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Vous avez sélectionné:
II: Röhrengl.
Partitions à imprimer
23 partitions trouvées
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1
Slava, Slava
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Rodion Chedrine
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II: Röhrengl.
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Slava, Slava
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · 2 · 2 – 4 · 3 · 3 · 1 – P. S. (I: Zimb. · kl. Tr.; II: Röhrengl.; III: 3 russ. Gl.; IV: 2 Plattengl...
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Picc. · 2 · 2 · 2 · 2 – 4 · 3 · 3 · 1 – P. S. (I: Zimb. · kl. Tr.; II: Röhrengl.; III: 3 russ. Gl.; IV: 2 Plattengl.; V: 2 Tamt. · gr. Tr.) (5 Spieler) – Hfe. · Klav. – Str. (16 · 14 · 12 · 10 · 8) orchestra - SKU: S9.Q563183 A festive ringing of bells. Composed by Rodion Chedrine. Music Of Our Time. Downloadable, Study score. Duration 5 minutes. Schott Music - Digital #Q563183. Published by Schott Music - Digital (S9.Q563183). A special tribute is paid to the great musician Rostropovich with “bells ringing out in celebrationâ€, as indicated in the subtitle to the score, and with the fact that in the bombastic final section of this one-movement piece all the musicians - apart from the wind players - are supposed to play and sing at the same time.
$13.99
The Enchanted Wanderer
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Rodion Shchedrin
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q23952 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: v...
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q23952 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 85 minutes. Schott Music - Digital #Q23952. Published by Schott Music - Digital (S9.Q23952). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly taken a permanent place in the musical canon. Now the piano score of the successful and impressive work is being published. Deep Slavonic emotions and gripping virtuosity characterize both this piece and many other compositions by Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. The text of this 'opera for the concert stage' is based on a legend by the great Russian narrator Nikolay S. Leskov and tells the story of an enchanted pilgrim. The dramatic action is told by three vocal soloists, large choir and orchestra in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
The Enchanted Wanderer
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Rodion Shchedrin
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q48824 Opera for the concert stage - Russian Edition. Composed by Rodion Shchedri...
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q48824 Opera for the concert stage - Russian Edition. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 85 minutes. Schott Music - Digital #Q48824. Published by Schott Music - Digital (S9.Q48824). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly taken a permanent place in the musical canon. Now the piano score of the successful and impressive work is being published. Deep Slavonic emotions and gripping virtuosity characterize both this piece and many other compositions by Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. The text of this 'opera for the concert stage' is based on a legend by the great Russian narrator Nikolay S. Leskov and tells the story of an enchanted pilgrim. The dramatic action is told by three vocal soloists, large choir and orchestra in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
The Enchanted Wanderer
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Rodion Shchedrin
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The Enchanted Wanderer
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Schott Music - Digital
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SheetMusicPlus
Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q7148 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: st...
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Mezzo-soprano, tenor, bass, mixed choir and orchestra - SKU: S9.Q7148 Opera for the concert stage. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 85' 0. Schott Music - Digital #Q7148. Published by Schott Music - Digital (S9.Q7148). Russian.Shchedrin's concert opera 'The Enchanted Wanderer' has quickly established a solid position in the music scene. Now, Schott has published the study score of the successful and impressive work. Deep Slavonic emotion and riveting virtuosity - this is what characterises this piece as well as many other compositions by Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has remained an original Russian composer whose bond with Russian musical folklore and poetry has never been severed. The text of this 'opera for the concert stage' is based on a story by the great Russian writer Nikolai S. Leskov. Three solo singers, large choir and orchestra tell the dramatic story in colourful musical pictures.2 (auch Altfl. u. Picc.) · 2 Blfl. · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 2 · 2 - P. S. (I: 10 Cup Bells · kl. Tr. · hg. Crot. · Choclo · Guiro; II: Röhrengl. · Sonagli [Troika] · Whistle · Tamb. · Choclo · 4 Bong. · Guiro; III: Sonagli · Cup Bell · hg. Beck. · Hi-Hat · 3 Gongs · Tamb. · kl. Tr. · Clav. · Wind Chimes · Boat hooter · Marimba; IV: Tamt · Glass Chimes · gr. Tr. · Mar. · Boat hooter; V: 3 Gongs · gr. Tr. · Boat hooter · Sega · Whistle · Donnerblech) (5 Spieler) - Balalaika · Gusli · Hfe. · Klav. (auch Cel. u. Cemb.) - Str.
$55.99
Seven
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Violon et Piano
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AVANCÉ
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Peter Eotvos
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Seven
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - difficult - SKU: S9.Q6622 (Memorial for the Columbia Astronauts). Composed by Peter Eotvos. This edition: piano reduction ...
