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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CLASSIQUE - BAROQUE …
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COUNTRY
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
39179
PIANO & CLAVIERS
Piano seul
61322
Piano, Voix
40370
Piano Facile
18909
Piano, Voix et Guitare
15866
Piano grosses notes
3882
Orgue
3586
Accompagnement Piano
2713
1 Piano, 4 mains
1937
Instruments en Do
1446
Piano Trio: piano, violon, violoncelle
878
Piano (partie séparée)
823
2 Pianos, 4 mains
417
Accordéon
261
Piano Quatuor: piano, 2 violons, violoncelle
253
Piano Quatuor: piano, violon, alto, violoncelle
204
Orgue, Piano (duo)
138
Piano Quintette: piano, 2 violons, alto, violoncelle
115
Clavier
80
Clavecin
75
1 Piano, 6 mains
72
Orgue, Trompette (duo)
67
2 Pianos, 8 mains
29
2 Accordéons
8
Ligne De Mélodie, Piano
4
Accordéon, Piano
3
Ensemble de Pianos
2
Accordéon - Piano, Voix, Guitare
2
Accordéon, Voix
1
Ensemble d'Accordéons
1
Accordéon et Orchestre
1
Orgue, Voix
1
2 Orgues (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
2011
Guitare
1436
Ligne De Mélodie, (Paroles) et Accords
923
Basse electrique
461
Ukulele
366
Piano, Guitare (duo)
292
2 Guitares (duo)
277
Paroles et Accords
151
Guitare (partie séparée)
143
Mandoline
61
4 Guitares (Quatuor)
58
Dulcimer
41
3 Guitares (trio)
32
Banjo
30
Mandoline, Piano (duo)
17
Ensemble de guitares
16
Guitare, Violon, Violoncelle (trio)
12
Mandoline, Guitare (duo)
10
Basse électrique (partie séparée)
10
Ukulele Baryton
8
2 Ukuleles
8
2 Mandolines (duo)
4
Guitare, Flûte, Clarinette
2
2 Dulcimers (duo)
2
Ensemble de Ukulélés
1
Dobro
1
Cithare
1
Orchestre à Plectres
1
Partitions De Groupes
1
Guitare Pedal Steel
1
Guitare, Quatuor à cordes
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
16100
Chorale 2 parties
6534
Chorale 3 parties
5350
Chorale Unison
3447
Voix duo, Piano
2755
Chorale TTBB
1904
Chorale SSAA
1094
Voix duo
921
Voix Soprano, Piano
683
Voix seule
565
Voix Alto, Piano
486
Voix haute
447
Voix Tenor, Piano
443
Voix Baryton, Piano
314
Chorale
277
Voix basse, Piano
192
Voix moyenne, Piano
166
Voix Tenor
82
Voix Soprano
45
Voix Mezzo-Soprano, Piano
31
Chorale SSAATTBB
25
Chorale SSAB, Piano
20
Chorale SSAB a cappella
19
Voix basse
18
Chorale SSATTB
14
Chorale SSATB
14
Chorale SSATBB
11
Soli, choeur mixte et accompagnement
10
Chorale SATTB
6
Voix haute, Piano
4
Male Voice
2
Voix Soprano, Orchestre
2
Voix, Guitare
1
Chorale SATTBB A Cappella
1
Chorale SSAATB A Cappella
1
Voix et basse continue
1
Chorale, Orgue
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
6297
Clarinette et Piano
4592
Hautbois, Piano (duo)
3498
Saxophone Alto et Piano
3261
Saxophone Tenor et Piano
2486
2 Saxophones (duo)
2001
Quatuor de Saxophones: 4 saxophones
2001
Flûte traversière
1945
Clarinette
1771
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1728
Saxophone Soprano et Piano
1690
Flûte, Hautbois, Clarinette, Basson
1673
2 Flûtes traversières (duo)
1392
Saxophone (partie séparée)
1063
Saxophone
1036
2 Clarinettes (duo)
958
Saxophone Alto
952
Quatuor de Clarinettes: 4 clarinettes
892
Quintette de Saxophone: 5 saxophones
856
Saxophone Tenor
747
Saxophone Baryton, Piano
743
Flûte, Clarinette (duo)
598
Hautbois (partie séparée)
585
Quatuor de Flûtes : 4 flûtes
523
Cor anglais, Piano
504
3 Clarinettes (trio)
479
3 Saxophones (trio)
471
Ensemble de Clarinettes
366
Flûte et Guitare
344
2 Hautbois (duo)
338
Clarinette Basse, Piano
295
Saxophone, Clarinette (duo)
282
Trio de Flûtes: 3 flûtes
279
Clarinette, Violon (duo)
279
Hautbois
270
Ensemble de saxophones
245
2 Flûte à bec (duo)
226
Hautbois, Basson (duo)
224
Hautbois, Clarinette (duo)
222
Flûte, Violon
215
Ensemble de Flûtes
213
Flûte à bec Soprano
212
Quintette de Clarinettes: 5 clarinettes
