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I Will Pray - Piano and Organ
Partitions à imprimer
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Interludes for Organ
Orgue
Organ: 3-staff - Intermediate SKU: LO.70-1320S Short Improvisations in All Keys
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Organ: 3-staff - Intermediate SKU: LO.70-1320S Short Improvisations in All Keys. Composed by Dale Wood. Sacred. Sacred Music Press #70/1320S. Published by Sacred Music Press (LO.70-1320S). UPC: 000308048834.These little interludes are designed for moments in the worship service when the organist is obliged to play short improvisations, yet feels improvisationally challenged. Whether the need is to cover the sound of shuffling feet as latecomers are seated or simply to establish a contemplative ambience, organists will find many uses for these short interludes in all keys. While some organ registrations and dynamic levels are suggested, the organist is advised to select stops that best suit the immediate moment of use. The majority of interludes in the service call for Flute or string celestas and other soft stops. A few of these pieces also present possibilities for using fuller or brighter combinations. It is hoped that this collection will serve well when there is a sudden need for the organist to provide (as a colleague so apply puts it)ecclesiastical traveling music.
Song List: Interludes For Organ E Interludes For Organ F Interludes For Organ Gb (F#) Interludes For Organ G Interludes For Organ Ab (G#) Interludes For Organ A Interludes For Organ Bb Interludes For Organ B (Cb) Have Thine Own Way Lord (Eb) Sweet Hour Of Prayer (D) Pass Me Not O Gentle Savior (G) Softly And Tenderly Jesus Is Calling )Eb) Just As I Am Without One Plea (C) Spirit Of God Descend Upon My Heart (C) God Be With You Till We Meet Again (C) Interludes For Organ C Interludes For Organ Db (C#) Interludes For Organ D Interludes For Organ Eb
$25.00
23.33 €
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Orgue
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Dale Wood
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Interludes for Organ
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Sacred Music Press
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SheetMusicPlus
Here, O My Lord, I See Thee
Orgue
Organ - Level 3 - Digital Download SKU: A0.1381664 Composed by FREDERICK C. ATKINSO…
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Organ - Level 3 - Digital Download SKU: A0.1381664 Composed by FREDERICK C. ATKINSON. Arranged by Terry D. Wilson. Christian,Religious,Sacred,Traditional. Full Performance. Duration 227. Terry D. Wilson #966302. Published by Terry D. Wilson (A0.1381664). This is a prayerful and soothing setting of the hymn tune PENITENTIA. It is designed for communion or general services of worship. Organists of all abilities will want to add this to their repertoire.
$1.99
1.86 €
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Orgue
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FREDERICK C
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Terry D
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Here, O My Lord, I See Thee
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Terry D. Wilson
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
24.22 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.62 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
In Dulci Jubilo (SABar Choir and Organ)
Chorale 3 parties
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.818178 Composed by R. L. Pe…
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.818178 Composed by R. L. Pearsall. Arranged by Philip Le Bas. Christmas,Sacred. Octavo. 8 pages. Philip Le Bas #5001259. Published by Philip Le Bas (A0.818178). An arrangement by Philip Le Bas of the wonderful old German Christmas carol In Dulci Jubilo made popular in an English version by R.L. Pearsall (1795-1856), mixing English and Latin words, for 8-part choir and organ. Here the parts are reduced to three (soprano, alto, baritone) so that it can be sung by choirs for whom eight parts is too ambitious! Perhaps surprisingly, the carol retains much of its interesting counterpoint and tuneful lyricism; the arranger hopes that both singers and listeners will enjoy it equally. Â 1. In dulci jubilo Let us our homage shew: Our heart's joy reclineth In praesepio; And like a bright star shineth Matris in gremio, Alpha es et O! Â 2. O Jesu parvule, I yearn for thee alway! Hear me, I beseech Thee, O puer optime; My prayer let it reach Thee, O princeps gloriae. Trahe me post te. Â 3. O patris caritas! O Nati lenitas! Deeply were we stained. Per nostra crimina: But Thou for us hast gained Coelorum gaudia, O that we were there! 4. Ubi sunt gaudia, Where, if that they be not there? There are angels singing Nova cantica; There the bells are ringing In Regis curia. O that we were there!
