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I Surrender All - easy piano
Non classifié
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106
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22
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1
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9
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7
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5
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
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Vous avez sélectionné:
I Surrender All - easy piano
Partitions à imprimer
300 partitions trouvées
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I Surrender All
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Lyndell Leatherman
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some was not
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I Surrender All
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1222576 By Various. By Words: Judson W. Van De Venter / Music: Winfield S. Weeden. Arranged by Lyndell Leat...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1222576 By Various. By Words: Judson W. Van De Venter / Music: Winfield S. Weeden. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #818823. Published by Leatherman Music Services (A0.1222576). Welcome to this entry in the Leatherman Library of Christian Hymnody (LLOCH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Much was published; some was not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ALL TO JESUS with I SURRENDER ALL (Piano Accompaniment for SATB Choir)
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Piano seul
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Musique Sacrée
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Gary Lanier
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Gary Lanier
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ALL TO JESUS with I SURRENDER
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The Lanier Company
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SheetMusicPlus
Piano - SKU: A0.1056372 Composed by Gary Lanier. Arranged by Gary Lanier. Praise & Worship,Sacred. Accompaniment. Duration 176. The Lanier Company #5777...
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Piano - SKU: A0.1056372 Composed by Gary Lanier. Arranged by Gary Lanier. Praise & Worship,Sacred. Accompaniment. Duration 176. The Lanier Company #5777991. Published by The Lanier Company (A0.1056372). ALL TO JESUS is a worship song written and arranged by Gary Lanier for SATB Choir. This song has been used all over the world. Of over 500 worship songs, it is the most reported on CCLI.This MP3 is the Piano Accompaniment for the arrangement, ALL TO JESUS with I SURRENDER ALL, by Gary Lanier.
$4.99
I SURRENDER ALL (Piano Accompaniment for Bb Trumpet)
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Accompagnement Piano
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Christian contemporain
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Musique Sacrée
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WINDFIELD S
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Gary Lanier
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I SURRENDER ALL
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The Lanier Company
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SheetMusicPlus
Piano - SKU: A0.1053343 Composed by WINDFIELD S. WEEDEN. Arranged by Gary Lanier. Contemporary,Sacred. Accompaniment. Duration 146. The Lanier Company #...
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Piano - SKU: A0.1053343 Composed by WINDFIELD S. WEEDEN. Arranged by Gary Lanier. Contemporary,Sacred. Accompaniment. Duration 146. The Lanier Company #26699. Published by The Lanier Company (A0.1053343). I SURRENDER ALL is an arrangement for Bb Trumpet and Piano of a popular old hymn tune. This mp3 is the Piano Accompaniment for that arrangement by Gary Lanier.
$4.99
The LORD is in His Holy Temple with I Surrender All
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple and Jim Ja
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Stephen R
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The LORD is in His Holy Temple
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - SKU: A0.818339 By Stephen R Dalrymple and Jim Jansen. By George F Root, Winifield S Weeden, Judson W VanDeVenter...
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Small Ensemble Piano,Violin - Level 3 - SKU: A0.818339 By Stephen R Dalrymple and Jim Jansen. By George F Root, Winifield S Weeden, Judson W VanDeVenter. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. 34 pages. Stephen R Dalrymple #6212881. Published by Stephen R Dalrymple (A0.818339). The LORD is in His Holy Temple with I Surrender All arranged for violin and piano by Stephen R Dalrymple performed by Jim Jansen and Stephen R Dalrympletranscribed for flute, clarinet, trumpet, emphonium/trombone and cello  The Lord is in His Holy Temple by George F. Root 1872 tune – QUAM DILECTA based on Habakkuk 2:19-20  I Surrender All lyrics - Judson W. VanDeVenter 1896 melody - Winfield S. Weeden 1896     The context of the song The LORD is in His Holy Temple is often overlooked in singing this song. Worship in the OT is a rather noisy affair with instruments, singing, shouting, dancing, and public praise. In the Old Testament, quiet in the Temple of God is an ominous, frightening thing, because God’s judgment is to be pronounced! I Surrender All is paired here with The LORD is in His Holy Temple thinking back to Isaiah 6 where Isaiah’s reaction to encountering the presence of God is surrender to Him. Yielding to God is, not only the prerequisite for avoiding God’s judgment, it is the path to peace and joy.     Without the doublestops of the violin part, the wind parts may not seem very challenging at first sight, but to play a beautiful legato with a full tone at piano and pianissimo (slowly, too) is much harder than it sounds. The phrasing and the intensity of the music is critical to the message of the piece. It will take considerable attention between the soloist and the pianist to communicate the moody rubato basic to the best performance of the arrangement.     This .pdf includes 14 score choices ♫ Full Score for violin and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for violin and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
I Surrender All ( Piano Hymn Arrangement )
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Winfield S
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Jinnie J
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I Surrender All
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Jinnie J
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.801831 Composed by Winfield S. Weeden. Arranged by Jinnie J. Christian,Concert,Praise & Worship,Spiritual. Score. 4 pages...
