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ACCORDEON
ALTO
AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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UKULELE
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
79681
PIANO & CLAVIERS
Piano seul
148538
Piano, Voix
75775
Piano, Voix et Guitare
63161
Piano Facile
58570
Orgue
5815
Accompagnement Piano
5502
Piano grosses notes
5286
1 Piano, 4 mains
4866
Instruments en Do
3014
Piano (partie séparée)
2876
Piano Trio: piano, violon, violoncelle
2165
2 Pianos, 4 mains
1327
Piano Quatuor: piano, violon, alto, violoncelle
561
Piano Quintette: piano, 2 violons, alto, violoncelle
542
Piano Quatuor: piano, 2 violons, violoncelle
475
Orgue, Piano (duo)
299
Accordéon
259
1 Piano, 6 mains
226
Orgue, Trompette (duo)
155
Clavecin
131
Clavier
107
2 Pianos, 8 mains
92
2 Accordéons
21
Orgue, Voix
14
Accordéon, Piano
13
2 Orgues (duo)
10
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Accordéon et Orchestre
5
Ensemble d'Accordéons
4
Tous Les Instruments
3
3 Pianos
2
Piano Trio: Instruments de chambre mixtes
1
Accordéon, Corde(s)
1
Accordéon, Voix
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
4636
Ligne De Mélodie, (Paroles) et Accords
4146
Guitare
2803
Paroles et Accords
968
Ukulele
900
Piano, Guitare (duo)
787
Basse electrique
582
2 Guitares (duo)
447
Guitare (partie séparée)
216
4 Guitares (Quatuor)
127
Mandoline
86
Dulcimer
84
Mandoline, Piano (duo)
76
Banjo
72
3 Guitares (trio)
69
Ensemble de guitares
35
Ukulele Baryton
35
Basse électrique (partie séparée)
32
Mandoline, Guitare (duo)
18
Guitare, Violon, Violoncelle (trio)
17
Guitare Pedal Steel
11
Ensemble de Ukulélés
9
2 Ukuleles
8
2 Dulcimers (duo)
7
Guitare, Quatuor à cordes
5
2 Mandolines (duo)
5
Guitare, Orchestre
4
Guitare, Flûte, Clarinette
3
Luth
1
Orchestre à Plectres
1
2 Guitares et Orchestre
1
Dobro
1
Bouzouki
1
Cithare
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
25094
Chorale 3 parties
8945
Chorale 2 parties
7813
Chorale Unison
4476
Voix duo, Piano
3311
Chorale TTBB
2962
Voix haute
1476
Chorale SSAA
1411
Voix Soprano, Piano
1322
Voix duo
1099
Voix Tenor, Piano
776
Voix Alto, Piano
754
Voix seule
683
Chorale
651
Voix Baryton, Piano
557
Voix basse, Piano
548
Voix moyenne, Piano
393
Voix Mezzo-Soprano, Piano
134
Voix Tenor
102
Voix haute, Piano
63
Voix Soprano
62
Chorale SSATB
54
Chorale SSAB, Piano
50
Voix d'Enfants
42
Voix Moyenne
41
Chorale SSAATTBB
38
Voix, Guitare
36
Soli, choeur mixte et accompagnement
36
Voix basse
31
Chorale, Orgue
27
Chorale SSATTB
22
Chorale SSAB a cappella
15
Voix duo, Orgue
5
Chorale SSAATB
4
Voix Baryton
3
Male Voice
2
Voix Soprano, Orchestre
2
Voix d'Enfants, Piano
2
Chorale SSAATB A Cappella
1
Chorale SATTBB A Cappella
1
Chorale SAATB A Cappella
1
Chorale SATBB
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
13193
Clarinette et Piano
9346
Hautbois, Piano (duo)
7443
Saxophone Alto et Piano
7304
Saxophone Tenor et Piano
5459
Saxophone Soprano et Piano
3319
Quatuor de Saxophones: 4 saxophones
3303
2 Saxophones (duo)
3075
Clarinette
2827
Flûte traversière
2597
Flûte, Hautbois, Clarinette, Basson
2594
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2593
2 Flûtes traversières (duo)
2225
Saxophone (partie séparée)
2166
Saxophone Alto