$1.99
1.86 €
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Chorale 3 parties
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R
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Philip Le Bas
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In Dulci Jubilo
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Philip Le Bas
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SheetMusicPlus
Collected Works of Don Hustad-Digital Version
Orgue
Organ - Digital Download Arranged by Donald Hustad. General Worship. Organ Book. 124 …
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Organ - Digital Download Arranged by Donald Hustad. General Worship. Organ Book. 124 pages. Hope Publishing - Digital #353DP. Published by Hope Publishing - Digital
Forty traditional and new hymns<br> <br> This anthology includes all four volumes of published organ arrangements of Don Hustad - "Organ Preludes on Hymns Old and New," "Hymns for the Organ," "Three Organ Hymns," and "Hymn Sketches for Organ.".<br> <br> A Mighty Fortress Is Our God <br> All Creatures Of Our God And King <br> Amazing Grace <br> Beneath The Cross Of Jesus <br> Brethren, We Have Met to Worship <br> Children Of The Heavenly Father <br> Come, Christians, Join To Sing <br> Come, Thou Almighty King <br> Glorious Things of Thee Are Spoken <br> Guide Me, O Thou Great Jehovah <br> Have Thine Own Way, Lord! <br> Holy Ghost, with Light Divine <br> I Will Arise and Go to Jesus <br> Ivory Palaces <br> Jesus Is All The World To Me <br> Jesus, Lover of My Soul <br> Jesus, Saviour, Pilot Me <br> Joy To The World! <br> Joyful, Joyful, We Adore Thee <br> Lord, I Have Shut the Door <br> Love Divine, All Loves Excelling <br> My Jesus, I Love Thee <br> Near The Cross <br> Now Thank We All Our God <br> O Love That Wilt Not Let Me Go <br> O Perfect Love <br> O Sacred Head <br> Praise, My Soul, The King of Heaven <br> Rock Of Ages <br> Rock Of Ages, Cleft For Me <br> Softly And Tenderly <br> Speak, Lord, In The Stillness <br> Spirit of God, Descend Upon My Heart <br> Sweet Hour of Prayer <br> The Church's One Foundation <br> The Lord's My Shepherd <br> The Old Rugged Cross <br> The Solid Rock <br> The Strife Is O'er <br> To God Be The Glory
$26.95
25.15 €
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Orgue
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Donald Hustad
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Collected Works of Don Hustad-Digital Version
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Hope Publishing - Digital
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SheetMusicPlus
I Sing As I Arise Today (Downloadable Choral Score)
Chorale SATB
SATB choir, organ, optional brass quintet and percussion - Medium - Digital Download SK…
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SATB choir, organ, optional brass quintet and percussion - Medium - Digital Download SKU: MQ.50-8121-E Composed by Kenneth Dake. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-8121-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-8121-E). English.This famous prayer referred to as Breastplate has long been attributed to St. Patrick. This version uses the tune SEED OF LIFE by William Rowan and creates a exciting setting of this great text. May be performed with keyboard alone or with optional brass and percussion.
$1.70
1.59 €
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Chorale SATB
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Kenneth Dake
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I Sing As I Arise Today
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Lead, Kindly Light : SATB Choir, Organ and Vocal Soloist
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.741926 Composed by John Bacchus Dyke…
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Choral Choir (SATB) - Digital Download SKU: A0.741926 Composed by John Bacchus Dykes. Arranged by M. Ryan Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 16 pages. Vocal Works #484805. Published by Vocal Works (A0.741926). Lead, kindly Light, amid th’encircling gloom, lead Thou me on! The night is dark, and I am far from home; lead Thou me on! Keep Thou my feet; I do not ask to see The distant scene; one step enough for me. I was not ever thus, nor prayed that Thou shouldst lead me on; I loved to choose and see my path; but now lead Thou me on! I loved the garish day, and, spite of fears, Pride ruled my will. Remember not past years! So long Thy power hath blest me, sure it still will lead me on. O’er moor and fen, o’er crag and torrent, till the night is gone, And with the morn those angel faces smile, which I Have loved long since, and lost awhile!
$1.99
1.86 €
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Chorale SATB
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John Bacchus Dykes
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M
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Lead, Kindly Light : SATB Choir, Organ and Vocal Soloist
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Vocal Works
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SheetMusicPlus
THE LORD'S PRAYER (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.917615 Composed by Will Ta…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.917615 Composed by Will Taylor. Christian,Concert,Praise & Worship,Sacred. Octavo. 4 pages. Will Taylor's Music #5290655. Published by Will Taylor's Music (A0.917615). This is a four part (SATB) arrangement of my setting of this much loved prayer originally written for solo voice. It is scored for organ accompaniment with pedals, but pianists will find it easy enough to adapt. I hope your choir will enjoy this version with its very singable melody and lush harmonies.
