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Vous avez sélectionné:
IL FARO
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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IL FARO
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2 Guitares (duo)
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FACILE
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Cosimo Rossetti
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Cosimo Rossetti
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IL FARO
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Cosimo Rossetti
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - SKU: A0.1259327 By Cosimo Rossetti. By Cosimo Rossetti. Arranged by Cosimo Rossetti. Classical,Multicultural,World....
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Guitar,Instrumental Duet - Level 2 - SKU: A0.1259327 By Cosimo Rossetti. By Cosimo Rossetti. Arranged by Cosimo Rossetti. Classical,Multicultural,World. 12 pages. Cosimo Rossetti #852598. Published by Cosimo Rossetti (A0.1259327). Guitar duo.
$5.00
Selected Works, vol. 1
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Guitare
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Selected Works, vol. 1
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SheetMusicPlus
The present collection is around the idea of paying homage to the people that each piece is dedicated to.El Colibrí (Hummingbird): A meaningful bird within...
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The present collection is around the idea of paying homage to the people that each piece is dedicated to.El Colibrí (Hummingbird): A meaningful bird within Central American indigenous mythology. Dedicated to my good friend and co-author Federico Sheppard, a very special human being with whom I have walked a long journey in a short time, to produce and publish the work of the great Agustín Barrios Mangoré.El Faro refers to the guidance of a lighthouse for the those navigating the sea, the light to point travellers in the right direction. This piece is dedicated to maestro Antonio Rodríguez Delgado, for his unconditional friendship, light, and guidance with the complex journey of our beloved instrument, so that it be used as a tool for self realization.Gratitude is dedicated to maestro Elias Barreiro for his tireless work and contribution to the global guitar practices, additionally, for his genuine friendship.Canción de Cuna is a piece that pretends to reflect the awakening of a new consciousness for humanity, the title (Lullaby) refers to the little person we all have inside.La présente collection est centrée sur l'idée de rendre hommage aux personnes auxquelles chaque pièce est dédiée.El Colibrí (Colibri) : Un oiseau significatif dans la mythologie indigène d'Amérique centrale. Dédicacé à mon bon ami et co-auteur Federico Sheppard, un être humain très spécial avec qui j'ai parcouru un long chemin en peu de temps, pour produire et publier l'œuvre du grand Agustín Barrios Mangoré.El Faro fait référence à la guidance d'un phare pour ceux qui naviguent en mer, la lumière pour orienter les voyageurs dans la bonne direction. Cette pièce est dédiée au maestro Antonio Rodríguez Delgado, pour son amitié inconditionnelle, sa lumière et son guidage dans le voyage complexe de notre instrument bien-aimé, afin qu'il soit utilisé comme un outil de réalisation de soi.Gratitude est dédiée au maestro Elias Barreiro pour son travail inlassable et sa contribution aux pratiques mondiales de la guitare, et en plus, pour son amitié sincère.Canción de Cuna est une pièce qui prétend refléter l'éveil d'une nouvelle conscience pour l'humanité, le titre (Berceuse) se réfère à la petite personne que nous avons tous à l'intérieur de nous
Song List
:
El Colibri
El Faro
Gratitud
Cancion De Cuna
$9.95
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
N'allez pas au bois d'Ormonde (mp3)
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Maurice Ravel
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David Warin Solomons
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N'allez pas au bois d'Ormonde
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059474 Composed by Maurice Ravel. Arranged by David Warin Solomons. 20th Century,Romantic Period. Full Performance. Duration 99. David ...
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Choir - SKU: A0.1059474 Composed by Maurice Ravel. Arranged by David Warin Solomons. 20th Century,Romantic Period. Full Performance. Duration 99. David Warin Solomons #3387809. Published by David Warin Solomons (A0.1059474). Sung by the dwsChoraleLes vieilles: [English translation below] N'allez pas au bois d'Ormonde, Jeunes filles, n'allez pas au bois: Il y a plein de satyres, de centaures, de malins sorciers, Des farfadets et des incubes, Des ogres, des lutins, Des faunes, des follets, des lamies, Diables, diablots, diablotins, Des chèvre-pieds, des gnomes, des démons, Des loups-garous, des elfes, des myrmidons, Des enchanteurs et des mages, Des stryges, des sylphes, des moines-bourrus, Des cyclopes, des djinns, gobelins, Korrigans, nécromans, kobolds... Les vieux : N'allez pas au bois d'Ormonde, Jeunes garçons, n'allez pas au bois: Il y a plein de faunesses, de bacchantes et de males fées, Des satyresses, des ogresses et des babaïagas, Des centauresses et des diablesses, Goules sortant du sabbat, Des farfadettes et des démones, Des larves, des nymphes, des myrmidones, Hamadryades, dryades, naïades, ménades, thyades, Follettes, lémures, gnomides, succubes, gorgones, gobelines... N'allez pas au bois d'Ormonde. Filles et garçons : N'irons plus au bois d'Ormonde, Hélas! plus jamais n'irons au bois. Il n'y a plus de satyres, plus de nymphes ni de males fées. Plus de farfadets, plus d'incubes, Plus d'ogres, de lutins, De faunes, de follets, de lamies, Diables, diablots, diablotins, De chèvre-pieds, de gnomes, de démons, De loups-garous, ni d'elfes, de myrmidons, Plus d'enchanteurs ni de mages, de stryges, de sylphes, De moines-bourrus, de cyclopes, de djinns, De diabloteaux, d'éfrits, d'aegypans, de sylvains, gobelins, Korrigans, nécromans, kobolds... N'allez pas au bois d'Ormonde, Les malavisées vieilles, les malavisés vieux Les ont effarouchés! [English Translation] Old women : Don't go to Ormond wood, Maidens beware, go not to the woods: They are full of grim satyrs, and of centaurs, of cunning wizards, Of hobgoblins and of incubus, Imps and ogres hide there, Will o'the wisps and fauns, roguish lamia, Flying devils, devilkins, Goat-footed folk and gnomes and demons, Full of werewolves, elves, tiny myrmidons, Of enchanters and of magicians, Strygia and sylphs, full of humpback monks, Of cyclops and of djinns, goblins, Korrigans, necromancers, kobolds... Old men : Don't go to Ormond wood, Young lads beware, go not to the woods: They are hiding host of fauns, and of bacchantes and of fairy folks, Of satyresses and ogresses, and of babaïagas, Of centauresses and of shedevils, Witches out from their sabbath, Of she-hobgoblins, of female demons, Of larves and of nymphs, tiny myrmidons, Of Hamadryads, and dryads, of naiads, menades, thyades, Will o'wisps, of lemures, female gnomes, succubus, of gorgons and she-goblins... Don't go to Ormond wood. Maidens and Young lads : We shall not go to the wood again, Alas, never more shall we go there. There are no more grim satyrs, And no more nymphs, fairy folk have fled. Gone the hobgoblins and incubus, Or ogres, no more imps, Fauns or will o' the wisps, No more furies, flying devil, devilkins, goat-footed folks, No more gnomes or demons, No more werewolves, elves, imps and myrmidons, No enchanters, or magicians, or strygia, No more sylphs or humpba.
$2.20
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