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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Want To Give It All
Non classifié
43
Piano & claviers
Piano seul
48
Piano, Voix et Guitare
10
Piano, Voix
7
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano Facile
2
+ 1 instrumentations
Retracter
Guitares
Guitare
3
Guitare notes et tablatures
2
3 Guitares (trio)
1
Basse electrique
1
Voix
Chorale SATB
6
Chorale TTBB
2
Chorale 3 parties
2
Chorale 2 parties
2
Chorale SSAA
1
Chorale SSATTB
1
Voix duo, Piano
1
Voix seule
1
+ 3 instrumentations
Retracter
Vents
Ensemble de Flûtes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Ensemble de saxophones
2
Ensemble de Clarinettes
2
Quintette de Clarinettes: 5 clarinettes
1
Clarinette
1
Saxophone Alto et Piano
1
Saxophone Tenor et Piano
1
2 Clarinettes (duo)
1
Saxophone Tenor
1
2 Flûtes traversières (duo)
1
Saxophone
1
+ 7 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette
3
Tuba et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone et Piano
1
2 Trompettes (duo)
1
+ 1 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon, Violoncelle (duo)
4
Violon
4
Alto, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violoncelles (duo)
2
Violon et Piano
2
Harpe
2
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons (duo)
1
Violoncelle, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6
Orchestre à Cordes
4
Ensemble de cuivres
3
Orchestre
2
Ensemble Jazz
1
Jazz combo
1
Piano et Orchestre
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
I Want To Give It All
Partitions à imprimer
220 partitions trouvées
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I Want To Give It All
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Air Supply
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Arby Richter
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I Want To Give It All
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Arby Richter
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1296490 By Air Supply. By Graham Russell and Rex Goh. Arranged by Arby Richter. Contemporary,Folk,Pop,...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1296490 By Air Supply. By Graham Russell and Rex Goh. Arranged by Arby Richter. Contemporary,Folk,Pop,Rock,Wedding. 13 pages. Arby Richter #886670. Published by Arby Richter (A0.1296490). I WANT TO GIVE IT ALL is written by Graham Russell and Rex Goh of the AIR SUPPLY, an Australian soft rock band formed in 1975. It was released as a single in May 1981, on Track B. The One That You Love is the song on Track A.This arrangement is for an instrumental trio of Violin, Cello, and Piano, for instrumentalists of intermediate playing ablity. Aside from a full score, included are individual parts of each instrument.The song is a romantic ballad, dreamy and mellow in character. This arrangement can played in weddings, anniversaries, birthdays. It may even be used as a recital piece for trio even if its genre or style is pop music.
$15.99
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
#
Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
Beyond The Wall
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Piano seul
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Paul Cardall
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Beyond The Wall
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All Heart Publishing, LLC
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SheetMusicPlus
Piano Solo - SKU: A0.506203 By Paul Cardall. By Paul Cardall. Classical,New Age. Score. 4 pages. Published by All Heart Publishing, LLC (A0.506203). ...
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Piano Solo - SKU: A0.506203 By Paul Cardall. By Paul Cardall. Classical,New Age. Score. 4 pages. Published by All Heart Publishing, LLC (A0.506203). Beyond the Wall is from the pianists album December that takes listeners on a journey from the rise of a new moon in September through the the New Year. Paul said, These introspective, tender, piano compositions have a minimal style of music reflecting the growing pains of a beautifully complex world. I'm alive because beating in my chest is the heart of of deceased man, thanks to organ donation. I understand that life is filled with irony, misconceptions, confusion, and yet darkness can't exist in the light. Our mortality is also filled with so much beauty, joy, serendipitous relationships. I want to capture all of these emotions in my music and hope it may will comfort and offer hope to listeners. Cardall's compositions have evolved in the two decades he's been recording piano music. His style and technique have evolved into a modern Classical style. He gives you a very strong grounding in his piano skills. Each composition has a concise structure, simple compositional techniques, manageable technical requirements and basic harmonies. Pieces are thought-provoking melodies, subtle and feature simple powerful string accompaniments. In addition, Cardall employs a minimalist approach that includes repetitive patterns or p.
