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Hey! I'm Kenny the Clown from Choir Practice (Downloadable)
Solo voices, piano - Medium - Digital Download SKU: MQ.7.0701-E Composed by Stephen…
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Solo voices, piano - Medium - Digital Download SKU: MQ.7.0701-E Composed by Stephen Chatman. Instrument part. 18 pages. Duration 5 minutes, 20 seconds. Galaxy Music Corporation - Digital #7.0701-E. Published by Galaxy Music Corporation - Digital (MQ.7.0701-E). English.Libretto:Written by Tara Wohlberg. Synopsis:As choir director Willie faces his dilemma of choosing between Heather and Julia for a solo, Kenny the Clown interrupts, and joins the choir practice in progress, prompting various outbursts from the men. As Willie begins to take roll call, the rehearsal quickly digresses into a verbal battle of insults and innuendo between Julia and Heather, each attempting to make the other appear unworthy of the solo. Adonia, the Belly Dancer, enters briefly and exits, followed by Willie, leaving the choir members alone. They proceed to discuss rumors about Willie's manhood and prowess with the ladies.Duration: 5:20The purchase of this scene includes permission to reproduce a maximum number of 13 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
45.91 €
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Stephen Chatman
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Hey! I'm Kenny the Clown from Choir Practice
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.37 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
I.M. Music Conductor's Score
Orchestre d'harmonie
Composed by Andrew Mc Donald. Contemporary. Score and parts. 14 pages. Andrew Mc Donal…
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Composed by Andrew Mc Donald. Contemporary. Score and parts. 14 pages. Andrew Mc Donald (Macka Records) #6619403. Published by Andrew Mc Donald (Macka Records)
$20.00
18.37 €
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Orchestre d'harmonie
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Andrew Mc Donald
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I.M. Music Conductor's Score
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Andrew Mc Donald (Macka Records)
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SheetMusicPlus
I Thank You, Lord
Orchestra, Rhythm - Digital Download SKU: H1.C5614ODP Composed by Joseph M. Martin.…
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Orchestra, Rhythm - Digital Download SKU: H1.C5614ODP Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Thanksgiving, General Worship. Set of Instrumental Parts. 52 pages. Hope Publishing - Digital #C5614ODP. Published by Hope Publishing - Digital (H1.C5614ODP). Joseph M. Martin. Philippians 2:10 - Philippians 2:11 - Isaiah 12:4 - Acts 18:9 - Psalms 19:1 - Psalms 19:2 - Psalms 19:3 - Psalms 19:4 - Psalms 19:5 - Psalms 19:6 - Psalms 19:7 - Psalms 19:8 - Psalms 19:9 - Psalms 19:10 - Psalms 19:11 - Psalms 19:12 .Original anthem From Joseph Martin here is a gorgeous, lyrical expression of praise and thanksgiving. The memorable melody and personal text build to the familiar quote, If Christ is Lord of heaven and earth, how can I keep from singing? The orchestration, by Stan Pethel, heightens the impact of this deeply felt anthem of gratitude useful for Thanksgiving and general occasions. This top-seller has been newly re-voiced for SAB voices. The Rhythm packet contains parts for Drums and Electric Bass. The Orchestration includes a Conductor's Score and parts for: Electric Bass, Drums, Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, French Horn 1 & 2, Trumpets 1, 2 & 3, Trombones 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, and Double Bass.
