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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
II soloist score
Sheetmusicplus
Non classifié
51
Piano & claviers
Piano seul
3
Piano, Voix
2
Piano, Voix et Guitare
2
Accompagnement Piano
1
Orgue
1
Guitares
Guitare
1
Ensemble de guitares
1
Voix
Chorale SATB
8
Chorale TTBB
2
Chorale SSAA
1
Vents
2 Hautbois (duo)
5
2 Cors Anglais Et Pianoforte
4
Hautbois, Piano (duo)
2
Saxophone Tenor et Piano
1
Saxophone Alto et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette et Piano
1
Saxophone Soprano et Piano
1
Flûte traversière et Piano
1
+ 4 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
6
Trompette (partie séparée)
5
2 Cors Anglais Et Pianoforte
4
Trombone et Piano
2
Cor et Piano
1
Trompette, Piano
1
+ 1 instrumentations
Retracter
Cordes
Violon, Guitare (duo)
3
Violoncelle, Piano
2
Violon et Piano
2
Alto, Piano
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violon
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
14
Orchestre à Cordes
12
Orchestre
10
Orchestre d'harmonie
5
Orchestre de chambre
4
Ensemble de Percussions
3
Cloches
1
Jazz combo
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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II soloist score
SheetMusicPlus
Partitions à imprimer
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151
Beatitude II: Beati mundo corde (Blessed are the pure of heart) (Downloadable)
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Howard Goodall
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Beatitude II: Beati mundo cord
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
2 soloists, SS choir, organ, cello, and synthesizer - Medium - SKU: MQ.56-0024-E Composed by Howard Goodall. 9 pages. Duration 6 minutes, 43 seconds. Mo...
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2 soloists, SS choir, organ, cello, and synthesizer - Medium - SKU: MQ.56-0024-E Composed by Howard Goodall. 9 pages. Duration 6 minutes, 43 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0024-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0024-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two soloists and treble chorus (SS,) organ, cello, synthesizer, and handbells, the music has a light, ethereal feeling. The text is set entirely in Latin in a chant-like style, first by the soloist with all voices joining as the piece progresses. Marked by rhapsodic melismas, the music is meditative but joyful. Duration 6:43Instrumentalists play from the choral score.
$3.15
RACONTEUR (The Storyteller) - Score
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Ensemble Jazz
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INTERMÉDIAIRE
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Christopher Burnett
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RACONTEUR
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954001 Composed by Christopher Burnett. Jazz,Rock,Standards. Score and parts. 12 pages. BurnettPublishin...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.954001 Composed by Christopher Burnett. Jazz,Rock,Standards. Score and parts. 12 pages. BurnettPublishing.COM #3457531. Published by BurnettPublishing.COM (A0.954001). RACONTEUR (The Storyteller)A unique jazz-rock ballad for concerts and contests. Includes flute, flugelhorn and tuba players. Suitable for programming by both student and professional ensembles.RACONTEUR (The Storyteller) is a modern jazz-rock ballad composition written and arranged for a modified large jazz ensemble instrumentation. Parts for C Flute and Tuba are scored to add those unique timbres to the ensemble sound.Rather than feature a single instrument, the melody is purposely distributed throughout the ensemble. However, the musical focal point of the piece is intended to be the featured improvisation solo space provided for Bb Tenor Saxophone 1. Since each improvisation is original and unique, the music should retain a newness with each performance. A theory sheet is also provided for less experienced improvisers to enhance soloist creativity within the intended harmonic context.Scored for groups performing at the medium level (grade 2.5 - 3.0), the unique chord progression provides the soloist with myriad possibilities from