197
Flûte, Clarinette, Piano (trio)
196
Flûte à Bec
190
Saxophone Soprano
180
Clarinette, Trompette (duo)
176
Quatuor de Flûtes à bec
138
2 Flûtes traversières, Piano
137
Clarinette et Alto
136
Flûte, Violon, Piano
133
2 Clarinettes, Piano
127
Flûte, Hautbois, Clarinette (trio)
121
Flûte, Clarinette et Basson
121
Flûte, Violoncelle, Piano (trio)
119
Clarinette, Basson (duo)
118
Flûte à bec Alto
114
Flûte, Alto (duo)
113
Quintette de Flûte : 5 flûtes
111
Clarinette (partie séparée)
109
Flûte, Saxophone (duo)
109
Flûte, Trompette (duo)
103
Hautbois, Clarinette, Basson (trio d'anches)
101
Hautbois, Flûte
98
Flûte à bec Alto, Piano
95
Saxophone Baryton
94
Clarinette, Guitare (duo)
93
Flûte, Violoncelle
91
Cor Anglais
87
Flûte, Hautbois (duo)
85
Flute (partie séparée)
83
Flûte irlandaise
82
Flûte à bec Soprano, Piano
81
Flûte, Basson et Piano
80
2 Saxophones, Piano
69
Clarinette, Violoncelle (duo)
67
Clarinette, Violoncelle, Piano (trio)
66
Flûte, Violon et Violoncelle
64
Flûte, Hautbois, Basson
56
Hautbois, Violoncelle
56
Flûte à bec Tenor
55
Ocarina
53
Ensemble De Flûte à bec
51
Saxophone et Piano
46
5 Flûtes à bec
45
Flûte, Hautbois, Piano (trio)
41
Flûte, Alto et Piano
40
Flûte, Trombone (duo)
39
Piccolo, Piano
38
Flûte à Bec, Piano
37
3 Flûtes à bec (trio)
35
Flûte, Violon, Violoncelle et Piano
33
Flûte, trombone et piano
33
Hautbois, violon (duo)
31
Clarinette, Basson, Piano (trio)
29
Saxophone et Orgue
26
Clarinette, trompette et piano
25
Piccolo
25
Harmonica
24
Hautbois et alto (duo)
23
Hautbois, Guitare (duo)
23
Flûte, Clarinette, Cor, Basson (Quartet)
21
Clarinette, Harpe (duo)
20
Clarinette, Alto et Piano (trio)
18
Clarinette, Trombone (duo)
17
Hautbois, Violoncelle et Piano
17
2 Clarinettes, Basson
16
Flûte, Clarinette, Violon (trio)
16
Hautbois, Basson et Piano
15
Flute, Cor (duo)
14
3 Hautbois
13
Clarinette, Tuba
13
4 Hautbois
12
Hautbois, trombone (duo)
12
Clarinette Basse
12
Flute, harpe et violon
11
Hautbois, Clarinette et Piano (Trio)
11
Cor anglais, Guitare (duo)
11
Flûte, Tuba (duo)
11
2 Cors Anglais Et Pianoforte
10
Flûte, Violoncelle, Guitare
10
Hautbois, Harpe
10
Flûte, Hautbois, Violon
9
Saxophone et Guitare
8
Flûte et Trio à cordes
8
Hautbois, Violon, Piano
8
Ensemble à vent
7
Flûte traversière, Orgue (duo)
6
Flûte à bec, Guitare (duo)
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Clarinette, Orgue
5
Ensemble de Hautbois
4
Saxophone et Harpe
4
Flûte à bec Alto, Basse continue
4
2 Hautbois, Piano
4
Clarinette, Contrebasse (duo)
4
2 Flûtes à bec, Piano
4
2 Hautbois et Basson
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Harmonica, Piano
2
Cornemuse
2
Flûte, Violon, Guitare
2
Instruments en Mib
2
Cor anglais et Harpe (duo)
2
2 Flûtes, Basse continue
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
3 Flûtes à bec, Piano
2
Flûte traversière, Basse continue
2
Flûte, alto et harpe
1
Flûte, Harpe et Violoncelle
1
2 Flûtes traversières, Harpe
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte à bec, Harpe
1
2 Flûtes à bec, Guitare
1
Flûte à bec Soprano, Basse continue
1
Clarinette, Orchestre
1
Flûte et Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte de Pan
1
Saxophone, Violon (duo)
1
Clarinette, Saxophone, Piano
1
Hautbois, Trompette (duo)
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
3031
Trombone et Piano
2967
Cor et Piano
2055
Trompette
1998
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1737
Trombone
1216
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1034
Tuba et Piano
948
2 Trompettes (duo)
628
Quatuor de Cuivres: 2 trompettes, Cor, trombone
624
Cor
614
2 Trombones (duo)
583
Quatuor de Cuivres
545
Euphonium, Piano (duo)
537
Cor anglais, Piano
504
Tuba
466
Trompette (partie séparée)
390
Trombone (partie séparée)
367
Trompette, Trombone (duo)
