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Vous avez sélectionné:
I Want You Back - Baritone B.C.
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I Want You Back
Instruments en Do
C Instrument - Digital Download SKU: A0.1396938 By The Jackson 5. By Alphonso Mizel…
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C Instrument - Digital Download SKU: A0.1396938 By The Jackson 5. By Alphonso Mizell, Berry Gordy Jr., Deke Richards, and Freddie Perren. Arranged by Mischa Podstransky. Pop,R & B,Soul. Lead Sheet / Fake Book. 2 pages. Mischa Podstransky #980281. Published by Mischa Podstransky (A0.1396938). This is a lead sheet of I Want You Back (as performed by The Jackson 5). It includes lead melody (voice), lyrics and chords and is written in the original key (Ab).
$3.99
3.65 €
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Instruments en Do
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The Jackson 5
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Mischa Podstransky
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I Want You Back
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Mischa Podstransky
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SheetMusicPlus
Don't You Worry 'bout A Thing
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1233531 By Stevie …
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1233531 By Stevie Wonder. By Stevie Wonder. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Latin,Pop,Singer/Songwriter. Score and Parts. 65 pages. Major Score Publishing #829110. Published by Major Score Publishing (A0.1233531). Don't You Worry 'Bout A Thing - Stevie WonderArranged for the commanding vocalist backed by Alto & Tenor saxophones, 2 trumpets, trombone, keyboard, guitar, bass and drums this chart will ignite the energy on your stage and in your audience! This arrangement delivers all of the expectations from the original recording and more but is based also off the Tori Kelly version! Then ending has an epic climactic finish that will leave your crowd wanting more! Be sure to check out our youtube demo of this arrangement. This chart has been transposed to Bb Minor from the the original key.Band Arrangements!https://www.majorscorepublishing.com/vocal-chartsLeave the Door OpenSuperstitionDo I Do (B)Do I Do (C)About Damn Time9 to 5and many more!YouTube@majorscorepublishingInstagram@majorscorepublishing
$99.99
91.59 €
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Ensemble Jazz
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Stevie Wonder
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MAJOR SCORE PUBLISHING TM
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Don't You Worry 'bout A Thing
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Major Score Publishing
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SheetMusicPlus
I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged …
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String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 18 pages. Published by Sarah Chaffee
"I Want It That Way" is one of the Backstreet Boys' biggest hits, and anyone who grew up in the 90's and early 2000's probably knows this one by heart! This version for string quartet will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia - you're sure to get everyone singing along! Full of catchy melodies, beautiful layered harmonies, and a danceable groove held down by the viola and cello, this arrangement is just as much fun to listen to as it is to play. Rated intermediate - there's nothing very difficult in this chart (except possibly intonation when the key changes to B major at the end!), and it will definitely be playable for students and easily sightreadable for professionals.<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "I Want It That Way." Crowd pleasing guaranteed.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.56 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Backstreet Boys
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Sarah Cellobat Chaffee
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I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
I Want You Back by The Jackson 5 - Leadsheet
Ligne De Mélodie, (Paroles) et Accords
Performed by: The Jackson 5: I Want You Back Digital Sheetmusic plus an interactive, downl…
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Performed by: The Jackson 5: I Want You Back Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Lyrics/Melody/Chords;Leadsheet, instruments: Voice;C Instrument; 3 pages -- Soul~~R & B~~Motown~~Pop-Soul
$3.25
2.98 €
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Ligne De Mélodie, (Paroles) et Accords
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The Jackson 5
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Leadsheet
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Musicnotes
25 jazz etudes
B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental…
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B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren Lloyd. Arranged by Darren Lloyd. Jazz, Latin. Individual part. 110 pages. Darren Lloyd #843171. Published by Darren Lloyd