which to construct improvisational melodies. Improvisation is a key element of jazz music. Thus, this improvised solo will also inherently impact the level and quality of the entire sound of each ensemble performance.Brass ranges are purposely kept very reasonable. Piano part includes through-composed material along with written chord voicings. Bass & Drum Set Guide share the same part in an effort to encourage the two players to interact rhythmically to enhance the jazz-rock groove feel of the piece. Rhythm section parts are annotated with chord symbols. Mockup available.ABOUT THE COMPOSERChristopher Burnett (b. 1955) is a critically acclaimed alto saxophonist, educator, leader, and composer who began his professional career with military jazz bands going pro directly upon graduating high school at 18 years old. Over the course of a forty plus year career, Mr. Burnett has performed professionally around the world, recorded noteworthy albums as a leader, taught at the college-level and co-founded a significant independent recording label, Artists Recording Collective. A writer-affiliate and composer since 1984, Mr. Burnett has over 60 registered works in his Broadcast Music, Inc. (BMI) catalog. He is also the 1995 Parade of American Music 5-Star Award of Merit Winner of the National Federation of Music Clubs as a Composer. Current publications include Major Tetrachords for Band – Mastering Scales – Part 1 (Sheet Music Plus/Hal Leonard), Harmonic Minor Scale and Jazz – Applying jazz theory to the ii-V-i progression in any minor key (Sheet Music Plus/Hal Leonard) and Villages, BMI Work #25869956 – Jazz Ensemble Score and Parts Bundle (Sheet Music Plus/Hal Leonard). See: BurnettPublishing.com
$10.99
In convertendo Dominus (Full Score)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Baldassare Galuppi
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ed
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In convertendo Dominus
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Elizabeth Fisher Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.998639 Composed by Baldassare Galuppi. Arranged by ed. Elizabeth Fisher. Baroque,Classical. Score and Parts. 26 pa...
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Chamber Orchestra - Level 3 - SKU: A0.998639 Composed by Baldassare Galuppi. Arranged by ed. Elizabeth Fisher. Baroque,Classical. Score and Parts. 26 pages. Elizabeth Fisher Music #5766391. Published by Elizabeth Fisher Music (A0.998639). This five-movement work was composed by Baldassare Galuppi for the women of the Ospedale della Incurabili. It is scored for SSAA voices**, S soloist, and string orchestra. Movments I, III, and V are for SSAA chorus while movements II and IV are for Soprano soloist. The text is taken from Psalm 126. **Note: In this edition, the Alto 2 part has been transposed up one octave from the original manuscript which has the part written in the bass clef.
$14.99
In convertendo Dominus (Full Score and Parts)
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Chorale SSAA
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INTERMÉDIAIRE
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Classique
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Baldassare Galuppi
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ed
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In convertendo Dominus
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Elizabeth Fisher Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.998641 Composed by Baldassare Galuppi. Arranged by ed. Elizabeth Fisher. Baroque,Classical. Octavo. 64 pages. El...
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Choral Choir (SSAA) - Level 3 - SKU: A0.998641 Composed by Baldassare Galuppi. Arranged by ed. Elizabeth Fisher. Baroque,Classical. Octavo. 64 pages. Elizabeth Fisher Music #5766399. Published by Elizabeth Fisher Music (A0.998641). This five-movement work by Baldassare Galuppi was composed for the women of the Ospedali della Incurabile in Venice, Italy. It is scored for SSAA Voices, Soprano soloist, and strings. Movements I, III, and V are for chorus and movements II and IV are for soprano soloist. The text is taken from Psalm 126. A set of string parts is included.