$89.95
82.6 €
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Joseph M
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I Thank You, Lord
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Hope Publishing - Digital
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SheetMusicPlus
I Thank You, Lord
Rhythm instruments - Digital Download SKU: H1.C5614RDP Composed by Joseph M. Martin…
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Rhythm instruments - Digital Download SKU: H1.C5614RDP Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Thanksgiving, General Worship. Rhythm Parts. 5 pages. Hope Publishing - Digital #C5614RDP. Published by Hope Publishing - Digital (H1.C5614RDP). Joseph M. Martin. Philippians 2:10 - Philippians 2:11 - Isaiah 12:4 - Acts 18:9 - Psalms 19:1 - Psalms 19:2 - Psalms 19:3 - Psalms 19:4 - Psalms 19:5 - Psalms 19:6 - Psalms 19:7 - Psalms 19:8 - Psalms 19:9 - Psalms 19:10 - Psalms.Original anthem From Joseph Martin here is a gorgeous, lyrical expression of praise and thanksgiving. The memorable melody and personal text build to the familiar quote, If Christ is Lord of heaven and earth, how can I keep from singing? The orchestration, by Stan Pethel, heightens the impact of this deeply felt anthem of gratitude useful for Thanksgiving and general occasions. This top-seller has been newly re-voiced for SAB voices. The Rhythm packet contains parts for Drums and Electric Bass. The Orchestration includes a Conductor's Score and parts for: Electric Bass, Drums, Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, French Horn 1 & 2, Trumpets 1, 2 & 3, Trombones 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, and Double Bass.
$22.95
21.07 €
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Joseph M
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I Thank You, Lord
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Hope Publishing - Digital
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SheetMusicPlus
I Thank You, Lord
Vocal ensemble medium voice solo key of C - Digital Download SKU: H1.8630DP Compose…
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Vocal ensemble medium voice solo key of C - Digital Download SKU: H1.8630DP Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Praise & Worship, Thanksgiving, General Worship. Vocal score. 9 pages. Hope Publishing - Digital #8630DP. Published by Hope Publishing - Digital (H1.8630DP). Joseph M. Martin. Philippians 2:10 - Philippians 2:11 - Isaiah 12:4 - Acts 18:9 - Psalms 19:1 - Psalms 19:2 - Psalms 19:3 - Psalms 19:4 - Psalms 19:5 - Psalms 19:6 - Psalms 19:7 - Psalms 19:8 - Psalms 19:9 - Psalms 19:10 - Psalms.Original anthem From Joseph Martin here is a gorgeous, lyrical expression of praise and thanksgiving. The memorable melody and personal text build to the familiar quote, If Christ is Lord of heaven and earth, how can I keep from singing? The orchestration, by Stan Pethel, heightens the impact of this deeply felt anthem of gratitude useful for Thanksgiving and general occasions. This top-seller has been newly re-voiced for SAB voices. The Rhythm packet contains parts for Drums and Electric Bass. The Orchestration includes a Conductor's Score and parts for: Electric Bass, Drums, Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, French Horn 1 & 2, Trumpets 1, 2 & 3, Trombones 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, and Double Bass.
$7.95
7.3 €
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Joseph M
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I Thank You, Lord
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Hope Publishing - Digital
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SheetMusicPlus
I Thank You, Lord
Choral Orchestra, Rhythm - Digital Download SKU: H1.C5786DP Composed by Joseph M. M…
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Choral Orchestra, Rhythm - Digital Download SKU: H1.C5786DP Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Thanksgiving, General Worship. Octavo. 12 pages. Hope Publishing - Digital #C5786DP. Published by Hope Publishing - Digital (H1.C5786DP). Joseph M. Martin. Philippians 2:10 - Philippians 2:11 - Isaiah 12:4 - Acts 18:9 - Psalms 19:1 - Psalms 19:2 - Psalms 19:3 - Psalms 19:4 - Psalms 19:5 - Psalms 19:6 - Psalms 19:7 - Psalms 19:8 - Psalms 19:9 - Psalms 19:10 - Psalms.Original anthem From Joseph Martin here is a gorgeous, lyrical expression of praise and thanksgiving. The memorable melody and personal text build to the familiar quote, If Christ is Lord of heaven and earth, how can I keep from singing? The orchestration, by Stan Pethel, heightens the impact of this deeply felt anthem of gratitude useful for Thanksgiving and general occasions. This top-seller has been newly re-voiced for SAB voices. The Rhythm packet contains parts for Drums and Electric Bass. The Orchestration includes a Conductor's Score and parts for: Electric Bass, Drums, Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, French Horn 1 & 2, Trumpets 1, 2 & 3, Trombones 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, and Double Bass.