$2.99
Santa Claus Is Comin' To Town
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Piano seul
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INTERMÉDIAIRE
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Michael Buble
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Thomas Gunther
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Santa Claus Is Comin' To Town
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. ...
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Piano Solo - Level 3 - SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
$5.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
I WANT TO BE THERE TO HEAR GOD SINGING - SATB with piano accompanyment.
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Chorale SATB
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FACILE
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Musique Sacrée
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PAUL A
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Paul A
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I WANT TO BE THERE TO HEAR GOD
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacre...
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Choral Choir (SATB) - Level 2 - SKU: A0.522294 Composed by PAUL A. AND MARCIA L. JORG. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacred. Octavo. 8 pages. Paul A. Jorg #2027759. Published by Paul A. Jorg (A0.522294). The following scriptures support the fact that God is a musician. He not only composes, but He SINGS! God composed a song which He gave to Moses to teach the children of Israel - The Song of Moses. Deut. 31:19 Now write down for yourselves this song and teach it to the Israelites and have them sing it....... The first lines of the song go like this: Deut. 32:1-4 Listen, O heavens, and I will speak; hear, O earth, the words of my mouth. Let my teaching fall like rain and my words descend like dew, like showers on new grass, like abundant rain on tender plants. I will proclaim the name of the LORD. Oh, praise the greatness of our God! He is the Rock, His works are perfect, and all His ways are just. A faithful God who does no wrong, upright and just is He. This song will be sung by the redeemed in heaven! Revelation 15:2,3 And I saw what looked like a sea of glass mixed with fire and, standing beside the sea, those who had been victorious over the beast and his image and over the number of his name. They held harps given them by God and sang the song of Moses the servant of God and the song of the Lamb: Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages. AND GOD SINGS! Zephaniah 3:17: The LORD your God is with you, He is mighty to save. He will take great delight in you, he will quiet you with his love, He will rejoice over you with SINGING. I WANT TO BE THERE TO HEAR GOD SINGING UP IN GLORY!
$4.59
Does Anybody Really Know What Time It Is?
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Rock
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Chicago
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Michael Compton
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Does Anybody Really Know What
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Kreechur Kumfort Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.833865 By Chicago. By Robert Lamm. Arranged by Michael Compton. Pop,Rock. 16 pages. Kreechur Kumf...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.833865 By Chicago. By Robert Lamm. Arranged by Michael Compton. Pop,Rock. 16 pages. Kreechur Kumfort Publishing #6448459. Published by Kreechur Kumfort Publishing (A0.833865). Does Anybody Really Know What Time It Is? is a song that was included on Chicago's 1969 debut album Chicago Transit Authority and released as a single in 1970. According to composer Robert Lamm, it was the first song recorded for the album. The song was not released as a single until two tracks from the band's second album, Make Me Smile and 25 or 6 to 4, had become hits. It reached No. 7 in the U.S. and No. 2 in Canada. Said Lamm: [It's] not a complicated song, but it’s certainly a quirky song. But that was my intent. I wanted to write something that wasn’t ordinary, that wasn’t blues-based, that didn’t have ice cream changes, and would allow the horns to shine and give Lee Loughnane a solo. This arrangement is for saxophone quintet (soprano, alto, two tenors, and baritone) and the melody is passed around the ensemble a bit. The arrangement is suitable for intermediate level players.
$15.00
Meryton Townhall for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Stephen Michael Taylor
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Stephen Michael Taylor
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Meryton Townhall for String Qu
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SMT Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1393738 By Stephen Michael Taylor. By Henry Purcell. Arranged by Stephen Michael Taylor. Baroque,Celti...