$25.00
The Lord Is My Shepherd (Ps. 23) [Soloist/Small Group]
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Piano, Voix
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FACILE
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Christian contemporain
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Musique Sacrée
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Cherolyn Klosner-Lane, Gene Kl
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there is nothing I shall want
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The Lord Is My Shepherd
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Cher & Gene Klosner
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.869914 Composed by Cherolyn Klosner-Lane, Gene Klosner. Contemporary,Sacred. Score. 9 pages. Cher & ...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.869914 Composed by Cherolyn Klosner-Lane, Gene Klosner. Contemporary,Sacred. Score. 9 pages. Cher & Gene Klosner #6009623. Published by Cher & Gene Klosner (A0.869914). Contemporary setting of Psalm 23 with Psalm Tone verses.4th Sunday of Lent (Laetare Sunday) A (lent4A)4th Sunday of Easter (Good Shepherd Sunday) A (east4A)16th Sunday in Ordinary Time B (ord16B)34th Sunday in Ordinary Time A (Christ the King) (ord34A)Most Sacred Heart C (solsacheartC)Nov 2: Commemoration of All the Faithful Departed (All Souls) ABC (1102ABC)Confirmation, 1st Communion, FuneralsOfficial Liturgical text: The Lord is my shepherd; there is nothing I shall want.Sheet music available in Octavo and Soloist/Small Group formats. MP3s soon available w/Alto or Tenor verses.Other liturgical uses for this psalm:Saturday of the 4th Week in Ordinary Time (I) (ord4SaI)Wednesday of the 20th Week in Ordinary Time (II) (ord20WeII)Wednesday of the 32nd Week in Ordinary Time (II) (ord32WeII)Masses for the Dead (incl'g Funerals for Baptized Children)Common Masses: Holy Men and Women Common Masses: PastorsRitual Masses: Christian Initiation of Adults - Presentation of the Lord's PrayerRitual Masses: Christian Initiation of Adults - Apart from Easter VigilRitual Masses: Holy Orders Ritual Masses: Institution of AcolytesRitual Masses: Pastoral Care of the Sick and the Dying - ViaticumVarious Needs: Masses for the Unity of ChristiansVotive Masses: Most Holy EucharistVotive Masses: Jesus Christ, the Eternal High PriestVotive Masses: Most Sacred Heart of JesusJan 2*: Memorial of Sts. Basil the Great and Gregory Nazianzen, bishops and doctors of the Church (mem0102)Jan 21*: Memorial of St. Agnes, virgin and martyr (mem0121)Feb 22*: Feast of The Chair of St. Peter, apostle (fst0222)May 18*: Optional memorial of St. John I, pope and martyr (optmem0518)Jun 6*: Optional memorial of St. Norbert, bishop (optmem0606)Jul 20*: Optional memorial of St. Apollinaris, bishop and martyr (optmem0720)Oct 16*: Optional memorial of St. Margaret Mary Alacoque, virgin (optmem1016b)Nov 16*: Optional memorial of St. Gertrude, virgin (optmem1116b)Dec 31*: Optional memorial of St. Sylvester I, pope (optmem1231)*not on Sundayshttps://www.facebook.com/LTFMusic/www.LTFMusic.comwww.youtube.com/cgklosner
$4.99
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
INTREPID: A Fantasy for Oboe/English Horn Soloist and Chamber Orchestra (Parts Only)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sarah Wallin Huff
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INTREPID: A Fantasy for Oboe/E
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Novel Soundtrax
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.800343 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 55 pages. Novel Soundtrax #484973. Published ...
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Chamber Orchestra - Level 4 - SKU: A0.800343 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 55 pages. Novel Soundtrax #484973. Published by Novel Soundtrax (A0.800343). Evoking the driving forces of metamorphosis and migration, INTREPID is a cinematic Fantasy for soloist on oboe and english horn, with small chamber orchestra accompaniment. It is rich in color and texture, persistently forward-moving on its sweeping journey. --Instrument List: 2 Flutes / 1 Piccolo (doubled by Flute II) 1 Clarinet in Bb (or 1 part for Bb/A Clarinets) Bassoon Solo Oboe and English Horn in F (doubled by soloist) 2 Horns in F 2 Tenor Trombones 1 Percussionist: Suspended Cymbal, Triangle, Maracas, and Cabasa Piano Harp Strings (vln 1, vln 2, vla, cello, bass).