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Piano Solo - Level 4 - SKU: A0.801831 Composed by Winfield S. Weeden. Arranged by Jinnie J. Christian,Concert,Praise & Worship,Spiritual. Score. 4 pages. Jinnie J #5753495. Published by Jinnie J (A0.801831). https://youtu.be/xhcQPlz2YQE
$5.99
I Surrender All
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Piano seul
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AVANCÉ
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Musique Sacrée
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David Schwoebel
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I Surrender All
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Lorenz Publishing Company
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SheetMusicPlus
Piano - Advanced - Digital Download Hymns of Commitment and Dedication for the Advanced Pianist. Arranged by David Schwoebel. 48 pages. Lorenz Publishing C...
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Piano - Advanced - Digital Download Hymns of Commitment and Dedication for the Advanced Pianist. Arranged by David Schwoebel. 48 pages. Lorenz Publishing Company #70/2297L. Published by Lorenz Publishing Company
ISBN 9780787772697.
Beautiful piano textures and imaginative harmonizations are what make David Schwoebel's first piano book a true standout. David's craftsmanship as a choral composer is well known, and now he turns that talent to the keyboard, with eight challenging arrangements of hymns on the topic of commitment to Christ.
$22.95
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
I Surrender All
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Winfield A
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Sandy McIntire
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I Surrender All
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Sandy McIntire
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1236157 Composed by Winfield A. Weeden. Arranged by Sandy McIntire. 19th Century,Christian,Praise & Worship,Sacred,Tradit...
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Piano Solo - Level 3 - SKU: A0.1236157 Composed by Winfield A. Weeden. Arranged by Sandy McIntire. 19th Century,Christian,Praise & Worship,Sacred,Traditional. Score. 5 pages. Sandy McIntire #831665. Published by Sandy McIntire (A0.1236157). I Surrender All (All to Jesus I surrender) is a hymn from the last years of the 19th Century in the U.S. that is still sung and recorded today. Its simple and soothing music and message makes it ideal as a prelude or altar call in worship and prayer services. This arrangement as an Intermediate Piano Solo is in the keys of D and B flat major. Other hymns in this series by McIntire include Sound the Battle Cry, Who Is on the Lord's Side, and Just As I Am.
$5.50
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
I Surrender All
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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W
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J
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I Surrender All
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J.B. Taylor
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.902337 Composed by W.S. Weeden (1896). Arranged by J.B. Taylor. 20th Century,Christian,Contemporary,Sacred. Score. 4 page...
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Piano Solo - Level 4 - SKU: A0.902337 Composed by W.S. Weeden (1896). Arranged by J.B. Taylor. 20th Century,Christian,Contemporary,Sacred. Score. 4 pages. J.B. Taylor #5772283. Published by J.B. Taylor (A0.902337). A completely reimagined arrangement of the familiar hymn, this piece explores a deeper meaning of the lyrics I surrender all. A plaintive beginning in the key of a minor uses the familiar rhythms of the hymn with a different melody. The composition continues to grow in musical and pianistic intensity throughout allowing the soloist a great range of expression and emotion. The piece ends with a choral like passage resolving the tension of the entire song with a simple A Major chord. For use in worship or recital. Duration: 3:40.Appropriate for: Confession, Response, Invitation, Devotion, Personal HolinessThis song appears on the album Down in My Heart (Hymns for Rest and Reflection) by J.B. Taylor. Available on Apple Music, Spotify, Amazon, and other retailers.