$3.25
2.98 €
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Joseph M
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I Thank You, Lord
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Hope Publishing - Digital
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SheetMusicPlus
11 Children's Songs arr. for Piano Quintet: Conductor's Score
Small Ensemble,Strings Piano - Level 2 - Digital Download SKU: A0.885856 Composed b…
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Small Ensemble,Strings Piano - Level 2 - Digital Download SKU: A0.885856 Composed by Johansson, Malmsten, Meritahti, and Traditional. Arranged by Lauri Hamalainen. Children,Instructional,Standards. Score and parts. 44 pages. Suomi Music #4809951. Published by Suomi Music (A0.885856). 11 CHILDREN’S SONGS ARRANGED FOR PIANO QUINTET ARRANGED BY LAURI HÄMÄLÄINEN © VIOLIN FRIENDS 2019 The purpose of the Violin Friends music books is to inspire students and their friends to practice and perform music together with happy, pedagogical and fun music. 11 Children’s Songs arr. for piano quintet gives students the chance to play rhythmical variations of well-known melodies. The parts for strings are written in the first position except for the Poor Little Teddy where the cello line introduces playing in positions. The music can be performed with a string orchestra and piano soloists or with a traditional piano quintet. The part for 3rd violin can be used if there are no violas available. THE SMALL TRAIN (Danish) POTPOURRI (American, French, German) OLD MCDONALD (American) IHAHAA (Finnish) FRÈRE JAQUES (French) SAMBA LELE (Brazilian) MARCH OF THE ELEPHANTS (Finnish) ITSY BITSY SPIDER (American) POOR LITTLE TEDDY (Finnish) PIPPI LONGSTOCKING (Swedish) RATI RITI RALLA (Finnish) The family of Violin Friends consist of Violin and Viola Friends I- II, Eight Trios for Violin, Viola and String Trio, 12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet and 11 Children’s Songs arr. for piano quintet. For more info please visit www.violinfriends.com.
$7.00
6.43 €
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Johansson, Malmsten, Meritahti, and Traditional
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Lauri Hamalainen
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11 Children's Songs arr. for Piano Quintet: Conductor's Score
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Suomi Music
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SheetMusicPlus
Abraham’s Daughter: March from the Civil War
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
17.45 €
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Orchestre d'harmonie
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: March from the Civil War
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Stephen R Dalrymple
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.58 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Shenandoah
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.818351 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818351 By Stephen R Dalrymple. By American Folk Song. Arranged by Stephen R Dalrymple. Folk. Score and parts. 52 pages. Stephen R Dalrymple #6381291. Published by Stephen R Dalrymple (A0.818351). Shenandoah ♫ traditional American folk song ♫ arranged for concert band by Stephen R Dalrymple ♫ The meaning of this song will be long debated. Considered a sea chanty, the song was passed on orally by singers on clipper ships. The variations in lyrics that have been collected demonstrate how various singers over the decades have altered the song (consciously or unconsciously). ♫ This arrangement is based on lyrics that were collected prior to 1860 and published in Sea Songs and Shanties by W. B. Whall (1910). There are evidently 2 rivers mentioned in this song, the Shenandoah and the Missouri. The song tells a love story between an impetuous trader and a Shenandoah Valley Native American princess. As the trader heads for the Missouri River, he looks back longingly to the home of the princess. ♫ I have used the Dorian Mode to suggest Native American elements in the story line. The YouTube video features photos of both the Shenandoah River and the Missouri River. ♫ The white man loved the Indian maiden, Away you rolling river. With notions his canoe was laden. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ O, Shenandoah, I love your daughter, Away you rolling river. I'll take her 'cross yon rolling water. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ The chief disdained the trader's dollars: Away you rolling river. My daughter never you shall follow. Ah-ha, I'm bound away, Cross the wide Missouri. ♫ O, Shenandoah, I long to hear you, Away you rolling river. Across that wide and rolling river. Ah-ha, I'm bound away, 'Cross the wide Missouri. ♫ arrangement © 2000 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Flute, Oboe, Clarinet 1, Clarinet 2, optional Clarinet 3, Bass Clarinet, Alto Sax /Alto Clarinet, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/Baritone/Bassoon, Treble Clef Baritone, Tuba, E Bass, Snare Drum/Cymbals, Shaker/Chimes, and Timpani ♫ The YouTube video contains a full recording.