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Violin and orchestra - difficult - SKU: S9.Q6622 (Memorial for the Columbia Astronauts). Composed by Peter Eotvos. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 21 minutes. Schott Music - Digital #Q6622. Published by Schott Music - Digital (S9.Q6622). Eötvös wrote this piece in memory of the seven astronauts who lost their lives in the Space Shuttle Columbia tragedy in 2003. The number 7 determines the musical, rhythmic and formal structure of the work: 49 musicians are divided into seven groups, and as well as the solo violin there are six further violins arranged correspondingly around the hall; and the solo violin itself portrays each of the astronauts and their different origin, from America via Israel to India, in folkloristically tinged cadenzas. 'The violin concerto Seven is a very personal monologue and the musical expression of my sympathy towards the seven astronauts who lost their lives while exploring space in fulfilment of a fundamental dream of mankind.' (Peter Eötvös)3 (1. auch Altfl., 2./3. auch Picc.) · 3 · 3 · Bassklar. · Altsax. (auch Baritonsax.) · 3 - 2 · 2 · 2 · 1 – S. (I: Crot. · Gongs · Röhren [Amboss] · Röhrengl. · Nietenbeck. · chin. Beck. · Dome-Beck. · Tamt. · Trgl. · Sprungfeder; II: Vibr. · Gongs · Glsp. · Röhrengl. · Beck. · Dome-Beck. · Tamt. · Crot. · Sistrum · Sprungfeder; III: Vibr. · Gongs · Glsp. · Röhrengl. · Beck. · Dome-Beck. · Crot. · Röhren [Amboss] · Glsp. · Sprungfeder; IV: Crot. · Gongs · Röhrengl. · Nietenbeck. · chin. Beck. · Dome-Beck. · Tamt. · Sistrum · Röhren [Amboss] · Trgl. · Sprungfeder) (4 Spieler) - E-Git. · Hfe. · Keyboard-Sampler* - Str. (6 · 0 · 5 · 5 · 4) * Für alle technischen Anweisungen wenden Sie sich bitte an www.eotvospeter.com / For technical instructions please contact www.eotvospeter.com.
$39.99
Seven Gates of Jerusalem - Symphony No. 7
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Krzysztof Penderecki
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Seven Gates of Jerusalem - Sym
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Schott Music - Digital
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SheetMusicPlus
5 soloists (SSATB), speaker, 3 mixed choirs and orchestra - SKU: S9.Q45409 For 5 soloists (SSATB), narrator, 3 mixed choirs and orchestra. Compos...
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5 soloists (SSATB), speaker, 3 mixed choirs and orchestra - SKU: S9.Q45409 For 5 soloists (SSATB), narrator, 3 mixed choirs and orchestra. Composed by Krzysztof Penderecki. This edition: study score. Music Of Our Time. Das große Vokalwerk wurde 1995 zum 3000-jährigen Bestehen Jerusalems komponiert. Der Zahl sieben hat darin eine besondere Bedeutung: sieben Sätzen, die für die sieben Tore stehen, sieben gewaltige Fortissimo-Akkorde, die das Oratorium beschließen. Downloadable, Study score. Duration 68' 0. Schott Music - Digital #Q45409. Published by Schott Music - Digital (S9.Q45409). Latin • German.Deeply moved by his first visit to the city of Jerusalem with its seven gates, Krzysztof Penderecki composed this major vocal work to celebrate the city's 3,000th anniversary in 1995. Two years later, it was premiered as Symphony No. 7 in which the magic number seven has a special meaning: From the seven movements representing the seven gates to the seven powerful fortissimo chords concluding the oratorio, the biblical number runs through the entire work.4 (3. u. 4. auch Picc.) · 3 · Engl. Hr. · 3 (3. auch Es-Klar.) · Bassklar. · 3 · Kfg. - 4 · 3 · 4 (3. auch Basstrp.) · 1 - S. (I.: P. · Beckenpaar · 2 Tamt. (t.) · Röhrengl. · gr. Tr. m. Beck. · Crotalenbaum · 5 Tomt. · Marimba · Bin-Sasara · kl. Tr. · Rührtr.; II.: Trgl.-baum · 4 hg. Beck. · Tamt. (t.) · Röhrengl. · Kirchengl. · Tubaphon · Glsp. · Xyl. · Vibr. · Rührtr. · Tempelbl. · 2 Gongs; III.: 3 hg. Beck. · Mil. Tr. · Tubaphon · Kuhgl. · Tempelbl. · 2 Gongs; IV.: P. · hg. Beck. · 2 Tamt. · Beckenpaar · 5 Tomt. · gr. Tr. · Rührtr. · Bin-Sasara) (12 Spieler) - Cel. · Klav. · Org. ad lib. - Str. Im Saal: 0 · 0 · 3 · Bassklar. (auch Es-Klar.) · 3 · Kfg. - 4 · 3 · 4 · 1.
