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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
II. Interlude
Non classifié
19
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Piano seul
5
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1
Piano Trio: piano, violon, violoncelle
1
Guitares
Guitare
1
Voix
Chorale SATB
4
Voix Baryton, Piano
1
Chorale Unison
1
Vents
Quatuor de Clarinettes: 4 clarinettes
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Piano (duo)
1
2 Flûtes traversières, Piano
1
Clarinette et Piano
1
Saxophone Soprano et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte traversière et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Flûte traversière
1
Ensemble de saxophones
1
Saxophone Alto et Piano
1
Saxophone Tenor et Piano
1
+ 8 instrumentations
Retracter
Cuivres
Trompette, Euphonium (duo)
1
Cor et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cordes
2 Harpes (duo)
5
Quatuor à cordes: 2 violons, alto, violoncelle
5
Harpe
2
Alto, Piano
1
Alto seul
1
Violon et Piano
1
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Orchestre & Percussions
Orchestre
2
Orchestre d'harmonie
1
Orchestre de chambre
1
Ensemble de cuivres
1
Autres
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BALALAIKA
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BASSE
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BATTERIE
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BUGLE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
II. Interlude
Partitions à imprimer
72 partitions trouvées
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26
51
Debussy : Sonate pour flûte, alto et harpe – II. Interlude
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Flûte traversière
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AVANCÉ
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Classique
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Debussy
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Sonate pour flûte, alto et ha
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Tomplay
Telechargez la partition Flûte Sonate pour flûte, alto et harpe – II. Interlude de Debussy. Partition pour Trio -- Classique...
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Telechargez la partition Flûte Sonate pour flûte, alto et harpe – II. Interlude de Debussy. Partition pour Trio -- Classique
6.99€
Debussy : Sonate pour flûte, alto et harpe – II. Interlude
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Harpe
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AVANCÉ
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Classique
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Debussy
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Sonate pour flûte, alto et ha
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Tomplay
Telechargez la partition Harpe Sonate pour flûte, alto et harpe – II. Interlude de Debussy. Partition pour Trio -- Classique...
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Telechargez la partition Harpe Sonate pour flûte, alto et harpe – II. Interlude de Debussy. Partition pour Trio -- Classique
6.99€
Debussy : Sonate pour flûte, alto et harpe – II. Interlude
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Alto seul
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AVANCÉ
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Classique
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Debussy
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Sonate pour flûte, alto et ha
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Tomplay
Telechargez la partition Alto Sonate pour flûte, alto et harpe – II. Interlude de Debussy. Partition pour Trio -- Classique...
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Telechargez la partition Alto Sonate pour flûte, alto et harpe – II. Interlude de Debussy. Partition pour Trio -- Classique
6.99€
John's Gospel - 4 - Interlude
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Ralph S
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John's Gospel - 4 - Interlude
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Ralph S. Gardner II
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Oboe,Viola,Violin - Level 5 - SKU: A0.1015512 Composed by Ralph S. Gardner II. Christian. Score and parts. 5 pages...
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Small Ensemble Bassoon,Cello,Clarinet,Oboe,Viola,Violin - Level 5 - SKU: A0.1015512 Composed by Ralph S. Gardner II. Christian. Score and parts. 5 pages. Ralph S. Gardner II #5996285. Published by Ralph S. Gardner II (A0.1015512). Part 4 of my oratorio - double trio - Bassoon, Clarinet, Oboe, Violin, Viola, Cello - all solo.
$1.99
Le Sommeil de L'Enfant Jesus, Harp II
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2 Harpes (duo)
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FACILE
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Noël
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Traditional French Carol
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Serena O'Meara
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Le Sommeil de L'Enfant Jesus,
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O'Meara Music
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SheetMusicPlus
Folk Harp,Instrumental Duet,Pedal Harp - Level 2 - SKU: A0.1362351 Composed by Traditional French Carol. Arranged by Serena O'Meara. Christian,Christmas...