$19.00
17.45 €
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Orchestre d'harmonie
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Stephen R Dalrymple
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Stephen R Dalrymple
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Shenandoah
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Stephen R Dalrymple
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SheetMusicPlus
Boomwhacker Ensemble
Instruments en Do
C Instrument - Level 1 - Digital Download SKU: A0.692988 By Michael Welch. By Micha…
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C Instrument - Level 1 - Digital Download SKU: A0.692988 By Michael Welch. By Michael Welch. Arranged by Michael Welch. Children,Hip-Hop,Multicultural,R & B,World. Lead Sheet / Fake Book. 48 pages. Michael Welch Publications #301634. Published by Michael Welch Publications (A0.692988). I’m Michael Welch, the author of MrMikesMusicMats / Boom Boom the Bass Drum I created Boomwhacker Ensemble for early learners ages 4 & up. It’s a fun learning, performance, and motion activity. I’ve included several performance variations for this ensemble. Including 8 bar, 16 bar and 32 bar arrangements with conductor scores. ( Color Conductor and 8 parts included) I’m always discovering new methods for this ensemble. If you are a music educator, my books and programs can be utilized as in school and after school activities. 18â€x24†mrmikesmusicmats are also available for classroom, table, floor and outside lesson activities. Best regards, Michael Welch.
$9.95
9.14 €
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Instruments en Do
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Michael Welch
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Michael Welch
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Boomwhacker Ensemble
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Michael Welch Publications
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SheetMusicPlus
When I'm Sixty-Four - Conductor Score (Full Score)
Orchestre
By The Beatles. Arranged by Larry Moore. Oldies; Pop; Rock. Orchestra. 7 pages. Published …
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By The Beatles. Arranged by Larry Moore. Oldies; Pop; Rock. Orchestra. 7 pages. Published by Hal Leonard - Digital Sheet Music (HX.339090). - Orchestra - Oldies; Pop; Rock - Hal Leonard - Digital Sheet Music
$5.00
4.59 €
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Orchestre
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The Beatles
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Larry Moore
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Pop
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When I'm Sixty-Four - Conductor Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Cups (When I'm Gone) - Conductor Score (Full Score)
Orchestre d'harmonie
By Anna Kendrick. Arranged by Johnnie Vinson. Pop. Concert Band. 16 pages. Published by Ha…
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By Anna Kendrick. Arranged by Johnnie Vinson. Pop. Concert Band. 16 pages. Published by Hal Leonard - Digital Sheet Music
$5.00
4.59 €
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Orchestre d'harmonie
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Anna Kendrick
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Johnnie Vinson
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Cups
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.62 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Brass Band - March - O. H. B.
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767284 Composed by Mike Lyons. Contemporary. Brass Band. 82 pages. Lyons Music Services #3227757. Published by Lyons Music Services (A0.767284). I wrote this march and dedicated it to my current band, Old Hall Brass, when I was first playing with them in 2003. Now that I'm back with them after a 9 year hiatus, I felt it only appropriate to publish it here.The opening 10 bars are a bit of a muck-around and are entirely optional. OHB's current conductor, John North, likes to entertain, so it's basically a tuning up section, like you would find in an orchestral concert but with some laughs thrown in!The march starts for real at the Segno. There's a fanfare-like opening which leads into the first main melody for the euphonium and solo horn. This is repeated with extra fanfare interjections from the trombones. The bass solo is a fairly traditional part of a march and this is no exception, except that it is not repeated. Another fanfare-like section leads into a reprise of the euphonium/horn melody with interjections from trombones and cornets. The final section is similar to the opening fanfare before the DS. Repeats should not be played on the DS.