$3.00
2.8 €
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Chorale SATB
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Will Taylor
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THE LORD'S PRAYER
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Will Taylor's Music
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SheetMusicPlus
Six Songs of the Holocaust, - string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.773330 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.773330 Composed by Various. Arranged by Yoel Epstein. Christian,Contemporary,Jewish,World. Score and parts. 37 pages. Yoel Epstein #4285845. Published by Yoel Epstein (A0.773330). These six songs have become icons of remembrance of the six million Jews who died in the Holocaust. They are traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world. Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Days before the ghetto was destroyed and all the Jews murdered, Sutskover escaped to the forest with his wife. He reached Russia, and in 1947 moved to Palestine. He died in Israel in 2010 at the age of 96. The poem was set to music by Avraham Brodna, a simple laborer in the Vilna ghetto who died in a concentration camp. Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community. Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Volkovitzky, who wrote the melody for a song contest organized to encourage the cultural life of the ghetto, eventually came to Israel where he (under the name Alexander Tamir) became a leading pianist and music educator. The words are by Shmerke Kacserginsky, a leading poet of Vilna, who later escaped the Holocaust and migrated to South America. Papirossen (Cigarettes) actually predates the Holocaust by 15 years. It was written by Yiddish actor and composer Herman Yablokoff in 1922 in Grodno, Poland. Yablokoff later immigrated to America, where he produced a musical Papirossen that incorporated the song. It was later made famous by the Barry Sisters, a Yiddish popular music group. Donna Donna was written by Shalom Secunda, with words by Aaron Zeitlin for the Yiddish musical Esterke in 1940. Though the song originally related to the 600-year-old legend of a Polish king who married a Jewess, it quickly became associated with the Holocaust because of its haunting message. The song has entered the popular folk repertoire, with canonical renditions by Joan Baez, Theodore Bikel, and many others. Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune. You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$1.99
1.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Yoel Epstein
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Six Songs of the Holocaust, - string quartet
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Yoel Epstein
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SheetMusicPlus
Durham Concerto
Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: …
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Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra. Composed by Jon Lord. This edition: study score. Evening - architecture - dawn - architecture - cathedral - bagpipes - Durham - England - Great Britain - cathedral - Church - concerto - morning - afternoon - nocturne - Northumbrian pipes - program music - program music - students - Studies - Studies. Music Of Our Time. Downloadable, Study score. Duration 57' 0. Schott Music - Digital #Q52424. Published by Schott Music - Digital (S9.Q52424). The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mindâ€, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durhamâ€, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 20173 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6).
$46.99
43.85 €
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Jon Lord
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Durham Concerto
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Schott Music - Digital
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SheetMusicPlus
7. Spirituals From the from the cantata FEET OF JESUS by Judith Cloud (text by Langston Hughes) Sop
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.981235 Composed by Judith Cloud. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.981235 Composed by Judith Cloud. Contemporary. Octavo. 11 pages. Judith Cloud #6710263. Published by Judith Cloud (A0.981235). 1. Feet o' Jesus (From the cantata FEET OF JESUS by Judith Cloud (text by Langston Hughes)Feet of Jesus is a cantata for mixed chorus, soprano saxophone, soprano and baritone soloists and organ. It is made up of seven movements: 1) Feet of Jesus; 2) Prayer; 3) Shout; 4) Litany/Sinner; 5) Fire; 6) Angels Wings; 7) Spirituals. It is approximately eighteen minutes in length. It has been performed by church choirs, professional choirs and amateur choirs, as well as university choirs.I was very fortunate to have Anders Paulsson believe in the beauty and significance of Feet of Jesus. He promoted it in Sweden and returned to the United States to perform it in San Francisco. In May of 1997, the Saint Jacobs Chamber Choir under the direction of Gary Graden recorded Feet of Jesus, along with some other original works by Anders Paulsson and arrangements of spirituals. I requested that the soloists be African-Americans, Marymal Holmes and John Williams. The cross-cultural exchange was a vibrant one and proved to be enlightening. The very idea of what was truly considered spiritual in music was put to the question and answered admirably by Gary Graden and his marvelous Swedish choir. The BIS Northern Lights CD was released under the title Spirituals.