$45.00
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
My Light (Ps. 27) [Soloist/Small Group]
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Christian contemporain
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Musique Sacrée
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Gene Klosner
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My Light
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Cher & Gene Klosner
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.869921 Composed by Gene Klosner. Arranged by Cherolyn Klosner-Lane, Gene Klosner. Contemporary,Sacre...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.869921 Composed by Gene Klosner. Arranged by Cherolyn Klosner-Lane, Gene Klosner. Contemporary,Sacred. Score. 15 pages. Cher & Gene Klosner #6036835. Published by Cher & Gene Klosner (A0.869921). Responsorial Psalm. USCCB-approved for Catholic and liturgical use. Verbatim Text on refrain and verses.Contemporary setting of Psalm 27 with Psalm Tone verses.2nd Sunday of Lent C (lent2C)3rd Sunday in Ordinary Time A (ord3A)Common Psalm for Ordinary Time (ordcom)All Souls Day ABC (com1102ABC)Funerals, Baptisms, 1st Communion and more (see below).Official Liturgical text: The Lord is my light and my salvation.Sheet music available in Octavo complete package and Soloist/Small Group formats. Also coming soon: MP3s available w/Alto or Tenor verses.Other liturgical uses for this psalm:Friday of the 1st Week of Advent (adv1Fr)With Alternate Readings for the 4th Week of Lent ABC (lent4alt)Monday of Holy Week ABC (holyweekMo)Friday of the 4th Week in Ordinary Time (I) (ord4FrI)Wednesday of the 31st Week in Ordinary Time (II) (ord31WeII)Masses for the Dead: for ParentsMasses for the Holy Church: for Persecuted ChristiansRitual Masses: Conferral of Infant BaptismRitual Masses: Christian Initiation Apart from Easter VigilRitual Masses: 1st Communion for ChildrenIncludes different sets of verses for each different day/occasion.www.LTFMusic.comwww.youtube.com/cgklosner
$4.99
You Will Draw Water (Is. 12) [Soloist/Small Group]
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Piano, Voix et Guitare
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FACILE
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Cher & Gene Klosner
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Cher & Gene Klosner
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You Will Draw Water
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Cher & Gene Klosner
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1317665 By Cher & Gene Klosner. By Cherolyn Klosner-Lane/Gene Klosner. Arranged by Cher & Gene Klosner. Chr...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1317665 By Cher & Gene Klosner. By Cherolyn Klosner-Lane/Gene Klosner. Arranged by Cher & Gene Klosner. Christmas,Easter,Praise & Worship,Soul,Spiritual. Score. 7 pages. Cher & Gene Klosner #906340. Published by Cher & Gene Klosner (A0.1317665). Responsorial Psalm. USCCB-approved for Catholic and liturgical use. Verbatim Text on refrain and verses.Contemporary setting of Is. 12, with Psalm Tone verses.Use for:Feast of the Baptism of the Lord Optional Readings B (xmbapoptB)Easter Vigil ABC (with Reading V) (eastvigABC)Easter Vigil ABC (with Reading VII - when there is no baptism) (eastvigABC)Most Sacred Heart of Jesus B (solsacheartB)Wednesday of the 29th Week in Ordinary Time (II) (ord29WeII)Votive Masses: Sacred HeartUse with Psalm Tone 5, 6, or 7 in D.Official Liturgical text: “You will draw water joyfully from the springs of salvation.Sheet music available in Octavo complete package and in Soloist/Small Group formats.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.
$4.99
The Lord Remembers His Covenant (Ps. 105) [Soloist/Small Group]
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Cher & Gene Klosner
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Cher & Gene Klosner
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The Lord Remembers His Covenan
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Cher & Gene Klosner
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1317864 By Cher & Gene Klosner. By Cherolyn Klosner-Lane/Gene Klosner. Arranged by Cher & Gene Klosner. Chr...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1317864 By Cher & Gene Klosner. By Cherolyn Klosner-Lane/Gene Klosner. Arranged by Cher & Gene Klosner. Christian,Christmas,Lent,Praise & Worship,Religious. Score. 11 pages. Cher & Gene Klosner #906557. Published by Cher & Gene Klosner (A0.1317864). Responsorial Psalm. USCCB-approved for Catholic and liturgical use. Verbatim Text on refrain* and verses.*Due to switching the words around a bit, this refrain is technically paraphrased. If you are concerned with using verbatim text, you can use the same notes of m. 3 as remembers his cov'nant for e-ever, but it's clunky.Contemporary setting of Ps. 105, with Psalm Tone verses.Use for:Feast of the Holy Family of Jesus, Mary and Joseph - Optional B (xmhfoptB)Thursday of the 5th Week of Lent (lent5Th)Wednesday of the 1st Week in Ordinary Time (I) (ord1WeI)Wednesday of the 12th Week in Ordinary Time (I) (ord12WeI)Thursday of the 15th Week in Ordinary Time (I) (ord15ThI)Saturday of the 27th Week in Ordinary Time (II) (ord27SaII)Saturday of the 28th Week in Ordinary Time (I) (ord28SaI)Use with Psalm Tone 13 or 14 in FOfficial Liturgical text: “The Lord remembers his covenant for ever.Sheet music available in Octavo complete package and in Soloist/Small Group formats.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.
