement stays true to Beethoven's intent to capture the passion of the original text in the music. (The texts are all sacred poems by Gellert.) Without the presence of lyrics I needed to create musical interest and interpretation, so I realized inner voices and polyphony out of his original homophonic accompaniment. I added new shape to individual lines, altered phrasing, elaborated rhythms, and in true Beethoven style added more dynamic markings. The mood and meaning are now stunningly portrayed through music alone. Vom Tode is full of subtle dissonances as it solemnly, but Faithfully, contemplates the end of life. There is a rhythmic ostinato for the unrelenting march to Him. Â
$8.99
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richa...
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Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Firebird, BMI Work #17075594 (Drum Set Part)
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Jazz combo
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.953992 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #1939507. Published b...
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Jazz Combo - Level 3 - SKU: A0.953992 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #1939507. Published by BurnettPublishing.COM (A0.953992). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99
Firebird, BMI Work #17075594 (Piano Part)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.953988 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #193...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.953988 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #1939503. Published by BurnettPublishing.COM (A0.953988). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99
Firebird, BMI Work #17075594 (Alto Saxophone Part)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.953987 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPublishing.COM #193...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.953987 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPublishing.COM #1939501. Published by BurnettPublishing.COM (A0.953987). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99
Firebird, BMI Work #17075594 (Bass Part)
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Jazz combo
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.953990 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 3 pages. BurnettPublishing.COM #1939505. Published b...
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Jazz Combo - Level 3 - SKU: A0.953990 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 3 pages. BurnettPublishing.COM #1939505. Published by BurnettPublishing.COM (A0.953990). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99
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I Sing Out: Master Rhythm