1763
2 Clarinettes (duo)
1639
Quatuor de Clarinettes: 4 clarinettes
1541
Saxophone Baryton, Piano
1504
Saxophone Tenor
1278
Quintette de Saxophone: 5 saxophones
1277
Cor anglais, Piano
1160
Hautbois (partie séparée)
1104
Quatuor de Flûtes : 4 flûtes
956
Flûte, Clarinette (duo)
915
3 Saxophones (trio)
895
Clarinette (partie séparée)
769
Clarinette Basse, Piano
724
Ensemble de Clarinettes
724
3 Clarinettes (trio)
710
2 Hautbois (duo)
566
Trio de Flûtes: 3 flûtes
554
Flûte et Guitare
513
Ensemble de Flûtes
447
Ensemble de saxophones
428
2 Flûte à bec (duo)
423
Quintette de Clarinettes: 5 clarinettes
383
Hautbois
381
Clarinette, Violon (duo)
372
Flûte à Bec
371
Flûte à bec Soprano, Piano
370
Flute (partie séparée)
366
Flûte, Clarinette, Piano (trio)
363
Hautbois, Clarinette (duo)
359
Flûte à bec Alto, Piano
349
Flûte, Violon
345
Saxophone, Clarinette (duo)
337
Hautbois, Basson (duo)
333
Piccolo, Piano
330
Flûte à bec Soprano
326
Saxophone Soprano
325
Quatuor de Flûtes à bec
308
Flûte, Violoncelle, Piano (trio)
304
Flûte, Violon, Piano
286
2 Saxophones, Piano
271
2 Flûtes traversières, Piano
260
Flûte à Bec, Piano
213
Flûte, Clarinette et Basson
211
Flûte à bec Tenor
211
Clarinette, Basson (duo)
210
2 Clarinettes, Piano
202
Flûte à bec Alto
200
Clarinette, Trompette (duo)
196
Flûte, Hautbois, Clarinette (trio)
192
Flûte, Basson et Piano
175
Saxophone et Piano
174
Flûte, Trompette (duo)
168
Hautbois, Clarinette, Basson (trio d'anches)
168
Flûte, Hautbois, Basson
165
Flûte, Hautbois (duo)
165
3 Flûtes à bec (trio)
154
Flûte, Violoncelle
152
Quintette de Flûte : 5 flûtes
151
Clarinette et Alto
147
Hautbois, Flûte
144
Flûte, Alto (duo)
136
Clarinette, Guitare (duo)
135
Clarinette, Violoncelle, Piano (trio)
132
Cor Anglais
131
Saxophone Baryton
131
Flûte, Saxophone (duo)
118
Clarinette, Violoncelle (duo)
108
Flûte irlandaise
105
5 Flûtes à bec
96
Hautbois, violon (duo)
91
Ensemble De Flûte à bec
86
Piccolo
85
Hautbois, Violoncelle
80
Flûte, Violon et Violoncelle
80
Flûte, Hautbois, Piano (trio)
77
Clarinette, Basson, Piano (trio)
76
Ocarina
74
3 Hautbois
71
Flûte, Trombone (duo)
65
Flûte, Violon, Violoncelle et Piano
63
Flûte, Alto et Piano
57
Harmonica
48
Saxophone et Orgue
46
Harmonica, Piano
45
Saxophone
45
Clarinette, Alto et Piano (trio)
45
4 Hautbois
43
Saxophone, Violon (duo)
38
Hautbois, Guitare (duo)
36
Hautbois, Trompette (duo)
36
Flûte, Clarinette, Cor, Basson (Quartet)
35
Flûte, trombone et piano
33
Clarinette, Trombone (duo)
33
Hautbois, Basson et Piano
32
Saxophone et Guitare
32
Hautbois et alto (duo)
31
Clarinette, Harpe (duo)
30
Hautbois, Violoncelle et Piano
28
2 Flûtes à bec, Piano
28
Flûte, Hautbois, Violon
27
Clarinette, trompette et piano
25
2 Clarinettes, Basson
24
Flûte traversière, Orgue (duo)
24
Clarinette Basse
24
2 Hautbois, Piano
22
Flûte, Clarinette, Violon (trio)
21
Cor anglais, Guitare (duo)
20
Hautbois, trombone (duo)
19
Flute, harpe et violon
18
Flute, Cor (duo)
18
Hautbois, Violon, Piano
18
Hautbois, Harpe
16
Hautbois, Clarinette et Piano (Trio)
16
Flûte à bec Alto, Basse continue
16
Clarinette, Tuba
16
Flûte, Tuba (duo)
15
Flûte et Trio à cordes
15
Ensemble à vent
13
Ensemble de Hautbois
12
2 Cors Anglais Et Pianoforte
11
Flûte traversière, Orchestre
11
Flûte, Violoncelle, Guitare
