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IF I KNEW THEN WHAT I KNOW NOW
Partitions à imprimer
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If I Knew Then What I Know Now
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.827096 Composed by Robert Col…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.827096 Composed by Robert Collister. Country,Pop. 5 pages. Robert Collister #2029207. Published by Robert Collister (A0.827096). Lyrics by: Leslie Collins Great country song telling the story of seeing a former lover while dining out. The singer realizes that they would still be together if they had not given up the relationship.
$4.00
3.69 €
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Robert Collister
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If I Knew Then What I Know Now
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Robert Collister
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SheetMusicPlus
IF I KNEW THEN WHAT I KNOW NOW
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1050465 By PAUL OSBOURNE. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1050465 By PAUL OSBOURNE. By MICHAEL L. RICCCIARDI. Arranged by TIM C. DORAN. Blues,Country. Score. 4 pages. Creative Horizons Music Publishers (ASCAP) #654821. Published by Creative Horizons Music Publishers (ASCAP) (A0.1050465). A COUNTRY TUNE ABOUT A WOMAN WHO'S BEEN BETRAYED BY HER COWBOY HUSBAD. UP TEMPO.
$3.50
3.23 €
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Piano, Voix
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PAUL OSBOURNE
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TIM C
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IF I KNEW THEN WHAT I KNOW NOW
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Creative Horizons Music Publishers
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SheetMusicPlus
Time To Work This Out
Voix seule
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.827093 Composed by Robert Col…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.827093 Composed by Robert Collister. Country,Pop. 5 pages. Robert Collister #2029205. Published by Robert Collister (A0.827093). Lyrics by: Leslie Collins. Great country song telling the story of someone needing time from a relationship to find their true identity in life. If I knew then what I know now, we'd be back together again..
$4.00
3.69 €
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Voix seule
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Robert Collister
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Time To Work This Out
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Robert Collister
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SheetMusicPlus
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
1.83 €
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Chorale SATB
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Mary, Did You Know?
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.505752 By Kathy Mattea. By Buddy …
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C Instrument - Level 4 - Digital Download SKU: A0.505752 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by John Fries. 20th Century,Christmas,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #117412. Published by John Fries (A0.505752). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Imagine if you were alive back when Jesus, Mary and Joseph walked the planet. If you were there when Jesus was on earth performing His miracles, and you lived in Mary's town, what might you have asked her? We all know the story now. We know how God sent the angel Gabriel to Mary to prepare her. Today, we know that yes, Mary knew the important role she had. She was told how important her son's birth would be. In short, the answer to 'Mary Did You Know?' was yes, she knew. But back then, people probably didn't know that.
$3.99
3.68 €
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Instruments en Do
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Kathy Mattea
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John Fries
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Mary, Did You Know?
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John Fries
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SheetMusicPlus
Mary, Did You Know?
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201326 By Kathy Matt…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201326 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by John Fries. 20th Century,Christmas,Holiday,Jazz,Standards. Score. 2 pages. John Fries #799980. Published by John Fries (A0.1201326). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Imagine if you were alive back when Jesus, Mary and Joseph walked the planet. If you were there when Jesus was on earth performing His miracles, and you lived in Mary's town, what might you have asked her? We all know the story now. We know how God sent the angel Gabriel to Mary to prepare her. Today, we know that yes, Mary knew the important role she had. She was told how important her son's birth would be. In short, the answer to 'Mary Did You Know?' was yes, she knew. But back then, people probably didn't know that.
$4.99
4.6 €
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Piano, Voix et Guitare
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Kathy Mattea
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John Fries
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Mary, Did You Know?
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John Fries
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SheetMusicPlus
Mary, Did You Know?
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1369295 By Kathy Mattea. By Buddy G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1369295 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by John Fries. 20th Century,Christian,Christmas,Standards. Score. 3 pages. John Fries #953651. Published by John Fries (A0.1369295). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Imagine if you were alive back when Jesus, Mary and Joseph walked the planet. If you were there when Jesus was on earth performing His miracles, and you lived in Mary's town, what might you have asked her? We all know the story now. We know how God sent the angel Gabriel to Mary to prepare her. Today, we know that yes, Mary knew the important role she had. She was told how important her son's birth would be. In short, the answer to 'Mary Did You Know?' was yes, she knew. But back then, people probably didn't know that.