$55.99
Katalog IV
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Wilfried Hiller
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Katalog IV
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Schott Music - Digital
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SheetMusicPlus
Percussion (4 Player) - SKU: S9.Q15977 Composed by Wilfried Hiller. This edition: performance score. A battere. Downloadable, Performance score. Duratio...
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Percussion (4 Player) - SKU: S9.Q15977 Composed by Wilfried Hiller. This edition: performance score. A battere. Downloadable, Performance score. Duration 16 minutes. Schott Music - Digital #Q15977. Published by Schott Music - Digital (S9.Q15977). Schlagzeug I: Crot. * Xyl. * 2 Dobaci [Japan. Tempelglocke] * Kuhgl. * Tamt. * Rohrenholztr. * Tempelbl. * Bambusstab * Angklung - Schagzeug II: Xyl. * Vibr. [von IV] * Marimba * 4 Trgl. * Bambusstab * Rohrenholztrommel * 2 Woodbl. * Log-Drum - Schlagzeug III: Tenorxyl. * Rohrengl. * Plattengl. * 4 Trgl. * Beck. * Cymb. * Gong * Tamt. * jav. Buckelgongs * 3 Cong. * Guiro * Clav. * Log-Drum * Angklung - Schlagzeug IV: Bassxyl. * Vibr. * Kuhgl. * Beck. * Afrik. Schlitztr. * Tempelbl. * Clav. * Angklung * Hyoshigi [Jap. Klappholzer]Schlagzeug I: Crot. · Xyl. · 2 Dobaci [Japan. Tempelglocke] · Kuhgl. · Tamt. · Röhrenholztr. · Tempelbl. · Bambusstab · Angklung - Schagzeug II: Xyl. · Vibr. [von IV] · Marimba · 4 Trgl. · Bambusstab · Röhrenholztrommel · 2 Woodbl. · Log-Drum - Schlagzeug III: Tenorxyl. · Röhrengl. · Plattengl. · 4 Trgl. · Beck. · Cymb. · Gong · Tamt. · jav. Buckelgongs · 3 Cong. · Guiro · Clav. · Log-Drum · Angklung - Schlagzeug IV: Baßxyl. · Vibr. · Kuhgl. · Beck. · Afrik. Schlitztr. · Tempelbl. · Clav. · Angklung · Hyoshigi [Jap. Klapphölzer].
$15.99
Das Urteil
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Dieter Schnebel
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Das Urteil
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Schott Music - Digital
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SheetMusicPlus
Denatured instruments, natured singing voices, other acoustic sources and audience - SKU: S9.Q42337 Nach Franz Kafka. Composed by Dieter Schnebel...
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Denatured instruments, natured singing voices, other acoustic sources and audience - SKU: S9.Q42337 Nach Franz Kafka. Composed by Dieter Schnebel. This edition: PDF. Workshop. Downloadable. Duration 40 minutes. Schott Music - Digital #Q42337. Published by Schott Music - Digital (S9.Q42337). German.SSAATTBB - 1 * 1 (auch hohe Pfeife) * 1 * 2 (1., 2. auch hohe Pfeife, 2. auch Kfg.) - 0 * 2 * 2 (auch hohe Pfeifen) * 1 - P. S. (I: Schiffsgl. * Rohrengl. * 3 Beck. * Tomt. * kl. Tr. * gr. Tr. * Mar. * Sandbl. * Guiro * Ratsche * Waldteufel * 2 Sir. * Windchimes * Peitsche * Metallfolie [Packpapier] * Papiere * Plastik * Steine * Wasser * Schleifstein mit Messer; II: Beck. * Mar. * Sandbl. * Windchimes * Waldteufel * Sir. * versch. Klangquellen aus dem Verkehrsbereich * Windmasch. * Ratsche * Guiro * Fahrradklingel * Autohupe * Donnerblech) (2 Spieler) - Str. [spielen teilweise auch Ratsche] (5 * 0 * 3 * 2 * 1 ) - TonbandSSAATTBB – 1 · 1 (auch hohe Pfeife) · 1 · 2 (1., 2. auch hohe Pfeife, 2. auch Kfg.) – 0 · 2 · 2 (auch hohe Pfeifen) · 1 – P. S. (I: Schiffsgl. · Röhrengl. · 3 Beck. · Tomt. · kl. Tr. · gr. Tr. · Mar. · Sandbl. · Guiro · Ratsche · Waldteufel · 2 Sir. · Windchimes · Peitsche · Metallfolie [Packpapier] · Papiere · Plastik · Steine · Wasser · Schleifstein mit Messer; II: Beck. · Mar. · Sandbl. · Windchimes · Waldteufel · Sir. · versch. Klangquellen aus dem Verkehrsbereich · Windmasch. · Ratsche · Guiro · Fahrradklingel · Autohupe · Donnerblech) (2 Spieler) – Str. [spielen teilweise auch Ratsche] (5 · 0 · 3 · 2 · 1 ) – Tonband.