$2.99
2.79 €
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Chorale SATB
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Judith Cloud
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2) Prayer
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7. Spirituals From the from the cantata FEET OF JESUS by Judith Cloud
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Judith Cloud
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SheetMusicPlus
Choral
Clarinet in Bb and organ - easy to intermediate - Digital Download SKU: S9.Q41692
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Clarinet in Bb and organ - easy to intermediate - Digital Download SKU: S9.Q41692 For Elke Mascha Blankenburg. Composed by Barbara Heller. This edition: Sheet music. Clarinet Library. Dieser Orgelchoral mit Soloklarinette folgt in der formalen Anlage einem Jüdischen Totengebet. Dabei steht die Soloklarinette für den Gesang des traditionellen Vorbeters, die Orgel mimt den Nachgesang der Synagogengemeinde. Downloadable. Duration 8 minutes. Schott Music - Digital #Q41692. Published by Schott Music - Digital (S9.Q41692). The formal structure of this organ chorale with solo clarinet follows a Jewish death prayer. The solo clarinet represents the chant of the traditional prayer leader while the organ plays the response of the congregation of the synagogue. The piece ends with a cadenza of the solo clarinet to which an optional organ improvisation can be added. Barbara Heller dedicated this chorale to the memory of Elke Mascha Blankenburg (1943–2013). Talking about her before the first performance, the composer said: ‘She was open-hearted with a really tender soul, very trusting. Her creativity knew no limits; she was also an almost fanatical campaigner for music by women. In the music you will hear now I have attempted to convey some aspects of her personality: charming, loving, obstinate, committed, volatile, tragic, crazy, untamed, tender and anguished.’ The various sections of this chorale may be performed in a correspondingly contrasting manner: searching, hesitant, visionary, focused, volatile, accusatory, hopeful, etc., with use of rubato and powerful contrasts in dynamic and tone quality.
$11.99
11.19 €
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Barbara Heller
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Choral
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Schott Music - Digital
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SheetMusicPlus
In My Room
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.86 €
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Chorale TTBB
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Come, Come Ye Saints
Harpe
Harp - Advanced Intermediate - Digital Download Arranged by Ray Pool. Latter- Day Sain…
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Harp - Advanced Intermediate - Digital Download Arranged by Ray Pool. Latter- Day Saints, General Worship. 80 pages. Published by Afghan Press Music for the Harp
A collection of fifty hymns of The Church Jesus Christ of Latter-Day Saints (Mormon faith) in lead sheet or fake book format, taken directly from the collection printed in 1985 with the simple title “Hymns.” It includes a broad selection of these hymns to print with melody line, chord symbols, editings for harmonic adjustment on either lever or pedal harp, simultaneously, and the first verse of lyrics. Three separate “Table of Contents” listings organize the entries according to first line of text, level of difficulty, and key signature.If you already play from a fake book, this will be a resource of immediate use to you. If you want to learn to play from a fake book, this is a great place to start.<br> <br> Titles: Abide with Me, Angels We Have Heard on High, Christ the Lord is Risen Today, Come Unto Jesus, Come, Come Ye Saints, Come, Listen to a Prophet's Voice, Come, O Thou King of Kings, Come, Ye Children of the Lord, Come, Ye Disconsolate, Did You Think to Pray?, Far, Far Away on Judea's Plains, Father in Heaven, For the Beauty of the Earth, For the Strength of the Hills, God Be With You Till We Meet Again, God of Our Fathers, Whose Almighty Hand, God, Our Father, Hear Us Pray, He Is Risen!, High on the Mountaintop, How Firm a Foundation, How Gentle God's Command, How Great the Wisdom and Love, I Know that my Redeemer Lives, I Need Thee Every Hour, I Stand All Amazed, I'll Go Where You Want Me to Go, In Humility, Our Savior, In Hymns of Praise, Israel, Israel, God is Calling, Jesus, Once of Humble Birth, Jesus, Savior, Pilot Me, Jesus, The Very Thought of Thee, Joseph Smith's First Prayer, Joy to the World, Let Us All Press On, Lead, Kindly Light, Oh, Come, All Ye Faithful, Now Let Us Rejoice, O My Father, Praise God, from Whom All Blessings Flow, Put Your Shoulder to the Wheel, Redeemer of Israel, Rejoice, the Lord is King, Silent Night, Sweet is the Work, The Lord Is My Shepherd, The Spirit of God, There is a Green Hill Far Away, We Ever Pray for Thee, Zion Stands with Hills Surrounded.
$20.00
18.67 €
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Harpe
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Ray Pool
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Come, Come Ye Saints
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Afghan Press Music for the Harp
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SheetMusicPlus
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