$5.99
5.52 €
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Piano seul
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Kathy Mattea
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John Fries
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Mary, Did You Know?
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John Fries
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
HOLY LORD
Piano seul
Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066628 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 215. THEMIS KOUTRAS #4783867. Published by THEMIS KOUTRAS (A0.1066628). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.6 €
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Piano seul
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THEMIS KOUTRAS
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HOLY LORD
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THEMIS KOUTRAS
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SheetMusicPlus
HOLY LORD 2
Piano seul
Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066608 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 218. THEMIS KOUTRAS #4782783. Published by THEMIS KOUTRAS (A0.1066608). This is when i studied the holy bible from the time i got up to the time i went to bed for years i must have read it 1000 x or even more anyway it was at the time i remembered the scripture saying in the future says the LORD i shall write and pin thy word (law) in there hearts so i said cool lord may i ask you for that gift? instantly GOD knocks me out without any pain and i had a dream i saw him put the holy bible in my mind and heart from then on i new it all off by heart ye true but Satan hated the gift GOD gave me and coursed me to forget it all i was tempted like no other i only new GOD EXISTED and Satan was his enemy i had forgotten it everything else Satan appears to me saying the same temptation he said to GOD SON and offered me to be king of all the cosmos i said no way Satan i rather be in poverty then a king against GOD i said no no way and said i will war with you Satan for if you are GODS enemy you are also my enemy i also said what JESUS CHRIST said to him not remembering the holy bible at all by nature the holy spirit withing me gave me this song as i wrote it after i finished i sang it to GOD as i remembered about his son i sang it to him also after i finished singing i then was helped by GOD and remembered the holy bible ones again i said wait one moment this song is coming from the book of revelation and true it dose i said how did GOD son knew about me and that i will write this so many centuries before my time? this strengthened me to know he knows all things and said thank you to him so on Satan still gets me to forget it all from time to time and tempts me but i pass by the help of the holy spirit he then helps me remember again thanking him now
$4.99
4.6 €
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Piano seul
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THEMIS KOUTRAS
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HOLY LORD 2
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THEMIS KOUTRAS
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SheetMusicPlus
Good Advice
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?†was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.
$4.99
4.6 €
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Piano, Voix
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Cheryl Prazak
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Jon Burr
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Good Advice
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Cheryl Prazak
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SheetMusicPlus
CASSANDRA'S VISION
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.61 €
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Violon et Piano
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Beyond the Rainbow Bridge (piano accompaniment)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893830 Composed by David Kai…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893830 Composed by David Kai. Christian,Contemporary,Pop,Spiritual. Score. 7 pages. David Kai #5209023. Published by David Kai (A0.893830). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. For more information about this song and free downloads, go to: www.sites.google.com/site/davidwkaismusicBeyond The Rainbow Bridge by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, We’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time Then you know just what you did You took a piece of my broken heart beyond the rainbow bridgeYou took a piece of my broken heart beyond the rainbow bridge.www.sites.google.com/site/davidwkaismusic
$4.00
3.69 €
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Piano, Voix
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David Kai
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Beyond the Rainbow Bridge
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David Kai
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SheetMusicPlus
Beyond the Rainbow Bridge - backing track
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Down…
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String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Country,Rock. Accompaniment. Duration 221. David Kai #708333. Published by David Kai (A0.1105087). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. The death of a pet is certainly one the most difficult things that pet lovers experience. Pets offer us companionship, affection and healing, but their relatively short lifespan means that we will experience this loss many times in our lives. Many of us take comfort in the idea of a rainbow bridge that our pets cross when they die, and that we too will cross to be united with our pets. This song expresses the grief that we experience with the death of a pet, but also the hope that we will be reunited with them one day. This version of the song is a backing track for a soloist. BEYOND THE RAINBOW BRIDGE by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, we’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time, then you know just what you did You took a piece of my broken heart beyond the rainbow bridge. You took a piece of my broken heart beyond the rainbow bridge.