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String Quartet String Quartet - Level 3 - SKU: A0.1393738 By Stephen Michael Taylor. By Henry Purcell. Arranged by Stephen Michael Taylor. Baroque,Celtic,Classical,Irish,Renaissance,Wedding. 8 pages. SMT Music #977208. Published by SMT Music (A0.1393738). Meryton Townhall was used in the movie soundtrack of Pride and Prejudice 2005. The film composer, Dario Marianelli, used several period pieces of music for scenes in the movie. This is a lively festive dance that was originally composed by Henry Purcell who lived in the 17th century. It soundsvery folk-like and it's possible he heard it being played by a band and decided to formally write it down.I took the original music and added a section to it that I composed which sounds stylistically right to give it a bit more length. This musicis great for wedding recessional or just if you want a lively background music piece for your reception or gig it is fun to play. I also did a trioarrangement and you will find that on SMP as well. As of this writing I haven't. posted it yet.
$18.00
Meryton Townhall for String Trio
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Stephen Michael Taylor
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Stephen Michael Taylor
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Meryton Townhall for String Tr
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SMT Music
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1395624 By Stephen Michael Taylor. By Henry Purcell. Arranged by Stephen Michael Taylor. Baroque,Celtic,Cha...
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String Trio Cello,Violin - Level 3 - SKU: A0.1395624 By Stephen Michael Taylor. By Henry Purcell. Arranged by Stephen Michael Taylor. Baroque,Celtic,Chamber,Folk,Irish,Wedding. 6 pages. SMT Music #979063. Published by SMT Music (A0.1395624). Meryton Townhall was used in the movie soundtrack of Pride and Prejudice 2005. The film composer, Dario Marianelli, used several period pieces of music for scenes in the movie. This is a lively festive dance that was originally composed by Henry Purcell who lived in the 17th century. It soundsvery folk-like and it's possible he heard it being played by a band and decided to formally write it down.I took the original music and added a section to it that I composed which sounds stylistically right to give it a bit more length. This musicis great for wedding recessional or just if you want a lively background music piece for your reception or gig it is fun to play. I also did a string quartetarrangement and you will find that on SMP as well.
$18.00
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
I Want to Sing in Opera - solo voice and piano
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Piano, Voix
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FACILE
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Worton David, George Arthurs
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Kim Kirkman
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I Want to Sing in Opera - solo
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Kim Kirkman
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.779501 Composed by Worton David, George Arthurs. Arranged by Kim Kirkman. 20th Century,Broadway,Contemporary,Music...
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Piano,Vocal,Voice - Level 2 - SKU: A0.779501 Composed by Worton David, George Arthurs. Arranged by Kim Kirkman. 20th Century,Broadway,Contemporary,Musical/Show. Score. 4 pages. Kim Kirkman #4354811. Published by Kim Kirkman (A0.779501). Classic music hall song. Very funny. You can add your own name to the song to give it special twist for performances. In key of C. Range middle C to high G. Scored for solo voice and piano.Original lyrics included at end of scoreArranged by Kim Kirkman.
$3.99
All Of Me
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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John Legend
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Dan Signor
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All Of Me
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Sig
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1195985 By John Legend. By John Stephens and Toby Gad. Arranged by Dan Signor. A Cappella,Contemporary,Pop,Rock,W...
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Choral Choir (SAB) - Level 4 - SKU: A0.1195985 By John Legend. By John Stephens and Toby Gad. Arranged by Dan Signor. A Cappella,Contemporary,Pop,Rock,Wedding. Octavo. 10 pages. Sig #795160. Published by Sig (A0.1195985). Such a great song! Finding quality 3-part a cappella arrangements is pretty tricky, so I wanted to make something that was not only fun to sing, but would be moving for your audience. Each part has a share of the melody so when it is your turn, give it your all!