11
Flûte à bec, Guitare (duo)
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Saxophone, Basson (duo)
10
Saxophone et Harpe
9
Clarinette, Orgue
9
Flûte et Quatuor à Cordes
8
Flûte, Guitare, Piano
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Hautbois, Violin, Alto et Violoncelle (Quatuor)
6
Clarinette, Orchestre
5
Saxophone et violoncelle
5
Clarinette, Contrebasse (duo)
4
Flûte, alto et harpe
4
Instruments en Mib
4
Flûte, Harpe et Violoncelle
4
Flûte traversière, Basse continue
4
Clarinette, Saxophone, Piano
3
Hautbois et Orchestre
3
2 Hautbois et Basson
3
Hautbois, Clarinette, Basson et Piano
3
Flûte, Violon, Guitare
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Cornemuse
2
Hautbois, Quatuor à cordes
2
2 Flûtes, Basse continue
2
Cor anglais et Harpe (duo)
2
3 Flûtes à bec, Piano
2
2 Flûtes traversières, Harpe
2
2 Flûtes traversières, Guitare
2
Flûte de Pan
2
Hautbois, Orgue
2
Flûte à bec Soprano, Basse continue
1
Flûte, Alto et Violoncelle
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte à bec, Harpe
1
2 Flûtes à bec, Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
6581
Trombone et Piano
5798
Cor et Piano
4176
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3398
Trompette
2956
Tuba et Piano
2069
Trombone
1606
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1458
Euphonium, Piano (duo)
1298
Trompette (partie séparée)
1217
Cor anglais, Piano
1160
2 Trompettes (duo)
1119
Trombone (partie séparée)
1042
Cor
1024
2 Trombones (duo)
998
Quatuor de Cuivres: 2 trompettes, Cor, trombone
895
Quatuor de Cuivres
819
Tuba
721
Trompette, Trombone (duo)
703
2 Cors (duo)
529
Cor (partie séparée)
430
Quatuor de cuivres: 4 trombones
333
Trompette, Cor (duo)
302
Trombone basse et Piano
281
Trompette, Saxophone (duo)
268
Tuba (partie séparée)
229
Quatuor de cuivres: 4 cors
225
Euphonium
206
Ensemble de Trombones
183
Tuba et Orgue
153
2 Trompettes, Clavier (piano ou orgue)
149
2 Tubas (duo)
143
Ensemble de Trompettes
134
3 Trombones (trio)
133
Trio de Cuivres
132
Cor Anglais
131
3 Trompettes (trio)
108
Quatuor de cuivres: 4 trompettes
107
2 Euphoniums et 2 Tubas
107
4 Tubas
76
Quatuor de cuivres: 2 trompettes, 2 trombones
72
Trombone, violoncelle (duo)
56
Ensemble de Cors
53
Trombone, Cor (duo)
52
Trompette, Trombone, Piano
49
Trompette, Tuba (duo)
49
Trompette, Basson (duo)
47
Trompette, Violoncelle et Piano
45
Trompette, violon (duo)
44
2 Trombones, Piano
42
Trombone, Violon (duo)
40
Trombone basse
40
Cor, Violoncelle (duo)
40
Euphonium, Tuba (duo)
39
Trombone, Orgue
38
Trombone, Tuba (duo)
34
2 Euphoniums (duo)
27
3 Cors (trio)
25
Trompette, Violoncelle (duo)
25
Cor, Tuba (duo)
24
Cornet A Pistons
20
Cor anglais, Guitare (duo)
20
3 Tubas (trio)
18
2 Cors, Piano
18
Cornet et Piano
17
Bass Clef Instruments
15
Cor et Orgue
15
Cor et Basson (duo)
15
Cor et Harpe
12
2 Cors Anglais Et Pianoforte
11
Clarinette, Cor (duo)
11
Tuba ou Euphonium ou Saxhorn
10
Ensemble de Tubas
9
Trompette, Harpe
8
Cor, Violoncelle et Piano
7
Trompette, Orchestre
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Euphonium Ou Saxhorn Et Piano
5
Trompette et Guitare
4
3 Euphoniums
4
Trombone et orchestre
4
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Trombone, Alto (duo)
3
Instruments en Sib