$1.99
1.83 €
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David Kai
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David Kai
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Beyond the Rainbow Bridge - backing track
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David Kai
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SheetMusicPlus
Easy Cello Solos - Student Edition
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.812889 Composed by Adrianus Valeriu…
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Cello Solo - Level 1 - Digital Download SKU: A0.812889 Composed by Adrianus Valerius, Folklore, Folliott S. Pierpoint, Franz Lehar, Franz Schubert, Franz Xaver Gruber, Johannes Brahms, John Newton, and Traditional. Arranged by Yellow Cello Music. Celtic,Christian,Folk,Romantic Period,Standards. Individual part. 27 pages. Sheryl Smith #4981963. Published by Sheryl Smith (A0.812889). Includes 15 songs for the beginner cellist. Specially created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special? It includes:1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings. 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style. 3. A teacher accompaniment part (teacher edition only). The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.6. There is plenty of empty space on the pages for teachers to add markings.7. Created by a cello teacher for cellists. Not adapted from another instrument. Tested by real students.
$9.99
9.21 €
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Violoncelle
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Adrianus Valerius, Folklore, Folliott S
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Yellow Cello Music
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Easy Cello Solos - Student Edition
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Sheryl Smith
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SheetMusicPlus
Easy Cello Solos - Teacher Edition (with cello accompaniment)
Violoncelle
Cello - Digital Download Composed by Traditional, Folklore, John Newton, Folliott S. …
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Cello - Digital Download Composed by Traditional, Folklore, John Newton, Folliott S. Pierpoint, Franz Lehar, Franz Xaver Gruber, Adrianus Valerius, Johannes Brahms, Franz Schubert. Arranged by Yellow Cello Music. Romantic Period, Christian, Repertoire, Folk, Celtic. 31 pages. Published by Yellow Cello Music
Includes 15 pieces for the beginner cellist.Specially created for students using Suzuki and similar methods. For studentswho play in first position only, and for those beginning to learn shifting.<br> What makes this book special? It includes:<br> 1. Pieces in the low register of the cello. Beginner booksoften focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romanticthan Baroque style.<br> 3. A teacher accompaniment part (teacher edition only). Thestudents find it enjoyable, and it teaches them how important it is to listenand to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknownto others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, Ifound it easier to learn a shift if the piece was familiar. My ear knew whereto go. I have included a few pieces with two versions: first position andshifting . The student can learn the first position version and then be able tolearn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachersto add markings.<br> 7. Created by a cello teacher for cellists. Not adaptedfrom another instrument. Tested by real students.
$9.99
9.21 €
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Violoncelle
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Traditional, Folklore, John Newton, Folliott S
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Yellow Cello Music
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Easy Cello Solos - Teacher Edition
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SheetMusicPlus
Easy Cello Solos - Large Print Student Edition
Violoncelle
Cello - Easy/Beginner - Digital Download Composed by Traditional, John Newton, Follio…
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Cello - Easy/Beginner - Digital Download Composed by Traditional, John Newton, Folliott S. Pierpoint, Franz Lehar, Franz Xaver Gruber, Adrianus Valerius, Johannes Brahms, Franz Schubert,. Arranged by Sheryl Smith, Yellow Cello Music. Romantic Period, Christian, Folk, Celtic, Children's Music. Solo Part. 40 pages. Published by Yellow Cello Music
A book of solos for cello. Includes 15 songs (Celtic tunes, classical themes, folk melodies) for the beginner cellist. Created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special?<br> It includes:<br> 1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style.<br> 3. A teacher accompaniment part. The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachers to add markings.
$8.99
8.29 €
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Violoncelle
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Traditional, John Newton, Folliott S
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Easy Cello Solos - Large Print Student Edition
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Yellow Cello Music
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SheetMusicPlus
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