$2.99
Fanfare and Allegro for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Zack Richards
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Fanfare and Allegro for Brass
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Zack Richards
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.894386 Composed by Zack Richards. 20th Century,Concert,Contemporary,Easter. Score and part...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.894386 Composed by Zack Richards. 20th Century,Concert,Contemporary,Easter. Score and parts. 34 pages. Zack Richards #5197213. Published by Zack Richards (A0.894386). During my undergraduate career at The University of Akron, like many college students, I went through a year of trying to discover what I really wanted to do. In my sophomore year, I dropped from Music Education, and picked up a double major in Trumpet Performance and Composition with a minor in Jazz Studies. After 2 semesters of taking nearly 30 credit hours and a need to change my embouchure, I decided to focus on trumpet and come back to composition later. After finishing my BM in Trumpet Performance, I decided to go for a MM in Composition. This piece was one that I wrote for entry into the graduate program. To this day, it is still one of my favorite compositions! It's a lot of fun, very difficult and taxing, but also very musically interesting. It melds together several interesting melodic lines and motifs, and each player gets a chance to shine. There are also a lot of great ensemble moments where lines get passed through the entire quintet and turn it into one instrument. It's a piece for advanced players for sure, but a great feature for any group willing to give it a go!Brass QuintetAdvancedApprox. 6:30Visit zackrichards.com for more from this composer!
$17.99
Little is Much When God is In It
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Kittie L
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Lily Johnson
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Little is Much When God is In
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Lily Johnson Music
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1098540 By Kittie L. Suffield. By Kittie L. Suffield. Arranged by Lily Johnson. 19th Century,Christian,Praise & Worship,R...
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Piano Solo - Level 1 - SKU: A0.1098540 By Kittie L. Suffield. By Kittie L. Suffield. Arranged by Lily Johnson. 19th Century,Christian,Praise & Worship,Religious,Spiritual. Score. 2 pages. Lily Johnson Music #702399. Published by Lily Johnson Music (A0.1098540). As a Christian missionary wife, missions is on my heart. Also, I love piano and music. I wanted to start small and give the kids and beginner piano players something easier to work with. You can play this at home, at church for an offertory, or at your piano recital. Wherever you play, remember to go reach the world with the little you have and God will bless. I hope you enjoy this arrangement of Little is Much When God is In It..
$2.99
All I Want For Christmas Is You
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Violon, Violoncelle (duo)
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FACILE
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Noël
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Lady Antebellum
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Sherry Lewis
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All I Want For Christmas Is Yo
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.521531 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry Lewis. Contempor...
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Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.521531 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry Lewis. Contemporary. 11 pages. Sherry Lewis Publishing #6196233. Published by Sherry Lewis Publishing (A0.521531). ALL I WANT FOR CHRISTMAS IS YOU String Duo, Early Intermediate Level for violin and celloScore: YesParts: 4 pages Time: 3'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
All I Want For Christmas Is You
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Noël
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Lady Antebellum
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Sherry Lewis Publishing
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All I Want For Christmas Is Yo
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.521530 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry Lewis Publishing...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.521530 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry Lewis Publishing. Contemporary. 30 pages. Sherry Lewis Publishing #6196231. Published by Sherry Lewis Publishing (A0.521530). ALL I WANT FOR CHRISTMAS IS YOU String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello Score: Yes Parts: 8 pages Time: 3'00 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles.  Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
All I Want For Christmas Is You
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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FACILE
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Noël
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Lady Antebellum
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Sherry Lewis Publishing
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All I Want For Christmas Is Yo
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 2 - SKU: A0.521528 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry Lewis Publish...