361
2 Cors (duo)
337
Trompette, Cor (duo)
262
Trompette, Saxophone (duo)
214
Quatuor de cuivres: 4 trombones
189
Ensemble de Trombones
133
Euphonium
114
Quatuor de cuivres: 4 cors
113
Ensemble de Trompettes
112
Cor (partie séparée)
107
2 Tubas (duo)
93
Cor Anglais
87
3 Trombones (trio)
82
Tuba (partie séparée)
70
Quatuor de cuivres: 2 trompettes, 2 trombones
68
Trio de Cuivres
68
Tuba et Orgue
64
Quatuor de cuivres: 4 trompettes
54
2 Trompettes, Clavier (piano ou orgue)
46
Ensemble de Cors
38
Trompette, Violoncelle et Piano
35
Trombone, Orgue
34
Trombone basse et Piano
33
3 Trompettes (trio)
32
4 Tubas
30
Cor, Violoncelle (duo)
28
Trompette, Tuba (duo)
27
Euphonium, Tuba (duo)
26
Trompette, Trombone, Piano
26
Trombone basse
24
2 Euphoniums et 2 Tubas
24
Trombone, Cor (duo)
21
Trombone, Tuba (duo)
18
2 Trombones, Piano
18
Cor, Tuba (duo)
17
Trompette, Basson (duo)
17
3 Cors (trio)
16
2 Euphoniums (duo)
16
Trompette, Violoncelle (duo)
15
Trombone, Violon (duo)
15
3 Tubas (trio)
13
Cor et Orgue
12
Cor anglais, Guitare (duo)
11
Cor et Basson (duo)
11
2 Cors Anglais Et Pianoforte
10
Clarinette, Cor (duo)
8
Cornet et Piano
7
Cor et Harpe
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
2 Cors, Piano
6
Cor, Violoncelle et Piano
5
Trombone et orchestre
4
Trompette, Harpe
4
Trompette et Guitare
4
Trombone, violoncelle (duo)
4
Instruments en Sib
3
Trompette, violon (duo)
3
3 Euphoniums
3
Ensemble de Tubas
2
Cor anglais et Harpe (duo)
2
Bass Clef Instruments
2
Trompette, Orchestre
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium Ou Saxhorn Et Piano
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
4 Euphoniums
1
Cornet et orchestre
1
Instrumentations suivantes
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CORDES
Violon et Piano
7239
Quatuor à cordes: 2 violons, alto, violoncelle
4698
Violoncelle, Piano
4678
Alto, Piano
3688
Violon
2189
Violoncelle
1468
Violon, Violoncelle (duo)
1130
Alto seul
909
Trio à Cordes: violon, alto, violoncelle
903
2 Violons (duo)
891
Harpe
859
Contrebasse, Piano (duo)
856
2 Violoncelles (duo)
779
Quintette à cordes: 2 violons, alto, violoncelle, basse
757
Violon, Alto (duo)
588
2 Altos (duo)
503
Piano Trio: Violon, Alto, Piano
479
Contre Basse
427
Trio à Cordes: 2 violons, violoncelle
291
Alto (partie séparée)
287
Violon (partie séparée)
197
Alto, Violoncelle (duo)
195
Contrebasse (partie séparée)
157
4 Violoncelles
149
Trio à cordes: 3 violins
141
Violon, Guitare (duo)
133
Trio à Cordes: 3 violoncelles
94
Harpe, Flûte (duo)
93
2 Harpes (duo)
88
2 Contrebasses (duo)
80
Quatuor à cordes: 4 violons
78
Violoncelle , Guitare (duo)
68
2 Violons, Piano
62
Violon, Basson (duo)
60
Trio à Cordes: 2 violons, alto
60
Violoncelle (partie séparée)
55
Harpe, Violon (duo)
53
Violon, Clarinette, Piano (trio)
52
Trio à cordes: 3 altos
50
Alto, Guitare (duo)
49
Violoncelle, Contrebasse (duo)
46
Quatuor à cordes : 4 altos
43
Alto et Basson
36
Quintette à cordes: 2 violons, 2 altos, violoncelle
33
Quintette à cordes : 2 violons, alto et 2 violoncelles
31
Harpe, Violoncelle (duo)
29
Alto et Harpe
28
Violoncelle, Orgue
27
Ensemble de Violons
26
2 Violoncelles, Piano
25
Harpe, Voix
25
Ensemble d'Altos
22
Harpe et Piano
17
Violon, Tuba (duo)
16
Trio à cordes
14
4 Contrebasses
13
Violoncelle, Orchestre
9
Ensemble de Violoncelles
8
Violon, Trompette et Piano
8
Harpe, Violon, Violoncelle
8
Violon, Orgue
8
Flûte, Contrebasse (duo)
7
2 Altos, Piano
7
Harpe (partie séparée)
6
Harpe, Trombone (duo)
5
Violoncelle, Basse continue
5
Violon, Basse continue
5
Harpe, Quatuor à cordes
4
Violon, Violoncelle, Clarinette
4
4 Harpes
3
Harpe et mandoline
3
3 Contrebasses
2
Alto, Orgue
2
Alto et orchestre
2
Autoharp
2
2 Violons et Basse continue
1
Harpe et Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4594