3
4 Euphoniums
3
Cor anglais et Harpe (duo)
2
Cor, Orchestre
2
Cornet et orchestre
1
Trompette, Euphonium (duo)
1
Bugle
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
17201
Violoncelle, Piano
10775
Quatuor à cordes: 2 violons, alto, violoncelle
8664
Alto, Piano
8187
Violon
3547
Violoncelle
2357
Violon, Violoncelle (duo)
1794
Harpe
1761
Contrebasse, Piano (duo)
1742
2 Violons (duo)
1572
Alto seul
1523
Trio à Cordes: violon, alto, violoncelle
1408
2 Violoncelles (duo)
1364
Quintette à cordes: 2 violons, alto, violoncelle, basse
1136
Violon, Alto (duo)
971
2 Altos (duo)
890
Violon (partie séparée)
886
Piano Trio: Violon, Alto, Piano
813
Contre Basse
646
Alto (partie séparée)
595
Contrebasse (partie séparée)
493
Trio à Cordes: 2 violons, violoncelle
436
Alto, Violoncelle (duo)
417
Violoncelle (partie séparée)
331
2 Violons, Piano
305
4 Violoncelles
299
Trio à cordes: 3 violins
272
Trio à Cordes: 3 violoncelles
231
Violon, Guitare (duo)
207
Quatuor à cordes: 4 violons
141
2 Harpes (duo)
134
Harpe, Flûte (duo)
131
Violoncelle , Guitare (duo)
121
2 Contrebasses (duo)
118
Harpe et Piano
107
Violon, Clarinette, Piano (trio)
105
2 Violoncelles, Piano
105
Violon, Basson (duo)
103
Trio à cordes
103
Trio à Cordes: 2 violons, alto
99
Quatuor à cordes : 4 altos
92
Alto, Guitare (duo)
83
Trio à cordes: 3 altos
82
Violoncelle, Contrebasse (duo)
80
Harpe, Violon (duo)
78
Alto et Basson
72
2 Altos, Piano
65
Harpe (partie séparée)
59
Quintette à cordes: 2 violons, 2 altos, violoncelle
44
Quintette à cordes : 2 violons, alto et 2 violoncelles
42
Harpe, Violoncelle (duo)
38
Violoncelle, Orgue
37
Harpe, Voix
35
Violon, Orgue
32
Alto et Harpe
31
Ensemble de Violons
27
Ensemble de Violoncelles
26
Violon, Tuba (duo)
23
Ensemble d'Altos
22
4 Contrebasses
19
Violoncelle, Orchestre
19
Violon, Basse continue
17
Violoncelle et Marimba
15
Violon, Trompette et Piano
14
Flûte, Contrebasse (duo)
13
Harpe, Violon, Violoncelle
10
Alto et orchestre
8
Alto, Orgue
7
2 Violons et Basse continue
7
Harpe, Trombone (duo)
6
3 Contrebasses
5
Violoncelle, Basse continue
5
Harpe et mandoline
4
Harpe, Quatuor à cordes
4
Violon, Violoncelle, Clarinette
4
Autoharp
3
Ensemble de Contre basses
3
4 Harpes
3
Harpe et Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
7793
Orchestre
3618
Orchestre à Cordes
3590
Ensemble Jazz
2755
Cloches
1905
Ensemble de cuivres
1720
Orchestre de chambre
1354
Jazz combo
1183
Batterie
549
Percussion (partie séparée)
505
Fanfare
496
Ensemble de Percussions
308
Batterie (partie séparée)
234
Marimba
174
Xylophone, Piano
156
Percussion
149
Piano et Orchestre
135
Timbales (partie séparée)
105
Quintette à Vent
84
Timbales
83
Vibraphone
77
Caisse Claire
65
Vibraphone (partie séparée)
51
Xylophone
51
Quatuor à Vent : 4 instruments à vents
46
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
41
Vibraphone, Piano
28
Marimba, Piano (duo)
17
Instrumentation Flexible
15
2 Xylophones
14
Orchestre, Violon
12
Ensemble d'École
11
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8
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4
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Gregorian Modes - 7 Little Pieces In Church Modes For Piano
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, …