$23.99
Tristan
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Hans Werner Henze
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Tristan
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Schott Music - Digital
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SheetMusicPlus
Piano, tapes and orchestra - SKU: S9.Q2780 Préludes. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable...
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Piano, tapes and orchestra - SKU: S9.Q2780 Préludes. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 43' 0. Schott Music - Digital #Q2780. Published by Schott Music - Digital (S9.Q2780). 4 (3. auch Picc. u. Altfl., 4. auch Picc.) * 2 * Engl. Hr. * Es-Klar. * 2 * Bassklar. * Sopransax. * 2 * Kfg. - 6 * 4 (1. auch Picc.-Trp.) * 3 * Tenortb. * 0 - P. S. (I: Crot. * Dobaci * Marimbula * Marimba * Vogelruf; II: Trinidad Steel Drum * Woodbl. * Boo-bam * Kast. * Glsp. * Vogelruf; III: 4 hg. Beck. * Beckenpaar * Flex. * Vibr. * 4 Handgl. * Vogelruf; IV: 4 Tamt. * 2 Wassergongs * Mil. Tr. * Sarna bell * Donnerblech * Gl. auf Metallplatte * Rohrengl. * Vogelruf; V: Tomt. * Reibetr. * gr. Tr. * Bass-Sir.) (5 Spieler) - Mand. * Hfe. * Cel. - Str.4 (3. auch Picc. u. Altfl., 4. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · Sopransax. · 2 · Kfg. - 6 · 4 (1. auch Picc.-Trp.) · 3 · Tenortb. · 0 - P. S. (I: Crot. · Dobaçi · Marimbula · Marimba · Vogelruf; II: Trinidad Steel Drum · Woodbl. · Boo-bam · Kast. · Glsp. · Vogelruf; III: 4 hg. Beck. · Beckenpaar · Flex. · Vibr. · 4 Handgl. · Vogelruf; IV: 4 Tamt. · 2 Wassergongs · Mil. Tr. · Sarna bell · Donnerblech · Gl. auf Metallplatte · Röhrengl. · Vogelruf; V: Tomt. · Reibetr. · gr. Tr. · Bass-Sir.) (5 Spieler) - Mand. · Hfe. · Cel. - Str.
$43.99
DoReMi
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Violon et Piano
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AVANCÉ
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Peter Eotvos
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DoReMi
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - difficult - SKU: S9.Q25029 Violin Concerto No. 2. Composed by Peter Eotvos. This edition: piano reduction with solo part. ...
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Violin and orchestra - difficult - SKU: S9.Q25029 Violin Concerto No. 2. Composed by Peter Eotvos. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 24 minutes. Schott Music - Digital #Q25029. Published by Schott Music - Digital (S9.Q25029). Die Struktur musikalischer Hierarchien in drei Sätzen: „Do für die westliche, „Mi für die östliche, pentatonische Musikkultur, „Re im Wechsel. Eötvös baut in seinem zweiten Violinkonzert komplexe Weltbilder; gewidmet ist das Werk der Geigerin Midori.3 (2. auch Picc., 3. auch Altfl.) · 2 (2. auch Engl. Hr.) · 3 (2. auch Es-Klar., 3. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 1 · 0 - S. (I [links]: Glsp. · Trgl. [t.] · Bong. (sehr h.) · 2 Röhren (Metall) · Sizzle-Beck. · Marac. · 3 Woodbl. · Chin. Dom-Beck. [t.] - II [Mitte]: Crot. · Xyl. · Trgl. [m.] · Röhrengl. · 2 Gongs · Caxixi · Guiro [m./h.] · Chin. Dom-Beck. [m.] - III [rechts]: Cowbells · 2 Beck. [t./m.] · Trgl. [h.] · Bong. [h.]· Sizzle-Beck. · Marac. · Tamb. · Chin. Dom-Beck. [h.] · Tamt. [t.]) (3 Spieler) - Hfe. · Cel. - Str. (8 · 6 · 6 · 6 · 4 [3./4. 5-Saiter]).
$33.99
Am Anfang war das Wort
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Harald Weiss
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Am Anfang war das Wort
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Schott Music - Digital
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SheetMusicPlus
Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glasspl...
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Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glassplitter - IV Röhrengl. mixed choir (SSATBarB), children's voice, percussion and organ - intermediate - SKU: S9.Q21339 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel. Composed by Harald Weiss. This edition: score. Downloadable, Score. Duration 14 minutes. Schott Music - Digital #Q21339. Published by Schott Music - Digital (S9.Q21339). German.As a child, I sometimes closed my eyes for an extended period of time and imagined what it would be like to experience the world exclusively through my ears. In doing this exercise, I found over and over, with increasing intensity, that my sense of hearing enabled a far denser differentiation of images and information to penetrate my soul. It is my wish that audiences listen to my composition with their eyes closed, at least partially. Perhaps this would permit a few particles of light to appear in their mind’s eye. Harald WeissAls Kind schloss ich manchmal für längere Zeit meine Augen, um mir vorzustellen, wie es wohl wäre, wenn man die Welt vorwiegend durch seine Ohren an sich heranliesse. Bei dieser Übung machte ich immer wieder und zunehmend intensiver die Feststellung, dass über den auditiven Sinn eine viel dichtere Differenzierung an Bildern und Informationen in mein Innerstes gelangten. Ich wünsche mir, dass der Hörer meine Komposition mit geschlossenen Augen, zumindest teilweise, wahrnehmen würde. Möglicherweise könnten dabei auch ein paar Lichtpartikel in seinem inneren Auge entstehen. Harald Weiss.