$3.99
I Will Follow
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Piano, Voix
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INTERMÉDIAIRE
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Christian contemporain
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Chris Tomlin
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C
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I Will Follow
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FossPayneMusic
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1121973 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by C. Foster Payne. Christian....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1121973 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by C. Foster Payne. Christian. Score. 12 pages. FossPayneMusic #723147. Published by FossPayneMusic (A0.1121973). A mashup of two songs focused on the theme of surrender, I Surrender All and Chris Tomlin’s I Will Follow, this modern reimagining of these songs start with an almost ballad-like style before shifting gears to a more upbeat version. This mashup is perfect in a service where both classic hymns and contemporary Christian charts are both honored and sung. Orchestration also available.
$4.99
10 HYMNS OF SURRENDER for Violin & Piano (Score & Parts included)
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Violon et Piano
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INTERMÉDIAIRE
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Various
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Gary Lanier
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10 HYMNS OF SURRENDER for Viol
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The Lanier Company
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1408866 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Sacred. 84 page...
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Piano,Violin - Level 3 - SKU: A0.1408866 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Sacred. 84 pages. The Lanier Company #991469. Published by The Lanier Company (A0.1408866). 10 HYMNS OF SURRENDER for Violin & Piano is a collection of our most cherished hymns. Arranged by world renowned Composer/Arranger, Gary Lanier, he chose beautiful songs of surrender. These songs include, I Surrender All, Jesus I Come, Softly and Tenderly, My Jesus I Love Thee, Just As I Am, Lord I'm Coming Home, Have Thine Own Way, More Love to Thee, I Have Decided to Follow Jesus and I Am Thine O Lord. The collection includes Scores and Parts and is 84 pages.Find the music of Gary Lanier on all listening platforms.
$40.99
I Surrender All
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Judson Vandeventer, Winfield S
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FUNtastic Music World
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I Surrender All
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FUNtastic Music World
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SheetMusicPlus
Piano - Level 4 - SKU: A0.737390 Composed by Judson Vandeventer, Winfield Scott Weeden. Arranged by FUNtastic Music World. Praise & Worship,Sacred,Spiri...
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Piano - Level 4 - SKU: A0.737390 Composed by Judson Vandeventer, Winfield Scott Weeden. Arranged by FUNtastic Music World. Praise & Worship,Sacred,Spiritual,Traditional. Score (Chords/Lyrics). 4 pages. FUNtastic Music World #345005. Published by FUNtastic Music World (A0.737390). This hymn in lead sheet format is arranged with varied possible chords and patterns. In the key of F major then modulates to G. Tempo is rather slow to allow space for reflection and deeper conviction as we worship.
$5.99
I Surrender All (intermediate piano solo)
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Piano seul
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INTERMÉDIAIRE
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Weeden
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Sandra Zylstra
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I Surrender All
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sandra dee zylstra
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.712244 Composed by Weeden. Arranged by Sandra Zylstra. Christian,Sacred,Traditional. Score. 4 pages. Sandra dee zylstra #...