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Piano Solo - Intermediate - Digital Download Composed by Sebastian Freisleben. Jazz, Method, Etudes and Exercises, Pop. 15 pages. Published by Sebastian Freisleben
You want to know how modern songs in old church modes could sound? Let yourself be enchanted by these 7 wonderful & characteristic pieces in ionian \| dorian \| phrygian \| lydian \| mixolydian \| aeolian \| locrian.<br> <br> For the intermediate pianist and jazz piano lover.<br> <br> As a bonus and present from me, you will get a quick explanation about how to use these scales for your own modern sounding songs in old modes!<br> <br> Hear all 7 songs on Spotify or YouTube:<br> https://spoti.fi/2X3xfnq<br> https://bit.ly/2RB2rtt<br> <br> Check out my social media for more!<br> https://facebook.com/sebastianfreisleben <br> https://instagram.com/sebfreis
$10.99
9.96 €
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Piano seul
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Sebastian Freisleben
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Gregorian Modes - 7 Little Pieces In Church Modes For Piano
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Sebastian Freisleben
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SheetMusicPlus
Prelude 1 in C Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
#
Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 7 in Eb Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Prelude 13 in F# Major Ionian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 19 in A Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 19 in A Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 10 in F Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 10 in F Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 16 in G# Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 16 in G# Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 23 in G Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 17 in E Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
#
Piano seul
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 24 in E Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 24 in E Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 14 in D# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 14 in D# Minor Dorian
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Brian Golden
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SheetMusicPlus
Happy Birthday Through The Modes - for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1294014 By Len Rhodes. By Patty and…
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Piano Solo - Level 4 - Digital Download SKU: A0.1294014 By Len Rhodes. By Patty and Mildred J. Hill (1859). Arranged by Len Rhodes. Holiday,Standards,Traditional. Score. 7 pages. Len Rhodes Music #884496. Published by Len Rhodes Music (A0.1294014). An exciting “journey for the musician who wants more for their birthday than the tried and tested major key! These seven piano arrangements (including guitar chords) begin with the familiar major (Ionian) mode; and then journey through Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian modes. I think this arranger’s favourite is the Phrygian.Your download contains all seven modal versions - enjoy!