$25.99
Draculissimo
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Enjott Schneider
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Draculissimo
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Schott Music - Digital
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SheetMusicPlus
Trumpet, trombone and chamber ensemble - difficult - SKU: S9.Q41790 Concerto grosso for trumpet, tenor trombone and chamber ensemble. Composed by...
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Trumpet, trombone and chamber ensemble - difficult - SKU: S9.Q41790 Concerto grosso for trumpet, tenor trombone and chamber ensemble. Composed by Enjott Schneider. This edition: piano reduction with solo parts. Downloadable, Piano reduction with solo parts. Duration 25 minutes. Schott Music - Digital #Q41790. Published by Schott Music - Digital (S9.Q41790). The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant†is a raving Allegro with a Baroque ritornello structure and modern “Draculismsâ€. 2: “Luna su Tirgoviste†is a memoriam for the thousands of impaled victims who came to a violent end in today’s Târgoviste. 3: “Il ballo transilvano†confronts a naive waltz rhythm with aggressive polyrhythmic reinterpretations – in the manner of the stick and the carrot. 4: “Bacio di sangue†is Neo-Baroque horror music which has got out of hand, demanding extreme virtuosity from both soloists and ensemble. Enjott SchneiderBassklar. · Fg. (auch Kfg.) - S. (Crot. · Vibr. · Marimba · Röhrengl. · Trgl. · 2 Beck. · Tamt. · kl. Tr. · 2 Tomt. · gr. Tr. · Chimes· Tempelbl. · Woodbl.) (2 Spieler) - Cemb. - Str. (6 Vl. · 4 Va. I · 4 Va. II · 3 Vc. I · 3 Vc. II · 3 Kb. [Die Streicher können auch solistisch besetzt werden.]).
$39.99
Glossolalie
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Dieter Schnebel
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Glossolalie
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Schott Music - Digital
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SheetMusicPlus
2-4 Speakers and 2-4 Instrumentalists - SKU: S9.Q45062 (Projekte III). Composed by Dieter Schnebel. This edition: score for voice and/or instrume...
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2-4 Speakers and 2-4 Instrumentalists - SKU: S9.Q45062 (Projekte III). Composed by Dieter Schnebel. This edition: score for voice and/or instruments. Workshop. Downloadable, Vocal and performing score. Duration 10 minutes. Schott Music - Digital #Q45062. Published by Schott Music - Digital (S9.Q45062). In 1959, Dieter Schnebel composed Glossolalie, a work of central importance to his musical thinking. It forms part of the group of his pieces which, as prepared material to make music (Schnebel), deliberately do not pursue composed-out music as a result but serve as a detailed concept for the performer. The ensemble consists of narrators and instrumentalists acting as soloists who unite connections and overlappings of linguistic, phonetic, noise-like, instrumental and gestic processes.Instrumentalist I: Harmonium (auch Schlagzeug: Trgl. · Sir. · Sistr. · Guiro · Ratsche · Tin lids · Sheets of vellum · Sheets of tissue paper · hg. Packpapier · Mar.) Instrumentalist II: Klav. (auch Schlagzeug: Trgl. · Kuhgl. · Tamb. · 2 Woodbl. · 3 Gläser · 3 Flaschen · Schachtel m. Besteck · Papierblätter) Instrumentalist III: Schlagzeug (Trgl. · 3 Beck. · 3 Gongs [Tamt.] · Conga · 2 Tomt. · kl. Tr. · gr. Tr. · 2 Mar. · Pf. · Papierblätter · Guiro · Ketten · 2 Sir. · Pf.) Instrumenatlist IV [oder von den anderen zu spielen]: Röhrengl. · Mil. Tr. · Holzstäbe · Metallstäbe · Clav. · 3 Lineale · Shisk · 2 Ratschen · Bürste · Wassertrog [für Wassergongs] · Glsp. · Vibr. [o. Cel.] · Marimba).
$21.99
Glossolalie 61
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Dieter Schnebel
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Glossolalie 61
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Schott Music - Digital
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SheetMusicPlus
3 (4) Speakers and 3 (4) Instrumentalists - conductor - SKU: S9.Q2723 (Projekte IV). Composed by Dieter Schnebel. This edition: performance score...