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Piano Solo - Level 3 - SKU: A0.712244 Composed by Weeden. Arranged by Sandra Zylstra. Christian,Sacred,Traditional. Score. 4 pages. Sandra dee zylstra #3553523. Published by sandra dee zylstra (A0.712244). I Surrender All has been a popular hymn that has stood the test a time and has been popular in many Evangelical Christian churches. It talks about giving ALL your life to Jesus, even those things that are the hardest to give up! This piece is arranged as an intermediate piano solo in the keys of C and D. I Surrender All is also available in the book Sounds of Worship! (Approximately 3 min. 3 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$3.00
I Surrender All
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Public Domain
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I Surrender All
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Duquesnel Music Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.774281 Composed by Public Domain. Arranged by ASCAP, Duquesnel Music Publishing, and Peggy Duquesnel. Chris...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.774281 Composed by Public Domain. Arranged by ASCAP, Duquesnel Music Publishing, and Peggy Duquesnel. Christian,Easter,Praise & Worship,Sacred. Score. 3 pages. Duquesnel Music Publishing #6121425. Published by Duquesnel Music Publishing (A0.774281). This traditional hymn is reharmonized with rich jazz chords. Great for church services, offertory, communion, special music, recitals and other worship services. Find other sheet music arrangements by Peggy Duquesnel at:http://www.sheetmusicplus.com/publishers/duquesnel-music-publishing-sheet-music/3002288?https://www.pianoorchestrations.com/MusicCDs/sheetmusic.asp
$3.99
Surrender (I Surrender All)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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R
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R
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Surrender
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R.T. Legacy
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.890335 Composed by R. Christopher Teichler. Arranged by R.T. Legacy. Christian,Easter,Sacred,Spiritual. Score and part. ...
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Flute,Piano - Level 3 - SKU: A0.890335 Composed by R. Christopher Teichler. Arranged by R.T. Legacy. Christian,Easter,Sacred,Spiritual. Score and part. 7 pages. R.T. Legacy #3690451. Published by R.T. Legacy (A0.890335). Based on the hymn tune SURRENDER by Winfield Weeden (1847-1908). Melody for the hymn I Surrender All.
$7.00
O Jesus, I Have Promised
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Arthur H
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Sandy McIntire
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O Jesus, I Have Promised
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Sandy McIntire
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1274673 Composed by Arthur H. Mann. Arranged by Sandy McIntire. 19th Century,Christian,Praise & Worship,Sacred,Traditiona...
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Piano Solo - Level 3 - SKU: A0.1274673 Composed by Arthur H. Mann. Arranged by Sandy McIntire. 19th Century,Christian,Praise & Worship,Sacred,Traditional. Score. 6 pages. Sandy McIntire #866845. Published by Sandy McIntire (A0.1274673). O Jesus, I Have Promised was published in the mid-19th Century in England. It continues to be popular for worship services, confirmations, baptisms, and altar calls. This arrangement is an Intermediate Piano Solo in the key of F major. It is included in McIntire's series, Gospel Piano Classics. Other similar hymns in the series are Faith Is the Victory, Sweeter As the Years Go By and I Surrender All.
$5.50
I Surrender All
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Piano seul
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Musique Sacrée
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Winfield S
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Faith Rhodes
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I Surrender All
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Stat-Matics
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SheetMusicPlus
Piano Solo - SKU: A0.932456 Composed by Winfield S. Weeden, Judson W. Van DeVenter. Arranged by Faith Rhodes. Christian,Praise & Worship,Sacred. Score. ...
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Piano Solo - SKU: A0.932456 Composed by Winfield S. Weeden, Judson W. Van DeVenter. Arranged by Faith Rhodes. Christian,Praise & Worship,Sacred. Score. 6 pages. Stat-Matics (ASCAP) #6073161. Published by Stat-Matics (ASCAP) (A0.932456). An original piano improvisation by Faith Rhodes | This is a gorgeous original arrangement of the classic hymn I Surrender All. Faith’s artistry, creativity and passion are highlighted in this meditative plea for surrender. May it be the prayer of our hearts as we submit our lives to the One Who gave His all for us. [piano, Christian, Jesus, classic, cross, virtuoso, Savior, hymn, worship]
$3.59
I Surrender All
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Judson W
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Heather Grace Spencer
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I Surrender All
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Heather Grace Spencer
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1263068 Composed by Judson W. Van DeVenter and Winfield S. Weeden. Arranged by Heather Grace Spencer. Christian,Praise & ...
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Piano Solo - Level 3 - SKU: A0.1263068 Composed by Judson W. Van DeVenter and Winfield S. Weeden. Arranged by Heather Grace Spencer. Christian,Praise & Worship,Religious,Sacred. Score. 3 pages. Heather Grace Spencer #855581. Published by Heather Grace Spencer (A0.1263068). Arranged for solo piano, I Surrender All conveys the peace that accompanies total surrender and trust in God.
$2.00
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I Surrender All - easy piano