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Folk Harp,Instrumental Duet,Pedal Harp - Level 2 - SKU: A0.1362351 Composed by Traditional French Carol. Arranged by Serena O'Meara. Christian,Christmas,Folk,Medieval,Sacred. 6 pages. O'Meara Music #946810. Published by O'Meara Music (A0.1362351). This easy intermediate piece is good practice for placing cleanly, making an even tone on each string whether you are playing lower on the strings or in the middle, sliding thumbs on 5 note patterns and controlling the tempo. The arrangement begins in the lower range of the harp to establish the ambiance of what the stable might have sounded like. The melody is shared equally between both parts. Each verse is separated by an interlude. On the last verse, the piece ends with a Picardy Third in First Harp.This Medieval French melody has two well-known carol names: Le Sommeil de Lâ??Enfant Jesus (The Sleep of the Child Jesus) and Entre Le Boeuf Et lL'ane Gris (Oxen and Sheep).
$7.00
Mozart K467 "Andante" Mvt.II from Piano Concerto No. 21 ("Elvira Madigan") Bb Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Glenn Martin
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Glenn Martin
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Mozart K467 "Andante"
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Cornelius edition
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.809183 By Glenn Martin. By Wolfgang Amadeus Mozart. Arranged by Glenn Martin. Chamber,Classical,Contest,Festiv...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.809183 By Glenn Martin. By Wolfgang Amadeus Mozart. Arranged by Glenn Martin. Chamber,Classical,Contest,Festival,Film/TV,Instructional. Score and part. 11 pages. Cornelius edition #6083131. Published by Cornelius edition (A0.809183). Mozart's Piano Concerto No 21 is often used in films and the second movement marked Andante has become known as the Elvira Madigan as it was used in a romantic film featuring a circus performer. This arrangement for Bb clarinet and piano accompaniment has some suggested ornamentation suitable for the period and is useful additional repertoire for classroom study , concert, competition or a church interlude.Duration 5:10.
$4.45
Bring A Torch, Jeannette, Isabella, Harp II
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2 Harpes (duo)
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INTERMÉDIAIRE
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Noël
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Traditional French Carol
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Serena O’Meara
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Bring A Torch, Jeannette, Isab
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O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803908 Composed by Traditional French Carol. Arranged by Serena O’Meara. Baroque,Christmas,Holid...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803908 Composed by Traditional French Carol. Arranged by Serena O’Meara. Baroque,Christmas,Holiday,Sacred,Traditional. 5 pages. O'Meara Music #5454369. Published by O'Meara Music (A0.803908). A beautiful, flowing Carol from 17th Century France arranged with 3 verses. The lyrics tell of the two shepherdesses who discovered the stable with the baby Jesus and his mother. They joyfully run to tell the villagers the news. This arrangement allows harpists to create a soothing sound for the sleeping baby. Arranged for Lever or Pedal Harps, it is in the key of G. The melody is divided evenly between parts. Dynamics are clearly marked. There are tolling of bells within the introduction, interlude and ending.Â
$5.00
It Came Upon A Midnight Clear, Harp II - Key of Bb
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2 Harpes (duo)
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INTERMÉDIAIRE
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Richard Storrs Willis
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Serena O'Meara
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It Came Upon A Midnight Clear,
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O'Meara Music
#
SheetMusicPlus
Instrumental Duet Folk Harp,Instrumental Duet - Level 3 - SKU: A0.1159505 Composed by Richard Storrs Willis. Arranged by Serena O'Meara. Christmas,Holid...
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Instrumental Duet Folk Harp,Instrumental Duet - Level 3 - SKU: A0.1159505 Composed by Richard Storrs Willis. Arranged by Serena O'Meara. Christmas,Holiday,Sacred,Standards,Traditional. Score and parts. 5 pages. O'Meara Music #759771. Published by O'Meara Music (A0.1159505). The lyrics by Unitarian minister, Edmund Sears, were written in 1849 in Massachusetts. In 1850 American composer of hymns, Richard Storrs Willis set those lyrics to music. This arrangement contains 4 verses separated by an interlude. This allows the performers to stop at the end of each verse. The melody is divided evenly between parts. Dynamics are clearly marked.
$4.00
It Came Upon A Midnight Clear, Harp II - Key of C
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2 Harpes (duo)
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INTERMÉDIAIRE
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Richard Storrs Willis
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Serena O'Meara
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It Came Upon A Midnight Clear,
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Folk Harp,Instrumental Duet - Level 3 - SKU: A0.1159515 Composed by Richard Storrs Willis. Arranged by Serena O'Meara. Christmas,Holid...