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3 (4) Speakers and 3 (4) Instrumentalists - conductor - SKU: S9.Q2723 (Projekte IV). Composed by Dieter Schnebel. This edition: performance score. Downloadable, Performance score. Duration 40 minutes. Schott Music - Digital #Q2723. Published by Schott Music - Digital (S9.Q2723). Ausarbeitung des 1959-60 definierten Projekts GlossolalieInstrumentalist I: Harmonium (auch Schlagzeug: Trgl. · Sir. · Sistr. · Guiro · Ratsche · Tin lids · Sheets of vellum · Sheets of tissue paper · hg. Packpapier · Mar.) Instrumentalist II: Klav. (auch Schlagzeug: Trgl. · Kuhgl. · Tamb. · 2 Woodbl. · 3 Gläser · 3 Flaschen · Schachtel m. Besteck · Papierblätter) Instrumentalist III: Schlagzeug (Trgl. · 3 Beck. · 3 Gongs [Tamt.] · Conga · 2 Tomt. · kl. Tr. · gr. Tr. · 2 Mar. · Pf. · Papierblätter · Guiro · Ketten · 2 Sir. · Pf.) Instrumenatlist IV [oder von den anderen zu spielen]: Röhrengl. · Mil. Tr. · Holzstäbe · Metallstäbe · Clav. · 3 Lineale · Shisk · 2 Ratschen · Bürste · Wassertrog [für Wassergongs] · Glsp. · Vibr. [o. Cel.] · Marimba).
$39.99
Michael-Ende-Chorliederbuch
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Wilfried Hiller
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Michael-Ende-Chorliederbuch
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Schott Music - Digital
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SheetMusicPlus
Girls choir (SMezA) and instruments (or piano/keyboard) - intermediate - SKU: S9.Q6645 For girls' choir (SMezA) and instruments (or piano/keyboard)
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Girls choir (SMezA) and instruments (or piano/keyboard) - intermediate - SKU: S9.Q6645 For girls' choir (SMezA) and instruments (or piano/keyboard). Composed by Wilfried Hiller. This edition: score for voice and/or instruments. Schott Chamber Choir. Downloadable, Vocal and performing score. Duration 25 minutes. Schott Music - Digital #Q6645. Published by Schott Music - Digital (S9.Q6645). German.Diese abwechslungsreich komponierten, humorvollen wie poetischen Satiren entstanden als Auftragswerk für den renommierten Mädchenchor Hannover. Sie sind als Zyklus oder auch einzeln aufführbar.I Violoncello, Vibraphon · II Violoncello, Melodica · III Violoncello, präpariertes Klavier (vom Schlagzeuger gespielt); jede Sängerin benötigt zusätzlich eine große Weinflasche, in die sie zum Schlussakkord hineinblasen kann · IV Violoncello, Schlagzeug (Marimba · Trgl. · Röhrengl. in d’’ · Bong. · 2 Tomt. · kl. Tr.) · V Violoncello, Schlagzeug (3 javanische Buckelgongs · Marimba) · VI Violoncello, Vibraphon · VII Violoncello, Vibraphon.
$13.99
Gloria
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Violon (partie séparée)
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INTERMÉDIAIRE
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Heinrich Sutermeister
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Gloria
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Schott Music - Digital
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SheetMusicPlus
0 · 0 · 0 · 0 - 2 · 2 · 2 · 0 - P. S. (Glsp. · Röhrengl. [ad lib.]) (1 Spieler) - Str. violin II - intermediate - SKU: S9.Q38477...
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0 · 0 · 0 · 0 - 2 · 2 · 2 · 0 - P. S. (Glsp. · Röhrengl. [ad lib.]) (1 Spieler) - Str. violin II - intermediate - SKU: S9.Q38477 (liturgisch). Composed by Heinrich Sutermeister. This edition: separate part. Downloadable, Individual part. Duration 14 minutes. Schott Music - Digital #Q38477. Published by Schott Music - Digital (S9.Q38477). Latin.
$6.99
Speaking Drums
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Peter Eotvos
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Speaking Drums
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Schott Music - Digital
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SheetMusicPlus
Percussion and orchestra - difficult - SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. This edition: solo ...