Orchestre à Cordes
2004
Orchestre
1989
Ensemble Jazz
1583
Cloches
1246
Ensemble de cuivres
1074
Jazz combo
889
Orchestre de chambre
854
Batterie
473
Fanfare
218
Ensemble de Percussions
185
Batterie (partie séparée)
124
Xylophone, Piano
90
Percussion (partie séparée)
82
Marimba
70
Vibraphone
57
Piano et Orchestre
52
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
29
Percussion
20
Xylophone
19
Quintette à Vent
16
Timbales
9
2 Xylophones
8
Orchestre, Violon
8
Ensemble d'École
8
Timbales (partie séparée)
7
Caisse Claire
7
Marimba, Piano (duo)
4
Quintette de Cuivres: autres combinaisons
4
Vibraphone (partie séparée)
4
Quatuor à Vent : 4 instruments à vents
3
Vibraphone et Marimba
3
Big band
3
3 Marimbas
2
Instrumentation Flexible
2
Voix et Orchestre
1
Xylophone ou Marimba ou Vibraphone
1
Bongos
1
Marimba et Orgue
1
Marimba ou Xylophone et Piano
1
2 Marimbas
1
Cajon
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
47
Théorie de la musique
7
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9976
Gregorian Modes - 7 Little Pieces In Church Modes For Piano
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, …
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Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, Method, Etudes and Exercises, Pop. 15 pages. Published by Sebastian Freisleben
You want to know how modern songs in old church modes could sound? Let yourself be enchanted by these 7 wonderful & characteristic pieces in ionian \| dorian \| phrygian \| lydian \| mixolydian \| aeolian \| locrian.<br> <br> For the intermediate pianist and jazz piano lover.<br> <br> As a bonus and present from me, you will get a quick explanation about how to use these scales for your own modern sounding songs in old modes!<br> <br> Hear all 7 songs on Spotify or YouTube:<br> https://spoti.fi/2X3xfnq<br> https://bit.ly/2RB2rtt<br> <br> Check out my social media for more!<br> https://facebook.com/sebastianfreisleben <br> https://instagram.com/sebfreis
$10.99
9.82 €
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Piano seul
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Sebastian Freisleben
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Gregorian Modes - 7 Little Pieces In Church Modes For Piano
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Sebastian Freisleben
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SheetMusicPlus
Prelude 19 in A Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 19 in A Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 1 in C Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 7 in Eb Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Prelude 13 in F# Major Ionian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 10 in F Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 10 in F Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 16 in G# Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 16 in G# Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 23 in G Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 17 in E Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 24 in E Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 24 in E Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 14 in D# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 14 in D# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 8 in C Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.35 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
How to Play Indian Sitar Rāgas on a Piano (2020 edition)
Piano seul
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by …