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Instrumental Duet Folk Harp,Instrumental Duet - Level 3 - SKU: A0.1159515 Composed by Richard Storrs Willis. Arranged by Serena O'Meara. Christmas,Holiday,Sacred,Standards,Traditional. Score and parts. 5 pages. O'Meara Music #759782. Published by O'Meara Music (A0.1159515). The lyrics by Unitarian minister, Edmund Sears, were written in 1849 in Massachusetts. In 1850 American composer of hymns, Richard Storrs Willis set those lyrics to music. This arrangement contains 4 verses separated by an interlude. This allows the performers to stop at the end of each verse. The melody is divided evenly between parts. Dynamics are clearly marked.
$4.00
Interlude II
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New Age
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Contemporain
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Christopher Ittoku
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Interlude II
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Christopher Ittoku
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SheetMusicPlus
String Ensemble,String Trio Cello,Double Bass,Violin - Level 2 - SKU: A0.899745 Composed by Christopher Ittoku. 20th Century,Contemporary,New Age. Score...
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String Ensemble,String Trio Cello,Double Bass,Violin - Level 2 - SKU: A0.899745 Composed by Christopher Ittoku. 20th Century,Contemporary,New Age. Score and parts. 7 pages. Christopher Ittoku #2964321. Published by Christopher Ittoku (A0.899745). Title:
$6.89
Suite for Three Trumpets in Bb
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Contemporain
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Gary S
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II. Interlude
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Suite for Three Trumpets in Bb
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Gary Fagin
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SheetMusicPlus
Brass Ensemble Trumpet - SKU: A0.917331 Composed by Gary S. Fagin. Contemporary. Score and parts. 9 pages. Gary Fagin #4625467. Published by Gary Fagin ...
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Brass Ensemble Trumpet - SKU: A0.917331 Composed by Gary S. Fagin. Contemporary. Score and parts. 9 pages. Gary Fagin #4625467. Published by Gary Fagin (A0.917331). The three movements are: I. Fanfare; II. Interlude; III. Rag.
$25.00
Frederick Frahm: Indian Earth for two violins, cello and organ
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Frederick Frahm
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Frederick Frahm: Indian Earth
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Organ,Violin - Level 5 - SKU: A0.534000 Composed by Frederick Frahm. Contemporary,Folk,Standards,World. Score and parts. 34 pages. ...
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Small Ensemble Cello,Organ,Violin - Level 5 - SKU: A0.534000 Composed by Frederick Frahm. Contemporary,Folk,Standards,World. Score and parts. 34 pages. Musik Fabrik Music Publishing #3094575. Published by Musik Fabrik Music Publishing (A0.534000). I. INTROIT II. INTERLUDE III. ALLELUIAS Commissioned by the American Guild of Organists,Albuquerque Chapter,For the Region VII AGO Convention, 2009Performance notes:Indian Earth, after a book of poetry by Santa Fe poet Witter Bynner, explores the mystical cultures and resplendent terrain of the AmericanSouthwest. An underlying tenor ofthis collection is the complex relationship between the earth and humanity, and metaphorically the discordbetween native and colonial peoples. Bynner captures the essence of these relationships in this way:It is the earth itself that hems you round against intruders alien to the earth, that brings you heaven under a shadowy tree, curves heaven toyour arm and lets you lie close to its living thorn. The crown is yours, not theirs. You know the one divinity, the only death, the offering ofthe heart to the cruel earth, the love, the consummation.The three movements of the work progress from a quiet melancholy to exuberance, from darkness to light. Frahm makes use of an architecturalapproach to music composition in this piece, as in the building of an adobe wall brick by brick. Self-contained musical structures, often in four barunits, are symmetrically arranged as a technique of musical development. The final movement, 'Alleluias', is based in part on plainchant tone 6 fromthe Graduale Romanum.
$19.95
Seven Steps To Heaven (2002) for string septet or string orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Sco...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99
Mathilde Wesendonck (2024) - Score Only
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Thomas Oboe Lee
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Mathilde Wesendonck
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1493835 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 33 pages. Thomas Oboe Lee #1070492....