$4.99
Die Fledermaus Overture (arr. for string orchestra): Score and Parts
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Die Fledermaus Overture
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922627 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 54 pages. Aa...
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String Orchestra - Level 4 - SKU: A0.922627 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 54 pages. Aaron Meier #5759757. Published by Aaron Meier (A0.922627). Composed by Johann Strauss IIArranged by Aaron MeierFull Score + All Parts (Violin I, Violin II, Viola, Cello, Bass)This arrangement is simply reduction to String Orchestra; technically, it is similar to the original. This reduction is a full length arrangement of the original composition by Strauss. (Intermediate-advanced to advanced)Notes:- There are two soloist parts: Violin I and Cello, both requiring the first stand to perform at some point.- It is assumed that areas not marked div. but are impossible to play on one string are to be divided. Div. are marked when a section splits into two completely different parts, rather than just splitting an octave.
$20.00
Synchronicity Ii
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Ensemble Jazz
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AVANCÉ
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Rock
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The Police
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Clint Bleil
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Synchronicity Ii
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Clint Bleil
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1060297 By The Police. By Sting. Arranged by Clint Bleil. Jazz,Rock. Score and parts. 65 pages. Clint Bl...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1060297 By The Police. By Sting. Arranged by Clint Bleil. Jazz,Rock. Score and parts. 65 pages. Clint Bleil #664622. Published by Clint Bleil (A0.1060297). Check out this modern arrangement of The Police tune Synchronicity II, arranged for Little Big Band with vocal soloist. This challenging arrangement starts sparse and progressively builds to a climactic ending. Solos in piano, electric guitar, and drum set.
$50.00
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
My Shepherd Is the Living Lord (Psalm 23): from Tenebrae (I-II) (Downloadable Choral Score)
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Musique Sacrée
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Robert Kyr
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My Shepherd Is the Living Lord
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir, flute, viola, and violoncello, or piano - Moderately Difficult - SKU: MQ.8597-E Composed by Robert Kyr. Holy Week/Three Da...
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Tenor voice solo, SATB choir, flute, viola, and violoncello, or piano - Moderately Difficult - SKU: MQ.8597-E Composed by Robert Kyr. Holy Week/Three Days, 21st Century. Full score. 14 pages. E. C. Schirmer Music Company - Digital #8597-E. Published by E. C. Schirmer Music Company - Digital (MQ.8597-E). English. Psalms 23.A setting of Psalm 23 taken from the larger work Tenebrae. The chorus sings the well-known scripture text alone, and then repeats the text while the soloist responds with an original text. Tenebrae is a musical journey through the shadows of the cross. The work is divided into nine individual movements and can be performed with either instrumental trio or piano accompaniment. Staging and program suggestions are included in the full score. Part IV of the â€Life unto Life†Cycle.This work may be performed with accompaniment of either instrumental trio or piano. The complete text and suggested staging appear in the full score.Instrumental Parts include: Flute/Alto Flute, Viola, Violoncello.
$2.85
Viola Concerto in D II. Andante moderato
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Orchestre à Cordes
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Stamitz, Carl Philipp
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Nick Lacanski
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Viola Concerto in D II. Andant
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theupperstaff
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SheetMusicPlus
String Orchestra - SKU: A0.650183 Composed by Stamitz, Carl Philipp. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Score and par...