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Percussion and orchestra - difficult - SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. This edition: solo part. A battere. Downloadable, Solo part. Duration 23 minutes. Schott Music - Digital #Q49877. Published by Schott Music - Digital (S9.Q49877). Artificial language.'Talking whilst playing the drum is not something unique. We can find it in traditional Indian percussion, and in jazz when musicians accompany their play with 'Sprechgesang'. This piece goes the opposite way: It begins with the percussionist speaking nonsensically, the emphasis on the rhythm, which he then passes on to his instrument. Like the pure, childish joy of repeating the same word in a different tune, the soloist teaches his instrument to speak until the drums start to talk themselves. Several poems form the basis; in the first two movements it are three poems by Sándor Weöres, and in the third movement it is a poem by Jayadeva. Each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative.' (Ann-yi Bingöl)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 1 · Bassklar. · 1 - 2 · 1 · 1 · 0 - S. (I: Glsp. · Crot. · Vibr. · 3 Beck. · Nietenbeck. · 5 Kuhgl. · 2 Bong. · Vibraslap · Grelots · 2 Kieselsteine; II: Vibr. [von Spieler 1] · Trgl. · 5 Gong · Tamt. [t.] · Schellen-Tamb. · 2 Bong. · gr. Tr. · Vibraslap · 2 hg. koreanische Steinplatten) (2 Spieler) - Hfe. · Cel. - Str. (6 · 6 · 6 · 4 · 2) - S. solo (Bassp. · Marimba · Röhrengl. · Cowbell · Trgl. · 8 Beck. · kl. Crash-Beck. · gr. chin. Beck. mit Filzgleitern · 3 kl. Flachgongs · 2 Tamt. · kl. Tr. · Feldtr. · 4 Tomt. · 5-6 gr. Holztr. [Mokugyo oder Salatschüssel] · Hi-Hat · 2 Woodbl. · 2 Löwengebrüll · 4 frei wählbare Instrumente: z.B. Tomt. · Tamt. · Operngong · Beckenplatte [Der Solist rezitiert auch Laut-Gedichte von Sándor Weöres und Jayadeva.]).
$23.99
Free Pieces
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Joerg Widmann
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Free Pieces
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Schott Music - Digital
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SheetMusicPlus
Ensemble (or chamber orchestra) - SKU: S9.Q19866 For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music...
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Ensemble (or chamber orchestra) - SKU: S9.Q19866 For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 25 minutes. Schott Music - Digital #Q19866. Published by Schott Music - Digital (S9.Q19866). Jörg Widmann dedicated 'Freie Stücke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and reduction. Each piece focusses on one sound phenomenon (pulse, shaking ground, noise, monophony, overtone structures, etc.). All parts are locked together, however. The ending of each piece is the beginning of the next one. Thus, something disparate becomes something continuously narrated.' (Jörg Widmann)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 2 (1. auch Bassklar., 2. auch Kb-Klar., beide auch Pedalp.) · 1 (auch Kfg. und Lotosfl.) - 1 · 1 (auch Lotosfl.) · 1 · 0 – S. (I: Crot. · Lotosfl. · Wassergong [kl. Tamt.] · Wassergong [c']· Tamt. · Xylorimba · gr. Tr. · Beck. · Glsp. · 5 Woodbl. · 2 Peking-Oper-Gongs · Trillerpf. · hohes Tomt. · 2 hohe Tamb. · Steel Drum · Rototoms [chrom.] · Buckelgongs; II: Chin. Beck. · 5 Woodbl. · Lotosfl. · Pedalpauke [auch m. schwerem 20-Zoll-Ride-Beck. m. Kuppe aufgelegt] · 5 Beck. · Xylorimba · Peitsche · gr. Tr. · Crot. · Trgl. · Glsp · Flex. · Guiro · Peking-Oper-Gong · Trillerpf. · Röhrengl.) (2 Spieler) - Str. (1 · 1 · 1 · 1 · 1 [Kb. mit 5. Saite H], oder chorisch).
$47.99
Levsha
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Rodion Shchedrin
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Levsha
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q54212 (The Left-Hander). Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration...
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SKU: S9.Q54212 (The Left-Hander). Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 120 minutes. Schott Music - Digital #Q54212. Published by Schott Music - Digital (S9.Q54212). Russian.The Left-Hander – a popular Russian grotesque about Russian and Englishmen, new technologies, old traditions and hard liquor - in the form of a two-act opera.4 (3. auch Picc. u. Altfl., 4. auch Picc.) · Altblfl. · Tenorblfl. · 2 · Engl. Hr. · 4 (3. auch Bassklar., 4. auch Es-Klar.) · 2 · Kfg. - 4 · 4 · 4 · 2 - P. (kl. P. und 2 Metal Blocks) S. (I: Crot. sosp. [chromatisch] · Marimba · 4 Bong. · Mil. Tr.; II: Lyra · Vibr. · Marimba · Röhrengl. · Bar/Wind-Chimes · 2 Chocolos [Alt, Tenor] · Pf. · Lotosfl.; III: Vibr. · Tamt. · Sonagli · Kuhgl. [Sopran] · Tr. · Bar/Wind-Chimes · Guiro [Sopran] · Gonghi · Ratsche · Peitsche; IV: Glockenspiel · Crot. sosp. · Plattengl. · Beck. · kl. Tr. · gr. Tr. · Bong. · Bar/Wind-Chimes · Marac.) (4 Spieler) - 2 Domras (1. Sopran-Domra, 2. Alt-Domra) [russ. Laute] · Duduk/Tsiranapogh [armen. Flöte] · 2 Zhaleikas [russ. Hornpipe] · Bayan [russ. Akkordeon] · Hackbrett · Hfe. · Klav. (auch Cel.) · Cemb. - Str.