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Small Ensemble - Level 4 - SKU: A0.1493835 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 33 pages. Thomas Oboe Lee #1070492. Published by Thomas Oboe Lee (A0.1493835). Full score.Program note. I have always been fascinated with Wagner's song cycle Wesendonck Lieder for soprano and orchestra. Of course, the story behind Wagner and Mathilde Wesendonck was even more intriguing. If you don't know the story then you should look it up. When Nancy Braithwaite informed me recently that I have written nine works for her since 1997, that was the year I wrote Yo Picasso for her and her chamber group The Arto Ensemble. I told her, well, let's make it ten. She said her current group, the Rietveld Ensemble, consists of clarinet, violin, viola and cello. That sounds good, but I also suggested adding a soprano voice. She said, fine. That was when I thought I should write Nancy a song cycle using the same Wesendonck poems that Wagner did for his orchestral cycle. 1. Der Engel ... Moderato 2a. Interlude I ... Moderato 2b. Stehe still! ... Allegro TRIO I 3. Im Treibhaus ... Largo 4a. Interlude II ... Allegro TRIO II 4b. Schmerzen ... Adagio 5. Traüme ... Allegro.
$9.99
The Church's One Foundation (Downloadable Choral Score)
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Chorale SATB
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FACILE
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Michael Burkhardt
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The Church's One Foundation
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, congregation, organ, brass quintet, optional handbells - Moderately Easy - SKU: MQ.60-9032-E Composed by Michael Burkhardt. All Saints/All S...
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SATB choir, congregation, organ, brass quintet, optional handbells - Moderately Easy - SKU: MQ.60-9032-E Composed by Michael Burkhardt. All Saints/All Souls, Church Anniversary, Funeral. Instrument parts. 18 pages. MorningStar Music Publishers - Digital Sheet Music #60-9032-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-9032-E). The tune Aurelia is set here in a grand and festive way befitting the stateliness of this great hymn. This arrangement features a unique twist with the inclusion of an optional choral interlude of original music incorporating some text from the Requiem Mass. This interlude is optional and is particularly appropriate for use on All Saints day, or for memorial services or special occasions. Includes a reproducible page for congregation.Instrumental parts include:Trumpets I and II in B-flat and CTrombones I and IITubaHorn in F as substitute for Trombone IHandbells.
$3.15
SQ20 ... Eva Hesse (2024) - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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SQ20 ... Eva Hesse
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1494144 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 47 pages. Thomas Obo...
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String Quartet String Quartet - Level 4 - SKU: A0.1494144 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 47 pages. Thomas Oboe Lee #1070754. Published by Thomas Oboe Lee (A0.1494144). Full ScoreProgram note:There was a recent NYTimes article about an Eva Hesse show at the Hauser & Wirth in NYC. The title of the article was These Sculptures Changed What Art Could Be, Then Changed Themselves. It described how the five works on display were very different from what they looked like back in the late 1960's when they were exhibited at MOMA, the Guggenheim, Leo Castelli, and other museums. One of them, Expanded Expansion, for example was originally off-white and it is now in an orange-brown amber color. I immediately was fascinated and went on a research spree on her and her work. On Amazon I bought a huge two-volume book of all her paintings and sculptures. And I also bought a book of diaries that she kept from 1955 to 1970. I then decided that I should write a string quartet inspired by her work. The work is in eight movements, each one with a title from her sculptural works. 1. Oomamaboomba, 1965 ... Moderato 2. Interlude I: C-Clamp Bues. 1965 ... Largo 3. Metronomic Irregularity, 1966 ... Presto TRIO 4. Interlude II: Addendum, 1967 ... Adagio 5. Repetition Nineteen III, 1968 ... Poco andantino 6. Interlude III: Accretion, 1968 ... Largo 7. Expanded Expansion, 1969 ... Allegro TRIO 8. Postlude: Right After, 1969 ... Largo funebre.
$9.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 ...
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Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...
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French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bennett Rabiega
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Bennett Rabiega
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O Come, O Come, Emmanuel: A Ch
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Bennett A Rabiega
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Re...
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Chamber Orchestra - Level 4 - SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 273 pages. Bennett A Rabiega #863238. Published by Bennett A Rabiega (A0.1288208). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and an orchestra of 1 Flute, 1 Soprano Saxophone, 1 Trumpet, 1 Trombone, Violin I, Violin II, Viola, Cello, Piano, Acoustic Guitar, Bass Guitar, and Drums). A reduced orchestration is available, as is a vocal score with piano accompaniment. This is the full orchestration, including the vocal score and all instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$249.95
A Night In Tunisia
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Trompette, Euphonium (duo)
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. J...
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Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
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II. Interlude