$6.95
6.3 €
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Piano seul
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Len Rhodes
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Len Rhodes
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Happy Birthday Through The Modes - for piano
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Len Rhodes Music
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SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 8 in C Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.43 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
How to Play Indian Sitar Rāgas on a Piano (2020 edition)
Piano seul
Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by …
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Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).<br> <br> Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar – or instruments such as the sarangi, sarod, esraj or voice – and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.<br> <br> This book contains:<br> •Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.<br> •Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.<br> •Instructions to play any of these rāgas in a duet or at two pianos.<br> •Hundreds of musical examples.<br> •Accompanying audio & video examples can be accessed for free at pianoraga.com<br> <br> The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .
$25.99
23.54 €
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Piano seul
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John Pitts (1976-)
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How to Play Indian Sitar Rāgas on a Piano
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SheetMusicPlus
Liebestraum and Friends Beginner Piano Collection
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1401274 Composed by Franz Liszt. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.1401274 Composed by Franz Liszt. Arranged by SilverTonalities. 19th Century,20th Century,Baroque,Classical,Romantic Period. Score. 43 pages. SilverTonalities #984461. Published by SilverTonalities (A0.1401274). Liebestraum and Friends Beginner Piano CollectionPopular Classics for Beginner Pianists by SilverTonalities!Letter Names Embedded in Noteheads to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2PASTORAL SYMPHONY NUMBER 6 in F Major Third Movement is one of Beethoven’s most popular Symphonies which premiered in Austria in 1808, pages 3-7SONATINA OPUS 36 NUMBER 1, 1st Movement of the Italian Composer, Muzio Clementi’s set of 12 Sonatinas published in 1794, pages 8-9SILVER SWAN is the most famous of the English Renaissance Composers, Orlando Gibbon’s Madrigals which was published in 1612, pages 10-12NORWEGIAN DANCE, OPUS 35 was originally written for 4 Hands (Duet) in 1880 by the Scandinavian Composer, Edward Grieg, pages 13-15SERENADE from the Austrian Composer, Franz Joseph Haydn’s String Quartet Opus 3 Number 5 2nd Movement which premiered in 1717, pages 16-20JUNE Barcarolle Opus 37 is from the Russian Composer, Peter Ilyich Tchaikovsky’s set of 12 short Character Pieces “The Seasonsâ€, pages 21-23 CAN CAN from the Austrian Composer, Franz Lehar’s popular Operetta “The Merry Widow†which premiered in 1905 in Vienna, Austria, pages 24-26LIEBESTRAUM (Dreams of Love) from the Hungarian Romantic Era Composer, Franz Liszt’s set of 3 Piano Solos written in 1850, pages 27-30SONATA IN C MAJOR K545, Second Movement was written in 1788 by the famous Austrian Composer, Wolfgang Amadeus Mozart, pages 31-33SONG OF INDIA from the Russian Composer, Nikolai Rimsky Korsakov’s 1896 Opera “Sadko, pages 34-37THE WILD HORSEMAN Opus 68 Number 8 from the German Composer, Robert Schumann’s “Album for the Youngâ€, pages 38-41MANHATTAN BEACH MARCH was written by the American Military Composer John Philip Sousa in 1893, pages 42-45.
$9.99
9.05 €
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Piano Facile
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Franz Liszt
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SilverTonalities
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Liebestraum and Friends Beginner Piano Collection
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SilverTonalities
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SheetMusicPlus
Rondo Veneziano
Piano seul
By Rond Veneziano. By Dario Farina, Gian Reverberi, Laura Giordano, and Gian Piero R…
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By Rond Veneziano. By Dario Farina, Gian Reverberi, Laura Giordano, and Gian Piero Reverberi (1939-). Arranged by Juliano Music. Contemporary. Score. 5 pages. Juliano Alessandro Molteni #5336777. Published by Juliano Alessandro Molteni
My arrangement for PIANO SOLO of the song "BETTINA" by G. REVERBERI (RONDO' VENEZIANO).<br> <br> JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.
$4.99
4.52 €
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Piano seul
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Rond Veneziano
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Juliano Music
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Rondo Veneziano
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Juliano Alessandro Molteni
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SheetMusicPlus
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