$54.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Levsha
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Rodion Shchedrin
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Levsha
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q49518 (The Left-Hander). Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 120 minu...
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SKU: S9.Q49518 (The Left-Hander). Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 120 minutes. Schott Music - Digital #Q49518. Published by Schott Music - Digital (S9.Q49518). Russian.The Left-Hander – a popular Russian grotesque about Russian and Englishmen, new technologies, old traditions and hard liquor - in the form of a two-act opera.4 (3. auch Picc. u. Altfl., 4. auch Picc.) · Altblfl. · Tenorblfl. · 2 · Engl. Hr. · 4 (3. auch Bassklar., 4. auch Es-Klar.) · 2 · Kfg. - 4 · 4 · 4 · 2 - P. (kl. P. und 2 Metal Blocks) S. (I: Crot. sosp. [chromatisch] · Marimba · 4 Bong. · Mil. Tr.; II: Lyra · Vibr. · Marimba · Röhrengl. · Bar/Wind-Chimes · 2 Chocolos [Alt, Tenor] · Pf. · Lotosfl.; III: Vibr. · Tamt. · Sonagli · Kuhgl. [Sopran] · Tr. · Bar/Wind-Chimes · Guiro [Sopran] · Gonghi · Ratsche · Peitsche; IV: Glockenspiel · Crot. sosp. · Plattengl. · Beck. · kl. Tr. · gr. Tr. · Bong. · Bar/Wind-Chimes · Marac.) (4 Spieler) - 2 Domras (1. Sopran-Domra, 2. Alt-Domra) [russ. Laute] · Duduk/Tsiranapogh [armen. Flöte] · 2 Zhaleikas [russ. Hornpipe] · Bayan [russ. Akkordeon] · Hackbrett · Hfe. · Klav. (auch Cel.) · Cemb. - Str.
$55.99
Lieder von einer Insel
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Hans Werner Henze
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Lieder von einer Insel
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Schott Music - Digital
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SheetMusicPlus
Pos. - S. (I: P. · Crot. · 3 Cenc. · 2 Röhrengl.; II: 3 hg. Beck. · 3 Bong.) - Portativ - 2 Vc. · Kb. chamber choir, trombone, 2 cellos, doubl...
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Pos. - S. (I: P. · Crot. · 3 Cenc. · 2 Röhrengl.; II: 3 hg. Beck. · 3 Bong.) - Portativ - 2 Vc. · Kb. chamber choir, trombone, 2 cellos, double bass, portative, percussion and timpani - SKU: S9.Q3148 Choral fantasies on poems by Ingeborg Bachmann. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 23 minutes. Schott Music - Digital #Q3148. Published by Schott Music - Digital (S9.Q3148). German.
$43.99
“Mild und leise...”
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Dieter Schnebel
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“Mild und leise...&rdquo
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Schott Music - Digital
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SheetMusicPlus
Female voice, clarinet or saxophone, violin, cello, piano and percussion - advanced to difficult - SKU: S9.Q48898 Bachmann Poems II. Composed by ...
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Female voice, clarinet or saxophone, violin, cello, piano and percussion - advanced to difficult - SKU: S9.Q48898 Bachmann Poems II. Composed by Dieter Schnebel. This edition: score. Downloadable, Score. Duration 60 minutes. Schott Music - Digital #Q48898. Published by Schott Music - Digital (S9.Q48898). German.'Mild und leise…': does that not come from 'Tristan'? Ingeborg Bachmann’s drafts of poems dating from her year of crisis in 1963 are in fact teeming with quotations from Wagner operas which form a radical contrast to the somewhat clinical-expressionist language and content of her poetry and also display great inner conflict in the expression of their subject of disaster and misfortune. In their musical transformation, the Wagner quotations appear in original form and are therefore disconnected – and simultaneously encapsulated – from the otherwise serial progressions, enabling the creation of a musical dimension which corresponds with their language. Dieter SchnebelKlar. (auch Es-Klar. und Bassklar.) oder: Sax.. (Sopranino-, Sopran-, Alt- und Baritonsax.) - S. (Glsp. · Xyl. · 2 Röhrengl. [dis‘, gis‘] · Trgl. · hg. Beck · chin. Beck. · kl. Tr. · gr, Tr. · Guiro · Mar. · Waldteufel · Woodbl. · Metallbl. · Sandbl. · Peitschenknall · Flex. · Wasserlappen · Mundsir. · Chicken shakes · Schreib-Kratzgeräusche · Plastikbecher) (1 Spieler) - Klav. (auch Synth. und Fahrradklingel) - Vl. · Vc.
$55.99
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