25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.<br> <br> It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?<br> <br> The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.<br> Check out the demo.<br> <br> You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!<br> <br> The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.<br> <br> The etudes are - <br> <br> Alfie – 60 bpm<br> Almost like being in love – 135 bpm <br> Bye bye blackbird - 135 bpm<br> Caravan – 180 bpm<br> Doxy – 100 bpm<br> East of the sun – 135 bpm<br> Fascinating rhythm – 160 bpm<br> Fly me to the moon – 140 bpm<br> Four - 170bpm<br> Giant steps – 185 bpm<br> Have you met miss Jones? 135 bpm<br> How high the moon – 175 bpm<br> I remember you – 165 bpm<br> I'll close my eyes – 160 bpm<br> I'm coming Virginia – 131 bpm<br> I've got rhythm changes – 175 bpm<br> Line for Lyons – 140 bpm<br> Makin' whoopee – 90 bpm<br> Night in Tunisia – 170 bpm<br> Scrapple from the apple – 160 bpm<br> Song for my father – 135 bpm<br> Star eyes – 115 bpm<br> Summertime – 105 bpm<br> Tempus fugit – 200 bpm<br> There will never be another you – 160 bpm <br> If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free
$14.99
13.73 €
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Darren Lloyd
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Darren Lloyd
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25 jazz etudes
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Darren Lloyd
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Take It To The Limit
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Hen…
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C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Henley, Glenn Frey, and Randy Meisner. Arranged by Ian Fitze. Country,Folk,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. Ian Fitze #1000577. Published by Ian Fitze (A0.1419147). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This lead sheet is designed for experienced musicians who are looking for an easy-to-read lead sheet that gives the outline of the song. The melody has been simplified to make the lead sheet more readable. In most cases your vocalist will be performing from memory based on the recording. The original backing vocals are quite involved, so most performances will just inclue one or two improvised parts sung in the spirit of the original track.A NOTE ABOUT THE KEY: in every version of this tune that I could find (except the Miley Cyrus), the guitars play in G. The version given with Randy Meisner singing lead is in B major - guitars playing CAPO 4. Apparently, singing this tune live (with the soaring ad lib vocals at the end) ended up being too taxing for Randy Meisner and legend has it that disagreements about performing it live (at least in part) ended up with him leaving the group.When Glen Frey sang this in the 2000's and 2010's he did it in G as written here.When Vince Gill sang this in the 2020's he did it in A major - guitars playing CAPO 2.I reccomend using G or A major - a female singer might want to do it in C major (like the Miley Cyrus version). https://youtu.be/KI7YNyL-nt8?si=pCAQXZowUYxDTqa9.
$3.99
3.65 €
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Instruments en Do
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The Eagles
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Ian Fitze
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Take It To The Limit
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Ian Fitze
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SheetMusicPlus
Repetitions
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.939372 Composed by Adam Grim. C…
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Full Orchestra - Level 2 - Digital Download SKU: A0.939372 Composed by Adam Grim. Concert,Contemporary,Standards. Score and parts. 4 pages. Adam B. Grim #5726213. Published by Adam B. Grim (A0.939372). This piece is inspired by Terry Riley's In C. Repetitions is a solo for found objects and The Repeater Orchestra, a free program online that mimics live sounds in real time, and plays them back in a stereo/spacial environment. It has non-standard notation in a way, with single bits written on a staff arranged in an order to play them. The player is given freedom to repeat things as many times as they want, making the piece possible to play in under 2 minutes, to well into the dozens. In my interpretation (shown in the YouTube video), it takes around 11 minutes. This piece is about making a soundscape of repeated patterns, and overlapping and combining them to create one conglomerate. Instruments include: planks of wood, a bucket of water, ceramic tiles, a glass bottle with marbles in it, a can, and a separate glass bottle for hitting. Implements include: a 2 paintbrush, a ring, rubber xylophone mallets, and oak dowel rods with Moleskin wrapped on one tip. Note, I apologize for the feedback near the first third of the recording, I had to adjust the settings, and did not hear the feedback as hard as the computer did!
$4.99
4.57 €
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Orchestre
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Adam Grim
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Repetitions
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Adam B. Grim
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SheetMusicPlus
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