$25.00
22.96 €
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Mike Lyons
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Brass Band - March - O. H. B.
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Lyons Music Services
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SheetMusicPlus
Widdicombe Fair by Julius Harrison for Clarinet Quintet
Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.891922 Composed …
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Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.891922 Composed by Julius Harrison. Arranged by Stephen Davies. 20th Century,Standards. 19 pages. Stephen Davies #3539147. Published by Stephen Davies (A0.891922). The prolific conductor and composer Julius Harrison was born in Stourport in Worcestershire England in 1885, he spent most of his life in music, either conducting, composing, writing and teaching. He was also a founding member and Vice-President of the Elgar Society, and a professor at the Royal Academy of Music in London. This arrangement of his Widdicombe Fair highlights the eccentricity but delightful touch that Harrison possessed, don't be fooled by the light and jaunty opening, this music bites back!! Incidentally, I'm using the new Note Performer programme, its really terrific!!
$15.99
14.68 €
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Julius Harrison
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Stephen Davies
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Widdicombe Fair by Julius Harrison for Clarinet Quintet
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Stephen Davies
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SheetMusicPlus
Rhythms of the Spirit
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Co…
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Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00
128.56 €
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Orchestre d'harmonie
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
Glossolalie 61
3 (4) Speakers and 3 (4) Instrumentalists - conductor - Digital Download SKU: S9.Q2723
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3 (4) Speakers and 3 (4) Instrumentalists - conductor - Digital Download SKU: S9.Q2723 (Projekte IV). Composed by Dieter Schnebel. This edition: performance score. Downloadable, Performance score. Duration 40 minutes. Schott Music - Digital #Q2723. Published by Schott Music - Digital (S9.Q2723). Ausarbeitung des 1959-60 definierten Projekts GlossolalieInstrumentalist I: Harmonium (auch Schlagzeug: Trgl. · Sir. · Sistr. · Guiro · Ratsche · Tin lids · Sheets of vellum · Sheets of tissue paper · hg. Packpapier · Mar.) Instrumentalist II: Klav. (auch Schlagzeug: Trgl. · Kuhgl. · Tamb. · 2 Woodbl. · 3 Gläser · 3 Flaschen · Schachtel m. Besteck · Papierblätter) Instrumentalist III: Schlagzeug (Trgl. · 3 Beck. · 3 Gongs [Tamt.] · Conga · 2 Tomt. · kl. Tr. · gr. Tr. · 2 Mar. · Pf. · Papierblätter · Guiro · Ketten · 2 Sir. · Pf.) Instrumenatlist IV [oder von den anderen zu spielen]: Röhrengl. · Mil. Tr. · Holzstäbe · Metallstäbe · Clav. · 3 Lineale · Shisk · 2 Ratschen · Bürste · Wassertrog [für Wassergongs] · Glsp. · Vibr. [o. Cel.] · Marimba).
$39.99
36.72 €
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Dieter Schnebel
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Glossolalie 61
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Schott Music - Digital
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble - Tuba
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.567897 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.567897 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986125. Published by Thomas Graf - the-hit-factory.com (A0.567897). Conflusion - Suite - Wind Ensemble Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. 2016 Chamber Music Contest Entry Thomas H. Graf 2016 Chamber Music Contest Entry.