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String Orchestra - SKU: A0.650183 Composed by Stamitz, Carl Philipp. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Score and parts. 18 pages. Theupperstaff #6370083. Published by theupperstaff (A0.650183). This arrangement allows your young violist to perform as a soloist with orchestra accompaniment, possibly for the first time, but without the need for the wind parts. Also, each movement is available individually so there is no need to purchase the entire piece if you are only performing a single movement.
$4.99
Student Concerto #1 II. Adagio
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Orchestre à Cordes
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INTERMÉDIAIRE
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Seitz, Friedrich
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Nick Lacanski
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Student Concerto #1 II. Adagio
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theupperstaff
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.650175 Composed by Seitz, Friedrich. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Sc...
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String Orchestra - Level 3 - SKU: A0.650175 Composed by Seitz, Friedrich. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Theupperstaff #6358467. Published by theupperstaff (A0.650175). This arrangement makes it possible for you advancing violinist to have the opportunity, possibly for the first time, to perform as a soloist with an ensemble. Furthermore, each movement is available alone which means that you only need to purchase the movement(s) needed for performance.
$8.99
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109...
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Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104...
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Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Strings & Threads Suite (score - adapted for violin and guitar)
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Violon, Guitare (duo)
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AVANCÉ
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Mark O’Connor
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - SKU: A0.861797 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts....
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Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - SKU: A0.861797 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6202083. Published by Mark O'Connor Musik International (A0.861797). Strings & Threads Suite (adapted for violin and guitar) MO171AScore (violin and guitar parts available)Music by Mark O’Connor24 pages - 15:00 minutes in length I. Fair Dancer ReelII. Sailor’s JigIII. Captain’s JigIV. Off To SeaV. Pilgim’s WaltzVI. Road To AppalachiaVII. Shine OnVIII. Cotton Pickin’ BluesIX. Pickin’ Parlor RagX. Queen Of The CumberlandXI. Texas Dance Hall BluesXII. Swing 11:11XIII. Sweet Suzanne Strings & Threads Suite adapted for violin and guitar is a piece comprising of thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite from O’Connor to be performed as a violin solo at Nashville’s Summer Lights Festival. The individual tunes are in various folk styles appearing in a chronological form for which O’Connor says not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually out West during WWl nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style in which he felt his family could have heard along the way. The Suite begins with Irish music, maybe similar to what O’Connor’s family brought with them. Then in a thoughtful progression, reveals music they must of encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected - possessing a common thread, from an Irish reel to jazz. The music is suited for advanced and intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorAdaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical Mark O’Connor – violin, Sharon Isbin - guitarCatalogue Number MO171ACopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Sonata Hymnica No. 7 - Score Only
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Musique Sacrée
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James Siddons
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Sonata Hymnica No. 7 - Score O
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James Siddons Music and Writings
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36...
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Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00
Frederick Frahm: From East to West, a cantata for Christmas for Soprano and Tenor soloists, SATB Ch
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Frederick Frahm
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This is the score only.
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Frederick Frahm: From East to
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.535393 Composed by Frederick Frahm. Christmas,Contemporary,Sacred. Octavo. 24 pages. Musik Fabrik Music Publishi...
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Choral Choir (SATB) - Level 4 - SKU: A0.535393 Composed by Frederick Frahm. Christmas,Contemporary,Sacred. Octavo. 24 pages. Musik Fabrik Music Publishing #3096627. Published by Musik Fabrik Music Publishing (A0.535393). A cantata for Christmas, with original text by Lucy Shaw and also traditional biblical text. This is the score only. The score and complete parts are available as another item. Choral scores are also available for sale as well as a rehearsal piano part. I. Introit: From East to West, II. Chorale: Behold the World's Creator,III. Aria: Across the Purple, Patterned Snow,IV. ChorusV. Arioso: As if Until That Moement,VI. Chorus,VII. Aria with Chorus: Winter and Very Cold, VIII. Chorale: Alleluia! Most Blessed One,
$19.95
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II soloist score 