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Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).<br> <br> Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar – or instruments such as the sarangi, sarod, esraj or voice – and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.<br> <br> This book contains:<br> •Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.<br> •Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.<br> •Instructions to play any of these rāgas in a duet or at two pianos.<br> •Hundreds of musical examples.<br> •Accompanying audio & video examples can be accessed for free at pianoraga.com<br> <br> The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .
$25.99
23.22 €
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Piano seul
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John Pitts (1976-)
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How to Play Indian Sitar Rāgas on a Piano
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SheetMusicPlus
Mystic Space - Ambient Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.573205 Composed by James Michael St…
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Piano Solo - Level 3 - Digital Download SKU: A0.573205 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age. Score. 4 pages. James M Stevens Music ASCAP #5011245. Published by James M Stevens Music ASCAP (A0.573205). Written December 22, 2019, this is a minimalistic piano composition written in a reflective and mystical style with some light ambient orchestration. The key is somewhat ambivalent and model with a mixture between D minor (aeolian), A phrygian, and B flat lydian. Wrote it just for a change of pace before I work on some commissions. Hope you enjoy this deep space meditative piece! 
$3.99
3.56 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Mystic Space - Ambient Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano album - volume 1 (15 pieces for piano solo), edition I - 2012 (Romanian language edition)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.912979 Composed by Andrei-Lucian Dr…
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Piano Solo - Level 3 - Digital Download SKU: A0.912979 Composed by Andrei-Lucian Drăgoi (Dragoi). 20th Century,Multicultural,Standards,World. Score. 63 pages. Andrei-Lucian Dragoi #2931267. Published by Andrei-Lucian Dragoi (A0.912979). I am a Romanian composer. This is my first musical album for piano solo (the 1st edition published in Romania, in 2012). This album addresses to (early) intermediate level piano players and contains 15 miniatures for piano solo. The melodies of these pieces also contain the harmonic lines so that to encourage improvisation and added/alternative guitar accompaniments.The separate lead sheets for 10 of these pieces can also be found on my other album called: Multi-instrumental musical album - volume 1, edition I (lead sheets) (Album muzical poli-instrumental, volume 1, edition I) (Romanian language edition).The mp3 sample is an audio variant of the miniature Mic dans cu aroma irlandeza (Little Irish-flavored dance) from this album.All the miniatures from this album can be listened in audio format on this personal blog page:https://acdecojocullumii.wordpress.com/2013/01/14/albumul-meu-de-pian-solo-pentru-incepatori-volumul...I have marked more instruments that piano solo because each piece is written so that it can also be played in duets (piano-woodwind/strings duo, guitar-woodwind/strings duo) and trio/quartets (piano-guitar-woodwind/-strings).
$7.00
6.25 €
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Piano seul
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Andrei-Lucian Drăgoi
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Piano album - volume 1
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Andrei-Lucian Dragoi
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SheetMusicPlus
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