$3.00
2.75 €
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Ensemble Jazz
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble - Tuba
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Glorificar Al Señor (Alabanza al Corazón de Jesus)
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1048919 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1048919 Composed by Refugio Gomez. Arranged by Joshua Chandra. Christian,Multicultural,Praise & Worship,Religious,Sacred,World. 5 pages. Joshua Chandra #653313. Published by Joshua Chandra (A0.1048919). Spanish Catholic music for cantor, choir, and keyboard By Conductor Emeritus Refugio Ernie Gomez of Sacred Heart Catholic Church in Rancho Cucamonga, CAI'm always very happy to hear from my customers and open to sheet music requests! https://www.joshuachandra.com • josh@joshuachandra.com
$2.00
1.84 €
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Chorale SATB
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Conductor Emeritus Refugio Ernie Gomez of Sacred Heart Catholic Church in Rancho Cucamonga, CA
I'm always very happy to hear from my customers and open to sheet music requests!
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Refugio Gomez
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Joshua Chandra
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Glorificar Al Señor
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Joshua Chandra
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble - Trumpet 2
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.567895 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.567895 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986121. Published by Thomas Graf - the-hit-factory.com (A0.567895). Conflusion - Suite - Wind Ensemble Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. 2016 Chamber Music Contest Entry Thomas H. Graf.
$3.00
2.75 €
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Ensemble Jazz
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble - Trumpet 2
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Beyond the Sky
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Flute - Level 4 - Digital Download SKU: A0.971663 C…
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Woodwind Ensemble,Woodwind Trio Flute - Level 4 - Digital Download SKU: A0.971663 Composed by Jeffrey Hoover. 20th Century,Contemporary. 49 pages. Musicart Publications #5992083. Published by Musicart Publications (A0.971663). Beyond the Sky. Flute trio (1st doubling piccolo and 3rd doubling alto flute). Duration, 13 minutes.1. Black Hole (3 min. 45 sec.)2. A Crescent Moon, 1969 (3 min. 45 sec.)3. SETI Ratio (Search for Extraterrestrial Intelligence) (2 min.)4. Quantum Waltz (3 min. 30 sec.)The score and parts in this edition are arranged to be printed double-sided, with correct page turns.Beyond the Sky is a celebration of space exploration and imagination. It is in many respects a symphonic work for flute trio, with the characteristics and order of the four movements resembling the structure of a classical symphony. As a child during the Space Race, I was immensely interested in both terrestrial- and extraterrestrial-exploration, and as I composed this music a half-century later it made the most sense to set the musical ideas in this manner. In the first movement, Black Hole, two contrasting themes are presented and immediately developed: a theme of polyphonic gestures, with a contrasting second theme of chordal-textured music. The characteristic and somewhat liquid sound of the flute trio in the second theme is especially evident. The static and evolving blocks of music represent the gravitational collection of matter by a black hole. The second movement, A Crescent Moon, 1969, celebrates astronaut Neil Armstrong's moonwalk in July 1969. This slow, lyrical movement possesses a nocturnal quality while features the alto flute as a solo instrument. The third movement, SETI Radio (Search for Extraterrestrial Intelligence), is a slow through-composed scherzo. With piccolo, a high tessitura of the flute trio range is heard. The fourth movement is a dynamic Rondo Variations form. Quantum Waltz is just that, a small waltz where the music is developed with a recurring first section, alternating between new material.– Jeffrey HooverJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$21.95
20.16 €
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Trio de Flûtes: 3 flûtes
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Jeffrey Hoover
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Beyond the Sky
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Musicart Publications
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SheetMusicPlus
Oneness in This World (clarinet, cello, piano)
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95
20.16 €
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
All The Things You Are
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 2 - Digital Download SKU: A0.1104603 By Jack Leonard with Tomm…
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C Instrument - Level 2 - Digital Download SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Instructional,Jazz,Multicultural,Musical/Show,Wedding,World. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707828. Published by Davi Rocha Campos (A0.1104603). This score is in B, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$3.99
3.66 €
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Ligne De Mélodie, (Paroles) et Accords
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Jack Leonard with Tommy Dorsey Orchestra
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
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