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String Quintet Cello,Viola,Violin - Level 2 - SKU: A0.521528 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry Lewis Publishing. Contemporary. 32 pages. Sherry Lewis Publishing #6195677. Published by Sherry Lewis Publishing (A0.521528). ALL I WANT FOR CHRISTMAS IS YOU String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: Yes Parts: 14 pages Time: 3'00 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles.  Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
All I Want For Christmas Is You
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Noël
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Lady Antebellum
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Sherry Lewis Publishing
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All I Want For Christmas Is Yo
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521527 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry L...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521527 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry Lewis Publishing. Contemporary. 32 pages. Sherry Lewis Publishing #6195327. Published by Sherry Lewis Publishing (A0.521527). ALL I WANT FOR CHRISTMAS IS YOU String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc.Score: YesParts: 14 pages Time: 4'40MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
I Don't Want To Miss A Thing
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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David Cook
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HELEN MARPLE-HORVAT
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I Don't Want To Miss A Thing
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749231 By David Cook. By Diane Eve Warren and Diane Warren. Arranged by HELEN MARPLE-HORVAT. Rock. Sco...
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String Quartet String Quartet - Level 4 - SKU: A0.749231 By David Cook. By Diane Eve Warren and Diane Warren. Arranged by HELEN MARPLE-HORVAT. Rock. Score and parts. 19 pages. Helen Marple-Horvat #5801059. Published by Helen Marple-Horvat (A0.749231). https://www.youtube.com/watch?v=O0gGRv9QE8g‘Don’t want to miss a thing’, recorded by Aerosmith, and written by Diane Warren is a hugely popular rock ballad that was a number one hit in the USA. Selling over a million copies in the UK, it reached number four in the UK singles chart. Always a favourite for weddings, Capriccio Quartet recorded it for their repertoire, and it is a song that easily lends itself to a string arrangement.I chose to stick to the original key of D, a great key for string players. At times I have thickened the texture by using double stopping. In this arrangement I have tried to use an open string wherever possible. In some cases there are bare fifths. If you prefer you can choose one of the notes to play instead, especially if this note is doubled in another part. I have also put in some bowing, but the endgame is to feel comfortable, so please feel free to change it and alter the slurring if it makes it easier. I have given the cellist some solos, but everyone in the quartet has some time in the sun in this arrangement. And don’t be afraid to use open strings in this piece, especially in the semi- quavers. They sound great!I am aiming this quartet at the professional market, for weddings and other events, but I am hopeful that younger players will also have the courage to try it, even if the intention is not to ever perform it but to have some fun! Let me hear any recordings you make. I can be reached very easily on Facebook and love to get feedback from people who buy my arrangements.My Youtube Channel has many of my arrangements for String Quartet, most recorded by Capriccio Quartet, and all but two are available as Sheet Music Plus products. Please visit me there :- Helen Marple-Horvat, Songwriter, Arranger, Composer
$20.00
I Want It That Way
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Pop musique
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The Backstreet Boys
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Sherry Lewis
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I Want It That Way
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1312430 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Sherry Lewis. Contemp...
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Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1312430 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Sherry Lewis. Contemporary,Rock,Wedding. 7 pages. Sherry Lewis Publishing #901285. Published by Sherry Lewis Publishing (A0.1312430). I WANT IT THAT WAY - Backstreet BoysSTRING DUO  Intermediate Level for violin and cello Parts: 2 pagesTime: 2:45ABOUT THE DEMO: I took out some of the repeats, only in the demo they are in the scores, to get to the chorus section in the allotted time for a demoIf you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$4.99
I Want It That Way
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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The Backstreet Boys
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Sherry Lewis
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I Want It That Way
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1312423 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Sherry Lewis. Contemp...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1312423 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Sherry Lewis. Contemporary,Rock,Wedding. 9 pages. Sherry Lewis Publishing #901278. Published by Sherry Lewis Publishing (A0.1312423). I WANT IT THAT WAY - Backstreet BoysSTRING TRIO Intermediate Level for 2 violins and cello or violin, viola and celloParts: 4 pagesTime: 2:45ABOUT THE DEMO: I took out some of the repeats, only in the demo they are in the scores, to get to the chorus section in the allotted time for a demoIf you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$12.99
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